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Exhibition Review

Colquhoun and MacBryde

03/2015 | 1344 | 157

Pages: 207-209

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related names

Reviewer:

Spalding, Frances (Spalding, Frances)

Subjects

artists:

Colquhoun, Robert / MacBryde, Robert

dates:

2010-2019

museums and institutions:

Scottish National Gallery of Modern Art, Edinburgh, Great Britain

places:

Scotland / Edinburgh

subjects:

Reviews / Exhibitions

Illustrations

Attributed works:

66. The woman and the tric-trac game, by Robert MacBryde (Glasgow Museums, held on behalf of Glasgow City Council; exh. Scottish National Gallery of Modern Art, Edinburgh)

Attributed works:

67. Seated woman and cat, by Robert Colquhoun (Arts Council Collection; exh. Scottish National Gallery of Modern Art, Edinburgh)

Attributed works:

68. The painters: M'Bride and Colquhoun, by Ian Fleming (Glasgow School of Art; exh. Scottish National Gallery of Modern Art, Edinburgh)

Book Review

The Last Bohemians. The Two Roberts – Colquhoun and MacBryde

04/2011 | 1297 | 153

Pages: 264

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related names

Reviewer:

Rye, Jane (Rye, Jane)

Subjects

artists:

MacBryde, Robert / Colquhoun, Robert

dates:

1930-1939 / 1940-1959 / 1960-1969

places:

London

print:

Colquhoun, Robert

print:

MacBryde, Robert

subjects:

Scottish painting

Reviewed Items

subjects:

The Last Bohemians. The Two Roberts – Colquhoun and MacBryde | author: Bristow, Roger

Illustrations

Attributed works:

58. The fortune teller, by Robert Colquhoun. 1946. Canvas, 126.4 by 80.7 cm. (Tate, London).

Advertisements

Advertisements February 1997 (front)

02/1997 | 1127 | 139

Pages: i-xii

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Subjects

advertisements:

A. H. Jolly Ltd (publishers), Yelvertoft, Northamptonshire, Great Britain

advertisements:

Robert Simon Fine Art, Inc., New York, United States

advertisements:

H. Blairman & Sons Ltd (dealer), London, Great Britain

advertisements:

The Williamson Museum and Art Gallery, Birkenhead, Great Britain

advertisements:

MacMillan & Co. (publishers), London, Great Britain

advertisements:

Colnaghi, London, Great Britain

advertisements:

Stair & Company, London, Great Britain

advertisements:

Aldega-Gordon, New York, United States

advertisements:

Detlev Auvermann KG, Glashütten, Germany

advertisements:

Otto Naumann, New York, United States

advertisements:

Michael Tollemache Ltd., London, Great Britain

advertisements:

Didier Aaron, Inc, New York, United States

advertisements:

Simon Dickinson, London, Great Britain

advertisements:

European Fine Art Fair TEFAF, Maastricht, Netherlands

advertisements:

Hall & Knight Ltd., New York, United States

advertisements:

Arnold Wiggins & Sons Limited, London, Great Britain

advertisements:

Galerie Lingenauber, Düsseldorf, Germany

advertisements:

The Olympia Decorative & Antiques Fair (London)

advertisements:

John H. Schlichte Bergen, Amsterdam, Netherlands

advertisements:

Joanna Barnes Fine Art, London, Great Britain

advertisements:

Harvey Miller Publishers, London, Great Britain

advertisements:

Master Drawings (art periodical)

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Dover Street Gallery, London, Great Britain

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The Burlington Magazine

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The BADA Antiques & Fine Art Fair

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International Kunst Messe Cologne

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Paul Mitchell Ltd., London, Great Britain

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Concorde Art Associates, New York, United States

advertisements:

Association of Art Historians

artists:

Gemito, Vincenzo / Renoir, Pierre-Auguste / Butteri, Giovanni Maria

artists:

Santacroce, Girolamo da, painter, 1480/5-1556 / Canova, Antonio

artists:

Dalem, Cornelis van / Colquhoun, Robert / Crespi, Giuseppe Maria, lo Spagnolo

artists:

Rope, Ellen Mary

subjects:

Advertisements

Illustrations

Attributed works:

[ Colnaghi, 15 Old Bond Street, London ] Viencenzo Gemito Naples 1852 - 1929 Naples. Study of a Sleeping Boy. Pencil, Heightened with White, on Panel. Signed, Dated and Inscribed. V. Gemito/1911/15 settembre/della etá/di 15 mesi. in Pencil at the Right 184 × 240 mm. (7¼ × 9½ in.)

Attributed works:

[ Concorde Art Associates ] Pierre Auguste Renoir. Portrait du Colonel Barton Howard Jenks. Signed and Dated Left Centre, A. Renoir 1865. Oil on Canvas, 29 × $23frac{3}{4}$ (73.7 × 60.3 cm).

Attributed works:

[ cover ] Madonna with Child and Saints, by Domenico Puligo, in Its Original Frame by Baccio d'Agnolo. 1526. Panel, 175 by 214 cm. (S. Maria Maddalena dei Pazzi, Florence; Exh. Uffizi, Florence).

Attributed works:

[ Dover Street Gallery, 13 Dover Street, London ] Girolamo Da Santa Croce (Active 1503 - 1556). The Agony in the Garden. Oil on Panel. $17frac{3}{4}times 15frac{5}{8}$ in.: 45.2 × 39.7 cm.

Attributed works:

[ Galerie Lingenauber, Schwerinstr. 38, Düsseldorf ] The Holy Family Attacked by Brigands within a Landscape. Canvas 117.5 by 96 cm (46 by 38 in.)

Attributed works:

[ Olympia, The Fine Art and Antiques Fair, London ] Robert Colquhoun, Self Portrait, Circa 1940, Oil on Canvas, Scottish National Portrait Gallery

Attributed works:

[ Robert B. Simon, Satis House, Tower Hill Road, Tuxedo Park, New York ] Giovanni Maria Butteri (Florence, ca. 1540 - 1606). Madonna and Child Enthroned with Saints Jude, Simon, and John the Baptist. Oil on Panel, 90 × 62 in. (228 × 157 cm). Signed and Dated 1586

Attributed works:

[ Schlichte Bergen, P. C. Hooftstraat 53, Amsterdam ] Cornelis van Dalem Antwerp before 1534 - Bavel 1573. Landscape with the Dawn of Civilization. Circa 1565. Oil on Panel, 88 × 165 cm.

Attributed works:

[ The Dictionary of Art, MacMillan publishers Ltd] , Antonio Canova, The Three Graces, Marble, h.1.67m. 1815-17. © The Conway Library, Courtauld Institute of Art. From the Article Canova

Attributed works:

[ The Williamson Art Gallery and Museum, Birkenhead with Joanna Barnes Fine arts, 14 Mason's Yard, London ] Patience and Hope Steering the Boat of Education by Ellen Mary Pope (1855 - 1934). Plaster, 44 × 77.5 cm

Advertisements

Advertisements January 1997 (back)

01/1997 | 1126 | 139

Pages: 81-82

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Subjects

advertisements:

The Olympia Decorative & Antiques Fair (London)

advertisements:

Andrew Brainered Fine Arts, Chicago, United States

artists:

Panini, Giovanni Paolo / Colquhoun, Robert

subjects:

Advertisements

Illustrations

Attributed works:

[ Andrew Brainerd Fine Arts, Chicago] Giovanni Paolo Panini (1691-1765), Architectural 'capriccio' with St Michael.

Attributed works:

[ Olympia, The Fine Art and Antiques Fair, London ] Robert Colquhoun, Self Portrait, Circa 1940, Oil on Canvas, Scottish National Portrait Gallery

Supplement

Recent Acquisitions in Edinburgh Museums: Supplement

08/1990 | 1049 | 132

Pages: 609-612

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Subjects

artists:

Crespin, Paul

artists:

Mackintosh, Charles Rennie

artists:

Baselitz, Georg

artists:

Hillier, Tristram Paul

artists:

Roberts, William, 1895-1980

artists:

Købke, Christen

artists:

Colquhoun, Robert

artists:

Roubiliac, Louis François

artists:

Ramsay, Allan

artists:

Lamerie, Paul de

artists:

Turner, Joseph Mallord William

artists:

Wals, Goffredo

dates:

1980-1989

museums and institutions:

Scottish National Gallery of Modern Art, Edinburgh, Great Britain

museums and institutions:

Royal Museum of Scotland, Edinburgh, Great Britain

museums and institutions:

Scottish National Portrait Gallery, Edinburgh, Great Britain

museums and institutions:

National Gallery of Scotland, Edinburgh, Great Britain

places:

Scotland / Edinburgh

subjects:

British painting / French / Metalwork

subjects:

Art museums / Acquisitions

Illustrations

Attributed works:

I. Landscape with Christ and John the Baptist, by Goffredo Wals. Copper, 28.5 cm. diam. Purchased with the Aid of the National Art Collections Fund, 1990. (National Gallery of Scotland).

Attributed works:

II. The Bell Rock lighthouse, by Joseph Mallord William Turner. Water-colour and gouache with scratching out, 30.6 by 45.5 cm. Purchased with major contributions from the National Heritage Memorial Fund and the Pilgrim Trust. (National Gallery of Scotland). Robert Stevenson, who built the Bell Rock lighthouse, wrote an account of its revolutionary design and construction for which he needed an engraved view as illustration, and he asked Sir Walter Scott for an introduction to Turner. The subject of human enterprise against the sublime power of the sea obviously appealed to the artist.

Attributed works:

III. Chesterfield wine cooler, with the maker's mark of Paul Crespin overstriking that of Paul de Lamerie. 1727-28. Silver, 27.2 cm. high. The Victoria and Albert Museum and the National Museums of Scotland succeeded in raising £750,000 to save the two Chesterfield wine coolers from export, and the second is now in the V & A. Major financial assistance was received from the National Heritage Memorial Fund, the National Art Collections Fund, Christie's International, the Pilgrim Trust, the Wolfson Foundation and the Worshipful Company of Goldsmiths, London. (Royal Museum of Scotland). The pair is from the ambassadorial service issued by the Royal Jewel House to Philip Dormer Stanhope, 4th Earl of Chesterfield (1694-1773) for his embassy to The Hague between 1728 and 1732.

Attributed works:

IV. Hew Dalrymple, Lord Drummore, by Allan Ramsay. 1754. 127 by 102.2 cm. Purchased with assistance from the National Heritage Memorial Fund and the National Art Collections Fund, 1989. (Scottish National Portrait Gallery). Ramsay's preliminary drawing for the portrait has been in the National Gallery of Scotland since 1860.

Attributed works:

IX. Pylons, by Tristram Hillier. 1933. 92 by 60.3 cm. Miss Elizabeth Watt Bequest, 1989. (Scottish National Gallery of Modern Art). Pylons was exhibited at the 1934 Unit One exhibition held at the Mayor Gallery, London, where it was purchased by Miss Watt. With Fig. VIII, it forms part of her remarkable collection of modern British art bequeathed to the Gallery on her death in 1989.

Attributed works:

V. Model for the monument to Henry Petty, 1st Earl of Shelburne (1675-1751, attributed to Louis François Roubiliac. Terracotta, 71 by 64 by 21 cm. Acquired in 1989. (Royal Museum of Scotland.)) This rejected proposal for the monument to the 1st Earl of Shelburne was probably made between the Earl's death on 17th April 1751 and 14th August 1751 when Peter Scheemakers apparently received the first payment for the tomb at High Wycombe, Buckinghamshire which is dated 1754. The relief, supported by three allegorial figures, shows the knighting of the Earl's father, Sir William Petty. Along the top of the plinth are traces of missing, sketchily modelled statuettes of the Earl's wife (d.1740) and other members of his family. An article by Malcolm Baker on this commission will appear in a forthcoming issue of this Magazine.

Attributed works:

VI. Self Portrait, by Robert Colquhoun. 41.2 by 33 cm. Purchased with the Help of the National Art Collections Fund (Modern Art Fund) in 1990. (Scottish National Portrait Gallery).

Attributed works:

VII. View of the square in Kastellet looking towards Kastelsvolden, by Christen Ko̵bke. c.1830. 30 by 23.5 cm. Purchased with the aid of the National Art Collections Fund, 1989. (National Gallery of Scotland). This early work by one of the Danish masters of the 'Golden Age' shows the bakery of the Kastellet, the citadel in Copenhagen which then served as a prison. The bakery was owned by Ko̵bke's father who is shown here with Major J. J. Krohn and the prison sergeant, Sporch.

Attributed works:

VIII. The ballet, by William Roberts. c.1933. 40.8 by 45.6 cm. Miss Elizabeth Watt Bequest, 1989. (Scottish National Gallery of Modern Art). Miss Watt purchased the picture from an exhibition of the London Artists Association held at the Cooling Galleries, Bond Street in 1933.

Attributed works:

X. Untitled (figure with raised arm), by Georg Baselitz. 1982-84, Painted wood, 253 by 71 by 46 cm. Purchased with assistance from the National Art Collections Fund, 1989. (Scottish National Gallery of Modern Art).

Attributed works:

XI. Mont Alba, by Charles Rennie Mackintosh. c.1923-27. Water-colour, 38.7 by 43.8 cm. Purchased 1990. (Scottish National Gallery of Modern Art). This is the first water-colour by Mackintosh to be acquired by the Gallery.

Supplement

Recent Museum Acquisitions of British Works on Paper: Supplement

11/1985 | 992 | 127

Pages: 838-842

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Subjects

artists:

Lewis, Wyndham

artists:

Burra, Edward

artists:

Paolozzi, Eduardo

artists:

Bomberg, David

artists:

Dobson, Frank

artists:

Piper, John

artists:

Colquhoun, Robert

artists:

Roberts, William, 1895-1980

artists:

Bell, Vanessa

dates:

1980-1989

museums and institutions:

Whitworth Art Gallery, Manchester, Great Britain

museums and institutions:

Art Gallery & Museum, Salford, Great Britain

museums and institutions:

Middlesbrough Art Gallery, London, Great Britain

museums and institutions:

Swindon Museum & Art Gallery, Swindon, Great Britain

museums and institutions:

Imperial War Museum, London, Great Britain

museums and institutions:

City Art Gallery, Leeds, Great Britain

museums and institutions:

City Museum & Art Gallery, Glasgow, Great Britain

museums and institutions:

National Gallery of Ireland, Dublin, Ireland

museums and institutions:

National Museum of Wales, Cardiff, Great Britain

museums and institutions:

Herbert Art Gallery, Coventry, Great Britain

museums and institutions:

Bolton Museum and Art Gallery, Bolton, Great Britain

places:

England

subjects:

Art museums / Acquisitions / British painting / Watercolours / Drawings / Prints

Illustrations

Attributed works:

1. Bird Women, by Edward Burra. Signed and Dated 1932. Pencil, Ink, Water-Colour and Gouache, 55.5 by 76.2 cm. Purchase 1985.

Attributed works:

10. The Ploughman, by Joseph Crawhall. Gouache and Ink on Card, 31.6 by 28.9 cm. Bequest 1985.

Attributed works:

11. Slopes of Glyder Fawr, Llyn Idwal, North Wales, by John Piper. Signed. c.1947. Ink, Water-Colour and Bodycolour, 55.7 by 71.2 cm. Purchase 1985.

Attributed works:

12. Portrait of Robert MacBryde, by Robert Colquhoun. Ink, 30.5 by 22.7 cm. Purchase 1985 (Photograph Courtesy Mercury Gallery, Edinburgh).

Attributed works:

13. La nature morte, by William Roberts. Signed and Inscribed. c.1970-75. Water-Colour, 49.5 by 31.8 cm. Purchase 1985.

Attributed works:

14. Study for The tub, by Vanessa Bell. Studio Stamp, 1917. Water-Colour, 44.5 by 40.2 cm. Purchase 1985.

Attributed works:

2. Woman with a Red Tam O'Shanter, by Wyndham Lewis. Signed and Dated 1921. 38.7 by 50.2 cm. Purchase 1984.

Attributed works:

3. Fruit Market and Statues, by Edward Burra. Signed. c.1930. Ink, 51.1 by 40.1 cm. Purchase 1985.

Attributed works:

4. 'A Young Man of His Country's Services', by John Butler Yeats. Signed and Dated 1885. Pencil, Chalk and Water-Colour, 35.7 by 25.6 cm. Gift 1985.

Attributed works:

5. Study of an Old Lady, by Joan Eardley. c.1947. Charcoal and White Chalk, 58.4 by 45.7 cm. Purchase 1985.

Attributed works:

6. Two Gulls and a Fish, by Eduardo Paolozzi. 1946 Signed and Dated 1946. Mixed Media and Collage, 45.6 by 60.5 cm. Purchase with 50 Per Cent Government Grant 1985.

Attributed works:

7. Evening in the City, by David Bomberg. 1944. Charcoal, 47 by 61 cm. Purchase 1984.

Attributed works:

8. Portrait of a Naval Rating, by Frank Dobson. c.1942. Pastel, 43.2 by 33 cm. Purchase 1984.

Attributed works:

9. Munitions Worker, by Charles Ginner Signed. 1918. Ink and Coloured Chalks, 21 by 7.6 cm. Purchase 1985.

Exhibition Review

Edinburgh Robert Colquhoun

07/1981 | 940 | 123

Pages: 438+440+443

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related names

Reviewer:

Griffiths, John (Griffiths, John)

Subjects

artists:

Colquhoun, Robert

dates:

1980-1989

museums and institutions:

Edinburgh City Art Centre, Edinburgh, Great Britain

places:

Scotland / Edinburgh

subjects:

Exhibitions / Reviews

Illustrations

Attributed works:

61. Woman with Leaping Cat, by Robert Colquhoun. 1946. 76.2 by 61 cm. (Tate Gallery; Exh. City Art Centre, Edinburgh).

Attributed works:

62. Weaving Army Cloth, by Robert Colquhoun. 1945. 75.5 by 101.5 cm. (British Council; Exh. City Art Centre, Edinburgh).

Supplement

Acquisitions of Nineteenth and Twentieth-Century Art by Museums: Supplement

11/1977 | 896 | 119

Pages: 802

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Subjects

artists:

O'Conor, Roderic

artists:

Phillips, Peter, b. 1939

artists:

McWilliam, F.E.

artists:

Davies, John, b. 1946

artists:

Campbell, Christopher, 1908-1972

artists:

Colquhoun, Robert

artists:

Piper, David

artists:

Gabo, Naum

artists:

Gris, Juan

artists:

Moholy-Nagy, László

artists:

Soutine, Chaim

artists:

Mondrian, Piet

artists:

Goncharova, Natalia

artists:

Carpeaux, Jean-Baptiste

artists:

Tissot, James

artists:

Gilbert, Alfred

artists:

Gauguin, Paul

artists:

Richmond, George

dates:

1800-1899 / 1900-1999

dates:

1970-1979

museums and institutions:

Minneapolis Institute of Arts, Minneapolis, United States

museums and institutions:

Tate Gallery, London, Great Britain

museums and institutions:

National Museum of Wales, Cardiff, Great Britain

museums and institutions:

National Gallery of Art, Washington, United States

subjects:

Art museums / Acquisitions / Modern art / Modern Art / Supplements

Illustrations

Attributed works:

100. Fantômas, by Juan Gris. Signed and Dated 1915. Canvas, 60 by 75 cm. (National Gallery of Art, Washington D. C.).

Attributed works:

101. L & CH, by Laszlo Moholy-Nagy. 1936-39. Canvas, 96.5 by 76 cm. (National Museum of Wales, Cardiff).

Attributed works:

102. Abstract Composition of Two Standing Figures, by Natalie Gontcharova. Signed. Pencil and Crayon on One Half of a Sheet of Brown Paper, Folded across, 51.4 by 36.5 cm. (Scottish National Gallery of Modern Art, Edinburgh).

Attributed works:

103. Torsion, by Naum Gabo. 1929. Plastic; Height, 34.9 cm. (Tate Gallery).

Attributed works:

104. Painting, by John Piper. 1935. Canvas, 39.25 by 28.5 cm. (National Museum of Wales, Cardiff).

Attributed works:

105. The Fortune-Teller, by Robert Colquhoun. 1946. Canvas, 125.8 by 80 cm. (Tate Gallery).

Attributed works:

106. Self-Portrait - The Artist and His Sister, by Christopher Campbell. 1930. Canvas, 76.5 by 51 cm. (Ulster Museum, Belfast).

Attributed works:

107. Man with Ring, by John Davies. 1975. Mixed Media, Life-Size. (Ulster Museum, Belfast).

Attributed works:

108. Woman in Bomb Blast 1974 - 1. by F. E. McWilliam. Patinated Bronze, 56.5 by 139.2 by 57 cm. (Ulster Museum, Belfast).

Attributed works:

109. Mosaikbild 6 × 11 1975, by Peter Phillips. Acrylic on Canvas, 170 by 300 cm. (Ulster Museum, Belfast).

Attributed works:

90. Christ and the Woman of Samaria, by George Richmond. c.1828. Pen and Ink. 10.8 by 15.2 cm. (Tate Gallery).

Attributed works:

91. The Invocation, by Paul Gauguin. Signed and Dated 1903. (National Gallery of Art, Washington, D. C.).

Attributed works:

92. The Kiss of Victory, by Sir Alfred Gilbert. Marble; Height, 128.3 cm. (Minneapolis Institute of Arts).

Attributed works:

93. On the Thames, a Heron, by James Jacques Tissot. 1871-72. Signed. Canvas, 92.7 by 60.3 cm. (Minneapolis Institute of Arts).

Attributed works:

94. Les Trois Gráces, by Jean-Baptiste Carpeaux. Plaster; Height, 82.6 cm. (Minneapolis Institute of Arts).

Attributed works:

95. Yellow Landscape, Pont Aven, by Roderic O'Conor. Signed and Dated 1892. Canvas, 67.5 by 91.8 cm. (Tate Gallery).

Attributed works:

96. The Forest, by Natalie Gontcharova. 1914. Canvas, 54.6 by 80 cm. (Scottish National Gallery of Modern Art. Edinburgh).

Attributed works:

97. Tree, by Piet Mondrian. 1912. Canvas, 100.2 by 67.2 cm. (Tate Gallery).

Attributed works:

98. Landscape, by Chaim Soutine. c.1926. Canvas, 60 by 72.7 cm. (Tate Gallery).

Attributed works:

99. Abstract Composition, by Laszlo Moholy-Nagy. (Scottish National Gallery of Modern Art. Edinburgh).

Exhibition Review

Current and Forthcoming Exhibitions: London and Birmingham

03/1977 | 888 | 119

Pages: 199-200+203-204+207-210+213-214

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related names

Reviewer:

Roberts, Keith (Roberts, Keith; R., K.)

Subjects

artists:

Ingres, Jean-Auguste-Dominique

artists:

Lorrain, Claude

artists:

Chahine, Edgar

artists:

Colquhoun, Robert

artists:

MacBryde, Robert

artists:

Ayrton, Michael

dates:

1970-1979

places:

England / London / Birmingham

subjects:

Exhibitions / Reviews

works:

Liber Veritatis (British Museum, London)

Illustrations

Attributed works:

49. Young Man in a Landscape - Portrait of David Haughton, by Robert Colquhoun. Signed. Canvas, 57.75 by 75.5 cm. (Exh. Mayor Gallery, London).

Attributed works:

50. The Earthbound, by Michael Ayrton. Signed and Dated 1944. Oil on Board, 50.5 by 75.5 cm. (Collection Peter L. Moldon Esq.; Exh. City Art Gallery, Birmingham).

Attributed works:

51. The Temptation of St Anthony, by Michael Ayrton. Signed and Dated 1942-43. Panel, 55.5 by 72.75 cm. (Collection Mrs Elisabeth Ayrton; Exh. City Art Gallery, Birmingham).

Attributed works:

52. Execution II, by Alexander Makhov. 1974. (Exh. I. C. A., London).

Attributed works:

53. Bitch and Pup, by Robert Colquhoun. Signed. 1958. Canvas, 121 by 90.25 cm. (Exh. Mayor Gallery, London).

Attributed works:

54. Minotaur Alarmed, by Michael Ayrton. 1970. Bronze, 25 by 15 by 15 cm. (Bruton Gallery; exh. City Art Gallery, Birmingham).

Attributed works:

55. Detail from Portrait of William Colding, by Michael Ayrton. Signed and dated 1965. Black ink wash, 40 by 50 cm. (Collection Mrs William Golding; exh. City Art Gallery, Birmingham).

Attributed works:

56. Still life with Fruit and Vegetables or Large Still Life, by Robert MacBryde. Signed. Canvas, 88.25 by 143 cm. (Exh. Mayor Gallery, London).

Attributed works:

57. Lens, by Michael Ayrton. 1974. Bronze and Perspex, 31.5 by 35.25 by 20 cm. (Collection Mrs Elisabeth Ayrton; Exh. City Art Gallery, Birmingham).

Attributed works:

58. The Vicomtesse de Coislin, by Hippolyte-Jean Flandrin. 1846. Canvas, 100.3 by 76.2 cm. (Detroit Institute of Arts, Gift of Mr and Mrs Alvan Macaulay Jr.).

Attributed works:

59. Madame Moitessier, by J. A. D. Ingres. Signed. Canvas, 120 by 92 cm. (National Gallery, London).

Attributed works:

60. Detail from Bathing Women, by J. A. D. Ingres. 1807. (Musée Bonnat, Bayonne).

Attributed works:

61. A Drawing Room, by Joseph Nash. Water-Colour, 53.5 by 89 cm. (Exh. Agnew's, London).

Attributed works:

62. Detail of a Study for Madame Moitessier Standing (Washington), by J. A. D. Ingres. c.1850-51. (Private Collection, Paris).

Attributed works:

65. Le Boa de Plumes (Ada Visentini), by Edgar Chahine. 1902. Dry-Point, 42 by 27.5 cm. (Exh. Lumley Cazalet Ltd., London).

Attributed works:

66. Frederick, Prince of Wales, by Jacopo Amigoni. 1735-36. After cleaning. Canvas, 127.5 by 104 cm. (Exh. The Queen's Gallery, London).

Attributed works:

67. Princess Feodora of Hohenlohe-Langenburg, by F. X. Winterhalter. Signed and dated 1855. Canvas, 35.25 by 30.25 cm. (Exh. The Queen's Gallery, London).

Attributed works:

71. 'The Cob [or Pier] at Lyme augt. 1825 Preparing under Capn. Savage Treasury gave £13000', by George Cumberland. Water-colour, 15.2 by 29.8 cm. (Exh. Covent Garden Gallery, London).

Attributed works:

74. Landscape with a Traveller on a Bridge, by Claude Lorrain. Liber Veritatis No.67. (British Museum).

Attributed works:

75. Coast Scene with Aeneas Hunting, by Claude Lorrain. Liber Veritatis No.180. (British Museum).

Attributed works:

76. Charles II as Prince of Wales, by Cornelius Johnson. 1639. Panel, 29 by 20 cm. (National Portrait Gallery, London).

Exhibition Review

Current and Forthcoming Exhibitions: London [II]

05/1958 | 662 | 100

Pages: 186-187

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related names

Reviewer:

Farr, D. L. A. (Farr, D. L. A.)

Subjects

artists:

Colquhoun, Robert

artists:

Freud, Lucian

artists:

Maar, Dora

artists:

Gotlib, Henryk

artists:

Denny, Robyn

artists:

Trevelyan, Julian

dates:

1950-1959

places:

England / London

subjects:

Exhibitions / Reviews

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