By using this website you agree to our Cookie policy

Search

4 articles
Advertisements
Advertisements (front)
09/2018 | 1386 | 160
Pages: i–xxiv
Subjects
subjects:
Illustrations
Attributed works:
[Auktionshaus Heickmann, Chemnitz. CASPAR DAVID FRIEDRICH (1774–1840) Bohemian Landscape. Watercolour. 126 x 208 mm. Dated by the artist "den 16ten May 1828" and entitled "Morgennebel" (Morning fog).]
Attributed works:
[Bonhams, London. JOHN WILLIAM GODWARD, RBA (BRITISH, 1861-1922) Dolce far niente signed and dated ‘J.W.GODWARD.’07’ (lower left) oil on canvas 51.4 x 76.2cm (20 1/4 x 30in). £200,000 - 300,000 *]
Attributed works:
[Bonhams, London. SIR WINSTON SPENCER CHURCHILL O.M., HON. R.A. (1874-1965) The Riviera, a Sketch signed with initials ‘WSC’ (lower right) oil on canvas board 35.4 x 50.8 cm. (13 7/8 20 in.) Painted circa 1930 £100,000 – 150,000*]
Attributed works:
[British Art Fair, London. Apples and pears in a striped bowl, by Matthew Smith (1879–1959). 1952. Canvas, 45 by 61 cm. BROWSE AND DARBY, LONDON]
Attributed works:
[British Art Fair, London. Chariot, by Clive Barker (b.1940). 1974. Chrome-plated brass and bronze, 19 by 23 cm. WHITFORD FINE ART, LONDON]
Attributed works:
[British Art Fair, London. Garden, W6, by Victoria Crowe (b.1945). Oil on board, 58.4 by 71.1 cm. JENNA BURLINGHAM FINE ART, KINGSCLERE, HAMPSHIRE]
Attributed works:
[British Art Fair, London. Helmet head 4, by Henry Moore (1898–1986). 1963. Bronze, 42 by 87 by 52 cm. GOODMAN FINE ART, LONDON]
Attributed works:
[British Art Fair, London. House by a lake, by Ivon Hitchens (1893–1979). 1940. Canvas, 20 by 30 cm. JONATHAN CLARK FINE ART, LONDON]
Attributed works:
[British Art Fair, London. Los Angeles No.1, 2000, by R.B. Kitaj (1932–2007), 2000. Canvas, 121.9 by 121.9 cm. OFFER WATERMAN, LONDON]
Attributed works:
[British Art Fair, London. Pitchfork on green; pitchfork on pink, by Michael Craig-Martin (b.1941). 2003. Acrylic on canvas, 153 by 46 cm. BEAUX ARTS, LONDON]
Attributed works:
[British Art Fair, London. The governess, by Ambrose McEvoy (1878–1927). Canvas, 91.4 by 71.1 cm. MAAS GALLERY, LONDON]
Attributed works:
[British Art Fair, London. Three forms (extra eye), by Barbara Hepworth (1903–75). 1969. Bronze, 22.4 by 20.2 by 15.1 cm. OSBORNE SAMUEL, LONDON]
Attributed works:
[British Art Fair, London. Trio of bowls, by Lucy Rie (1902–1995). Glazed stoneware, various sizes. ASKEW ART, LONDON]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. ERCOLE SETTI (1530 –Modena –1618) A PROCESSION Pen and brown ink, black chalk, 10.5 x 30 cm]
Attributed works:
[Chiswick Auctions, London. MEDARDO ROSSO (ITALIAN, 1858-1928): ‘BAMBINA RIDENTE’ (BAMBINA CHE RIDE) A wax over plaster head Probably cast by the sculptor’s son, Francesco Rosso, from the original plaster model. Provenance: Sold to the Peridot Gallery, New York in 1959 by the sculptor’s daughter-in-law Clotilde Longoni Rosso. Thence by descent. Estimate £50,000 – 80,000]
Attributed works:
[Christie's, New York. POMPEO BATONI (1708–1787) Portrait of a lady, possibly Alexandrine Eftikhevna Demidoff, née Safonova (1745–1778), halflength, holding a wicker basket with flowers, 1775 (detail) oil on canvas $400,000–600,000]
Attributed works:
[Dulwich Picture Gallery, London. Jusepe de Ribera, Martyrdom of Saint Bartholomew (detail), 1644, Oil on canvas, Museu Nacional d'Art de Catalunya, Barcelona. ©Museu Nacional d'Art de Catalunya, Barcelona. 2018. Photo: Calveras/Mérida/Sagristà.]
Attributed works:
[F. Baulme Fine Arts, Paris. Jan Van Bijlert, Paris and Oenone, oil on canvas, 123.5 x 91 cm, signed, lower left ‘J Bijlert fecit’ Provenance: Collection of the painter Jean-Baptiste Marie Pierre (1714- 1789); thence by descent]
Attributed works:
[Frieze Masters, London. Sebastiano del Piombo, Portrait of a Lady (detail), mid-1520s, The National Gallery, London. On loan from Longford Castle collection. © Private collection. Photography: John Bodkin.]
Attributed works:
[Galerie Michel Descours, Lyon. Pierre Peyron, The Death of Alcestis, or The Heroism of Conjugal Love, oil on canvas, 96 × 107 cm (37.8 × 42.1 in.)]
Attributed works:
[Hazlitt Holland-Hibbert, London. Barbara Hepworth Five Studies of a Girl, 1951 (detail) Oil and pencil on board]
Attributed works:
[La Biennale de Paris. Sailing downwind, by Charles Lapicque (1898–1988). 1952. Canvas, 116 by 89 cm. ART CUÉLLARNATHAN, ZURICH]
Attributed works:
[La Biennale Paris. Angel, attributed to Giuseppe Sanmartino (1720–93). 1750. Terracotta with glass inlay, 38 cm high. GALERIE SISMANN, PARIS]
Attributed works:
[La Biennale Paris. Mantel clock showing allegories of astronomy and history, by Jean-André Lepaute (1720–1789) and Jean-Baptiste Lepaute (1727–1802). c.1770. Chased, patinated and gilt bronze with a marble base, 68 by 80 by 28.5 cm. GALERIE DE LA PENDULERIE, PARIS]
Attributed works:
[La Biennale Paris. Shell VI, by Eva Vlčková. 2018. Glass, 33 cm high. GALERIE CLARA SCREMINI, PARIS]
Attributed works:
[La Biennale Paris. Still life with a basket of fruit, bouquet of flowers and exotic shells, by Balthasar van der Ast (1590–1656). Panel, 75 by 107 cm. GALERIA ANA CHICLANA, MADRID AND PARIS]
Attributed works:
[La Biennale Paris. Theatrum orbis terrarum, by Abraham Ortelius (1527–98). 1603 posthumous edition. Paper, bound in vellum, 46 by 29.7 cm. LIBRAIRIE CAMILLE SOURGET]
Attributed works:
[Peter Finer, London. A Pair of Flintlock Presentation Pistols by Nicholas-Noël Boutet, 1805. PROVENANCE: Private collection, Germany]
Attributed works:
[Robilant + Voena, London. John Chamberlain, Untitled, c. 1963, painted and chromium-plated steel, 54.6 x 48.3 x 58.4 cm. Lucio Fontana, Concetto spaziale, Attese, 1967, water-based paint on canvas, 80 x 65 cm. The Apollo Vescovali, 2nd century AD, marble, 166 cm (height). Andy Warhol, One Multicolored Marilyn (Reversal Series), 1979/86, acrylic and silkscreen ink on canvas, 45.7 x 35.2 cm.]
Attributed works:
[Venator & Hanstein, Cologne. M.E. Bloch. Ichthyologie. 12 parts in 6 vol. Berlin 1785-97. With 432 coloured copperplates.]
Western art unattributed:
[Galerie Sismann, Paris. APOSTLE Limestone, traces of polychromy and gilt Lorraine 1330–1340 H. 90 cm]
Advertisements
Advertisements (front)
08/2018 | 1385 | 160
Pages: i–xviii
Subjects
subjects:
Illustrations
Attributed works:
[Auktionshaus Hecikmann, Chemnitz. Caspar David Friedrich (1774–1840) Bohemian landscape. Watercolour. 126 x 208 mm. Dated by the artist "den 16ten May 1828" and entitled "Morgennebel" (Morning fog).]
Attributed works:
[Auktionshaus Heickmann, Chemnitz. Edvard Munch (1863–1944) "The Woman II, Sphinx/Woman in three Stages". 1895. Drypoint and line etching in black ink. Signed. Woll 22 VIII. 295 x 345 mm.]
Attributed works:
[Bonhams, London. Frederic, Lord Leighton, PRA (British, 1830-1896) Little Fatima oil on canvas 40.7 x 25.4cm (16 x 10in). £100,000-150,000*]
Attributed works:
[Bonhams, London. William Roberts R.A. (1895-1980) Demolition Squad pencil and watercolour Executed circa 1941 Sold in June 2018 for £125,000 *]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Ercole Setti (1530 –Modena –1618) A Procession Pen and brown ink, black chalk, 10.5 x 30 cm]
Attributed works:
[F. Baulme Fine Arts, Paris. Jan Van Bijlert, Paris and Oenone, oil on canvas, 123.5 x 91 cm, signed, lower left ‘J Bijlert fecit’ Provenance: Collection of the painter Jean-Baptiste Marie Pierre (1714- 1789); thence by descent]
Attributed works:
[Robilant + Voena, London. Alighiero Boetti (1940 - 1994) Mappa, 1983 Signed and dated ‘Kabul Afghanistan 1983’ on the overlap Embroidery 114 x 176 cm; (44 7/8 x 69 1/4 in.)]
Attributed works:
[Trinity Fine Arts, London. Anton Raphael Mengs (Aussig 1728–Rome 1779) Portrait of José Nicolás de Azara (1730–1804) Oil on canvas 82.6 x 63.5 cm / 32 1/2 x 35 in Provenance Probably Giuliana Falconieri, Principessa di Santacroce]
Western art unattributed:
[Bonhams, London. A French late 17th/early 18th century gilt and patinated bronze group of the Laocoon After the Antique £60,000–80,000 Provenance U.K. Private Collection]
Western art unattributed:
[Galerie Sismann, Paris. Apostle Limestone, traces of polychromy and gilt Lorraine 1330–1340 H.90 cm]
Western art unattributed:
[Peter Finer, London. A Pair of Spanish Bronze cannon barrels, circa 1600 Provenance: The Duke of Lerma (b.1552 – d.1625) Private Collection UK]
Advertisements
Advertisements (front)
06/2018 | 1383 | 160
Pages: n.p.
Subjects
advertisements:
Robilant and Voena, London, Great Britain / London Art Week / Trinity Fine Art Ltd, London, Great Britain / Sotheby's, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Stephen Ongpin Fine Art, London, Great Britain / Klaas Muller Antiques, Brussels, Belgium / Tomasso Brothers Fine Art, Leeds, Great Britain / Brun Fine Art, London / Trinity Fine Art Ltd, London, Great Britain / James Mackinnon, London, Great Britain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Sam Fogg (dealer), London, Great Britain / Guy Peppiatt Fine Art, London, Great Britain / Irish Art Review / Burlington Contemporary Art Writing Prize / Peter Finer (antique arms), London, Great Britain / Andrew Edmunds (dealer), London, Great Britain / The Art Newspaper, London, Great Britain / Paul Mellon Centre for Studies in British Art, London, Great Britain / Getty Trust Publications , Great Britain / Patricia Wengraf Ltd, London, Great Britain / Masterpiece London / Hazlitt Holland-Hibbert, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Axel Vervoordt, Antwerp, Belgium / Les Enluminures (dealer), Paris, France / N.& I. Franklin, London, Great Britain / Landau Fine Art, Montreal, Canada / Day and Faber, London, Great Britain / Galerie Sismann, Paris, France / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / The-saleroom.com / Timothy Newbery (frames), London, Great Britain / Burlington Magazine / Museo Nacional del Prado, Madrid, Spain / Museum aan de Stroom, Antwerp, Belgium / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Contemporary
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings, London. JAMES GILLRAY (1756–1815) The Orangerie; –or– the Dutch Cupid reposing, after the fatigues of Planting 1796. Etching & engraving 256 x 359 mm, with publisher’s watercolour]
Attributed works:
[Daniel Katz Gallery, London. SIR FRANCIS CHANTREY. Norton, 1781–1841, London. Lady Gertrude Sloane-Stanley. Marble. 65 cm high. Inscribed Lady Gertrude Sloane Stanley and signed F.L. Chantrey sculptor 1813 on the reverse. Commissioned by Hans Sloane-Stanley, 1813. Kept at Paultons, Romsey, Hampshire, until 1972. Exhibited at the Royal Academy, 1813, no.927]
Attributed works:
[Galerie Sismann, Paris. CHRIST AT THE COLUMN AFTER A MODEL BY FRANÇOIS DUQUESNOY (Brussels 1594–1643 Livorno, Italy). Bronze. France. Late 17th century. H 30.5 cm. Second version at the Metropolitan Museum of New York]
Attributed works:
[Galleria del Laocoonte, Rome. Arthur Segal, self-portrait (detail)]
Attributed works:
[Galleria del Laocoonte, Rome. Roberto Melli, The Little Mask (1913)]
Attributed works:
[Guy Peppiatt Fine Art, London. John Robert Cozens (1752–1797) Near Sallanches, France. Signed and dated 1778 on original mount, watercolour over pencil, 36.8 by 53.7 cm., 14½ by 21 in.]
Attributed works:
[Hazlitt, London. Sir Peter Lely.]
Attributed works:
[James Mackinnon, London. HUMPHRY REPTON (1752–1818) View from Sheffield Park towards Fletching, Kent, 1789 Watercolour, 61/8 x 197/8 in. (15.7 x 50.5 cm.)]
Attributed works:
[London Art Week. A mountainous river landscape with fishermen, by Marten Ryckaert (1587–1631). Panel, 26 by 36.5 cm. GALERIE LOWET DE WOTRENGE. EXHIBITING AT: 37 BURY STREET, SW1]
Attributed works:
[London Art Week. A seated young woman, by James Jacques-Joseph Tissot (1836–1902). Pencil, black wash, watercolour and gouache on blue-grey paper, 14.5 by 19.9 cm. STEPHEN ONGPIN FINE ART, 6 MASON’S YARD, SW1]
Attributed works:
[London Art Week. Bacchus and a young satyr, by Giovanni Battista Foggini (1652–1725). Bronze, height 46 cm. TOMASSO BROTHERS FINE ART, 67 JERMYN STREET, SW1]
Attributed works:
[London Art Week. David with the Head of Goliath, by Pier Francesco (1612–1666). c.1660–65. Canvas, 127 by 147 cm. LULLO PAMPOULIDES, 33 CORK STREET, W1S]
Attributed works:
[London Art Week. L’Eté, by Jean-Baptiste Carpeaux (1827–1875). Plaster, height 67 cm. DANIEL KATZ GALLERY, 6 HILLSTREET, W1J]
Attributed works:
[London Art week. Mechanical division of the crowd, by Mori Marisa (1900–1985). 1933. Oil on plywood, 71 by 100 cm. GALLERIA DEL LAOCOONTE. EXHIBITING AT: 6 RYDER STREET, SW1]
Attributed works:
[London Art Week. Monkeys in a guardroom, by Nicolaes van Veerendael (1640–1691). Canvas, 43 by 56.5 cm. KLAAS MULLER. EXHIBITING AT: 40–41 DUKE STREET, SW1]
Attributed works:
[London Art Week. Portrait of a bearded Venetian nobleman, by Peter Paul Rubens (1577–1640). Panel, 60 by 48.6 cm. SOTHEBY’S, LONDON. OLD MASTERS EVENING SALE, 4TH JULY, 34–35 NEW BONDSTREET, W1A]
Attributed works:
[London Art Week. Portrait of a man (Antoine de Ville), by Artemisia Gentileschi (1593–1654). Canvas, 204.5 by 109.2 cm. ROBILANT + VOENA, 38 DOVER STREET, W1]
Attributed works:
[London Art Week. Study of insects and a borage stem, by Jan van Kessel the Elder (1626–1679). c.1660. Oil on paper, 10.4 by 34.7 cm. CARETTO AND OCCHINEGRO. EXHIBITING AT: 21 GEORGIAN HOUSE, 10 BURY STREET, SW1]
Attributed works:
[London Art Week. The genius of the hunt, by Pompeo Marchesi (1790 –1858). c.1830–35. Marble, height 133 cm. TRINITYFINEART, 15 OLD BOND STREET, W1S]
Attributed works:
[London Art Week. Warkworth Hermitage, Northumberland, by Thomas Girtin (1775–1802). 1796. Pencil and watercolour, 25.5 by 30.4 cm. JAMES MACKINNON FINE ART. EXHIBITING AT: 73 NEW BOND STREET, W1S]
Attributed works:
[Masterpiece, London. Form, by Barbara Hepworth (1903–1975). 1936. White marble, 33 by 22.9 by 20.8 cm. HAZLITT HOLLAND HIBBERT, LONDON]
Attributed works:
[Masterpiece, London. Hours of Philippote de Nanterre, by the Master of Raoul d’Ailly (1395 –1463) and a collaborator. Amiens, c.1420s. Parchment, 18.1 by 13.5 cm. LES ENLUMINURES, CHICAGO AND PARIS]
Attributed works:
[Masterpiece, London. Large left-handed drummer, by Barry Flanagan (1941–2009). 2006. Bronze, 490 by 290 by 244 cm. NEW ART CENTRE, SALISBURY]
Attributed works:
[Masterpiece, London. Machine no. 2, by Graham Sutherland (1903–1980). 1959. Oil on canvas, 100 by 80.5 cm. M & L FINE ARTS, LONDON]
Attributed works:
[Masterpiece, London. Portrait of a Lady from Lucca, by Pietro Nocchi (1783–1854). 1823–1825. Oil on canvas, 236.4 by 154.5 cm. BRUN FINE ART, LONDON]
Attributed works:
[Masterpiece, London. Portrait of Ralph Stackpole, by Diego Rivera (1886–1957). 1932. Pencil, 50 by 40.4 cm. DAY AND FABER, LONDON]
Attributed works:
[Masterpiece, London. Sideboard dish, by Louis Mattayer. London, 1720. Silver, diameter 68.6 cm. N. & I. FRANKLIN, LONDON]
Attributed works:
[Masterpiece, London. Sleepers, by Pablo Picasso (1881–1973). 1965. Oil on canvas, 114 by 195 cm. LANDAU FINE ART, MONTREAL]
Attributed works:
[Masterpiece, London. Still life, by Giorgio Morandi (1890 –1964). 1961. Oil on canvas, 25 by 30 cm. ROBILANT + VOENA, LONDON, MILAN AND ST. MORITZ]
Attributed works:
[Museo del Prado, Madrid. Lorenzo Lotto, Portrait of a Young Man with a Lamp, ca. 1508. Oil on panel. Vienna, Kunsthistorisches Museum, Picture Gallery]
Attributed works:
[Nicholas Hall, New York. Carlo Maratti (1625–1713) Portrait of Francesca Gommi 98.5 x 74.5 cm.]
Attributed works:
[Paul Mellon Centre, London. Detail of Conrad Shawcross's The Dappled Light of the Sun (2015) installed in the courtyard of Burlington House alongside Alfred Drury's statue Sir Joshua Reynolds (1931) on the occasion of the 247th Summer Exhibition at the Royal Academy of Arts, 2015. Image courtesy of Getty Images. Photo: Peter Macdiarmid.]
Attributed works:
[Robilant + Voena, London. Il Tavolino di Gioje. The Grand Duke Francesco I de' Medici Table-Top. From 1870s to 1959 belonged to the Dukes of Westminster, London. Florence, circa 1568–1577. Executed by Bernardino Porfirio da Leccio (documented 1557–1588). Designed by Giorgio Vasari (1511–1574). Hardstones (Pietra Dura) set into a white marble support. Length: 160 cm (63 in.). Width: 107 cm (42 1/8 in.). Depth: 8 cm (3 1/8 in.).]
Attributed works:
[Sotheby's, London. GIAMBOLOGNA (1529-1608) Italian, Florence, before 1587 Mars Estimate £3,000,000–5,000,000]
Attributed works:
[Sotheby's, London. GIOVANNI BATTISTA FOGGINI (1652–1725) Lucretia and Paulina Estimate £180,000–250,000]
Attributed works:
[Sotheby's, Paris. ADÉLAÏDE LABILLE-GUIARD Portrait of the Duchesse d’Aiguillon Estimate €200,000–300,000]
Attributed works:
[Trinity Fine Art, London. FERDINANDO TACCA (Florence 1619–1686). A Highly Important Documentary Group of the Monument to Ferdinando I de' Medici in Livorno, adapted after the original figures by Giovanni Bandini (Florence 1540–1599) and Pietro Tacca (Carrara 1577–Florence 1640). Overall height 73.7 cm (29 in). Pedestal height 33.4 cm (13 1/6 in). PROVENANCE Inventory of Palazzo Pitti, Florence, 1761]
Attributed works:
[W. Apolloni, Rome. Gian Lorenzo Bernini, Samson slaying the lion (detail)]
Attributed works:
[W. Appoloni, Rome. Benedetto Luti, The Golden Age (detail)]
Non-western art unattributed:
[Masterpiece, London. Bastet. Egypt, 664–525 BC. Bronze, height 15 cm. AXEL VERVOORDT GALLERY, WIJNEGEM, BELGIUM AND HONG KONG]
Western art unattributed:
[Axel Vervoort. Gilded bronze. Western Europe, Roman Empire, 1st - 2nd century A.D. 21 x 10,50 x 11 cm]
Western art unattributed:
[London Art Week. A knight’s helmet, Genoa. 19th century. Marble, height 63 cm. BRUN FINE ART, 38 OLD BOND STREET, W1S]
Western art unattributed:
[London Art Week. A Saracen’s head, probably Florence. c.1500–1520. Marble, height 47 cm. GALLERY DESMET. EXHIBITING AT: 40–41 DUKE ST, SW1]
Western art unattributed:
[London Art Week. Aeneas and Achates taking their leave from the other Trojans on the Libyan coast near Carthage, by an unidentified painter close to the ‘Milan Marsyas’ painter, Urbino. c.1530. Tin-glazed earthenware, diameter 25.5 cm. RACCANELLO LE PRINCE. EXHIBITING AT: 32 ST GEORGE STREET, W1S]
Western art unattributed:
[London Art Week. St Mary Magdalene and a bearded prophet. One of three panels of Opus Anglicanum. London. c.1400. Embroidery on linen. Sizes vary. SAM FOGG, 15D CLIFFORD STREET, W1S]
Western art unattributed:
[Masterpiece, London. Anthemion finial of a grave stele, Greece (Attica). c. 4th century BC. Marble, height 47 cm. KALLOS GALLERY, LONDON]
Western art unattributed:
[Peter Finer, London. An Italian Stone Bow, late 16th century. Italy. Walnut wood, iron, leather, cord, and bone. 89 cm by 56 cm. Provenance Private Collection, USA]
Advertisements
Advertisements (front)
04/2018 | 1381 | 160
Pages: n.p.
Subjects
advertisements:
Moeller Fine Art Ltd, New York, United States / London Original Print Fair / Andrew Edmunds (dealer), London, Great Britain / Redfern Gallery, London, Great Britain / Print Quarterly, London / Sarah Sauvin. Old Masters and Modern Prints. Paris / Osborne Samuel Gallery, London, Great Britain / Karsten Schubert, London, Great Britain / Paragon Press, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Pratt Contemporary Art, Sevenoaks, Great Britain / Peter Finer (antique arms), London, Great Britain / Sphinx Fine Art, London, Great Britain / Master Drawings (art periodical) / Yale University Press, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Im Kinsky (auction house), Vienna, Austria / Getty Trust Publications , Great Britain / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Emanuel Von Baeyer, London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / Museum of the Order of St John, London, Great Britain / Irish Art Review / Caring for your Collection / The Art Newspaper, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm / Burlington Magazine
advertisements:
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings. James Gilray (1756–1815). The Plumb-pudding in danger. 1805. Etching & engraving 258 x 263 mm, with publisher’s watercolour]
Attributed works:
[Dorotheum. Pieter Brueghel II (1564/65-1637/38), The King Drinks (detail), signed, oil on panel, 75 x 105 cm, €700,000 – 900,000, Auction 24 April 2018]
Attributed works:
[Elizabeth Harvey-Lee. Martin de Vos (designer): The Four Seasons. The set of four engravings, c1590 (“Summer” illustrated) First state of two. With Phillips Galle’s address (“Winter” with a Gothic P watermark)]
Attributed works:
[Flowers Gallery. Ken Currie , Head in Profile, 2017]
Attributed works:
[Galerie Sismann. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Im Kinsky Auction House. Georg Raphael Donner. Venus, Vienna, c. 1738/39 lead-pewter-alloy, h. 40 cm € 50,000–100,000]
Attributed works:
[London Original Print Fair. After Dürer #26, by Ann-Marie James. 2017. Ink on paper, 35 by 27 cm. Karsten Schubert, London]
Attributed works:
[London Original Print Fair. Church and farm at Eragny, by Camille Pissarro (1830–1903). c.1890. Etching, 15.3 by 24.2 cm. Elizabeth Harvey-Lee, Oxfordshire]
Attributed works:
[London Original Print Fair. Cottage in Dorset: Wood End, by Graham Sutherland (1903–1980). 1929. Etching, 13 by 17 cm. Redfern Gallery, London]
Attributed works:
[London Original Print Fair. Eros (3), by Ana Maria Pacheco. 2018. Monotype heightened in mixed media, 28.5 by 35 cm. Pratt Contemporary, Sevenoaks]
Attributed works:
[London Original Print Fair. Free Fall #31, by Carol Robertson. 2018. Monoprint. Flowers Gallery, London and New York]
Attributed works:
[London Original Print Fair. Gin Lane, by William Hogarth (1697–1764). 1751. Etching and engraving, 38.3 by 32.4 cm. Andrew Edmunds, London]
Attributed works:
[London Original Print Fair. I’m Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[London Original Print Fair. Oxfordshire (on the Oxford canal), by Muirhead Bone (1876–1953). Drypoint, 15.1 by 22.9 cm. Gordon Cook, London]
Attributed works:
[London Original Print Fair. Pisa, by Ben Nicholson (1894–1992). 1951. Etching, 19.5 by 14.75 cm. Osborne Samuel, London]
Attributed works:
[London Original Print Fair. Reclining artist, by Grayson Perry. Etching, 70.3 by 102.7 cm. Paragon Press, London]
Attributed works:
[London Original Print Fair. Seated woman drying her feet, by Théophile Alexandre Steinlen (1859–1923). 1902. Etching and aquatint, 29.8 by 29.7 cm. Sarah Sauvin, Paris]
Attributed works:
[London Original Print Fair. South South-West 2, by Rachel Gracey. 2018. Lithograph, 26 by 26 cm. Zuleika Gallery, London]
Attributed works:
[Moeller Fine Art. Jean-Étienne Liotard 1702–1789. Portrait de Philibert Cramer, c. 1758. Pastel on blue paper mounted on canvas, 25 × 21 3 ⁄16 in. (63.5 × 53.8 cm). Original frame with period glass]
Attributed works:
[Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Paragon Press. Joana Vasconcelos. Ria Formosa. Colour etching with blockprinting 2017]
Attributed works:
[Pratt Contemporary. Ana Maria Pacheco, Study for Sculpture, 2018. Triptych Monotype (detail). Each sheet: 59 x 56 cm.]
Attributed works:
[Redfern Gallery. Rue de Seine, by David Hockney. 1972. Etching and aquatint, 53 by 45 cm.]
Attributed works:
[Sarah Sauvin. Jean-Étienne Liotard, Self-Portrait as a Young Man Etching, ca.1731 (Tilanus 1; Roethlisberger and Loche 18) Counterproof of an unknown 1st state (of 3). Only one other counterproof known (Fondation Custodia) Provenance: Soliman Lieutaud (Lugt 1682)] (p.v) [Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Sphinx Fine Art. Karel Dujardin, A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses (Detail)]
Attributed works:
[Zuleika Gallery. Man posing, by Lucien Freud (1922–2011). 1982. Etching, 70 by 54 cm. Edition of 50 + 15 AP]
Non-western art unattributed:
[Peter Finer. A Saddle. 15th–17th century. Eastern Tibet or Chinese. Iron, gold, silver, wood, leather and textile. 57 cm / 22.75 inches. Provenance: Private Collection UK]