By using this website you agree to our Cookie policy

Search

6 articles
Article
A Renaissance bronze in Birmingham, the bailli de Breteuil and Luigi Valadier
11/2018 | 1388 | 160
Pages: 928-937
related names
Author:
Warren, Jeremy (Warren, Jeremy)
Subjects
dates:
Illustrations
Attributed works:
10. Allegorical figure, by Jean-Robert Ango after a terracotta relief by François Berruer. 1767. Red chalk, 43.8 by 28.4 cm. (Marquis de Breteuil).
Attributed works:
11. The Callipygian Venus, by Jean-Robert Ango, after a marble statue attributed to Jean Louis Breton after a drawing by Laurent Guiard. 1765. Black chalk, 28.2 by 22 cm. (Marquis de Breteuil).
Attributed works:
12. A Furietti centaur, one of a pair, by Jean-Robert Ango, after bronze statuettes after the antique statues. c.1765–70. Black chalk, 28.4 by 22 cm. and 28.7 by 22 cm. (Marquis de Breteuil).
Attributed works:
13. Satyr holding grapes with panther, and Figure of a warrior, known as the Executioner, by Jean-Robert Ango, after bronze statuettes attributed to Massimiliano Soldani-Benzi and François Duquesnoy. 1765. Black chalk, 28.2 by 21.7 cm. (Marquis de Breteuil).
Attributed works:
14. Assemblage with a vase and a plaque depicting Henri IV, by Jean-Robert Ango, after a model attributed to Jacques-Laure Le Tonnelier, bailli de Breteuil and Luigi Valadier. c.1765–70. Red chalk, 47.5 by 34.8 cm. (Marquis de Breteuil).
Attributed works:
15. Seated Rome, by Luigi and Giuseppe Valadier. 1780–86. Hardstones, silver- and bronze-gilt, height 46 cm. (Musée du Louvre, Paris).
Attributed works:
3. Jacques-Laure Le Tonnelier, bailli de Breteuil, by Louis Jacques Pilon. 1785. Plaster, height 87 cm. (Marquis de Breteuil).
Attributed works:
4. Boy riding upon a horse, by the workshop of Severo Calzetta (Severo da Ravenna). c.1510–30. The base is here attributed to the workshop of Luigi Valadier, Rome. c.1770–80. Bronze, marble and gilt-bronze, 18 by 22 cm. (Musée du Louvre, Paris).
Attributed works:
5. The salon of the bailli de Breteuil in Palazzo Malta, Rome, by Hubert Robert. c.1765. Red chalk, 34.9 by 48.8 cm. (Musée du Louvre, Paris).
Attributed works:
6. Agrippina as Minerva, by Jean-Robert Ango, after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 22 cm. (Marquis de Breteuil).
Attributed works:
7. Figure of a boy (‘Souffleur de bulles de savon’), by Jean-Robert Ango after a bronze statuette, model by François Duquesnoy. c.1765–70. Red chalk, 21.7 by 18.8 cm. (Marquis de Breteuil).
Attributed works:
8. Detail from Antique vases and statuettes and a modern vase, by Jean-Robert Ango after antique models and a bronze model by Luigi Valadier, incorporating designs by François Duquesnoy. 1765. Black chalk. 27.5 by 43.5 cm. (Marquis de Breteuil).
Attributed works:
9. A dog, by Jean-Robert Ango after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 21.5 cm. (Marquis de Breteuil).
Western art unattributed:
1. Boy riding upon a goat. Italian, probably Padua, early sixteenth century. The base is here attributed to the workshop of Luigi Valadier, Rome, c.1770–80. Bronze, marble and gilt-bronze, 21.7 by 22.1 cm. (Barber Institute of Fine Arts, University of Birmingham).
Western art unattributed:
2. Detail of Fig.1, showing the shell.
Advertisements
Advertisements March 2013 (front)
03/2013 | 1320 | 155
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
collectors and dealers:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Sussex. A fine small Charles II spring table clock by Johannes Knibb of Oxford. c.1685. Height: 30cm]
Attributed works:
[Arturo & Corinne Cuéllar, Zurich. View of the Sciora, Bregaglia valley, by Giovanni Giacometti (1868-1933). Watercolour and pencil, 33 by 42 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Jean François Millet (Gruchy 1814 - 1875 Barbizon). Le Vigneron, ca. 1851. Signed bottom right. Charcoal heightened with white, 36.5 x 28 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Jacques-Louis David (Paris 1748 - Brussels 1825). Portrait of a man with hat, in profile. Graphite on paper, signed 'L.David' lower right. Diameter: 7 cm (including frame)]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Charles Le Brun (1619-1690). The sacrifice of Polyxena, 1617 (detail), oil on canvas, 179 x 131 cm. (70 1/2 x 51 1/2 in). Monogrammed and dated lower left, on the edge: C.L.B.F./ 1647]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Paolo Farinati (Verona 1524-1606). Saint Anthony of Padua. Brown ink over traces of black chalk, highlighted with white feather work and white washes. 41.5 cm x 27 cm]
Attributed works:
[David Lévy & Associates, Brussels. Gouache Drwing, by Joan Mirò (1893-1983). 1914. Gouache and pencil, 69.9 by 104.8 cm]
Attributed works:
[Day & Faber, London. St. Augustin, St. Jerome (possibly St. Mark), St. Bartholomew and an unidentified saint, by Ciro Ferri (1634-89). Quill and brown wash on black chalk, 38 by 43.4 cm]
Attributed works:
[Dickinson, London and New York. Annette, Venice, by Alberto Giacometti (1901-66). c.1960. Signed and numbered: 'Alberto Giacometti 6/6', inscribed with the foundry mark: 'Susse Fondr Paris'. Bronze with brown patina, 47.5 by 26.5 by 12.7 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Study of a dog, by Jean-Baptiste Oudry (1686-1755). Black chalk with white chalk highlights on blue paper, 23.3 by 35.2 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jusepe de Ribera (1591-1652), The Mocking of Christ, oil on canvas (detail), 106 x 87 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Romantic village, by William Lee-Hankey. Signed. British. Oil on canvas, 51 by 61 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Sir Edward Burne-Jones. Study for the central head in the painting The Car of Love. Black chalk, 365 x 550 mm]
Attributed works:
[Francesca Antonacci Damiano Lapicella Fine Art, Rome and Florence. Head of Minos after Michelangelo, by Vincenzo Camuccini (1771-1844). Red chalk on ivory card, 47.8 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Ceresa. San Giovanni Bianco, 1609 - Bergamo, 1679. Portrait of a gentleman with a Wig. Oil on canvas, 196.5 x 115.3 cm (77 3/8 x 45 3/8 in)]
Attributed works:
[Galerie Cenesso, Paris. Allegory of Peace, by Francesco Furini (1603-46). Inscribed on the shield: 'optima rerum'. Oil on canvas, 84 by 70 cm]
Attributed works:
[Galerie Eric Coatelem, Paris. Studies of young oriental with sword for the 'Revolt of Cairo', by Anne Louis Girodet de Roucy-Trioson (1767-1824). Pencil, stump, white chalk highlights, 28.4 by 36.8 cm]
Attributed works:
[Galerie Paul Prouté, Paris. Landscape with herders (verso: study of a tree), by Giovanni Benedetto Castiglione, called Il Grechetto (1609-64). Pen and brown ink, over black chalk, 10.5 by 15.4 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Johann Georg Platzer. Adoration of the Shepherds & Deposition from the Cross (Pendants)]
Attributed works:
[Jean-Luc Baroni, London. The earthly paradise, by André Derain (1880-1954). Signed at bottom right: 'A. Derain'. Watercolour, 50 by 65 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Alonso Sanchez Coello. Valencia 1531-1588 Madrid. Portrait of a Young Noblewoman wearing Fine Jewels and a Black Dress with Gold Embroidery in the form of Wheatsheaves and a High White Ruff Collar. Oil on canvas: 35.2 x 25.3 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Attributed to Gaspare Diziani. Belluno 1689-1767 Venice. Venetian Acrobats forming a Pyramid known as the 'Forze d'Ercole'. Oil on canvas: 72.3 x 88 cm]
Attributed works:
[Katrin Beelnger, Munich. View of the Bay of Posillipo, by Claude-Joseph Vernet (1714-1789). Inscribed in pen and brown ink: 'vue de pousilipo'. Pen and grey ink and grey wash over black chalk on two joined sheets of paper, 45 by 70.7 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Luigi Sabatelli (Florence 1772 - 1850 Milan). Portrait of Luigi Ricasoli (b.1801), at the Age of Seven. Signed and dated, lower right: Luigi Sabatelli / fece 1808; inscribed, lower left: Luigi Ricasoli. Pen and brown ink, 298 x 208 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Eglon Hendrik Van der Neer. Noble lady at a table with a lute and sheet music. Around 1667. Oil on panel. 31.6 x 22.8 cm (detail)]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Willem van Aelst (1627 - after 1683). Still life with Fish, Bread and a Nautilus Cup. Oil on canvas, 67.8 x 54.6 cm. Signed and dated 1678]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. Attrib. to Anne-Louis Girodet de Roussy- Trioson. Montargis 1767-1824 Paris. Pyrrhus Before Glaucius, ca. 1790. Graphite underdrawing, brush & grey wash, white gouache heightening on brown prepared laid paper. 225 x 302 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. John Martin. Haydon Bridge 1789 - Douglas 1854. A stream flowing into a pool in a forest, June 1841. Signed and dated (with pen and brown ink lower left): 'J. Martin. June. //1841'. Watercolour, bodycolour heightenings, 9 3/4 x 13 1/2 in. (24. x 34.2 cm)]
Attributed works:
[Rafael Valls, Ltd, London. A view of Frankfort, by Christian Schutz I. Signed and dated 'SCHÜZ. F/1754'. Oil on canvas, 51 by 119.5 cm]
Attributed works:
[Rountree Fine Arts Ltd, London. The racehorse Belfonds with H. Semblat up, at Chantilly by Sir Alfred James Munnings KCVO, PRA (1878-1959). Signed 'A.J. Munnings' (lower right). Oil on canvas, 78.7 by 96.5 cm]
Attributed works:
[Sanda Lipton, London. A George II circular silver counter dish by Joseph Sanders. London 1733. The centre is engraved with a widow's lozenge surrounded by engraved decoration. The arms on the lozenge are those for a woman whose maiden name was probably Carey. Diameter: 12 cm]
Attributed works:
[Schlichte Bergen Old Master Painting & Drawings, Amsterdam. Landscape with figures with the Ponte Reale over the Volturno, by Luigi Fergola (1768-1834). Signed and dated 1801. Gouache on paper, 67 by 96 cm]
Attributed works:
[Sperone Westwater, New York. Rosso scuro, by Carla Accardi (born 1924). 1974. Enamel on sicofoil, 115 by 180 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Willem van Mieris. The Penitent Mary Magdalene]
Attributed works:
[Talabardon & Gautier, Paris. Portrait of the founder Ferdinard Barbedianne, by Thomas Couture (1815-70). Monogrammed at bottom right: 'TC'. Charcoal, pencil and white chalk, 53 by 40.5 cm]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1923. Linocut. Osborne Samuel Ltd]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, England. Michel de Montaigne, by Gilles-Lambert Godecharle (1750-1835). Terracotta. Height: 60 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartolomeo Cavaceppi (c. 1716-1799) (attributed to) Monumental Marble Bust of Alexander the Great. White marble, 80 cm high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giuseppe Piamontini (1664-1742). Milo of Croton. Bronze, 43.5 cm high]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Albrecht Durer, Das Wappen mit dem Totenkopf. 1503. Copper engraving. Meder 98. I a. Ex coll. H. A. Cornill d'Orville and Sir Henry Studdy Theobald.]
Western art unattributed:
[Cesati, Milan. St. John the Evangelist, by Silvestro dell'Aquila (c.1450 - 1504). Central Italy. Late 15th century.]
Western art unattributed:
[Lennox Cato Antiques, Edenbridge, Kent. An eighteenth-century mahogany bureau bookcase of the Chippendale period. c.1765-70. Height: 214 cm. Width: 106 cm. Depth: 58 cm.]
Western art unattributed:
[Mark Gallery, London. Birth of the Virgin, showing St. Anne attended by a midwife with St. Joachim and below the infant Virgin in the arms of a Nursemaid. Northern Russian icon, early seventeenth century. 62.5 by 53 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Angel with Tambourine. Walnut, with original polychrome and gilding. Italy, Lombardy, mid 15th century. H. 69.5 x W. 17 x D. 15 cm]
Advertisements
Advertisements October 2002 (front)
10/2002 | 1195 | 144
Pages: i-xvi
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Allegory of Peace and War, by Pompeo Batoni. 1776. 136 by 99 cm. (Art Institute of Chicago);
Attributed works:
[August Laube, Trittligasse 19, Zurich, Switzerland] Rodolphe Bresdin (1825-1885). Le bon Samaritain. Lithograph on White Chine Collé on White Velin. 1861. Van Gelder 100-2. First Printing of the First Edition of 1861. 71.6: 56.5 cm.
Attributed works:
[Chelminski, 616 King's Road, London, UK] A White Marble Bust of the Emperor Caracalla. Attributed to Bartolomeo Cavaceppi (1716-1799). Italian-Rome. Circa 1750-1770.
Attributed works:
[Djanogly Art Gallery, Lakeside Arts Centre, University Park, Nottingham, UK] A Nude Youth Turning to the Left. Rubens after Michelangelo.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Andrea Andreani after Andrea Mantegna: One of a Set of Ten Chiaroscuro Woodcuts with the Triumphs of Caesar. 1599. From Four Blocks. 26.8 by 37.5 cm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Fables 7, by Ana Maria Pacheco. Drypoint.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Lucas van Leyden: The Expulsion from Paradise. 1529. Etching and Engraving. 16.2 by 11.5 cm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Red Grooms: On Your Mark, Get Set, Go! 2002. Colour Lithograph. 37 by 27 cm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Rembrandt van Rijn, Abraham Entertaining the Angels, 1656.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Sybil Andrews: Racing. 1934. Linocut. 26.6 by 34.4 cm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Théodore Géricault: Boxers. 1818. Lithograph.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Utagawa Hiroshige(1797-1858): Mokuboji Temple from the Series One Hundred Famous Views of Edo. Woodcut.
Attributed works:
[Gallerie D'Arte Armondi, C. SO Palestro, 37/B - 25121, Brescia, Italy] Penitent Magdalene by Placido Fabbris. Oil on Canvas, 134 × 112 cm. Signed and Dated 1832.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Carlo Maratti, (1625-1713). Christ and the Woman from Samaria. Oil on Canvas, 135.5 × 101 cm
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Eugène Isabey (1803-1886). Village Harbour with Laundresses by an Estuary. Oil on Canvas, 18½ by 29½ Inches (47 by 74.8 cm.). Signed and Dated 'E. Isabey 1839'
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Francesco Fontebasso (Venice 1707 - Venice 1769). Head of an Old Man. Black Chalk, Purple and Brown Chalk Heightened with White on Blue Grey Paper (368 × 261 mm)
Attributed works:
[Palais des Beaux-Arts, Lillie, France] Epure. Petr Brandl (1668-1735)-L'Archange Gabriel, Narodni Galerie v. Praze
Attributed works:
[Patricia Wengraf, The Old Knoll, Eliot Hill, London, UK] Gabriel Grupello. Grammont, 1644 - Ehrenstein, 1730. Paris. Marble Statue. Height: 69¼ ins: 1.76 m
Attributed works:
[Pratt Contemporary Art, The Gallery, Igtham, Kent, UK] Marcus Rees Roberts, The Artist, His Model and Two Self Portraits. Monoprint, 98.8 × 69.8 cm
Attributed works:
[The Old Print Shop Inc., 150 Lexington Avenue, New York, New York] New York Nocturne. Lithograph by Stow Wengenroth, 1945.
Attributed works:
[Thierry Morin ANtiques Ltd., 9 Coleridge House, 552 King's Road. London, UK] Wedding Casket for the Doge Antonio Grimani. Ebony, Rock Crystal and Hard Stone Agate. Venice 16th Century. Height: 12.6″ (32CM) Width: 17.3″ (44CM) Depth: 11.5″ (29CM)
Western art unattributed:
[Thomas Boller, Mythenschloss, Mythenquai 28, Zurich, Switzerland] A Rare and Large German Renaissance Design for a Hunt Trophy. Nuremberg, Circa 1580. Bodycolour and Watercolour Heightened in White and Gold, 41¼ by 9½ in. (100.8 by 24.2 cm).
Short Notice
Two Neo-Attic Pedestals at Newby Hall
10/1985 | 991 | 127
Pages: 706-711+713
related names
Author:
Picón, Carlos (Picón, Carlos)
Subjects
collectors and dealers:
dates:
subjects:
Illustrations
Western art unattributed:
60-62. Views of a Roman Tripod and Cauldron. Marble. (Newby Hall, Gardens).
Western art unattributed:
63. Satyr Playing the Double Flutes. Neo-Attic Pedestal, Michaelis No.8. Marble. (Sculpture Gallery, Newby Hall).
Western art unattributed:
64. Dancing-Maenad with a Tympanum. Neo-Attic Pedestal, Michaelis No.8. Marble. (Sculpture Gallery, Newby Hall).
Western art unattributed:
65. Detail from Fig.63. [Satyr Playing the Double Flutes. Neo-Attic Pedestal, Michaelis No.8. Marble. (Sculpture Gallery, Newby Hall).]
Western art unattributed:
66. Detail from Fig.64. [Dancing-Maenad with a Tympanum. Neo-Attic Pedestal, Michaelis No.8. Marble. (Sculpture Gallery, Newby Hall).]
Western art unattributed:
67. Figure of Victory Placing a Helmet Atop a Trophy. Neo-Attic Pedestal, Michaelis No.41. Marble. (Sculpture Gallery, Newby Hall).
Western art unattributed:
68. Figure of Victory Holding a Palm Branch and a Wreath. Neo-Attic Pedestal, Michaelis No.41. Marble. (Sculpture Gallery, Newby Hall).
Western art unattributed:
69. Detail from Fig.67. [Figure of Victory Placing a Helmet Atop a Trophy. Neo-Attic Pedestal, Michaelis No.41. Marble. (Sculpture Gallery, Newby Hall).]
Exhibition Review
Townley at the B. M. and Cavaceppi at the Clarendon Gallery. London
01/1984 | 970 | 126
Pages: 2+54-56
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
1. Part of a Group of Two Boys Quarrelling over a Game of Knucklebones. Roman Version of a Work of the First or Second Century B. C. Most of the Base and Limbs are Restored. Marble. Height 68cm. (British Museum, 1756).
Attributed works:
81. Ceres, by Bartolomeo Cavaceppi. Marble. (Collection The Duke of Northumberland, K. G., Syon House).
Western art unattributed:
82. Portrait Bust of a Woman, Possibly the Younger Antonia, Long Identified as Clytie. C.40-50 A. D., Probably Recut in the Eighteenth Century. Marble, Height 68cm. (British Museum, 1874).
Advertisements
Advertisements November 1983 (Front)
11/1983 | 968 | 125
Pages: i-xxx
Subjects
advertisements:
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Ader Picard Tajan, 12 rue Favart, Paris, France] Bookcase-Chest. Veneer of Green Dyed Sycamore, Rosewood and Amaranth with Courses of Box-Wood and Ebony. Stamped R. V. L. C. for Roger Vandercruse Lacroix. Louis XVI Period. 103 × 187 × 57 cm. This Piece Is Thought to Have Been in the Château de St Cloud.
Attributed works:
[Ader Picard Tajan, 12 rue Favart, Paris, France] Meuble d'entre-deux ou d'architecte. Ebony Veneer; Panels in Japan Lacquer with Gold. By Martin Carlin. Chased and Gilt Bronze Mounts. Louis XVI Period. 96 × 154.5 × 65.5 cm
Attributed works:
[Ader Picard Tajan, 12 rue Favart, Paris, France] Meuble d'entre-deux. One of a Pair. Wood Inlaid with Brown Tortoiseshell, Copper, Pewter and Ebony, in the Manner of Boulle By Levasseur. Louis XVI Period. 93.5 × 89 × 38.5 cm. These Two Pieces Were Originally Part of a Set of Four: The Two Others Are in the Collection of Her Majesty the Queen, Buckingham Palace.
Attributed works:
[Arnoldi-Livie, Galeriestrasse 2b, 80539 Munich, Germany] Adolf von Menzel. Breslau 1815-1905 Berlin "Workman Viewed from the Back." Preparatory Study to the "Eisenwalzwerk". 1872 Nationalgalerie, East Berlin Black Chalk. 38 × 26.5 cm. Signed lower Right: "A. Menzel"
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Edgar Degas. Le Jockey, Charcoal, 48 × 31 cm
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf, Germany] Israhel van Meckenem. St. Elizabeth. Engraving. (About 1475/80). Bartsch 127. Lehrs 398 I*** (Of II).
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London, UK] Giovanni Battista Discepoli, Called the Zoppo di Lugano (Castagnola, near Lugano 1590-Milan 1660) The Rest on the Flight into Egypt Canvas, 174 × 122 cm.
Attributed works:
[Clarendon Gallery, 8 Vigo Street, London, UK] A Molossian Hound Known as The Dog of Alcibiades from Duncombe Park. Lent by Courtesy of the Duncombe Park Collection.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Francesco Furini 1604-1646. St. John the Evangelist. Canvas: 49 3/4 × 40 3/4 Inches
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Hendrick G. Pot
Attributed works:
[Electa editrice, via Trentacoste 7, Milan] Palma II Giovane. The Complete Work by Stefania Mason Rinaldi
Attributed works:
[Front Cover] Portrait of a Young Man, by Hans Memlinc. Panel (Robert Lehman Collection, Metropolitan Museum of Art, New York).
Attributed works:
[Front Cover] The Children's Holiday: Portrait of the Fairbairn Family, by William Holman Hunt. (Torre Abbey, Torbay).
Attributed works:
[Galerie Grünwald, Residenzstr. 13/III, Munich] Johann Heinrich Tischbein (1722-1789): Baron Carl von Closen. Oil on Canvas. 138:102 cm. Signed and Dated 1762.
Attributed works:
[Kate Ganz Ltd., 54 Holland Park Avenue, London, UK] Pompeo Batoni, 1708-1787. Study for Alexander and the Family of Darius, c. 1765 Black Chalk with White Highlights on Buff-Coloured Paper, 21.2 × 14.8 cms.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London, UK] Oskar Kokoschka, Alma Mahler, 1912-13, Oil on Canvas, 24 3/8 × 22 in/62 × 56 cm.
Attributed works:
[Mes Audep Godeau Solanet, 32 rue Drouot, Paris, France] Self Portrait with an Eye Shade, 44 × 36 cm. Original Version. By Jean-Baptiste-Simeon Chardin. Provenance: His Brother Juste Chardin. Ex-Collection Camille Groult.
Attributed works:
[Mes Audep Godeau Solanet, 32 rue Drouot, Paris, France] The Battle of the Pyramids, by François-André Vincent (1746-1816). Grisaille Oil on Canvas, 80 by 125 cm. Exhibited De David à Delacroix, Grand Palais, Paris, 1974, No. 201.
Attributed works:
[Morton Morris & Company, 32 Bury Street, London, UK] Jonathan Richardson I: Portrait of James Figg
Attributed works:
[Noortman & Brod, 1020 Madison Avenue, New York, New York] Johan Barthold Jongkind. 1819 Lattrop-Côte St. André 1891. River Schie near Rotterdam Oil on Canvas: 33 × 47 cm. (13 × 18½ in.) Signed & Dated 1868
Attributed works:
[Phillips International, 7 Blenheim Street, London, UK] Floris van Schooten (c1590-1655) Kitchen Still Life. Signed with Initials. 88.9 × 118.2 cms.
Attributed works:
[Richard Green, 39 Dover Street, London, UK] Bernardo Bellotto (c. 1720-1780). Santa Maria Dei Miracoli. Canvas: 16¼ × 26in/41 × 66cm
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Jan Wildens, "The Good Samaritan." Oil on Canvas, 90.2 by 120.7 cm
Attributed works:
[Schlichte Bergen, P. C. Hooftstraat 53, 1071 BN Amsterdam] Jacob Adriaensz. Backer (Harlingen 1608 - 1651 Amsterdam) St. John the Baptist Admonishing Herod and Herodias. Canvas 139 × 173 cm. Signed and Dated: I Debacker Ao 1633 Acquired by the Fries Museum, Leeuwarden
Attributed works:
[Sotheby & Co, 34 New Bond Street, London, UK] Johann Heinrich Fuseli, R. A., Richard Plantagenet (later Duke of Gloucester and King Richard III) throws the head of the Duke of Somerset at the feet of his father, The Duke of York (Henry VI, Part 3, Act 1, Scene I), pencil and brown wash with gum arabic heightened with oil, inscribed in pen and brown ink: III of Henry VI and inscribed and dated in pencil: Roma 70, 29 by 40.5 cm. £15,000-25,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Hubert Robert, Washerwomen at a Roman Bath, 105 by 137 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A French Marble Figure of Venus after Adrien de Vries, 19 in. High, 17th Century A Venetian Bronze Andiron Figure of Acteon, Attributed to Nicolo Roccatagliata, 21 in. High, 16th Century
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Gustav Klimt, Das Leben ein Kampf (Der Goldene Ritter), Oil on Canvas, Painted in 1903, 100 by 100 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] John Martin, The Conflict Between Satan and Death, Signed and Dated 1832, 120 by 168 cm. £25,000-40,000. This Previously Unrecorded Painting Is the Largest Finished Oil Based on the Twenty-Four Engravings Martin Prepared for Septimus Prowett's Paradise Lost by John Milton.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Ozias Humphry, R. A., Portrait of George Stubbs, A. R. A., Black and White Chalk on Brown Paper, Signed and Dated 1777, 42 by 36 cm. £8,000-12,000
Western art unattributed:
[Ader Picard Tajan, 12 rue Favart, Paris, France] "Laocoon". Group in Deep Patina Bronze. Seventeenth Century. Wooden Pedestal Inlaid with Ebony, Brown Tortoiseshell, Copper and Gilt Bronze. Louis XIV Period. 64 × 48 × 41 cm.
Western art unattributed:
[Michel Lefebvre] Editions d'Art
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Gilt-Bronze Figure of St. Thaddeus, Lower Saxony, 14th Century, Height 30 cm.