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12/2022 | 1437 | 164
Pages: i-xii
Subjects
Illustrations
Attributed works:
Claude Monet (French, 1840–1926). Boulevard des Capucines, 1873–1874. Oil on canvas, 31 5/8 x 23 3/4 in. (80.3 x 60.3 cm). Purchase: the Kenneth A. and Helen F. Spencer Foundation Acquisition Fund, F72-35.[Nelson Atkins Museum]
Attributed works:
FÉLIX BARRIAS (1822–Paris–1907) A Semi-Nude Reclining Man Charcoal and white chalk on blue paper, squared for transfer, the upper right corner made up Height: 64 cm; Length: 49 cm. Stamp: (L.219b) lower left Our drawing is a study for one of the frescoes in the Saint Louis chapel, in the Parisian church of Saint Eustache 'Saint Louis in Damiette comforting the plague stricken', decoration painted in 1851 [Ratton and Ladrière]
Attributed works:
From the series Emergent (Crystal Mouths), by Harold Offeh. 2022. (Commissioned for Burlington Contemporary Journal Issue 7)
Attributed works:
Gasparo Cairano Deposition Group (detail) alabaster 47,5 x 65 x 22,5 cm [Carlo Orsi]
Attributed works:
Gboyega Odubanjo, featured in Granta 156 : Interiors. Photographed by Lewis Khan [Granta Magazine]
Attributed works:
HANS HOLBEIN THE YOUNGER (1497–1543) AND WORKSHOP Portrait of Desiderius Erasmus (1466–1536) oil on panel 7 ⅛ x 5 ½ in. (18 x 14 cm.) Estimate: £1,000,000–1,500,000 [Christie's]
Attributed works:
LUCA GIORDANO known as LUCA FA PRESTO (Naples 1634-1705) Christ and the Samaritan woman at the well Tondo a buon fresco su calce: portable fresco on the original wicker support, diameter 110 cm. Circa 1685 [Santa Tecla]
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Pages: i-xii
Subjects
Illustrations
Attributed works:
DAVID BOMBERG (BRITISH 1890-1957) THE GARDEN AND TOWER OF THE SACRISTY, CUENCA CATHEDRAL Est. £200,000-300,000 (+ fees) [Dreweatts]
Attributed works:
Giovann Battista Foggini, From a model by St Charles Borromeo in Adoration of the Crucifix (detail) ca. 1755. [Walter Padovani]
Attributed works:
GIOVANNA GARZONI (1600– Ascoli Piceno – Rome – 1670) The VIirgin of the Chair Tempera and gold on velum. Signed lower left (on the chair): Giovanna Garzoni F Torn upper and lower right corners. Height :  23 . 5 cm. Length :  23 . 5 cm [Rob Smeets]
Attributed works:
LUCA GIORDANO (Naples 1634–1705) Esau and Jakob Oil on canvas, 116 x 128 cm [Santa Tecla]
Attributed works:
NICCOLÒ TORNIOLI Siena 1606–1651 Rome The Banquet of Absalom, late 1640s Oil on canvas 147.5 x 216.2 cm (581/8 x 851/8 in.) [Robilant and Voena]
Attributed works:
Silvestro Chiesa Genoa 1623-1657 Monk in prayer 68x54 cm [Arte Fact]
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Pages: i- xxix
Subjects
artists:
artists:
Illustrations
Attributed works:
A centaur abducting a nymph, by Giandomenico Tiepolo (1727– 1804). Pen and ink and watercolour on paper, 18.6 by 27 cm. [Maurizio Nobile, Bologna, Paris and Milan/Tefaf]
Attributed works:
A predella panel showing The Marriage of the Virgin, by Lippo Vanni (active c.1340–75). c.1345. Tempera on wood, 24.6 by 28.5 cm. [Brimo de Laroussilhe, Paris/Tefaf]
Attributed works:
Aimé-Jules Dalou (Paris 1838–1902) Bacchanale Plaster Diameter: 44  in. (114 cm.) [Agnews/Tefaf]
Attributed works:
Allegory of abundance, by Guiseppe Maria Mazza (1653–1741). c.1730. Terracotta, height 30 cm. Walter Padovani, Milan/Tefaf]
Attributed works:
Angelica Kauffman, Portrait of Marquise Orsola Priuli Maccarani. [Walter Padovani/Tefaf]
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000. [Camper Dabernat]
Attributed works:
Aphrodite. Roman. c.1st century AD. Marble, height 125 cm. [Galerie Chenel, Paris/Tefaf]
Attributed works:
Bacchanale or La Statue, by Paul Delvaux (1897–1994). 1967. Watercolour and ink on paper, 71 by 106 cm. [David Lévy, Brussels/Tefaf]
Attributed works:
Bartolomé Esteban MURILLO (Seville, 1617 - 1682) The Good Shepherd Oil on canvas. 165 x 112 cm In the same French private collection since 1764 [Aguttes]
Attributed works:
Bust of Lucrezia d’Este, by Antonio Canova (1757– 1822). 1821–22. Marble, height 42 cm. [Daniel Katz, London/Tefaf]
Attributed works:
Clockface from a longcase clock, by Thomas Mudge (1715–94). c.1758. Brass and silver in a mahogany case, height 195 cm. [TOBIAS BIRCH, EVESHAM/Masterpiece]
Attributed works:
Diamond cut egg, by David Nash (b.1945). 2020. Maple, 71 by 30 by 30 cm. ANNELY JUDA FINE ART, LONDON/Masterpiece]
Attributed works:
Effigy of Riccardo Rota, by Giovanni Da Nola (1478– 1559). c.1540–50. Marble, 129 by 60 by 43 cm. [Sam Fogg, London/Tefaf]
Attributed works:
Form, Forbabstufung, by Marina Apollonio (b. 1940). 1972. Acrylic on canvas, 70 by 70 cm. [The Mayor Gallery, London/Tefaf]
Attributed works:
Francesco SOLIMENA (Canale di Serino, 1657 - Naples, 1747) The triumph of Faith over Heresy through the intercession of Dominicans Canvas, 90 9/16 x 36 5/8 in. [Tajan]
Attributed works:
FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, 1746 – 1828, Bordeaux) Portrait of Don Juan López de Robredo, Embroiderer to King Carlos IV of Spain 1798-1799 Oil on canvas, 108.3 x 82.3 cm [Caylus/Tefaf]
Attributed works:
Fruit and leaves, by Matthew Smith (1879–1959). 1947. Oil on canvas, 38.1 by 61 cm. RICHARD GREEN, LONDON/Masterpiece]
Attributed works:
Funerary head of a woman. Southern Arabia, c.100 BC–100 AD. Calcite alabaster, height 28.3 cm. [Art Ancient, London/Tefaf]
Attributed works:
Georges de Porto- Riche, by JacquesÉmile Blanche (1861–1942). 1889. Oil on canvas, 100 by 65 cm. ROBILANT + VOENA, LONDON/Masterpiece]
Attributed works:
GIACOMO GINOTTI (1845–1897) Rome, c. 1877–1886 L’Emancipazione della schiavitù (The Emancipation of Slavery) White statuary marble, on a revolving Portasanta marble pedestal with octagonal foot 52 in. (132 cm.) high, the figure 83 in. (211 cm.) high, overall; 24 in. (61 cm.) diameter at foot Signed: ‘GINOTTI’ [Tomasso/Tefaf]
Attributed works:
GIOVANNI ANTONIO PELLEGRINI (Venice 1675 –1741) An unidentified allegory. Oil on canvas, 26 x 41 cm PROVENANCE: Private collection, England [Santa Tecla]
Attributed works:
Giovanni Battista Piamontini Faun with a Kid (detail) marble, height 152 cm, 60 in [Trinity Fine Art/Tefaf]
Attributed works:
GIOVANNI BATTISTA TIEPOLO (1696–1770) Allegorical Figures of Valour and Fame: The Apotheosis of a Warrior Pen and brown ink and brown wash, over an underdrawing in black chalk. 216 x 289 mm. (81⁄2 x 113⁄8 in.) [Stephen Ongpin Fine Art]
Attributed works:
Island of the Lights from Pinocchio, by Paula Rego (b.1935). 1996. Pencil, ink and watercolour on paper, 150 by 180 cm. PIANO NOBILE, LONDON/Masterpiece]
Attributed works:
Jean-Baptiste Greuze (1725–1805) The Head of a Young Girl Red and black chalk over stumped black chalk outline, heightened with white on prepared paper, 272 x 224mm [Christopher Bishop Fine Art/Tefaf]
Attributed works:
La Danse des Bacchantes – La Grande Vitrine Faune et Faunesse, by Maison Roux et Brunet and Léon Messagé (1842– 1901). 1890. Gilt-bronze and various woods, height 246 cm. Adrian Alan, London/Tefaf]
Attributed works:
LUCAS CRANACH I (1472–1553) The Nymph of the Spring oil on panel 32 ¼ x 47 ⅜ in. (82.1 x 120.5 cm.) £6,000,000–8,000,000. Christie's/Masterpiece]
Attributed works:
Monumental mixed metal exhibition vase, by Suzuki Chokichi Company. c.1882. Bronze, 91 by 43 cm. [STEVE SLY JAPANESE ART, BOURNEMOUTH/Masterpiece]
Attributed works:
Pierres number 2, by Alberto Magnelli (1888–1971). 1932. Oil on canvas, 168 by 100 cm. Applicat-Prazan, Paris/Tefaf]
Attributed works:
Suburbs of Amsterdam, by Jan Sluijters (1881–1957). 1907. Oil on canvas, 42 by 33.5 cm. [Daatselaar, Utrecht/Tefaf]
Attributed works:
The Mattias De Medici Blue Boys. Attributed to Jacopo Maria Foggini. Pair of polychrome lacca wood sculptures with glass eyes. Florence 1650s (Burzio/Tefaf]
Attributed works:
The sisters, by Augustus Edwin John (1878–1961). 1937. Oil on canvas, 76.2 by 63.5 cm. PHILIP MOULD, LONDON/Masterpiece]
Non-western art unattributed:
Egyptian canopic jar for Hena. Late Dynastic Period, c.664–525 BC. Alabaster, height 32.5 cm. GALERIE MALAQUAIS, PARIS/Masterpiece]
Non-western art unattributed:
Guro-Bete mask. Ivory Coast, 19th century. Wood, height 20.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Skull of a Triceratops prorsus. Late Cretaceous period. Fossil, 170 by 115 by 150 cm. DAVID AARON, LONDON/Masterpiece]
Western art unattributed:
Altarolo with Madonna and Child and the Infant St John The Baptist Ebony, pietre dure, gilded bronze. 88 x 60 x 28 cm [Brun/Tefaf]
Western art unattributed:
Barocchetto period commode. Venice, 1720–70. Lacquered wood with gilding, height 90 cm. [Brun Fine Art, London/Tefaf]
Western art unattributed:
Detail of a cabinet incorporating 11 pietra dura, pietra tenere and pietra paesina tablets representing Tuscan landscapes. Cabinet and stand c.1720; plaques c.1690. Walnut and limestone, 170 by 111 by 56 cm. ANTHONY OUTRED, LONDON/Masterpiece]
Western art unattributed:
FRENCH, LATE 17TH / EARLY 18TH CENTURY Silenus After the Antique Bronze 38 cm (15 in.) high PROVENANCE Private collection, USA [Tomasso/Tefaf]
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Pages: IFC-viii
Subjects
Illustrations
Attributed works:
Fernando de Rojas, La Célestine. 1971. With 66 etchings by Pablo Picasso.[Venator and Hanstein]
Attributed works:
FRANCESCO TIRONI (c.1745–1797) The Piazza San Marco Decorated for the Festa della Sensa on Ascension Day Pen and brown ink, black and grey wash, heightened with white. 349 x 590 mm. (13¾ x 23¼ in.)[Stephen Ongpin]
Attributed works:
Giuseppe Costa Italian 1852-1912 The new arrival Oil on canvas Signed and inscribed ‘G Costa Firenze’ 73 x 106.5 cm. £8,000-12,000 [Roseberys, London]
Attributed works:
Jean Marc NATTIER (Paris 1685-1766) Portrait présumé de Philippine Élisabeth Charlotte d’Orléans dite Mademoiselle de Beaujolais (1714-1734) Canvas. 113 x 145,6 cm Estimate: 150 000/200 000 € (Drout, Paris]
Attributed works:
Lucas Cranach the Elder and Workshop (Kronach 1472 – 1553 Weimar) The Judgement of Paris Oil on panel, 24 ⅛ x 15 ⅝ inches (61.1 x 38.8 cm) [Robert Simon Fine Art]
Attributed works:
SEBASTIANO FILIPPI, CALLED “IL BASTIANINO” (Ferrara, circa 1532–1602) Portrait of Margherita Gonzaga D’Este, Duchess of Ferrara, with her dwarf Isabella Oil on canvas, 190 x 135 cm PROVENANCE: Private collection, northern Europe [Santa Tecla]
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Pages: i-xii
Subjects
artists:
Illustrations
Attributed works:
Bartolomé Esteban MURILLO Study of saint Anthony of Padua Black chalk 21 × 19 cm Estimate: €150,000 - 200,000 [Art Curial]
Attributed works:
Bernhard STRIGEL (Memmingen 1460-1528) Ange vêtu d’une tunique jaune tenant un encensoir Panneau de chêne, une planche, non parqueté. 48,7 x 61 cm [Artpaugée]
Attributed works:
Frans Hals, The Laughing Cavalier (detail), 1624. [The Wallace Collection, London]
Attributed works:
GIOVANNI BATTISTA PIAZZETTA (Venice, 1683–1754) The martyrdom of saint james, oil on canvas, 45.5 x 33.5 cm PROVENANCE: Collection of Italico Brass, Venice Sketch for the large canvas of the same subject in the Church of San Stae, Venice. Commissioned circa 1721–22 by the venetian N.H. Andrea Stazio [Santa Tecla]
Attributed works:
Nicolas Tournier, Roman Charity, c. 1620 [Robilant and Voena]
Attributed works:
P.F. Mola Venus, Cupid & Satyr 120 x 175mm pen & brush, brown ink & wash. prov: J.F. Mather Jr., Princeton [Mia N. Weiner]
Attributed works:
Tattooing with Rose Wallpaper, by Martha Edelheit. 1963. Oil on canvas, 68.6 by 129.5 cm. (Courtesy Eric Firestone Gallery, New York; DACS, London, 2021).[Burlington Contemporary]
Non-western art unattributed:
A Very Fine Edo Hip Mask / Ornament Nigeria, Benin Kingdom 19th Century si z e: 16 cm high provenance: Ex Sothebys, London Antiquities and Tribal Art 13th December 1977, lot 372 Ex Bonhams, Knightsbridge Tribal Art, 1st December 1993, lot 19 [Finch & Co]
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Pages: i-xl
Subjects
collectors and dealers:
Nicholas Hall (dealer), New York, United States / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Walter Padovani (dealer), Milan, Italy / Bailly Gallery, Geneva and Paris, Switzerland / Arnoldi-Livie (dealer), Munich, Germany / Bottegantica, Bologna, Italy / Carlo Orsi (dealer), Milan, Italy / Lullo Pampoulides (dealer), London, Great Britain / Rob Smeets, Geneva, Switzerland / Stephen Ongpin Fine Art, London, Great Britain / Alessandro Cesati, Milan, Italy / Simon Dickinson, London, Great Britain / Burzio, London, Great Britain / Santa Tecla Srl, Padua, Italy / Bacarelli & Botticelli, Firenze, Italy / Daxer & Marshall (dealer), Munich, Germany / Zornmuseet, Mora, Sweden / Art Conservation Awards / Irish Arts Review / Biennale Internazionale d'Antiquariato (Italy: Florence) / Paolo Antonacci (dealer), Rome, Italy / Fairfield University Art Museum, Fairfield, United States / Galerie Neuse, Bremen, Germany / Venator & Hanstein KG (auction house), Cologne, Germany / European Fine Art Fair (Maastricht) / Timothy Newbery (frames), London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Day and Faber, London, Great Britain / The-saleroom.com / Didier Aaron, Inc, New York, United States / Rafael Valls, London, Great Britain / Salon du dessin, Paris, France / Galerie Zlotowski, Paris, France / Jean-Luc Baroni, London, Great Britain / Marty de Cambiaire, Paris / Paul Prouté S.A. (gallery), Paris, France / Wienerroither & Kohlbacher, Vienna, Austria / Talabardon & Gautier, Paris, France / Museo Nacional del Prado, Madrid, Spain / Charles Ratton & Guy Ladrière, Paris, France / Master Drawings (art periodical) / Brun Fine Art, London / London Original Print Fair / Dreweatts, Newbury, Great Britain / Artcurial, Paris, France / Hazlitt Gallery, London, Great Britain
Illustrations
Attributed works:
Francisco de Goya Visiones. 23.6 x 14.4 cm. Recently acquired by the Meadows Museum, Dallas
Attributed works:
[Arnoldi-Livie. Ernst Ludwig Kirchner. Bathers at the Beach of Fehmarn, 1912. Graphhite, 46 x 59 cm]
Attributed works:
[Artcurial. Baccio BANDINELLI Male Nudes (recto) Estimate: € 30 000 - 40 000]
Attributed works:
[BAILLY GALLERY, GENEVA AND PARIS. Head, by Amedeo Modigliani (1884–1920). c.1910–12. Pencil on paper, 42.5 by 26.5 cm.]
Attributed works:
[BOTTEGANTICA, MILAN. Futurist blackbirds, by Giacomo Balla (1871–1958). c.1924. Canvas, 66 by 146 cm.]
Attributed works:
[BURZIO, LONDON. Self portrait, by Giusseppe Maria Bonzanigo (1745–1820). 1786. Limewood, walnut, tulipwood, ebony and fruitwood, 62.7 by 59 cm.]
Attributed works:
[Burzio. The Tagliolini Laocoon. Filippo Tagliolini, Naples. c. 1785, 52 cm high.]
Attributed works:
[Carlo Orsi Fine Art. Giovanni Battista Foggini, The Portrait of Margerite Louis of Orléans, Grand Duchess of Tuscany. Marble, hieght 77 cm]
Attributed works:
[CARLO ORSI – TRINITY FINE ART, LONDON. Wicker basket with peaches, jasmine, a rose and a carnation, by Fede Galizia (1578–1630). Panel, 33.7 by 47 cm.]
Attributed works:
[CHARLES RATTON & GUY LADRIÈRE. FRANÇOIS BOUCHER (1703 – Paris – 1770) A COTTAGE Red chalk, 20.5 x 33.7 cm]
Attributed works:
[Daxer and Marshall. Jan Steen, the Alchemist, 1668]
Attributed works:
[Daxer and Marshall. Peder Balke. The Troltindene Range, Norway, 1848]
Attributed works:
[DIDIER AARON & CIE, PARIS. Study for St Genevieve at prayer, by Pierre Puvis de Chavannes (1824–98). 1876. Charcoal with white highlights on paper, 55.5 by 45 cm.]
Attributed works:
[GALERIE ARNOLDI-LIVIE, MUNICH. Young Painter in his atelier, by Michel-Martin drolling (1786–1851). oil on canvas, 47 x 39 cm.]
Attributed works:
[GALERIE NEUSE, BREMEN. Beaker and cover depicting the death of the Swedish King Gustav Adolf in the Battle of Lützen, 1632, by Elias Adam (c.1669–1745). c.1707–11. Ivory with silver-gilt mounts. Height 29.5 cm.]
Attributed works:
[Galerie Neuse. Johann Speiss ( 1824 - c. 1891) Trophy for the Baden-Baden steeple chase in I ffezheim Signed and dated: J. Spiess. fecit Hofgraveur Mannheim 1863 Ivory, Height: 50 cm]
Attributed works:
[GALERIE PAUL PROUTÉ, PARIS. Venus, by Jan Van der Straet, known as Johannes Stradanus (1523–1605). c.1599. Black pencil, brown ink with white gouache highlights on paper, 18.2 by 12.5 cm.]
Attributed works:
[Galerie Paul Prouté.Maurice DENIS (1870 - 1943) Study for two apostels, charcoal, hightened with white on brown paper, 680 x 455 mm]
Attributed works:
[GALERIE ZLOTOWSKI, PARIS. The piano lesson, by Georges Valmier (1885–1937). 1922. Gouache on paper, 14.6 by 16.8 cm.]
Attributed works:
[GALERIEARNOLDI-LIVIE, MUNICH. Standing youth at a water source, by Ferdinand Hodler (1853–1918). 1900/01. Pen and brush with grey wash]
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Eustache Le sueur. Study for the Head of Saint Gervasius in the painting, ‘St Gervasius and St Protasius brought before Anastasius’, in the Musée du Louvre. (circa 1652), black and red chalk, heightened with white and yellow pastel: 195 x 146 mm (7½ x 5¾ in.) (actual size).
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Federico Zuccaro. Allegory of Gluttony, Study for a Section of the Cupola of the Duomo, Florence. (circa 1575-6), pen and brown ink and brown and pink wash, squared for transfer in red chalk: 166 x 306 mm. (6½ x 12 in.), (actual size detail).]
Attributed works:
[JEAN-LUC BARONI, LONDON, AND MARTY DE CAMBIAIRE, PARIS. Man with a top hat and walking stick, by Edouard Manet (1832–83). Pen and black ink wash with gouache highlights on beige paper, 25.7 by 8.8 cm.]
Attributed works:
[KUNSTHANDEL WIENERROITHER& KOHLBACHER, VIENNA. Standing female figure, by Egon Schiele (1890–1918). 1911. Gouache, watercolour and crayon on paper, 44.7 by 31.5 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[LULLO PAMPOULIDES, LONDON. Hercules on the pyre, by Guillaume Coustou (1677–1746). c.1702–03. Terracotta, 40 by 27 cm.]
Attributed works:
[Lullo Pampoulides. Domenico Fetti | Melancholy | Circa 1618 | Oil on canvas | 149.7 x 112.8 cm.]
Attributed works:
[MULLANY HAUTE EPOQUE FINE ART, LONDON. St Francis, by Pedro Roldán (1624–99). c.1660–70. Wood with original polychrome and gilding, 81 by 45 by 40 cm.]
Attributed works:
[Mullany Haute Epoque Fine Art. JOSÉ DE MORA (Baza 1642 – 1724 Granada) Head of Saint John the Baptist Terracotta, with original polychrome Spain, Granada, c. 1695 – 1724 H. 18.4 x W. 26.7 x D. 24.1 cm]
Attributed works:
[Museo Nacional del Prado. Francisco de Goya, José Álvarez de Toledo, marqués de Villafranca y duque de Alba (detalle), 1795. Madrid, Museo Nacional del Prado]
Attributed works:
[ONNO VAN SEGGELEN FINEARTS, ROTTERDAM. Happy company, by Pieter Jansz Quast (1605–47). Graphite and grey wash on vellum, 27.8 by 34.7 cm.]
Attributed works:
[Paolo Antonacci, Rome. Adolfo DE CAROLIS (1874 – 1928) Woman at the Fountain (The Muse Melete) Tempera, pencil and charcoal on paper, 1860 x 1470 mm]
Attributed works:
[Peter Finer. A Wheel-Lock Gun from the Cabinet d'Armes of Louis XIII of France, c. 1620-30]
Attributed works:
[REGINART COLLECTIONS, GENEVA. Summer evening, by Lyonel Feininger (1871–1956). 1933. Watercolour, pencil and ink on paper, 22.9 by 34.5 cm.]
Attributed works:
[ROB SMEETS OLD MASTER PAINTINGS, GENEVA. Study for a standing male figure, by Corrado Giaquinto (1703–66). Canvas, 66.5 by 50 cm.]
Attributed works:
[ROBILANT + VOENA, LONDON. A view of the piazzetta looking towards the Bacino and Isola di S. Giorgio, by Francesco Guardi (1712–93). Canvas, 58.5 by 68 cm.]
Attributed works:
[Robilant +,Voena. Jacopo Bassano, Penitent Saint Jerome, oil on canvas, 88 × 110 cm.]
Attributed works:
[SANTA TECLA Srl. GIROLAMO MUZIANO (Brescia 1532 – Rome 1592) Saint Jerome in the wilderness Oil on canvas, cm 228 x 164 (90 x 64½ in.)]
Attributed works:
[SANTA TECLA, PADUA. The Madonna in prayer, by Giovanni Battista Salvi, called Il Sassoferrato (1609–85). Canvas, 75.3 by 61.6 cm.]
Attributed works:
[SIMON C. DICKINSON LTD, LONDON. White feathers, by Kees van Dongen (1877–1968). c.1910–68. Canvas, 100 by 80 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. A standing halberdier, by Salvator Rosa (1615–73). c.1656/57. Pen and brown ink with brown wash on paper, 14.7 by 9 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. Jos Hessel in the drawing room at the Château des Clayes, by Édouard Vuillard, (1868–1940). Pastel on pink paper, 30.5 by 22.4 cm.]
Attributed works:
[Stephen Ongpin Fine Art. Thomas Gainsborough, R.A. (1727-1788) Wooded Landscape with Cattle and Goats Black and white chalk, with stumping, on buff paper. 229 x 294 mm. (9 x 11½ in.)]
Attributed works:
[TALABARDON& GAUTIER, PARIS. Two bathers, by Armand Séguin (1869–1903). c.1895. Charcoal, pen and ink on paper, 27.7 by 24.6 cm.]
Attributed works:
[TOMASSO BROTHERS FINE ART, LONDON AND LEEDS. The Lamentation over Christ, by Gerard David (c.1460–1523). Panel, 18 x 17.4 cm.]
Attributed works:
[Venator & Hanstein. Hieronymus. Leben der heiligen Altväter. Strasbourg 1482]
Attributed works:
[Walter Padovani. Antonio Minello, Apollo, overall height 68 cm]
Attributed works:
[Walter Padovani. Italy Mother of the Arts, by Pompeo Marchesi (1783–1858). White Carrara marble, 131 by 99 cm.]
Non-western art unattributed:
[The Maastricht Fine Art Open House. A lacquer plaque depicting St. Petersburg on the river Neva with the Winter Palace on the left and the Academy of Science on the right. Japan, Nagasaki, circa 1788.]
Western art unattributed:
[BACARELLI & BOTTICELLI. Allegory of Envy Florence, second half of 17th century Bronze, height 29 cm.]
Western art unattributed:
[CESATI WORKS OF ART, MILAN. Casket, Siena c.1340–50. Painted, gilded and punched wood, 19 by 24 by 14.5 cm.]
Western art unattributed:
[Dreweatts. A Northern Italian, probably Veronese, sculpted marble votive relief depicting the Crucifixion with the Virgin Mary and Saint John, late 13th/early 14th century, 66cm high, 43cm wide]
Western art unattributed:
[Tomasso Brothers. Roman, 50 BC – 50 AD Head of Cato Thasian Marble 42.5 cm (16¾ in.) high. 55.5cm high (21¾ in.), including the socle]
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Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[20/21 British Art Fair. Keith Vaughan (1912-1977). Eden Camp, 1954 (detail). Gouache and ink, signed and dated, 28 x 35.5 cm.]
Attributed works:
[Ben Elwes Fine Art. 45 Maddox Street, London. Franz Ittenbach (1813-1879). Mother of the World. 1872. Oil on panel. 99 x 57 cm (39 x 22.4 inches)]
Attributed works:
[Benappi Fine Art. 27 Dover Street, London. Andrea Sacchi (Rome or Nettuno, 1599 - Rome, 1661). Portrait of Monsignor Giacomo Franzoni, c. 1640. Oil on canvas, 71.7 x 57.5 cm]
Attributed works:
[Bottegantica. Via Manzoni 45, Milano. Giovanni Boldini. The Spanish, circa 1880. Oil on canvas, 55 x 45 cm. Signed at bottom right: "Boldini"]
Attributed works:
[British Museum, London. Katsushika Hokusai (1760-1849), Under the Wave off Kanagawa (detail). Colour woodblock print. c. 1831. Acquired with The Art Fund support]
Attributed works:
[Karen Taylor Fine Art. James Ward RA (1769-1859). Portrait of a Cossack. Signed with initials, dated July 1814 and extensively inscribed, pencil. 29.4 x 22.4 cm]
Attributed works:
[Kunstkammer Georg Laue. Munich. The Rothschild Relief. Feast for Diana. Ignaz Elhafen, signed. Rome, ca. 1675-1685. Ivory. 15 x 25 x 3 cm]
Attributed works:
[Peter FIner. 38/39 Duke Street, St. James's, London. An etched and gilt reinforced buffe made by Anton Peffenhauser for the Prince Elector Christian I of Saxony, c. 1586]
Attributed works:
[Santa Tecla Srl. Palazzo Savonarola, Padova. Giambattista Tiepolo (Venice 1696 - Madrid 1770). Saint Joseph, Oil on canvas, cm 43.5 x 36 (17 x 14 in.)]
Attributed works:
[Sphinx FIne Art. 125 Kensington Church St. Adriaen Thomasz. Key. Portrait of a Bearded Gentleman, Bust-length (detail)]
Attributed works:
[Talabardon & Gautier. 134, Faubourg Saint-Honoré, Paris. Laura Theresa Alma-Thadema, Anna Alma-Thadema leafing through a Portfolio of Prints, 1874. Oil on panel, 11,3 x 31.4 cm. Signed and dated lower right.]
Attributed works:
[Van der Meij. Herengracht 372, Amsterdam. Valentin Ruths (1825-1905). Sunflowers. Oil on cardboard on panel, 25.2 x 24 cm. Signed and initials below right.]
Attributed works:
[Walter Padovani. Via Santo Spirito 26/A, Milano. Francesco Righetti (Rome 1749-1819). Farnese Hercules. Bronze, height 37 cm. Signed and dated: F. RIGHETTI. F. ROMAE. 1789]
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03/2012 | 1308 | 154
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Subjects
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Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Essex. A Charles II quarter repeating spring table table timepiece in an ebony and gilt metal mounted case by Thomas Tompion. London, c.1682. Height: 30 cm. (12 in)]
Attributed works:
[Antiquariat Bibermuhle, Ramsen. David and Goliath. Book of hours in Latin and French, illuminated manuscript on vellum with 14 large miniatures by the Master of the Burgundian Prelats. Burgundy (Dijon?). From the collection of William Waldorf Astor. c.1480. 23.4 by 16cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Wilhelm Leibl (Cologne 1844 - 1900 Wurzburg). The Son of Dr. Reindl, 1883. Signed and dated lower left: 'W. Leibl 83/ Aibling'. Black chalk on handmade paper, 52.5 x 34 cm]
Attributed works:
[Arturo Cuellar, Zurich. Knitting peasant girl, by Max Lieberman (1847-1935). Signed lower right (in pencil): 'M Liebermann'. Indian ink and gouache]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Charles-François Grenier de Lacroix called LACROIX DE MARSEILLE (circa 1720 - after 1782). View of Civitavecchia Seaport. Oil on canvas. 99.5 by 162.5 cm. (39 1/4 by 64 in.)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Albrecht Durer (1471-1528). Adam and Even (B., M., Holl. 1). engraving, 1504, a fine Meder II impression, 251 x 194 mm.]
Attributed works:
[Damiano Lapiccirella, Florence. A centaur abduction a girl, by Gian Domenico Tiepolo (1727-1804). c.1755. Pen and brown ink with brown wash, 19 by 27 cm.]
Attributed works:
[Daniel Katz Ltd, London. The Annunciation, by Tilman Riemenschneider (c.1460-1531). 1515-20. Alabaster relief. 32 by 21.5 by 4 cm]
Attributed works:
[David & Constance Yates. Box 580. Lenox Hill Station. New York 10021. Jean-Pierre Dantan (Paris 1800 - 1869 Baden). Niccolò Paganini (1782-1840). Cast, reworked and patinated plaster. Signed Dantan and dated 1832 on proper left edge of base. Height: 31 cm]
Attributed works:
[Daxer & Marschall Kunsthandel, Munich. Landscape in Finmark, by Peder Balke (1804-87). Oil on paper, 19.2 by 25.4 cm]
Attributed works:
[Day & Faber, London. Hercules and the Stymphalian bird [recto]- Hercules and the Oxen of Gryon [verso], by Baldassarre Peruzzi (1481-1536). Pen and brown ink within a drawn circle, 11.5 by 11.6 cm]
Attributed works:
[De Jonckheere, Geneva and Paris. The harvest, by Pieter Brueghel the Younger (1464-1638). Signed and dated 'P.BRUEGHEL, 1621'. Oil on panel, 71.5 by 102 cm.]
Attributed works:
[Didier Aaron & Cie, Paris. A young boy in an artist's studio, by Etienne Jeurat (1699-1709). Inscribed: 'm. aved'. Black chalk heightened with white on blue paper, 35 x 32 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Lorenzo Lippi (1606-1665), David and Goliath, oil on canvas, 127 x 98.5 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Mademoiselle O., by John Duncan Ferguson. Signed and titled on the back. Oil on board, 66 by 37 cm]
Attributed works:
[Eric Coatalem, Paris. Italian column, by Ben Nicholson (1894-1982)- 1965. Signed and dated on reverse. Ink and collage, 31.5 by 26 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Antonio Canova (Possagno, 1757 - Venice, 1822). Male figure draped, 1798. Written in pencil at the top left: di Febbraio 1798. Pencil on white paper, 239 x 170 mm.]
Attributed works:
[Galerie Canesso, Paris. Angelica and Medoro, by Simone Peterzano (c.1535-99). Oil on canvas, 154.8 by 194 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovan Battista Moroni. Albino, 1525-1578. Portrait of Isotta Brembati (?). Oil on canvas, 49 x 42 cm (19 1/4 x 16 1/2 in)]
Attributed works:
[Galerie Kruger & Cie, Paris. Dancer standing with hands clasped behind her back, by Edgar Degas (1834-1917). 1874. Stamp of atelier, on left 'Degas' (L.658). Black and white chalk on prepared grey paper, 45 by 29.7 cm]
Attributed works:
[Galerie Krugier & Cie. 29-31 Grand-Rue. Geneve. Pablo PICASSO. Etude de mains d'Olga, 1920. Pastel on paper, 50 x 47.5 cm]
Attributed works:
[Gallerie Pandora, Milan. Study of a hand and arm, by Antonio d'Errico, called Tanzio da Varallo (1580-1635). Red chalk on pink-orange prepared paper, traces of white heightening, 23.8 by 14.1 cm]
Attributed works:
[Gallery Delaive, Amsterdam. Victoire de Samothrace (S9), by Yves Klein (1928-62). Dry blue pigment and synthetic resin laid on plaster and stone base, 49.5 by 24.7 by 29.2 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele (Tullin 1890-1918 Vienna). Standing Nude with Drapery. Gouache, watercolour, pencil, black crayon, 56.5 x 35 cm, signed & dated at the lower right "Schiele 1918"]
Attributed works:
[Jean-Luc Baroni, London. The mender (Preparatory study for a lost painting of The occupation according to age, by Antoine Watteau (1684-1721). Red chalk, 21,8 by 17.8 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Lelio Orsi. 1511 - Novellara - 1587. Aegina with Jupiter as an Eagle. Pen and brown ink and wash, 222 x 109 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattias Stomer. Amersfoort c. 1600 - c.1652 Sicily or Northern Italy. A Woman Counting Coins by the Light of an Oil Lamp. Oil on canvas, 67.5 x 83.5 cm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Roelant Savery. A flower still life in a glass vase. 1612. Oil on copper. 16.8 x 13.5 cm]
Attributed works:
[Kunsthandel Schlichte Bergen, Amsterdam. Rue à Samois, by Odilon Redon (1840-1916). Signed and annotated: 'haut Samois // Od.R. Pencil, 26.3 by 18.8 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Gerrit Dou. Allegory of Painting. Signed and dated 1649. Oil on panel, 68.2 x 53.5 cm]
Attributed works:
[Michal Tollemache Fine Art. 43 Duke Street, St. James’s. London. Backgammon Players by Dirk van Baburen, ca. 1622. Oil on canvas, ca. 96.5 x 124 cm (ca. 38 x 49 inches)]
Attributed works:
[Otto Neumann Ltd, New York. Portrait of Baron François de Chambrier (1739-781), Chamberlain to the King of Prussia, by Pompeo Batoni (1708-87). Signed and dated lower right: 'P. BATONI PINXIT ROMA ANN. 1771'. Oil on canvas, 60.5 by 73 cm]
Attributed works:
[Palais de la Borse, Paris. Affiche. Michal Batory]
Attributed works:
[Pandora Old Masters. Ubaldo Gandolfi (1728-1781), Adam and Eve Expelled from Paradiso. Pen and brown ink with brown wash, laid down. 290 x 210 cm]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Above: Picasso. Linocut - Femme Accoudee, 1959. Right: Richard Ham. Picasso in Studio, Photograph, 1945.]
Attributed works:
[Santa Tecla Srl. Palazzo Savonarola. Piazza dei Savonarola, 66. Padova. The Master of the Twelve Apostles (Giacomo Panizzati?) (Active in Ferrara in the first half of the 16th century). Portrait of a gentleman with his dog. Circa 1530. Bears monogram GP on the parapet, lower right. Oil on canvas, 76.3 x 65.3 cm. (30 x 25 3/4 in)]
Attributed works:
[Stephan Ongpin Fine Art. London. Portrait of James Lord, by Alberto Giacometti (1901-1966). Signed and dated: 'Alberto Giacometti 54' in pencil at the lower right. Pencil on paper, with framing lines in pencil, 45.1 by 32.3 cm]
Attributed works:
[Stephan Ongpin, London. The raising of the cross, by Giovanni Domenico Tiepolo (1727-1804). Signed: 'Dom.o Tiepolo f.' at the lower right. Pen and brown ink and brown wash ink, over an underdrawing in black chalk, 46.5 by 36.2 cm]
Attributed works:
[Stephen Ongpin Fine Art. River wide House. 6 Mason’s Yard, Duke Street St. James’s. London. Eva Gonzales (1847-1883). La Mariée. Pastel on canvas, 462 x 382 mm. (18 1/4 x 15 in.)]
Attributed works:
[Talabardon & Gautier. 154 Faubourg St-Honoré. Paris. Louis-Léopold Boilly (1761-1845). La Grande Seur, black chalk, heightened with white.]
Attributed works:
[Talabardon &Gautier, Paris. An Armchair, study for La Famille Bellelli, by Edgar Degas (1834-1917). Watercolour, 35.3 by 22.8cm]
Attributed works:
[The Canon Gallery, Huntingdon, Cambridge. The Lagoon, Venice, by Federico Nerly Junior (1824-1919). Signed. Oil on canvas, 29 by 51 cm]
Attributed works:
[The Gallery in Redchurch Street London. Body Languagge. Tony Heath]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. London. Andy Warhol. Queen Elizabeth II, 1985. Silkscreen edition of 40. Sims Reed Gallery.]
Attributed works:
[Thomas French Fine Art. Lynn Chadwick, 1914-2003. Winged Figure, 1962. Ink on paper, 58 cm x 48 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Francesco Caporale, known as il Soncino (active 1606-c.1635). Bust of a young nobleman (Marcantonio II Colonna, Captain General of the Holy League at the Battle of Lepanto in 1571) in the guise of a Roman Emperor. White marble, with additions in various rare coloured marbles. 84 cm high x 65 cm wide (33 in high x 25 1/2 in wide)]
Attributed works:
[Trinity House, Broadway and London. Arbres, by Paul Cézanne 1839-1906. Signed. Gouache and watercolour on paper, laid down on canvas, 19.7 by 15.9 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. J. Th. und J. I. de Bry, Vera description regni Africani, Frankfurt a. M. 1598]
Non-western art unattributed:
[Frank Partridge, London. An early eighteenth-century Chinese chest on chest. c.1720. Height: 94 cm. Width: 69 cm. Depth: 35 cm.]
Western art unattributed:
[Godson & Coles, London. A pair of Regency period carved oak open armchairs, English, c.1820. Height: 94 cm. (17 in.). Width: 60 cm (23 3/4 in). Depth: 64 cm (25 in.)]
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01/2012 | 1306 | 154
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Subjects
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Illustrations
Attributed works:
[Chanel. Première watch. Steel, diamonds and ceramic]
Attributed works:
[Charly Bailly Fine Art, Paris. An imaginary landscape with figures, monkeys and fruits: 'The cat's paw' and A capriccio landscape with birds and figures, by Jan Weenix (c.1640-1719). Both oil on canvas, 177 by 113 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Jan Brueghel II (Antwerp 1601-1678). Tulipomania. Circa 1637. Oil on panel, 24 x 35 cm (9 1/2 by 13 3/4 in)]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Giambattista Tiepolo (Venice 1696- 1770 Madrid). The Arrival of Henry III at the Villa Contarini. Oil on canvas. 28 1/4 x 42 in. (71.7 x 106.7 cm)]
Attributed works:
[Christopher Bishop Fine Art Exhibiting at: James Francis Trezza Gallery, 39 East 78th Street. Going to market, by Jean-Baptiste Huet (1745-1811). Blind Stamp of Joseph Newman lower right (Lugt, 2540). Pen and ink with sepia washes, 23 by 38.1 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Guercino (1591-1666). Immaculate Virgin. Red chalk on laid paper, 5 3/4 x 7 1/2 inches (192 x 161 mm)]
Attributed works:
[Didier Aaron, Inc. 32 East 67th Street. Soldiers resting inside the Colosseum, Rome, by Joseph-Benoit Suvée (1743-1807). c.1775. Red chalk, 45 by 32.3 cm]
Attributed works:
[Frascione Arte. Palazzo Ricasoli Firidolfi. Via Maggio 5/7. Florence. Maestro delle Palazze (?) active in Spoleto (Umbria) at the end of the XIII century. Crucifix. c1288-1300. Tempera and silver on panel. 159 x 119 cm. 62.6 x 46.9 in]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Nicolas Colombel. Sotteville-lès-Rouen, 1644 - Paris, 1717. Rinaldo abandoning Armida. Oil on canvas, 118 x 170 cm (46 1/2 x 67 in)]
Attributed works:
[Galerie Florence de Voldère, Paris. Spring, by Abel Grimmer (1570-1610). Oil on panel. Diameter: 12 cm]
Attributed works:
[Galerie Jean-François Cazeau, Paris. Forest with rocks in Sausset-les-Pins, by André Derain (1880-1954). 1911-13. Signed lower right: Derain. Oil on canvas, 40.5 by 32.5 cm]
Attributed works:
[Galleria Manuel Barbié, Barcelona. Still life with fruit and guitar, by Pablo Picasso (1881-1973). 1922. Signed and dated. Oil on cardboard, 34.6 by 43.5 cm]
Attributed works:
[Laura Pecheur. Exhibiting at Gallery Schlesinger Ltd. 24 East 73rd Street, 2nd Floor, New York. Setting sun by Dora Maar.]
Attributed works:
[Laura Pecheur. Exhibiting at Gallery Schlesinger Ltd. 24 East 73rd Street, 2nd Floor, New York. Tree at sunset, by Dora Maar (1907-97). Monogrammed. Titled by the artist. Colored ink, 24 by 32 cm]
Attributed works:
[Marc Heiremans, Brussels. Free-blown glaze vase. c.1933. The vase bears four leaf-shaped decorations made of murrine canes. Each leaf is covered with a gold layer, and encloses a red glass thread. Vittorio Donà, designer for S.A.I.A.R.-Ferro Toso Murano, Italy.]
Attributed works:
[Margot Gordon Fine Art, Exhibiting at: Shepherd & Derom Galleries, 58 East 79 Street. 21 January -18 February. The Putti supporting a beam or a plaque, by Raffaello Sanzio, called Raphael (1483 - 1520). Pen and brown ink over black chalk, 11.4 by 6.9 cm]
Attributed works:
[Mia N Weiner, Exhibiting at: L'antiquare and the Connosseur. 36 East 73rd Street. Study of a man's hand, by Giuseppe Cesari, called Il Cavaliere d'Arpino (1568-1640). From a seventeenth-century album dismembered in 1980 which consisted largely of Cavaliere head studies by d'Arpino. Red and black chalk, 11.3 by 10.4 cm]
Attributed works:
[Mia N. Weiner. Exhibiting at: L’Antiquaire & The Connoisseur. 36 East 73rd Street. New York. Workshop of Paolo Veronese. Verso: Study of the Madonna & Child. Black and white chalk on paper. 12 5/9 x 9 1/2" (322 x 242 mm)]
Attributed works:
[Moeller Fine Art Ltd, 36 East 64th Street. Study for Blue Spot, by Vassily Kandinsky (1866-1944). 1912-13. Monogram lower right: K. Watercolour, opaque white and black ink on paper, 36,5 by 26,4 cm]
Attributed works:
[Santa Tecla Srl. Palazzo Savonarola. Piazza dei Savonarola, 66. Padova. The Master of the Twelve Apostols (Giacomo Panizzati?) (Active in Ferrara in the first half of the 16th century). Portrait of a gentleman with his dog. Circa 1530. Bears monogram GP on the parapet, lower right. Oil on canvas, 76.3 x 65.3 cm (30 x 25 3/4 in)]
Attributed works:
[The Canon Gallery. Huntingdon, Camsbs. The Lagoon, Venice by Federico Nerly Junior (1824-1919). Signed. Oil on canvas in original frame. Canvas: 29 x 51 cm (11.5 x 20 in). Framed: 51 x 71 cm (20 x 28 in)]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Bathélemy Prieur (Berzieux, Marne circa 1536 - Paris, 1611). Cavalier. Bronze, rich brown natural patina with extensive black/dark brown lacquer. Height (without base) 21.8 cm (8 5/8 in.)]
Non-western art unattributed:
[Pierre Dartevelle, Brussels. Anthropomorphic container. Ovimbundu people of Angola. Wood. Height: 16 cm]
Western art unattributed:
[Margot Gordon. Exhibiting at: Shepherd & Derom Galleries. 58 East 79 Street. New York. Northern Italian School XVI Century (attributed by Berenson to Lorenzo Lotto). Portrait of a Man. Brush and gray ink, gray and red gouache. 156 x 128 mm]
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Subjects
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Illustrations
Attributed works:
[Bonhams. 101 New Bond Street. London. Diego Rodriguez de Silva y Velasquez (Seville 1599 - 1660 Madrid). Portrait of a gentleman, bust-length, in a black tunic and white golilla collar]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Antonio Magatti. Varese, 1691-1767. Holy Family. Oil on canvas, 65,5 x 87 cm (25 3/4 x 34 1/4 in)]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Laurent de la Hyre (Paris 1606 - 1656). Visitation of St. Elisabeth and the Virgin. Oil on panel, 68 x 34 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Achille Laugé. Arzens 1861 - 1944 Cailhau. Still Life with Apples and Oranges. Oil on canvas: 32.2 x 46.1 cm]
Attributed works:
[Riccardo Baccarelli. 21 Bruton Street. 5th floor. London. Baccio da Montelupo (Montelupo, Florence 1469 -1535 Lucca). Saint Anthony Abbot. Terracotta, 85 cm high]
Attributed works:
[Santa Tecla Srl. Palazzo Savonarola. Piazza dei Savonarola, 66. Padova. Antonio Balestra (Verona 1666-1740). Christ washing the feet of the apostles at the Last Supper. Oil on canvas, cm. 38.7 x 69.8 (15 1/4 x 27 1/2 in.)]