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72 articles
Book Review
Magie kresby: Italská kresba vrcholné renesance a manýrismu v ceských a moravských verejných sbírkách / The Magic of Drawing: Italian Drawing of the High Renaissance and Mannerism from Bohemian and Moravian Public Collections
03/2024 | 1452 | 166
Pages: 314–316
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Reviewer:
De Klerck, Bram (De Klerck, Bram)
Subjects
art literature:
Exhibition catalogues
dates:
2020-2030
subjects:
Italian drawings / Czech Republic / Collections, Public / Renaissance art / Mannerism
Reviewed Items
subjects:
Magie kresby: Italská kresba vrcholné renesance a manýrismu v ceských a moravských verejných sbírkách / The Magic of Drawing: Italian Drawing of the High Renaissance and Mannerism from Bohemian and Moravian Public Collections By Zdenek Kazlepka and Martin Zlatohlávek. 346 pp. incl. 119 col. + b. & w. ills. (Katoliká teologická fakulta, Univerzity Karlova and Muzeum umení, Olomouc 2023), €71. ISBN 978–80–87922–35–4. | :
Illustrations
Attributed works:
10. Two male figures in antique cloaks, by Giovanni Bellini. 1506– 08. Brush, white and black tempera, with brown pen wash, 40 by 24 cm. (Archdiocesan Museum, Kromeríž).
Attributed works:
11. Study for St Peter visiting St Agatha in prison, by Giulio Campi. 1537. Pen in brown, 14 by 10 cm. (National Gallery, Prague).
Attributed works:
9. Jupiter and Juno, by Giulio Romano. 1530– 32. Pen in brown, wash, heightened with white, over traces of black chalk, 44 by 57 cm. (Archdiocesan Museum, Kromeríž).
Short Notice
An overlooked Antwerp Mannerist panel in Florida: suggestions for an attribution to Noël Bellemare
11/2023 | 1448 | 165
Pages: 1209-1213
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Shorter Notice by:
Cartwright, Sarah (Cartwright, Sarah)
Subjects
artists:
Bellemare, Noël
dates:
1520-1539
museums and institutions:
Ringling Museum of Art, Sarasota, United States
places:
Antwerp
styles:
Mannerism
subjects:
Flemish painting / Massacre of the Innocents / Attributions
Illustrations
Attributed works:
1. Massacre of the Innocents, here attributed to Noël Bellemare and dated early 1520s. Oil on panel, 84.13 by 79.37 cm. (John and Mable Ringling Museum of Art, Sarasota).
Attributed works:
2. Infra-red reflectogram of Fig.1. (John and Mable Ringling Museum of Art, Sarasota).
Attributed works:
3. Adoration of the Magi with Philippe de Villiers de l’Isle-Adam, by Noël Bellemare. c.1529–30. Oil on panel, 112.6 by 225.5 cm. (Kunstmuseum Basel; photograph Martin P. Bühler).
Attributed works:
4. Detail of St John on Patmos, from the Rosenwald Hours by Noël Bellemare. 1524. Tempera and gold on parchment. (Rare Book and Special Collections Division, Library of Congress, Washington, MS 52, Rosenwald Collection, MS 10 [14], fol.7v).
Attributed works:
5. Detail of Christ carrying the Cross, from the Rosenwald Hours by Noël Bellemare. 1524. Tempera and gold on parchment. (Rare Book and Special Collections Division, Library of Congress, Washington, MS 52, Rosenwald Collection, MS 10 [14], fol.60r).
Attributed works:
6. Detail of Fig.2, showing the soldier in the right foreground.
Attributed works:
7. Detail of infra-red reflectogram of Fig.3, showing the magus at the right. (Kunstmuseum Basel; Art Care).
Attributed works:
8. Magnanimity, Fortitude and a small elephant, from Livre du fort Chandio. Paris, c.1515/1522–23. Black and red chalk and watercolour on paper, 28.5 by 21 cm. (Bibliothèque nationale de France, Paris, Département des Manuscrits, Français 1194, fol.6v).
Attributed works:
9. Detail of Fig.1, showing a man wearing a green head covering.
Exhibition Review
Greco. Grand Palais, Paris
02/2020 | 1403 | 162
Pages: 144-145
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Reviewer:
Marías, Fernando (Marías, Fernando)
Subjects
artists:
El Greco
dates:
2010-2019
museums and institutions:
Grand Palais, Paris, France
places:
France
styles:
Mannerism
subjects:
Religious art / French art / Art historiography
Reviewed Items
subjects:
Greco Grand Palais, Paris 16th October 2019–10th February | :
Illustrations
Attributed works:
10. Resurrected Christ, by El Greco. 1595–98. Polychrome wood, 47 by 12.5 by 24 cm. (Private collection; exh. Grand Palais, Paris).
Book Review
‘Truly Bright and Memorable’: Jan de Beer’s Renaissance Altarpieces. By Dan Ewing, Peter van den Brink and Robert Wenley
02/2020 | 1403 | 162
Pages: 168-169
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Reviewer:
Silver, Larry (Silver, Larry)
Subjects
art literature:
Exhibition catalogues
artists:
Beer, Jan de
museums and institutions:
Barber Institute of Fine Arts, Birmingham, Great Britain
places:
Antwerp
styles:
Mannerism
subjects:
Flemish painting / Religious art / Infrared reflectography / Underdrawings
Reviewed Items
subjects:
‘Truly Bright and Memorable’: Jan de Beer’s Renaissance Altarpieces By Dan Ewing, Peter van den Brink and Robert Wenley. 96 pp. incl. 50 col. ills. (Barber Institute of Fine Arts, Birmingham, and Paul Holberton, London, 2019), £16.50. ISBN 978–1–911300–72–4. | :
Illustrations
Attributed works:
4. Joseph and the suitors, by Jan de Beer. Oil on panel, 138.4 by 138.4 cm (Barber Institute of Fine Arts, University of Birmingham).
Exhibition Review
Coming of age: Jacopo Tintoretto
12/2018 | 1389 | 160
Pages: 1024-1029
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Reviewer:
Nichols, Tom (Nichols, Tom)
Subjects
art literature:
Vasari, Giorgio / Ruskin, John / Sartre, Jean-Paul
artists:
Tintoretto, Jacopo
dates:
2010-2019
media:
Paintings / Drawings / Prints / Engravings / Reliefs
museums and institutions:
Palazzo Ducale, Venice, Italy / National Gallery of Art, Washington, United States / Gallerie dell'Accademia, Venice, Italy / Scuola Grande di S. Marco, Venice, Italy / Museo di Palazzo Mocenigo, Venice, Italy
places:
Italy / Venice
subjects:
Italian painting / Attribution / Attributions / Dating / Patronage / Commissions / Portraits / Group portraits / Sitters / Altarpieces / Eccentricity / Unfinished / Study and teaching / Science / Religion / Style / Mannerism / Venetian / Venetian School / Exhibition catalogues
Illustrations
Attributed works:
1. The apparition of the Virgin to St Jerome, by Jacopo Tintoretto. c.1580. Canvas, 275.5 by 194 cm. (Ateneo Veneto, Sala di Lettura, Venice; exh. Palazzo Ducale, Venice).
Attributed works:
2. Male nude seen from behind, by Jacopo Tintoretto. 1578. Charcoal heightened with white on brown paper, 27.6. by 18 cm. (The Courtauld Gallery, London; exh. Palazzo Ducale, Venice).
Attributed works:
3. A young man of the Doria family, by Jacopo Tintoretto. c.1560. Canvas, 108 by 73 cm. (Museo Cerralbo, Madrid; exh. Palazzo Ducale, Venice).
Attributed works:
4. Madonna of the treasurers, by Jacopo Tintoretto. 1567. Canvas, 221 by 520.7 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
5. Tarquin and Lucretia, by Jacopo Tintoretto. c.1578–80. Canvas, 172.7 by 152.4 cm. (The Art Institute of Chicago; exh. Palazzo Ducale, Venice).
Attributed works:
6. The miracle of the slave, by Jacopo Tintoretto. 1548. Canvas, 415 by 541 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
7. Baptism of Christ, by Jacopo Tintoretto. c.1580. Canvas, 283.2 by 161.9 cm. (S. Silvestro, Venice; exh. Palazzo Ducale, Venice).
Attributed works:
8. The removal of the body of St Mark, by Jacopo Tintoretto. Probably c.1564. Canvas, 403.8 by 320 cm. (Gallerie dell’Accademia, Venice).
Publication Received
Lambert Sustris. Un artiste de la Renaissance entre Venise et l’Allemagne. By Benjamin Couilleaux
11/2018 | 1388 | 160
Pages: 985
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Reviewer:
Humfrey, Peter (Humfrey, Peter)
Subjects
dates:
1500-1599
media:
Paintings
museums and institutions:
Musée des Beaux-Arts, Caen, France
patrons:
Truchsess von Waldburg, Otto, Cardinal, 1514-1573
places:
Netherlands / Italy / Germany / France / Caen
subjects:
Dutch painting / Italian painting / Monographs / Dating / Attribution / Patronage / Style / Mannerism / Landscapes (visual works) / Exhibitions
Exhibition Review
Between Rubens and Van Dyck: Gaspar de Crayer. Musée de Flandre, Cassel; Gaspar de Crayer and Ghent: An unbreakable bond. Museum voor Schone Kunsten, Ghent
11/2018 | 1388 | 160
Pages: 958-960
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Reviewer:
Brown, Christopher (Brown, Christopher)
Subjects
art literature:
Vlieghe, Hans, Van Rompaylaan 7, Belgium
artists:
Crayer, Gaspar de / Rubens, Peter Paul / Dyck, Anthony van / Coxie, Raphael / Clerck , Hendrik de / Loon, Theodoor van / Pontius, Paulus / Jordaens, Jacob / Faydherbe, Lucas / Velázquez, Diego / Maíno, Juan Bautista
collectors and dealers:
Seilern, Antoine / Lamberg-Sprinzenstein, Anton Franz de Paula Graf
dates:
2010-2019
media:
Paintings / Oil sketches / Drawings
museums and institutions:
Musée de Flandre, Cassel, France / Museum voor Schone Kunsten, Ghent, Belgium
patrons:
Ferdinand of Austria, Cardinal-Infante, 1609–1641 / Leopold Wilhelm, Archduke of Austria, 1614-1662 / Philip IV, King of Spain, 1605-1665
places:
France / Cassel / Belgium / Ghent
subjects:
Flemish painting / Courts (social groups) / Patronage / Attributions / Attributions, former / Style / Influence / Collecting / Christian iconography / Portraits / Self-portraits / Altarpieces / Busts / Copies / Mannerism
Illustrations
Attributed works:
10. The Martyrdom of St Catherine, by Gaspar de Crayer. c.1622. Canvas, 242 by 188 cm. (Musée des Beaux-Arts, Grenoble; photograph J.-L. Lacroix; exh. Musée de Flandre, Cassel).
Attributed works:
11. Adolescent Virgin decorated by angels in the presence of Joachim and St Anne, by Gaspar de Crayer. Canvas, 155 by 111 cm. (Royal Museums of Fine Arts of Belgium, Brussels; photograph J. Geleyns; exh. Musée de Flandre, Cassel).
Attributed works:
12. Philip IV of Spain in parade armour, by Gaspar de Crayer. c.1627– 30. Canvas, 182.9 by 118.1 cm. (Metropolitan Museum of Art, New York; exh. Musée de Flandre, Cassel).
Article
Georges de la Tour’s earliest painting?
07/2018 | 1384 | 160
Pages: 554-557
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Author:
Cuzin, Jean-Pierre (Cuzin, Jean-Pierre)
Subjects
art literature:
Rosenberg, Pierre, Paris, France
artists:
La Tour, Georges de / Ribera, Jusepe de / Pietro della Vecchia / Rosa, Salvator / Bellotti, Pietro, 1627-1700 / Manfredi, Bartolomeo / Stomer, Matthias / Bellange, Jacques
dates:
1600-1649
media:
Paintings
places:
France / Lorraine / Paris / Italy
subjects:
French painting / Italian painting / Copies / Chiaroscuro / Brushwork / Colour / Lighting / Mannerism / Caravaggism / Style / Diogenes / Greek iconography / Iconography / Cook collection / Collections, Private / Lost works / Attributions / Attributions, former / Attribution / Dating / Technical analysis / Scientific analysis
Illustrations
Attributed works:
1. Diogenes, here attributed to Georges de La Tour. c.1615–20. Canvas, 99.9 by 121.4 cm. (Private collection).
Attributed works:
2. Peasant couple eating, by Georges de La Tour. c.1620. Canvas, 74 by 87 cm. (Gemäldegalerie, Berlin; Bridgeman Images).
Attributed works:
3. Hurdy-gurdy player and his dog, by Georges de La Tour. c.1620s. Canvas, 186 by 120 cm. (Musée Municipal, Bergues; Bridgeman Images).
Attributed works:
4. St James the Less, by Georges de La Tour. c.1615–20. Canvas, 65 by 54 cm. (Musée Toulouse-Lautrec, Albi; Bridgeman Images).
Book Review
François Ier et l’art des Pays-Bas. Edited by Cécile Scailliérez.
07/2018 | 1384 | 160
Pages: 602-603
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Reviewer:
Herman, Nicholas (Herman, Nicholas)
Subjects
artists:
Master of Saint Giles / Master of Amiens / Clouet, François / Cleve, Joos van, d. ca. 1540 / Corneille de Lyon
artists:
Bellemare, Noël / Batave, Godefroy le / Guérard, Grégoire
dates:
1500-1549
media:
Paintings / Illuminated manuscripts / Stained glass / Books / Prints / Tapestries
museums and institutions:
Musée du Louvre, Paris, France
patrons:
Francis I, King of France, 1494-1547
places:
France / Paris
subjects:
French painting / Dutch painting / Flemish painting / Netherlandish painting / Ecole de Fontainebleau / Patronage / Mannerism / Panel paintings / Portraits / Altarpieces / Illuminators / Printmakers / Exhibition catalogues / Dating / Attribution / Taste (aesthetics)
Illustrations
Attributed works:
1. Hours of the Use of Rome, known as the Rosenwald Hours, by Noël Bellemare. 1524. Parchment, 24 by 17 cm. (Library of Congress, Washington, MS 52, fols.43v–44r).
Article
The Modigliani Technical Research Study. Modigliani’s late portraits
05/2018 | 1382 | 160
Pages: 400-407
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Author:
Bezur, Anikó (Bezur, Anikó)
Author:
Campos, Pedro H.O.V. (Campos, Pedro H.O.V.)
Author:
Centeno, Silvia A. (Centeno, Silvia A.)
Author:
Duvernois, Isabelle (Duvernois, Isabelle)
Author:
Gonçalves Magalhães, Ana (Gonçalves Magalhães, Ana)
Author:
Josenhans, Frauke V. (Josenhans, Frauke V.)
Author:
Londero, Pablo (Londero, Pablo)
Author:
Rizzutto, Márcia (Rizzutto, Márcia)
Author:
Schwarz, Cynthia (Schwarz, Cynthia)
Subjects
art literature:
Venturi, Lionello
artists:
Modigliani, Amedeo / Botticelli, Sandro / Ghirlandaio, Domenico / Pollaiolo, Antonio del / Pontormo
dates:
1910-1919
museums and institutions:
Yale University Art Gallery, New Haven, United States / Metropolitan Museum of Art, New York, United States
places:
France / Nice / Italy / Florence
subjects:
Italian painting / Portraits / Neo-classicism / Renaissance / Mannerism / Style / Influence / Visual sources / Supports / Pigments / Colour / Alterations / Techniques / Underdrawings / Charcoal / Sitters / Dating / Technical analysis / Scientific analysis / Radiographs / Infrared reflectography
Illustrations
Attributed works:
1. Portrait of a young woman, by Amedeo Modigliani. Here dated 1918–19. Canvas, 45.7 by 28 cm. (Yale University Art Gallery, New Haven).
Attributed works:
10. Infra-red reflectography detail of the background of Fig.9, showing underdrawing and pentimenti (photograph Pedro Campos and Márcia Rizzutto).
Attributed works:
11. Portrait of the artist’s wife, Jeanne Hébuterne, by Amedeo Modigliani. 1918 (1919?). Canvas, 101 by 65.7 cm. (Norton Simon Museum, Pasadena).
Attributed works:
2. Head of Jeanne Hébuterne, by Amedeo Modigliani. 1918. Canvas, 46 by 29 cm. (Private collection).
Attributed works:
3. X-radiograph of Fig.1.
Attributed works:
4. Infra-red photograph of Fig.1.
Attributed works:
5. Infra-red reflectogram of Fig.8.
Attributed works:
6. Transmitted light photograph of Fig.8.
Attributed works:
7. Raking light detail photograph of Fig.8.
Attributed works:
8. Jeanne Hébuterne, by Amedeo Modigliani. 1919. Canvas, 91.4 by 73 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. Self-portrait, by Amedeo Modigliani. 1919. Canvas, 100 by 64.5 cm. (Museum of Contemporary Art of the University of São Paulo; photograph Pedro Campos and Márcia Rizzutto).
Attributed works:
[Appendix. Summary of the results of pigment, media, ground preparation and varnish analyses, and of the canvas thread counts.]
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