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03/2013 | 1320 | 155
Pages: s.p.
Subjects
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museums and institutions:
subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Sussex. A fine small Charles II spring table clock by Johannes Knibb of Oxford. c.1685. Height: 30cm]
Attributed works:
[Arturo & Corinne Cuéllar, Zurich. View of the Sciora, Bregaglia valley, by Giovanni Giacometti (1868-1933). Watercolour and pencil, 33 by 42 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Jean François Millet (Gruchy 1814 - 1875 Barbizon). Le Vigneron, ca. 1851. Signed bottom right. Charcoal heightened with white, 36.5 x 28 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Jacques-Louis David (Paris 1748 - Brussels 1825). Portrait of a man with hat, in profile. Graphite on paper, signed 'L.David' lower right. Diameter: 7 cm (including frame)]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Charles Le Brun (1619-1690). The sacrifice of Polyxena, 1617 (detail), oil on canvas, 179 x 131 cm. (70 1/2 x 51 1/2 in). Monogrammed and dated lower left, on the edge: C.L.B.F./ 1647]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Paolo Farinati (Verona 1524-1606). Saint Anthony of Padua. Brown ink over traces of black chalk, highlighted with white feather work and white washes. 41.5 cm x 27 cm]
Attributed works:
[David Lévy & Associates, Brussels. Gouache Drwing, by Joan Mirò (1893-1983). 1914. Gouache and pencil, 69.9 by 104.8 cm]
Attributed works:
[Day & Faber, London. St. Augustin, St. Jerome (possibly St. Mark), St. Bartholomew and an unidentified saint, by Ciro Ferri (1634-89). Quill and brown wash on black chalk, 38 by 43.4 cm]
Attributed works:
[Dickinson, London and New York. Annette, Venice, by Alberto Giacometti (1901-66). c.1960. Signed and numbered: 'Alberto Giacometti 6/6', inscribed with the foundry mark: 'Susse Fondr Paris'. Bronze with brown patina, 47.5 by 26.5 by 12.7 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Study of a dog, by Jean-Baptiste Oudry (1686-1755). Black chalk with white chalk highlights on blue paper, 23.3 by 35.2 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jusepe de Ribera (1591-1652), The Mocking of Christ, oil on canvas (detail), 106 x 87 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Romantic village, by William Lee-Hankey. Signed. British. Oil on canvas, 51 by 61 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Sir Edward Burne-Jones. Study for the central head in the painting The Car of Love. Black chalk, 365 x 550 mm]
Attributed works:
[Francesca Antonacci Damiano Lapicella Fine Art, Rome and Florence. Head of Minos after Michelangelo, by Vincenzo Camuccini (1771-1844). Red chalk on ivory card, 47.8 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Ceresa. San Giovanni Bianco, 1609 - Bergamo, 1679. Portrait of a gentleman with a Wig. Oil on canvas, 196.5 x 115.3 cm (77 3/8 x 45 3/8 in)]
Attributed works:
[Galerie Cenesso, Paris. Allegory of Peace, by Francesco Furini (1603-46). Inscribed on the shield: 'optima rerum'. Oil on canvas, 84 by 70 cm]
Attributed works:
[Galerie Eric Coatelem, Paris. Studies of young oriental with sword for the 'Revolt of Cairo', by Anne Louis Girodet de Roucy-Trioson (1767-1824). Pencil, stump, white chalk highlights, 28.4 by 36.8 cm]
Attributed works:
[Galerie Paul Prouté, Paris. Landscape with herders (verso: study of a tree), by Giovanni Benedetto Castiglione, called Il Grechetto (1609-64). Pen and brown ink, over black chalk, 10.5 by 15.4 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Johann Georg Platzer. Adoration of the Shepherds & Deposition from the Cross (Pendants)]
Attributed works:
[Jean-Luc Baroni, London. The earthly paradise, by André Derain (1880-1954). Signed at bottom right: 'A. Derain'. Watercolour, 50 by 65 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Alonso Sanchez Coello. Valencia 1531-1588 Madrid. Portrait of a Young Noblewoman wearing Fine Jewels and a Black Dress with Gold Embroidery in the form of Wheatsheaves and a High White Ruff Collar. Oil on canvas: 35.2 x 25.3 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Attributed to Gaspare Diziani. Belluno 1689-1767 Venice. Venetian Acrobats forming a Pyramid known as the 'Forze d'Ercole'. Oil on canvas: 72.3 x 88 cm]
Attributed works:
[Katrin Beelnger, Munich. View of the Bay of Posillipo, by Claude-Joseph Vernet (1714-1789). Inscribed in pen and brown ink: 'vue de pousilipo'. Pen and grey ink and grey wash over black chalk on two joined sheets of paper, 45 by 70.7 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Luigi Sabatelli (Florence 1772 - 1850 Milan). Portrait of Luigi Ricasoli (b.1801), at the Age of Seven. Signed and dated, lower right: Luigi Sabatelli / fece 1808; inscribed, lower left: Luigi Ricasoli. Pen and brown ink, 298 x 208 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Eglon Hendrik Van der Neer. Noble lady at a table with a lute and sheet music. Around 1667. Oil on panel. 31.6 x 22.8 cm (detail)]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Willem van Aelst (1627 - after 1683). Still life with Fish, Bread and a Nautilus Cup. Oil on canvas, 67.8 x 54.6 cm. Signed and dated 1678]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. Attrib. to Anne-Louis Girodet de Roussy- Trioson. Montargis 1767-1824 Paris. Pyrrhus Before Glaucius, ca. 1790. Graphite underdrawing, brush & grey wash, white gouache heightening on brown prepared laid paper. 225 x 302 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. John Martin. Haydon Bridge 1789 - Douglas 1854. A stream flowing into a pool in a forest, June 1841. Signed and dated (with pen and brown ink lower left): 'J. Martin. June. //1841'. Watercolour, bodycolour heightenings, 9 3/4 x 13 1/2 in. (24. x 34.2 cm)]
Attributed works:
[Rafael Valls, Ltd, London. A view of Frankfort, by Christian Schutz I. Signed and dated 'SCHÜZ. F/1754'. Oil on canvas, 51 by 119.5 cm]
Attributed works:
[Rountree Fine Arts Ltd, London. The racehorse Belfonds with H. Semblat up, at Chantilly by Sir Alfred James Munnings KCVO, PRA (1878-1959). Signed 'A.J. Munnings' (lower right). Oil on canvas, 78.7 by 96.5 cm]
Attributed works:
[Sanda Lipton, London. A George II circular silver counter dish by Joseph Sanders. London 1733. The centre is engraved with a widow's lozenge surrounded by engraved decoration. The arms on the lozenge are those for a woman whose maiden name was probably Carey. Diameter: 12 cm]
Attributed works:
[Schlichte Bergen Old Master Painting & Drawings, Amsterdam. Landscape with figures with the Ponte Reale over the Volturno, by Luigi Fergola (1768-1834). Signed and dated 1801. Gouache on paper, 67 by 96 cm]
Attributed works:
[Sperone Westwater, New York. Rosso scuro, by Carla Accardi (born 1924). 1974. Enamel on sicofoil, 115 by 180 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Willem van Mieris. The Penitent Mary Magdalene]
Attributed works:
[Talabardon & Gautier, Paris. Portrait of the founder Ferdinard Barbedianne, by Thomas Couture (1815-70). Monogrammed at bottom right: 'TC'. Charcoal, pencil and white chalk, 53 by 40.5 cm]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1923. Linocut. Osborne Samuel Ltd]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, England. Michel de Montaigne, by Gilles-Lambert Godecharle (1750-1835). Terracotta. Height: 60 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartolomeo Cavaceppi (c. 1716-1799) (attributed to) Monumental Marble Bust of Alexander the Great. White marble, 80 cm high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giuseppe Piamontini (1664-1742). Milo of Croton. Bronze, 43.5 cm high]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Albrecht Durer, Das Wappen mit dem Totenkopf. 1503. Copper engraving. Meder 98. I a. Ex coll. H. A. Cornill d'Orville and Sir Henry Studdy Theobald.]
Western art unattributed:
[Cesati, Milan. St. John the Evangelist, by Silvestro dell'Aquila (c.1450 - 1504). Central Italy. Late 15th century.]
Western art unattributed:
[Lennox Cato Antiques, Edenbridge, Kent. An eighteenth-century mahogany bureau bookcase of the Chippendale period. c.1765-70. Height: 214 cm. Width: 106 cm. Depth: 58 cm.]
Western art unattributed:
[Mark Gallery, London. Birth of the Virgin, showing St. Anne attended by a midwife with St. Joachim and below the infant Virgin in the arms of a Nursemaid. Northern Russian icon, early seventeenth century. 62.5 by 53 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Angel with Tambourine. Walnut, with original polychrome and gilding. Italy, Lombardy, mid 15th century. H. 69.5 x W. 17 x D. 15 cm]
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Advertisements March 2012 (front)
03/2012 | 1308 | 154
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Subjects
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subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Essex. A Charles II quarter repeating spring table table timepiece in an ebony and gilt metal mounted case by Thomas Tompion. London, c.1682. Height: 30 cm. (12 in)]
Attributed works:
[Antiquariat Bibermuhle, Ramsen. David and Goliath. Book of hours in Latin and French, illuminated manuscript on vellum with 14 large miniatures by the Master of the Burgundian Prelats. Burgundy (Dijon?). From the collection of William Waldorf Astor. c.1480. 23.4 by 16cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Wilhelm Leibl (Cologne 1844 - 1900 Wurzburg). The Son of Dr. Reindl, 1883. Signed and dated lower left: 'W. Leibl 83/ Aibling'. Black chalk on handmade paper, 52.5 x 34 cm]
Attributed works:
[Arturo Cuellar, Zurich. Knitting peasant girl, by Max Lieberman (1847-1935). Signed lower right (in pencil): 'M Liebermann'. Indian ink and gouache]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Charles-François Grenier de Lacroix called LACROIX DE MARSEILLE (circa 1720 - after 1782). View of Civitavecchia Seaport. Oil on canvas. 99.5 by 162.5 cm. (39 1/4 by 64 in.)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Albrecht Durer (1471-1528). Adam and Even (B., M., Holl. 1). engraving, 1504, a fine Meder II impression, 251 x 194 mm.]
Attributed works:
[Damiano Lapiccirella, Florence. A centaur abduction a girl, by Gian Domenico Tiepolo (1727-1804). c.1755. Pen and brown ink with brown wash, 19 by 27 cm.]
Attributed works:
[Daniel Katz Ltd, London. The Annunciation, by Tilman Riemenschneider (c.1460-1531). 1515-20. Alabaster relief. 32 by 21.5 by 4 cm]
Attributed works:
[David & Constance Yates. Box 580. Lenox Hill Station. New York 10021. Jean-Pierre Dantan (Paris 1800 - 1869 Baden). Niccolò Paganini (1782-1840). Cast, reworked and patinated plaster. Signed Dantan and dated 1832 on proper left edge of base. Height: 31 cm]
Attributed works:
[Daxer & Marschall Kunsthandel, Munich. Landscape in Finmark, by Peder Balke (1804-87). Oil on paper, 19.2 by 25.4 cm]
Attributed works:
[Day & Faber, London. Hercules and the Stymphalian bird [recto]- Hercules and the Oxen of Gryon [verso], by Baldassarre Peruzzi (1481-1536). Pen and brown ink within a drawn circle, 11.5 by 11.6 cm]
Attributed works:
[De Jonckheere, Geneva and Paris. The harvest, by Pieter Brueghel the Younger (1464-1638). Signed and dated 'P.BRUEGHEL, 1621'. Oil on panel, 71.5 by 102 cm.]
Attributed works:
[Didier Aaron & Cie, Paris. A young boy in an artist's studio, by Etienne Jeurat (1699-1709). Inscribed: 'm. aved'. Black chalk heightened with white on blue paper, 35 x 32 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Lorenzo Lippi (1606-1665), David and Goliath, oil on canvas, 127 x 98.5 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Mademoiselle O., by John Duncan Ferguson. Signed and titled on the back. Oil on board, 66 by 37 cm]
Attributed works:
[Eric Coatalem, Paris. Italian column, by Ben Nicholson (1894-1982)- 1965. Signed and dated on reverse. Ink and collage, 31.5 by 26 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Antonio Canova (Possagno, 1757 - Venice, 1822). Male figure draped, 1798. Written in pencil at the top left: di Febbraio 1798. Pencil on white paper, 239 x 170 mm.]
Attributed works:
[Galerie Canesso, Paris. Angelica and Medoro, by Simone Peterzano (c.1535-99). Oil on canvas, 154.8 by 194 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovan Battista Moroni. Albino, 1525-1578. Portrait of Isotta Brembati (?). Oil on canvas, 49 x 42 cm (19 1/4 x 16 1/2 in)]
Attributed works:
[Galerie Kruger & Cie, Paris. Dancer standing with hands clasped behind her back, by Edgar Degas (1834-1917). 1874. Stamp of atelier, on left 'Degas' (L.658). Black and white chalk on prepared grey paper, 45 by 29.7 cm]
Attributed works:
[Galerie Krugier & Cie. 29-31 Grand-Rue. Geneve. Pablo PICASSO. Etude de mains d'Olga, 1920. Pastel on paper, 50 x 47.5 cm]
Attributed works:
[Gallerie Pandora, Milan. Study of a hand and arm, by Antonio d'Errico, called Tanzio da Varallo (1580-1635). Red chalk on pink-orange prepared paper, traces of white heightening, 23.8 by 14.1 cm]
Attributed works:
[Gallery Delaive, Amsterdam. Victoire de Samothrace (S9), by Yves Klein (1928-62). Dry blue pigment and synthetic resin laid on plaster and stone base, 49.5 by 24.7 by 29.2 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele (Tullin 1890-1918 Vienna). Standing Nude with Drapery. Gouache, watercolour, pencil, black crayon, 56.5 x 35 cm, signed & dated at the lower right "Schiele 1918"]
Attributed works:
[Jean-Luc Baroni, London. The mender (Preparatory study for a lost painting of The occupation according to age, by Antoine Watteau (1684-1721). Red chalk, 21,8 by 17.8 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Lelio Orsi. 1511 - Novellara - 1587. Aegina with Jupiter as an Eagle. Pen and brown ink and wash, 222 x 109 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattias Stomer. Amersfoort c. 1600 - c.1652 Sicily or Northern Italy. A Woman Counting Coins by the Light of an Oil Lamp. Oil on canvas, 67.5 x 83.5 cm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Roelant Savery. A flower still life in a glass vase. 1612. Oil on copper. 16.8 x 13.5 cm]
Attributed works:
[Kunsthandel Schlichte Bergen, Amsterdam. Rue à Samois, by Odilon Redon (1840-1916). Signed and annotated: 'haut Samois // Od.R. Pencil, 26.3 by 18.8 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Gerrit Dou. Allegory of Painting. Signed and dated 1649. Oil on panel, 68.2 x 53.5 cm]
Attributed works:
[Michal Tollemache Fine Art. 43 Duke Street, St. James’s. London. Backgammon Players by Dirk van Baburen, ca. 1622. Oil on canvas, ca. 96.5 x 124 cm (ca. 38 x 49 inches)]
Attributed works:
[Otto Neumann Ltd, New York. Portrait of Baron François de Chambrier (1739-781), Chamberlain to the King of Prussia, by Pompeo Batoni (1708-87). Signed and dated lower right: 'P. BATONI PINXIT ROMA ANN. 1771'. Oil on canvas, 60.5 by 73 cm]
Attributed works:
[Palais de la Borse, Paris. Affiche. Michal Batory]
Attributed works:
[Pandora Old Masters. Ubaldo Gandolfi (1728-1781), Adam and Eve Expelled from Paradiso. Pen and brown ink with brown wash, laid down. 290 x 210 cm]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Above: Picasso. Linocut - Femme Accoudee, 1959. Right: Richard Ham. Picasso in Studio, Photograph, 1945.]
Attributed works:
[Santa Tecla Srl. Palazzo Savonarola. Piazza dei Savonarola, 66. Padova. The Master of the Twelve Apostles (Giacomo Panizzati?) (Active in Ferrara in the first half of the 16th century). Portrait of a gentleman with his dog. Circa 1530. Bears monogram GP on the parapet, lower right. Oil on canvas, 76.3 x 65.3 cm. (30 x 25 3/4 in)]
Attributed works:
[Stephan Ongpin Fine Art. London. Portrait of James Lord, by Alberto Giacometti (1901-1966). Signed and dated: 'Alberto Giacometti 54' in pencil at the lower right. Pencil on paper, with framing lines in pencil, 45.1 by 32.3 cm]
Attributed works:
[Stephan Ongpin, London. The raising of the cross, by Giovanni Domenico Tiepolo (1727-1804). Signed: 'Dom.o Tiepolo f.' at the lower right. Pen and brown ink and brown wash ink, over an underdrawing in black chalk, 46.5 by 36.2 cm]
Attributed works:
[Stephen Ongpin Fine Art. River wide House. 6 Mason’s Yard, Duke Street St. James’s. London. Eva Gonzales (1847-1883). La Mariée. Pastel on canvas, 462 x 382 mm. (18 1/4 x 15 in.)]
Attributed works:
[Talabardon & Gautier. 154 Faubourg St-Honoré. Paris. Louis-Léopold Boilly (1761-1845). La Grande Seur, black chalk, heightened with white.]
Attributed works:
[Talabardon &Gautier, Paris. An Armchair, study for La Famille Bellelli, by Edgar Degas (1834-1917). Watercolour, 35.3 by 22.8cm]
Attributed works:
[The Canon Gallery, Huntingdon, Cambridge. The Lagoon, Venice, by Federico Nerly Junior (1824-1919). Signed. Oil on canvas, 29 by 51 cm]
Attributed works:
[The Gallery in Redchurch Street London. Body Languagge. Tony Heath]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. London. Andy Warhol. Queen Elizabeth II, 1985. Silkscreen edition of 40. Sims Reed Gallery.]
Attributed works:
[Thomas French Fine Art. Lynn Chadwick, 1914-2003. Winged Figure, 1962. Ink on paper, 58 cm x 48 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Francesco Caporale, known as il Soncino (active 1606-c.1635). Bust of a young nobleman (Marcantonio II Colonna, Captain General of the Holy League at the Battle of Lepanto in 1571) in the guise of a Roman Emperor. White marble, with additions in various rare coloured marbles. 84 cm high x 65 cm wide (33 in high x 25 1/2 in wide)]
Attributed works:
[Trinity House, Broadway and London. Arbres, by Paul Cézanne 1839-1906. Signed. Gouache and watercolour on paper, laid down on canvas, 19.7 by 15.9 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. J. Th. und J. I. de Bry, Vera description regni Africani, Frankfurt a. M. 1598]
Non-western art unattributed:
[Frank Partridge, London. An early eighteenth-century Chinese chest on chest. c.1720. Height: 94 cm. Width: 69 cm. Depth: 35 cm.]
Western art unattributed:
[Godson & Coles, London. A pair of Regency period carved oak open armchairs, English, c.1820. Height: 94 cm. (17 in.). Width: 60 cm (23 3/4 in). Depth: 64 cm (25 in.)]
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Advertisements June 2011 (front)
06/2011 | 1299 | 153
Pages: s.p.
Subjects
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collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Adrian Sasson, London. Takahiro heads, by Takahiro Kondo. Taken from a large series of sculptures based on the artist's own head. Each has a unique, precious metal-based surface glaze and colour]
Attributed works:
[Adrian Sassoon. A large oval dream forest flower, by Kate Malone. 2010. Crystalline-glazed stoneware. Height: 32 cm. Width: 41 cm. Depth: 39 cm.]
Attributed works:
[Agnew's, 35 Albemarle Street. Holy Family with the infant St. John the Baptist, by Bartolomeo Schedoni (1578 - 1615). Oil on walnut panel, 35.5 by 25.5 cm]
Attributed works:
[Agnew's, 35 Albemarle Street. Sisteron, by J.M.W Turner (1775-1851). Watercolour, 13.3 by 19 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street. Sixteen designs for playing cards, by William Nicholson (1872-1949). c.1901. Graphite, gouache and white heightening on card, 13.5 by 10 cm each.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. John Taylor (American, 1735-1806). A wooded classical landscape at evening with figures in the foreground, 1772. Oil on canvas, 40 x 50 inches (121.5 x 127 cm), oval. Signed and dated lower right 'JTaylor 1772']
Attributed works:
[bonhams, 101 New Bond Street. View of Naples Looling south from Posillipo towards Vesuvius, by Pietro Fabris (1740-92). Oil on canvas, 91.5 by 152.5 cm.]
Attributed works:
[Charles Beddington, 16 Saville Row. A capriccio of a Renaissance palace with a soldier and townsfolk, by Bernardo Bellotto (1722-80). Oil on canvas, 107 by 115.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Pierre Alfred de Dreux (Paris 1810-1860). Le Saut de la Barrière: cavalier en habit rouge at amazone (Jumping the fence: horseman in red riding habit and sidesaddle rider). Oil on canvas, 39 x 50 cm. (15 1/2 by 19 3/4 in) Signed on the bottom right: Alfred De Dreux.]
Attributed works:
[Christie's, 8 King Street. Gimcrack on Newmarket Heath, with a trainer, a stable-lad and a jockey, by George Stubbs (1724-1806). Oil on canvas, 101.6 by 193.6 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A bronze mythological figure supporting he globe by Adriaen de Vries (died 1626), 1626. 43 in. (109 cm) high]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Francisco Jose de Goya Y Licientes (1746-1828). Hutiles Trabajos (Useful work/detail). Pencil, grey wash. 10 3/8 x 7 3/8 in. (26.3 x 18.6 cm) 263 x 186 mm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Rembrandt Harmensz. van Rijn (1605-1669). The Agony in the Garden (B. Holl. 75. H. 293) (detail). Etching with drypoint, 1657. P.112 x 85 mm]
Attributed works:
[Daniel Katz, London. Marcus Aurelius on horseback, by Orazio Albrizzi (1612-51). Signed and dated 1624. Bronze. Height: 73.7 cm. Length: 63.5 cm]
Attributed works:
[Day & Faber, 14 Old Bond Street. A little girl, seated in a large wicker chair, reading a book, by Augustin de Saint-Aubin (1736-1807). Black chalk, 19 by 13.9 cm]
Attributed works:
[Dickinson, London and New York. 'Le Sémaphore', by George Valmier, 1921. Signed and dated lower right. Inscribed on the reverse by Valmier'sdaughter. Tempera and oil on panel, 54 by 73 cm]
Attributed works:
[Dickinson, London and New York. Citrons et verre, by Pablo Picasso (1881-1973). Signed centre left: Picasso. Dated on the reverse: 14.1.44. Oil on canvas, 27 by 41 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street. Recto: Study for the figure of St. Laurence in The Virgin with child appearing to St. Laurence, verso: Study of a foot, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). c. 1624. Black and white chalk on paper, 18.8 by 23.7 cm]
Attributed works:
[Didier Aaron, London, Paris and New York. A Gothic revival mahogany arm chair. Design attributed to William Porden. Possibly make by Gillow & Co., London or Lancaster. Regency period. England, c.1815. Height: 95 cm. Width: 64 cm. Depth: 70 cm]
Attributed works:
[Emanuel von Baeyer, Exhibiting at: 14 Old Bond Street. Sheet of Studies, by John Ruskin (1819-1900). 1836. Inscribed verso: 'Baden 17th December 1836. One o'clock (morning)'. Pen and ink in grey and black, 28.4 by 22.8 cm]
Attributed works:
[Erik Thomsen. Regrets for the departing spring, by Kamewari Takashi (1901-81). Ink, mineral colours, gofun and silver wash on silk, 213.4 by 243.8 cm]
Attributed works:
[Fisher. Haldenstrasse 19. Lucerne. Vladimir Donatovitch Orlovsky (Kiev 1842-1914). Evening mood on the seashore. Signed <<W. Orlowsky.>> Lower left and dated <<(18)70>> lower right. Oil on canvas, 32.4 x 63.3 cm (detail)]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Johann Wenzel Peter (Karlsbad 1745 - Roma 1829). A Lion and Tiger that dispute over a Deer, 1809]
Attributed works:
[Francesca Antonacci, Rome. A view of Rome from the Pincio, by P.C. Skovgaard (1817-1875). Oil on canvas, 65 by 150 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giacomo Ceruti, called Il Pitocchetto. Milan, 1698-1767. Portrait of a Capuchin Friar. Oil on canvas, 93 x78 cm (36 5/8 x 30 11/16 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Leonhard Kern (Forchtenberg 1588 - 1662 Schwabisch Hall). ca. 1635-45. Fruitwood. Height: 23 cm, lenght: 19.5 cm]
Attributed works:
[Granocchia FIne Art. An 18 carat white gold broach in the shape of a leaf mounted with diamond and ruby 'serti Mesterieux'. 1940s. Signed: 'vca Paris']
Attributed works:
[Hill-Stone, Inc. Exhibiting at: The Fine Art Society, 148 New Bond Street. Two actors standing on an ornamental platform, by Jean-Antoine Watteau (1684-1721). Drawing in red chalk, 36.4 by 23.3 cm]
Attributed works:
[Holly Johnson Antiques. A pair of red leather Jetson chairs with chrome plated steel base, by Bruno Mathsson (1907-88) for DUX. c.1970. Height: 100 cm. Width: 64 cm. Depth: 46 cm]
Attributed works:
[Jane Kahan Gallery. Rythme, by Robert Delaunay (1938-1974). Aubusson Tapestry, 233.7 by 167.6 cm]
Attributed works:
[Jean-Luc Baroni, 7-8- Manson's Yard. Lady seen from behind, by Auguste Rodin (1840-1917). Signed: 'A Rodin' at lower right. Watercolour over black chalk, 32.5 by 25 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jan Weenix. 1642 - Amsterdam - 1719. A Squirrel Monkey. Oil on canvas: 29.9 x 25.9 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Vladimir Sokolov. 1872-1946. The Trinity Monastery of Saint Sergius. Signed and dated 1924. Ink: 30.5 x 45 cm]
Attributed works:
[Johnny Van Haften Ltd, 13 Duke Street. A portrait of a gentleman, by Michael Sweerts (1618-64). Oil on canvas, 64.1 by 51.4 cm]
Attributed works:
[Jose de la Mano, Exhibiting at: The Art Gallery (Lower), 32 Dover Street. Academic study, by Huan Conchillos Falcó (1641-1711). c.1691-1704. Charcoal and white lead on blue-tinted paper, 39.2 by 25.5 cm]
Attributed works:
[Julian Hartnoll. Portrait of a girl, by Edward Burne-Jones (1833-98). 1880. Red chalk, 50.8 by 40.6]
Attributed works:
[Kay Michie. The skater, by Laura Knight (1877-1970). Watercolour and gouache, 55.8 by 83.8 cm]
Attributed works:
[MacDougall’s Fine Art Auction. 30° Charles II St. London.Robert Walker Weir. The Two Marys at the Sepulchre.]
Attributed works:
[Moretti FIne Art Ltd, 43-44 New Bond Street. St. Antonius, by Lorenzo di Credi (c. 1456-1536). Oil on panel, 31.1 by 19.3 cm]
Attributed works:
[Portland Gallery, London. Still-Life, broken statue and shadow, by Francis Bacon (1909-1992). 1984. Titled, signed and dated 1984 on the reverse. Oil on canvas, 190 by 147 cm]
Attributed works:
[Robilant + Voena, London and Milan. A View of Whitehall with the banqueting house and the Holbein Gate, by Antonio Joli. (c.1700-1777). c.1744-48. Oil on canvas,41.9 by 71.1 cm]
Attributed works:
[Ronald Phillips. 26 Bruton Street. London. A magnificent George III Mahogany bookcase attributed to Thomas Chippendale]
Attributed works:
[Sotheby's, 34-35 New Bond Street. Venice, a view of the Rialto Bridge, looking north, from the Fondamenta del Carbon, Francesco Guardi. (1712-93). 120 by 203.7 cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Jean-François de Troy. The Crowing of Esther.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sir Stanley Spencer. Workmen in the house, 1935.]
Attributed works:
[Sphinx Fine Art, Exhibiting at Frost & Reed, 2-4 King Street. Cattle at rest, by Boris Dmitrievich Grigoriev (1886-1929). Signed 'Boris Grigoriev'. Gouache on paper, 40 by 55.5 cm]
Attributed works:
[Sphinx Fine Arts, Exhibiting at: 2-4 King Street. The suffering of Christ, by Bartholomaus Spranger (1546-1611). Oil on copper, 29.5 by 22 cm]
Attributed works:
[Tai Gallery. Bon appetit: A feast for the eyes, by Ueno Masao. 2010. Madake, gold dust and gold leaf. Height: 23.5 cm. Width: 14 cm. Depth: 16 cm]
Attributed works:
[Tomasso Brothers, London and Leeds. Female classical bust, by John Gibson (1790-1866). White marble. Height: 49.2 cm]
Attributed works:
[Trinity Fine Art, 29 Bruton Street. Portrait of a man in a soft cap, possibly Gian Vincenzo Gravina, by Pier Leone Ghezzi (1674-1755). Pen and brown ink, 25 by 20.1 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Merry-Joseph Blondel (Paris, 1781-1853). Portrait of Pierre-Jean-George Cabanis (1757-1808). Oil on canvas, 125.5 x 92 cm.]
Attributed works:
[Whitfield Fine Art, 23 Dering Street. Holy Family with St. Catherine, by Ludovico Carracci (1555-1619). Oil on canvas, 52 by 63 cm]
Attributed works:
[Wildenstein & Co. Inc. 19 East 64th Street. New York, NY 10021. Jean-Baptiste-Camille Corot. Un Ruisseau sous bois, c.1855-60. Oil on canvas: 58.4 x 45.1 cm]
Non-western art unattributed:
[Anita Gray. A pair of large Chinese blue and white Kangxi bowls, each on a short round moulded foot, painted in brilliant underglaze blue enamels. 1662-1722. Diameter: 34 cm]
Western art unattributed:
[Brian Rolleston Antiques. An important William and Mary escritoire inlaid throughout with flowers, leaves and birds. English, c. 1685. Width: 114 cm. Depth: 52 cm. Height: 167 cm]
Western art unattributed:
[Christie's, Old Master and British Drawings and Watercolours, 5th July 2011. Portrait of a young man, bust-length, wearing a hat. Netherlandish school. c.1450-1500. With inscriptions: 'hugo' (recto) and 'Lucas van Leyden' (verso). Metalpoint, on light grey prepared paper, unframed. 16.2 by 12.2 cm]
Western art unattributed:
[MacDougall’s Fine Art Auction. 30° Charles II St. London. Follower of Pieter Brueghel the Elder. The Fight Between Carnival and Lent.]
Western art unattributed:
[Peter Finer, London. A corinthian helmet, c.580-520 BC. Greek.]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A pair of Italian carved giltwood settees from the Palazzo Carrega-Cataldi. Genovese, circa 1740-1744.]
Western art unattributed:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico. London. The Albani Faun. 18th Century Roman School. White Marble.]