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Advertisements March 2011 (front)
03/2011 | 1296 | 153
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Agnew's, London. Sisteron, by J.M.W. Turner (1775-1851). Watercolour, 13.3 by 19 cm]
Attributed works:
[Agnew's, London. The presentation of the Virgin, by Luca Giordano (1634-1705). Gouache on chamois skin, laid down on panel, 26 by 34.5 cm]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Louis Carrogis called Carmontelle (1717-1806). Portrait of Jean-Charles-Louis de Mesgrigny (1744-1822). Red chalk, each 8 x 6 1/4 in (20 x 15.8 cm)]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Louis Carrogis called Carmontelle (1717-1806). Portrait of Louis-Marie de Mesgrigny (1744-1822). Red chalk, each 8 x 6 1/4 in (20 x 15.8 cm)]
Attributed works:
[Arnoldi-Livie, Munich. Ruins of the Palace of the Caesars on the Palatine in Rome, by Franz Kaisermann (1765-1833). c-1792. Signed lower left: Keisermann fecit. Watercolour, 50.6 by 65.6 cm]
Attributed works:
[Artur Ramon Art, Barcelona. Head of an old man in profile, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). Red chalk on paper, 22.2 by 19.3 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Claude-Joseph Vernet (Avignon 1714-1789 Paris). An Inlet near Naples with a Castle and Fisherfolk. Oil on canvas, 24 7/8 x 38 7/8 in (63.3 x 98.8 cm)]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Elisabetta Sirani (Bologna 1638-1665). The Martyrdom of a Saint. Oil on canvas, 107 by 81.5 cm (42 by 32 cm)]
Attributed works:
[Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Ubaldo Gandolfi (1728-1782). Bust of a child with his head turned downwards, to the left (detail). Oil on paper glued to canvas, 230 x 300 cm]
Attributed works:
[Damiano Lapichirella, Florence. View of the Palazzo Ducale in Venice, by Giuseppe Bernardino Bison (1762-1844). c.1828. Gouache on paper, 33 by 44 cm]
Attributed works:
[David Tunick Inc, New York. Moonlight, by Edvard Munch (1863-1944). 1896, Colour woodcut, 40 by 47.1 cm]
Attributed works:
[Dickinson, London. Verve, by Henri Matisse (1869-1954). 1939. Signed lower right: Henri Matisse 31/8 39. Cut and pasted papers on a paper support. 36.5 by 55.5 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Anthony van Dyck (1599-1641), The Penitent Magdalena (detail), oil on canvas, 60 x 65 cm.]
Attributed works:
[Emanuel Von Baeyer, London. The Papal Crown, by Felix Buhot (1847-1898). 1888. Etching, drypoint and aquatint, 44 by 34.4 cm]
Attributed works:
[Galerie Antoine Laurentine, Paris. Man in blue, by Gaston Chaissac (1910-64). 1959. Oil on cardboard, 32.5 by 25 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pompeo Batoni. Lucca, 1718 - Rome, 1787. Vulcan in his forge. Oil on canvas, 94.2 x 73.7 cm (37 1/8 x 29 cm)]
Attributed works:
[Galerie Paul Prouté, Paris. Study for the Personification of 'The Iliad' in the Apotheosis of Homer, by Jean-Auguste-Dominique Ingres (1780-1867), graphite, 27.7 by 26.2 cm]
Attributed works:
[Galerie Tanakaya, Paris. Sagi (The heron maiden), by Kitano Tsunetomi (1880-1947). 1925. Signed: Tsunetomi hitsu. Shin-Hanga print, 54.3 by 36.4 cm]
Attributed works:
[Gros & Delettrez. 22, rue Drouot. Paris. Albert Cuyp: Woman Milking a Cow, oil on canvas, 94 x 120 cm, signed.]
Attributed works:
[Jean-Luc Baroni, London. Study of a Morrocan standing in profile, by Eugène Delacroix (1798-1863). Black chalk, with touches of red and blue chalk and watercolour, 33.2 by 21.5 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Baldassarre Franceschini, called Il Volterrano (Volterra 1611-1690 Florence). Portrait of Marchese Altoviti as Hylas. Oil on canvas: 96.3 by 76.8 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Fra Bartolomeo (1472 - Florence - 1517). Studied of the Heads of Two Dominican Friars. Red chalk: 132 by 169 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Ivan Konstantinovich Aivazovsky (detail)]
Attributed works:
[Kunstsalon Franke-schenk. Residenzstrasse 23. Munich. Arnold Bocklin (1827 Basle - 1901 San Domenico) Oil on canvas, 79,13 x 61,2 inch (201 x 155 cm), monogrammed and dated lower left: AB 1897.]
Attributed works:
[Lady Lever Art Gallery. (image detail) Style of Guido Reni, Head of a young man, drawn about 1600]
Attributed works:
[Le Claire Kunst, Hamburg. View of a valley with a bridge, in Franconia, by Adolph von Menzel (1815-1905). Monogrammed and dated: A.M. 93. Graphite, 31 by 22.7 cm]
Attributed works:
[Le Claire Kunst. Elbchausse 386. Hamburg. Adolph von Menzel. Franconian Landscape. Pencil. 310 x 227 mm]
Attributed works:
[Liliane Fredericks. Giulia Lama (Venice c.1681 - c.1753 Venice). Study of male nude, seated, left leg outstreched. 434 mm x 424 mm (17 1/8 x 12 1/2 in) Black and White chalk on grey paper]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. CLAUDINE BOUZONNET-STELLA (Lyon 1636-1697 Paris) 'Venus giving Arms to Aeneus'. Preparatory for an engraving after Poussin's painting which had been commissioned by Jacques Stella, uncle of Claudine, and which descended to Claudine upon his death. She is known for her engravings of his work and Poussin's]
Attributed works:
[Museo del Pardo, Madrid. Chardin. 1699-1779]
Attributed works:
[Noortman Master Painting, Amsterdam. Sleeping legionary, by Ubaldo Gandolfi (1728-81). Oil on paper laid onto canvas, 23.2 by 34.6 cm]
Attributed works:
[Pagliari Fine Arts at Galerie Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Giovanni Francesco Barbieri detto il Guercino (Cento, 1591 - Bologna, 1666). Vanitas. (Oil on paper laid down on canvas, 28 x 42 cm)]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Jean-Baptiste Marie PIERRE. Paris 1714-1789. Vulcan montrant à Venus les armes forgées pour Enér. Signed. Black chalk, pen and brown ink and wash, heightened with white, 216 x 252 mm]
Attributed works:
[Ralph R. Haugwitz. Kulmbacher Strasse 3. Berlin. Anton Graff, (1736-1813) Attr., Reflective Pause, Chalk, 349 x 224 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. A young woman asleep, by Richard Parkes Bonington (1802-28). Watercolour, over a pencil underdrawing, 13.3 by 11 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Study of a bather, by Pierre-Auguste Renoir (1841-1919). Signed at lower left: Renoir. Watercolour over an underdrawing in pencil, 32.4 by 30.9 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London. Guido Reni (1575-1642). The Head of a Young Woman Looking Upwards. Black and red chalk, with touches of white chalk, on pale brown paper, 377 x 270 mm (14 7/8 x 10 5/8 in)]
Attributed works:
[The Burlington Magazine. London. 'Thomas'. No. 15 from Twenty- eight caricatures, by Thomas Patch. 1769-70. Soft-ground etching. 15.2 by 10.8 cm]
Attributed works:
[The Burlington Magazine. London. Landscape at Iden, by Paul Nash. 1929. Canvas, 69.9 by 90.8 cm (Tate Britain, London)]
Attributed works:
[The Burlington Magazine. London. Samuel Pepys, by Sir Godfrey Kneller. 1689. Canvas, 76.0 by 63.5 cm (National Maritime Museum, Greenwich)]
Attributed works:
[The London Original Print Fair. The Royal Academy. Piccadilly. London. Grayson Perry, Map of Nowhere (detail), 2008 © The artist and Paragon Press, London.]
Attributed works:
[The Van Gogh Museum. Amsterdam. Vincent van Gogh1853-1890. Zonnerbloemen, Arles, Januari 1889. Van Gogh Museum Amsterdam.]
Attributed works:
[Trinity Fine Art, London and New York. Study of dolphin and a dolphin's skull, by Vincenzo Gemito (1852-1929). Signed and dated lower left in graphite: V. Gemito 1923. Pen, black/brown ink with some wash, 23 by 32 cm.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Luigi Valadier (Rome 1726-1785). A Trembleuse with a Beaker and CUp, and a detail of the stand with alternatives. Pen and dark brown ink and wash, 335 x 236 mm. Signed Luigi Valadierargentiere a S. Luigi de Francesi.]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Ludwig van Beethoven. Draft of the Goethe song "Neue Liebe, neues Leben" (WoO 127). Vienna, 1798/99]
Attributed works:
[W.M. Brady & Co., New York. Head of a young girl, Jean-Baptiste Greuze (1725-1805). Red chalk, 40.5 by 32.7 cm]
Attributed works:
[Wienerroither & Kohlbacher, Vienna. Reclining male with long hair, by Gustav Klimt (1862-1918). Blue crayon on paper, 36.8 by 55.8 cm]
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Advertisements March 2010 (front)
03/2010 | 1284 | 152
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Agnew's, London. A Mameluke retrieving his lance (recto); Classical composition (verso), by Theodore Géricault (1791-1824). Pen and brown ink and sepia and traces of pencil (recto); Pen and brown ink and sepia over pencil (verso), 17 by 22 cm]
Attributed works:
[Agnews, London. Meleager presenting the head of the Calydonian boar to Atalanta, by Giovanni Battista Crosato (c.1697-1756). Oil on canvas, 81.3 by 99.1 cm]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Benjamin West (1738 - 1820). Cupid and Psyche. Oil on canvas, 54 1/4 x 56 1/4 in (137.8 x 142.9 cm). Signed and dated 'B. West 1808']
Attributed works:
[Artur Ramon Art. Palla 25 CP 08002, Barcellona. Antonio d'Enrico, called Tanzio da Varallo (Alagna, Valsesia, 1575/80 - Varallo, 1635). Study of a kneeling figure half-lenth holding a cup. c. 1620. Red chalk with white chalk on paper washed pink, 200 x 150 mm (actual size)]
Attributed works:
[Artur Ramon, Barcelona. Mercury presents the young Bacchus to the nymphs, by Andrea Procaccini (1671-1734). Pen and brown ink over traces of black chalk, 11.7 by 16.8 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Victor Hugo (1802-1885). The tower of Saint-Romboult amidst an imaginary landscape. Signed and dated on verso. Ink, wash, charcoal and gouache on paper. 48 x 63 cm]
Attributed works:
[Arturo Cuellar, Zurich. Nude looking at her reflection in the water and a bather, by Carl Christian Vogel von Vogelstein (1788-1868). Signed and dated lower right: 'C. Vogel Rom, 1819'. Pencil, 21.7 by 17 cm]
Attributed works:
[Charles Beddington, London. Venice: the Grand Canal at the entrance to the Cannaregio with the Church of San Geremia and the Palazzo Labia, by Pietro Bellotti (1725 - c.1800). Oil on canvas, 113.5 by 139 cm]
Attributed works:
[Colnaghi. 15 Old Bond Street. London. Giovanni Francesco Barbieri, called il Guercino. Cento 1591 - 1666 Bologna, Two Warriors. Pen and brown ink and wash, 203 x 133 mm]
Attributed works:
[Dickinson, London. Deux Femmes, by Paul Gauguin (1848-1903). Signed and dated lower left: P. Gauguin 1902. Oil on canvas, 74 by 64.5 cm.]
Attributed works:
[Didier Aaron & Cie, Paris. Audience of Cardinal Aldobrandini in the loggia of the Villa Belvedere in Frascati, by François-Marius Granet (1775-1849). c.1820. Signed lower left: GRANET / FRASCATI. Oil on canvas, 37 by 47 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Portrait of Marie Lecat, by Carle van Loo (1705-1765). One of a pair. Signed and dated 1743. Black chalk with white highlights, 47.6 by 33 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Frans Francken II (1581-1642), Markind, between vice and Virtue (detail), 1635, oil on panel, 143x211 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Giovanni Francesco Barbieri, il Guercino (1591-1666), Rinaldo and Armida, oil on canvas, 113x153 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano (Rome), 1578 - Rome, 1644. The Arrival of Cleopatra at Tarsus. Oil on canvas, 119 x 170 cm (46 7/8 x 66 15/16 in)]
Attributed works:
[Galerie Caotalem, Paris. Portrait of Jean Alaux, by Jean Auguste Dominique Ingres (1780-1867). Graphite, 16.5 by 12.9 cm]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Jan van Kessel the Elder. Antwerp 1626 - 1679 Antwerp. Sweetpeas, shells and butterflies. Oil on copper, 18.8 x 25 cm (7.4 x 9.8 inches). Signed at bottom left: "J.V. Kessel.fecit"]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Jean-Baptiste OUDRY. A Lacquered Stool with Books, Engravings and a Musette. Oil on canvas, H. 91 cm; L. 72 cm signed and dated 1742.]
Attributed works:
[Galerie Eric Coatem, Paris. A spaniel looking to the left, by Alexandre-François Desportes (1661-1743). Black chalk and oil on light brown paper, 31.9 by 26 cm]
Attributed works:
[Galerie G. Sarti. St. Jerome translating the Bible in the desert, by Marco Palmezzano (c.1459-1539). c.1537. Tempera on panel, 66.5 by 57.5 cm.]
Attributed works:
[Galerie Paul Prouté, Paris. A boat with figurehead, by Odilon Redon (1840-1916). Signed in pencil: 'Odilon Redon'. Watercolour, 15.3 by 24 cm]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré. Paris. Giovanni di Paolo (Siena, 1398-1482). The Virgin and Child between Saints Catherine of Alexandria, Dorothy and two Angels. Circa 1420. Tempera and gold on wood - 34.6 x 22.6 cm]
Attributed works:
[Hill-Stone. New York. Dominique-Louis-Fereol Papety (Marseille 1815-1849 Marseille). Greek Women at the Fountain. Drawing in black chalk, with watercolour washes and white heightening signed by the artist lower left. A study for the artist's most well-known work. omitting the central figure group. The painting at the Musée du Louvre, Paris, is dated to 1841; our study must have been produced shortly before. 287 x 337 mm (11 1/4 x 13 1/4 inches)]
Attributed works:
[Jean-Luc Baroni, London. Time and Truth, by Giovanni Battista Tiepolo (1696-1770). Pen and brown ink and brown wash over a sketch in black chalk, 22.3 by 21.1 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Herman van Swanevelt. Woerden 1603-1655 Paris. Landscape with the Finding of Moses. Oil on canvas, 43.5 by 55.2 cm. (17 1/4 by 21 3/4 in)]
Attributed works:
[Katrin Bellinger, Munich. Illustration for Ariost's 'Orlando Furioso', by Jean-Honoré Fragonard (1732-1806). Black chalk and brown ink with grey wash, 38.9 by 24.6 cm.]
Attributed works:
[Moretti, London, Florence & New York. Madonna and Child enthroned between Saints Bartholomew, James Major and two female saints, by Giovanni di Paolo (1397-1482). Panel, 37.3 by 26.7 cm. (with the original frame).]
Attributed works:
[Otto Naumann, New York. The courtyard of the Doge's Palace, Venice, with the Scala dei Giganti and Saint Mark's Basilica beyond, by Michele Giovanni Marieschi (1710-43). Oil on canvas, 118.5 by 180.7 cm]
Attributed works:
[Rob Smeets, Geneva. Three heads of Children, by Giulio Cesare Procaccini (1574-1625). c.1620. Inscribed on verso in an old hand: 'Mad.a Sig.a (?) Falco'. Oil on panel, 26.4 by 35 cm.]
Attributed works:
[Sam Fogg, London. Creation of the world and expulsion from paradise, by Valentin Bousch (1514-41). 1531-1533. Stained glass from the Church of Saint Firmin at Flavigny-sur-Moselle, Lorraine. 289.5 by 76.2 cm]
Attributed works:
[The 25th London Original Print Fair. Royal Academy of Arts. Burlington House. Howard Hodgkin. Night Palm. 1990 (detail). Hand-coloured etching with carborundum.]
Attributed works:
[The Fine Art Society, London. Dieppe shop window, by Walter Richard Sickert (1860-1942). c. 1885. Watercolour, ink and gouache on paper, 26 by 32 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Antonio Susini (1558-1624) (After a model by Giambologna). The Fowler. Executed c. 1580-1600. Bronze. 31 cm high]
Attributed works:
[Triniy Fine Art, London & New York. Vidi, quod agnus aperuisset: the four horsemen of the Apocalypse and St. John the Evangelist in the background, by Luigi Sabatelli (1772-1850). Black chalk, pen and brown ink, 58.3 by 43.6 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Johann Strauss II. His last musical sketches, ca. 1899. Autograph manuscript, 61 pages.]
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Advertisements May 1991 (front)
05/1991 | 1058 | 133
Pages: i-xiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Jacob Esselens (1626-Amsterdam-1687). Black Chalk and Grey Wash. 181 (184) × 307mm.
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Giulio Cesare Procaccini Bologna 1574 - 1625 Milan. A Self-Portrait. Oil on Panel: 42.5 × 27 cms
Attributed works:
[Edmund Peel & Asociados (Spanish representatives for Sotheby's), Plaza de la Independencia 8, Madrid/ Pasaje Domingo 2, Barcelona] Giovanni Paolo Castelli, Called lo Spadino (1659-1730) Still Lifes of Fruit and Exotic Birds in Landscapes, One of a Pair, Oil on Canvas, Each 94 × 131 cm. 12,000,000 - 16,000,000 ptas. (£65,000 - 85,000), the Pair.
Attributed works:
[Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] "Batelières en Bretagne". Tempera. Monogrammed at Lower Right. Circa 1893-1894. 47 × 63 cm.
Attributed works:
[Galerie Gismondi, 20 Rue Royale, Paris] Jusepe de Ribera, St Jerome Reclining and a Kneeling Female Figure. Cat. Jonathan Brown: Ribera Prints & Drawings, 1973, no.6 etc...
Attributed works:
[Galerie Kornfeld, Laupenstrasse 41, Bern] Paul Klee. Façade. Pen and Ink Drawing, with Wash. 1924. Oeuvrecatalogue 1924. 171. 27.8:30.8 cm.
Attributed works:
[Lempertz, 24 rue aux Laines, Brussels/ Neumarkt 3, Cologne] Aert v.d. Neer. "Eisvergnügen". Oil on Canvas. Signed. 45 cm × 64.8 cm. Estimate DM 250.000,-
Attributed works:
[Marlborough, 6 Albemarle Street, London] Bill Jacklin (b.1943). Onlookers III, 1990-91. Oil on Canvas, 78 × 72 in./198.2 × 182.9 cm.
Attributed works:
[Phillips, 101 New Bond Street, London] Maurice Utrillo, "La rue de Mont Cenis", Circa 1921, Signed, Oil on Canvas, 52cm × 75cm. To Be Included in a Sale of Modern Paintings on 26 June
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Denys Calvaert, Tobias and the Angel c. 1560. Signed and Dated on the Reverse 1560, Oil on Copper, $9frac{3}{10} text{by} 7 frac{1}{5}$ Inches (23.6 by 18.3 cm)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] One of a Pair of Victorian Silver Ice Vases and Covers, Benjamin Smith, London, 1847, Height 37cm. To Be Included in the Sale of Silver on 23rd May. Estimate: £25,000-35,000.
Attributed works:
[Spink & Son Ltd, 5,6,7 King Street St James, London] Edward Lear 1812-1888. A Distant View of the Citadel, Corfu. Watercolour. 11¼ × $17frac{3}{4}$ Inches. Signed with Monogram
Attributed works:
[Spink & Son Ltd, 5,6,7 King Street St James, London]Thomas Rowlandson 1756-1827. A Gaming Table at Devonshire House, London. Pen and Ink and Watercolour. $12frac{1}{8}$ × 16½ Inches
Attributed works:
[The Grosvenor House Antiques Fair, London/ Angela Grafin von Wallwitz, 18 Clareville Grove, London] A Meissen Porcelain Figure of a Pagoda, Probably Modelled by Georg Fritzsche, One of Two Examples Known of This Early Date. Circa 1725. Height 23.5 cm (9¼ in).
Attributed works:
[The Grosvenor House Antiques Fair, London/ Wartski, 14 Grafton Street, London] Three Fine Gold Snuff Boxes. (top right) Striated grey brown agate box of cartouche form, the baluster walls with chased gold floral and shell mounts, the cagework on the cover in elaborately chased and granulated golds with a seated girl with a basket of flowers on her back watching a young man with a retriever against a scrolling background of conventionalised trees and flowers. Cagework compositions in this manner derive from the decorative designs of William de la Cour. English, circa 1760. Width 8 cm ($3frac{1}{8}$ in). (top left) Boldly chased rectangular snuff box in four-colour gold, inlaid with dark sepia-coloured mother-of-pearl serving as a background to a series of mythological beasts and birds. The borders round the cover and base chased with flowers, leaves and scrolls in relief over granulated paths. By Gabriel-Raoul Morel. Paris, circa 1820. Length 8.1 cm ($3frac{3}{16}$ in). (front) Oval gold snuff-box chased with scrolling borders framing reserved areas enamelled en plein in the manner of Philippe Parpette with painted vases and bowls of flowers, fruit and, on the cover, a carafe and glass of red wine. The borders are further embellished with emerald-green basse-taille enamel over engraved fields. Each still-life painting is seen against an architectural background, the four round the walls of the box form a continuing enfilade. By Jean Moynat. Paris, 1758. Length 5.7 cm (2¼ in).
Attributed works:
[The Grosvenor House Antiques Fair/ William Drummond, 8 St James Chambers, Ryder Street, London] Self-Portrait by Sir Godfrey Kneller (1646-1723). Dated '1710'. Oil on Canvas, 75 × 62.5 cm (29½ × 24½ in).
Attributed works:
[W.M. Brady & Co, 3 East 76th Street, New York] Alexandre-Denis Abel de Pujol (French, 1785-1861). César allant au Sénat le jour des Ides de Mars, 1818. Signed and Dated 1818. Pen and Brown Ink with Washes Heightened with Gouache, 422 × 580 mm
Non-western art unattributed:
[The International Ceramics Fair and Seminar, London] Pair of Tang Pottery Figures of Middle Eastern Merchants, 618-907
Western art unattributed:
[Artur Ramon, Palla 25, Barcelona] A Faenza Blue, Orange, Green, Manganese and White Albarello with a Roundel Enclosing the Portrait Head of a Young Lady in Profile, below a Blue Scroll Inscribed with the Name of the Contents. The Rest Is Decorated with a Continuous Band of Flowers and Foliage. C. 1480. 22.5 cm. High.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris] An English (?) Ivory Figure of Christ Early 13th Century. Height: 12.5 cm
Western art unattributed:
[Front cover] Ewer. Byzantine, Seventh Century? Sardonyx, Silver-Gilt, Precious Gems and Pearls, 35.7 cm. High. (Musée du Louvre, Paris; Exhibited in Le Trésor de St-Denis, See p.337 below).
Western art unattributed:
[Otto Naumann, Ltd, 4 East 74th Street, New York] Anon. Dutch 17th Century. Panel 4½ × 3½ ins.