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Exhibition Review
Titian and Caravaggio in Peterzano
06/2020 | 1407 | 162
Pages: 529-531
related names
Reviewer:
Tantardini, Lucia (Tantardini, Lucia)
Subjects
dates:
media:
places:
Reviewed Items
subjects:
Titian and Caravaggio in Peterzano Accademia Carrara, Bergamo 6th February–17th May | :
Illustrations
Attributed works:
11. Annunciation, by Simone Peterzano. c.1560. Oil on canvas, 180 by 121 cm. (Musée Jeanne d’Aboville, La Fère; exh. Accademia Carrara, Bergamo).
Attributed works:
12. Deposition, by Simone Peterzano. c.1572–75. Oil on slate, 52 by 35 cm. (Musée des Beaux-Arts, Strasbourg; exh. Accademia Carrara, Bergamo).
Attributed works:
13. Persian Sibyl, by Simone Peterzano. 1578–82. Black chalk, charcoal and white chalk on blue-grey paper, 25 by 18.5 cm. (Gabinetto dei Disegni, Castello Sforzesco, Milan; exh. Accademia Carrara, Bergamo).
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Advertisements March 2012 (front)
03/2012 | 1308 | 154
Pages: s.p.
Subjects
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advertisements:
subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Essex. A Charles II quarter repeating spring table table timepiece in an ebony and gilt metal mounted case by Thomas Tompion. London, c.1682. Height: 30 cm. (12 in)]
Attributed works:
[Antiquariat Bibermuhle, Ramsen. David and Goliath. Book of hours in Latin and French, illuminated manuscript on vellum with 14 large miniatures by the Master of the Burgundian Prelats. Burgundy (Dijon?). From the collection of William Waldorf Astor. c.1480. 23.4 by 16cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Wilhelm Leibl (Cologne 1844 - 1900 Wurzburg). The Son of Dr. Reindl, 1883. Signed and dated lower left: 'W. Leibl 83/ Aibling'. Black chalk on handmade paper, 52.5 x 34 cm]
Attributed works:
[Arturo Cuellar, Zurich. Knitting peasant girl, by Max Lieberman (1847-1935). Signed lower right (in pencil): 'M Liebermann'. Indian ink and gouache]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Charles-François Grenier de Lacroix called LACROIX DE MARSEILLE (circa 1720 - after 1782). View of Civitavecchia Seaport. Oil on canvas. 99.5 by 162.5 cm. (39 1/4 by 64 in.)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Albrecht Durer (1471-1528). Adam and Even (B., M., Holl. 1). engraving, 1504, a fine Meder II impression, 251 x 194 mm.]
Attributed works:
[Damiano Lapiccirella, Florence. A centaur abduction a girl, by Gian Domenico Tiepolo (1727-1804). c.1755. Pen and brown ink with brown wash, 19 by 27 cm.]
Attributed works:
[Daniel Katz Ltd, London. The Annunciation, by Tilman Riemenschneider (c.1460-1531). 1515-20. Alabaster relief. 32 by 21.5 by 4 cm]
Attributed works:
[David & Constance Yates. Box 580. Lenox Hill Station. New York 10021. Jean-Pierre Dantan (Paris 1800 - 1869 Baden). Niccolò Paganini (1782-1840). Cast, reworked and patinated plaster. Signed Dantan and dated 1832 on proper left edge of base. Height: 31 cm]
Attributed works:
[Daxer & Marschall Kunsthandel, Munich. Landscape in Finmark, by Peder Balke (1804-87). Oil on paper, 19.2 by 25.4 cm]
Attributed works:
[Day & Faber, London. Hercules and the Stymphalian bird [recto]- Hercules and the Oxen of Gryon [verso], by Baldassarre Peruzzi (1481-1536). Pen and brown ink within a drawn circle, 11.5 by 11.6 cm]
Attributed works:
[De Jonckheere, Geneva and Paris. The harvest, by Pieter Brueghel the Younger (1464-1638). Signed and dated 'P.BRUEGHEL, 1621'. Oil on panel, 71.5 by 102 cm.]
Attributed works:
[Didier Aaron & Cie, Paris. A young boy in an artist's studio, by Etienne Jeurat (1699-1709). Inscribed: 'm. aved'. Black chalk heightened with white on blue paper, 35 x 32 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Lorenzo Lippi (1606-1665), David and Goliath, oil on canvas, 127 x 98.5 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Mademoiselle O., by John Duncan Ferguson. Signed and titled on the back. Oil on board, 66 by 37 cm]
Attributed works:
[Eric Coatalem, Paris. Italian column, by Ben Nicholson (1894-1982)- 1965. Signed and dated on reverse. Ink and collage, 31.5 by 26 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Antonio Canova (Possagno, 1757 - Venice, 1822). Male figure draped, 1798. Written in pencil at the top left: di Febbraio 1798. Pencil on white paper, 239 x 170 mm.]
Attributed works:
[Galerie Canesso, Paris. Angelica and Medoro, by Simone Peterzano (c.1535-99). Oil on canvas, 154.8 by 194 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovan Battista Moroni. Albino, 1525-1578. Portrait of Isotta Brembati (?). Oil on canvas, 49 x 42 cm (19 1/4 x 16 1/2 in)]
Attributed works:
[Galerie Kruger & Cie, Paris. Dancer standing with hands clasped behind her back, by Edgar Degas (1834-1917). 1874. Stamp of atelier, on left 'Degas' (L.658). Black and white chalk on prepared grey paper, 45 by 29.7 cm]
Attributed works:
[Galerie Krugier & Cie. 29-31 Grand-Rue. Geneve. Pablo PICASSO. Etude de mains d'Olga, 1920. Pastel on paper, 50 x 47.5 cm]
Attributed works:
[Gallerie Pandora, Milan. Study of a hand and arm, by Antonio d'Errico, called Tanzio da Varallo (1580-1635). Red chalk on pink-orange prepared paper, traces of white heightening, 23.8 by 14.1 cm]
Attributed works:
[Gallery Delaive, Amsterdam. Victoire de Samothrace (S9), by Yves Klein (1928-62). Dry blue pigment and synthetic resin laid on plaster and stone base, 49.5 by 24.7 by 29.2 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele (Tullin 1890-1918 Vienna). Standing Nude with Drapery. Gouache, watercolour, pencil, black crayon, 56.5 x 35 cm, signed & dated at the lower right "Schiele 1918"]
Attributed works:
[Jean-Luc Baroni, London. The mender (Preparatory study for a lost painting of The occupation according to age, by Antoine Watteau (1684-1721). Red chalk, 21,8 by 17.8 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Lelio Orsi. 1511 - Novellara - 1587. Aegina with Jupiter as an Eagle. Pen and brown ink and wash, 222 x 109 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattias Stomer. Amersfoort c. 1600 - c.1652 Sicily or Northern Italy. A Woman Counting Coins by the Light of an Oil Lamp. Oil on canvas, 67.5 x 83.5 cm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Roelant Savery. A flower still life in a glass vase. 1612. Oil on copper. 16.8 x 13.5 cm]
Attributed works:
[Kunsthandel Schlichte Bergen, Amsterdam. Rue à Samois, by Odilon Redon (1840-1916). Signed and annotated: 'haut Samois // Od.R. Pencil, 26.3 by 18.8 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Gerrit Dou. Allegory of Painting. Signed and dated 1649. Oil on panel, 68.2 x 53.5 cm]
Attributed works:
[Michal Tollemache Fine Art. 43 Duke Street, St. James’s. London. Backgammon Players by Dirk van Baburen, ca. 1622. Oil on canvas, ca. 96.5 x 124 cm (ca. 38 x 49 inches)]
Attributed works:
[Otto Neumann Ltd, New York. Portrait of Baron François de Chambrier (1739-781), Chamberlain to the King of Prussia, by Pompeo Batoni (1708-87). Signed and dated lower right: 'P. BATONI PINXIT ROMA ANN. 1771'. Oil on canvas, 60.5 by 73 cm]
Attributed works:
[Palais de la Borse, Paris. Affiche. Michal Batory]
Attributed works:
[Pandora Old Masters. Ubaldo Gandolfi (1728-1781), Adam and Eve Expelled from Paradiso. Pen and brown ink with brown wash, laid down. 290 x 210 cm]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Above: Picasso. Linocut - Femme Accoudee, 1959. Right: Richard Ham. Picasso in Studio, Photograph, 1945.]
Attributed works:
[Santa Tecla Srl. Palazzo Savonarola. Piazza dei Savonarola, 66. Padova. The Master of the Twelve Apostles (Giacomo Panizzati?) (Active in Ferrara in the first half of the 16th century). Portrait of a gentleman with his dog. Circa 1530. Bears monogram GP on the parapet, lower right. Oil on canvas, 76.3 x 65.3 cm. (30 x 25 3/4 in)]
Attributed works:
[Stephan Ongpin Fine Art. London. Portrait of James Lord, by Alberto Giacometti (1901-1966). Signed and dated: 'Alberto Giacometti 54' in pencil at the lower right. Pencil on paper, with framing lines in pencil, 45.1 by 32.3 cm]
Attributed works:
[Stephan Ongpin, London. The raising of the cross, by Giovanni Domenico Tiepolo (1727-1804). Signed: 'Dom.o Tiepolo f.' at the lower right. Pen and brown ink and brown wash ink, over an underdrawing in black chalk, 46.5 by 36.2 cm]
Attributed works:
[Stephen Ongpin Fine Art. River wide House. 6 Mason’s Yard, Duke Street St. James’s. London. Eva Gonzales (1847-1883). La Mariée. Pastel on canvas, 462 x 382 mm. (18 1/4 x 15 in.)]
Attributed works:
[Talabardon & Gautier. 154 Faubourg St-Honoré. Paris. Louis-Léopold Boilly (1761-1845). La Grande Seur, black chalk, heightened with white.]
Attributed works:
[Talabardon &Gautier, Paris. An Armchair, study for La Famille Bellelli, by Edgar Degas (1834-1917). Watercolour, 35.3 by 22.8cm]
Attributed works:
[The Canon Gallery, Huntingdon, Cambridge. The Lagoon, Venice, by Federico Nerly Junior (1824-1919). Signed. Oil on canvas, 29 by 51 cm]
Attributed works:
[The Gallery in Redchurch Street London. Body Languagge. Tony Heath]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. London. Andy Warhol. Queen Elizabeth II, 1985. Silkscreen edition of 40. Sims Reed Gallery.]
Attributed works:
[Thomas French Fine Art. Lynn Chadwick, 1914-2003. Winged Figure, 1962. Ink on paper, 58 cm x 48 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Francesco Caporale, known as il Soncino (active 1606-c.1635). Bust of a young nobleman (Marcantonio II Colonna, Captain General of the Holy League at the Battle of Lepanto in 1571) in the guise of a Roman Emperor. White marble, with additions in various rare coloured marbles. 84 cm high x 65 cm wide (33 in high x 25 1/2 in wide)]
Attributed works:
[Trinity House, Broadway and London. Arbres, by Paul Cézanne 1839-1906. Signed. Gouache and watercolour on paper, laid down on canvas, 19.7 by 15.9 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. J. Th. und J. I. de Bry, Vera description regni Africani, Frankfurt a. M. 1598]
Non-western art unattributed:
[Frank Partridge, London. An early eighteenth-century Chinese chest on chest. c.1720. Height: 94 cm. Width: 69 cm. Depth: 35 cm.]
Western art unattributed:
[Godson & Coles, London. A pair of Regency period carved oak open armchairs, English, c.1820. Height: 94 cm. (17 in.). Width: 60 cm (23 3/4 in). Depth: 64 cm (25 in.)]
Article
Succeeding Titian: Parrasio Micheli and Venetian painting at the court of Philip II
04/2007 | 1249 | 149
Pages: 232-245
related names
Author:
Cottrell, Philip (Cottrell, Philip)
Author:
Mulcahy, Rosemarie (Mulcahy, Rosemarie)
Subjects
dates:
print:
subjects:
Illustrations
Attributed works:
12. Self-portrait in adoration of the dead Christ, by Parrasio Micheli. 1573. Canvas, 295 by 170 cm. (S. Giuseppe di Castello, Venice).
Attributed works:
13. Detail of Fig.12.
Attributed works:
14. Allegory of the birth of Prince Fernando, by Parrasio Micheli. 1575. Canvas, 182 by 223 cm. (Museo del Prado, Madrid).
Attributed works:
15. Philip II after the Battle of Lepanto offering Prince Fernando to Victory, by Titian. 1573–75. Canvas, 309 by 204 cm. (Museo del Prado, Madrid).
Attributed works:
16. The Israelites drinking the miraculous waters, by Jacopo Bassano and workshop. c.1565. Canvas, 146 by 230 cm. (Museo del Prado, Madrid).
Attributed works:
17. Pope Pius V in adoration of the dead Christ, by Parrasio Micheli. c.1572–76. Copper, 42 by 30 cm. (Museo del Prado, Madrid).
Attributed works:
18. The adoration of the Magi, attributed to Parrasio Micheli. c.1575. Canvas, 134 by 128 cm. (Monasterio de El Escorial, Madrid).
Attributed works:
19. The holy women at the sepulchre, by Parrasio Micheli. c.1575. Canvas, 136 by 112 cm. (Monasterio de El Escorial, Madrid).
Attributed works:
20. Allegory of redemption, by Paolo Veronese. 1574–75. Pen and ink on paper, 61.3 by 42.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
21. The origin of the Milky Way, by Tintoretto. 1577–78. Canvas, 148 by 165 cm. (National Gallery, London).
Attributed works:
22. The adoration of the shepherds, by Jacopo Bassano and workshop. Mid-1570s. Canvas, 75 by 63.5 cm. (Monasterio de El Escorial, Madrid).
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Advertisements November 2005 (Front)
11/2005 | 1232 | 147
Pages: i-xviii
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. BARTOLOMé ESTEBAN MURILLO (Seville 1618-1682). Christ the Man of Sorrows. Oil on canvas. 25 1/8 x 21 in. (63.8 x 53.3 cm.) £500,000-700,000]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Detail of a bronze of Plautilla, one of a pair of busts of Plautilla and Geta. By Pietro Cipriani, circa 1724. 18 in. (45.5 cm) high. £300,000-600,000 (the pair)]
Attributed works:
[European Masters And 19th century painting. 599 Broadway, New York. St. Francis, by Federico Barocci. c.1600-04. Oil on canvas, 89.9 by 78.4 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Simone Peterzano (Bergamo, c.1535-Milano, 1599) Angelica and Medoro. Oil on canvas, 154.8 x 194 cm (61x76 3/8)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Barbara Hepworth. 1903-1975. Sculpture with colour (Deep blue and Red), 1940. Painted plaster and sting. 5 1/2 inches, 14 cm high.]
Attributed works:
[John Spink exhibition at Colnaghi's, 15 Old Bond Street, London, W1. Windsor Castle from Fellows Eyot, 1811 - Francis Towne.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. GERARD DE LAIRESSE (Liege 1641-1711 Amsterdam). The expulsion of Heliodorus. On canvas. Signed and dated 1674. 35 x 30 3/8 in. 89 x 77 cm.]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Claude Lorrain. Landscape with the Rest if the Holy Family. Oil on canvas, 72,7 x 98,1 cm.]
Attributed works:
[Museo Thyssen-Bornemisza. Madrid. EDWARD HOPPER. Hotel Room, 1931.]
Attributed works:
[Partridge. 144-146 New Bond Street, London. W1S 2PF. Tim Fargher. S. Maria Della Salute, Early Morning,Venice, Oil on canvas, 129.5 x 119.3 cms (51x47 in)]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. Jan Davidsz de Heem (1606-1684). A still Life of Bunches of Grapes hanging from a Nail, with numerous insects including a Bumble Bee, a Grasshopper, Beetles, a Red Admiral Butterfly, and a Silver Gilt embossed Cup and Cover and Glasses on a Ledge draped with a green velvet Cloth. Oil on canvas, 28 1/2 x 34 3/4 inches 72.3 x 88.1 cms). Signed.]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NU 10021. Ippolito Scarsella, called Lo Scarsellino. Deposition from the Cross, circa 1524-27. Oil on canvas, 86 by 55 inches (218.5 by 139.7 cm)]
Attributed works:
[Robert Reinhart. 112 White Cap Lane, New Port Coast. California. Roman capriccios of classical ruins with figures, by Leonardo Coccorante - Italian (1680-1750). Oil on canvas, 116.7 by 90.2 mm (46 by 35 1/2 in.)]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. John Robert Cozens. Fano on the Adriatic. Watercolour over traces of pencil. 25 by 37.5 cm; 10 by 15 in. Estimate: £ 25,000-40.000]
Attributed works:
[Stiebel. New York, Upper Eastside. Nicolas Bertin (1668-1736), "The Building of Noah's Ark".]
Attributed works:
[The British Museum. London. Samuel Palmer. The Magic Apple Tree (1830)]
Attributed works:
[The National Gallery, London. Nicolaes Berchem, Landscape with Crab Catchers by Moonlight (detail)]
Letter
The Cook Collection at Bath
11/1948 | 548 | 90
Pages: 331
related names
Author:
Soria, Martin Sebastian (Soria, Martin Sebastian; Soria, Martin S.; Soria, Martin)
Subjects
places:
places:
subjects: