Attributed works:
[Agnew's, 43 Old Bond Street, London] Giovanni Francesco Barbieri Called Il Guercino (1591-1666). Interior Scene in a Kitchen. Pen and Brown Ink, 208 × 149 mm
Attributed works:
[Anna Maria Edelstein, Robyn Symes 25 Jermyn Street St James, London] Cherubino Alberti (Borgo San Sepolcro 1553-Rome 1615). Recto: The Farnese Hercules Seen from behind Admired by Two Ladies. Red Chalk. Verso: A Draped Seated Female Figure, Possibly Diana, with a Dog by Her Side, Both Holding a Stone. Pen and Brown Ink with Brown and Red Washes. 158 by 112 mm.
Attributed works:
[Arnoldi - Livie, Galeriestra. 2B, Munich] Maarten van Heemskerk (Heemskerk 1498-1574 Haarlem). Three Acts of Mercy. Pen and Brown Ink. 19.5 × 24.9cm. Signed and Dated Heemskerk Inventor 1566.
Attributed works:
[Art London Olympia (Art France, 36 avenue Matignon, Paris)] Cathelin, Champ de blés au pied du Vercors.
Attributed works:
[Arturo Cuellar - Nathan, Ramistr. 29, Zurich] Baldasare Franceschini il Volterrano (1611-1689). Young Man in Armour (Study for the Frescoes at the Villa della Petraia). 26.6 × 18.7 cm. Charcoal Heightened with White Chalk.
Attributed works:
[C.&J. Goodfriend, 61 East 77th Street, New York] Francois Boucher (1703-1770): Tête de Bourgeois portant Lunettes, Etching, Baudicour 21, Jean-Richard N. D., 110 × 69 mm.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13 Dusseldorf / 61 East 77th Street, New York] Adolph von Menzel. Hans Karl von Winterfeldt. (c.1850). Black Chalk, Brush and White Bodycolour. 292 × 218 mm.
Attributed works:
[Cailleux, 136 Faubourg Saint Honore, Paris] Edmé Bouchardon: Study for Autumn. Red Chalk. H. 432 mm; L. 300 mm. Study for One of the Reliefs of the Fontaine de Grenelle in Paris (1739-1745).
Attributed works:
[Chamberlin Gallery Molly Klobe, 121 East 79th Street New York]Théophile-Alexandre Steinlen (1859-1923). Portrait of an African Sailor 1921. Black, White, Blue & Red Chalk on Paper. $24frac{5}{8}times 18frac{3}{4}$ Inches (62.6 × 47.5 CM)
Attributed works:
[Claude Kuhn, Schneidergasse 2, Basel] Jean-Baptiste Greuze 1725-1805. Le désespoir amoureux. Pen and Brown Ink, Grey Wash, 32.8 × 23 cm
Attributed works:
[David Jones, 8 rue Rossini, Paris] Nicolas de Plattemontagne Paris 1631-1706. Sheet of Studies. Red and Black Chalk Heightened with White. 284 × 424mm.
Attributed works:
[Dorotheum, Dorotheergasse11, Vienna] Bartolome Esteban Murillo (Sevilla 1618-1682). "Las dos Trinidades", Oil on Canvas, 52 × 36,5 cm, Framed; Prof. Dr. E. Perez Sanchez, Director General of the Prado Museum in Madrid, Will Publish This Painting in "Archivo Espanol de Arte". Preparatory Study Murillo's for His Important Late Work "Las dos Trinidades" (Oil on Canvas, 293 × 207 cm) in the London National Gallery.
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London] Leo Laporte - Blairsy la Voie Lactée. Silvered Bronze Lamp with Daum Glass Shade
Attributed works:
[European Fine Arts, 6 Lower Merrion Street, Dublin] Johann Schweyer. 1596 Graz 1676. Upper Rhine Landscape with Small Harbour. Signed. Sanguine Drawing 18.5 × 26.4 cm.
Attributed works:
[Francis Briest, 24 avenue Matignon, Paris] Georges Rouault, 'Cirque - Clown et enfant au chien', Circa 1925-1930, Gouache, 51.5×38 cm (20¼×15 in.)
Attributed works:
[Frederick Cummings, 146 West 57th Street New York] Jean Restout (1692-1768). A Nude Man Seated, Leaning and Turning to the Right. Black and White Chalks on Cream Paper. $16frac{5}{8}times 20frac{3}{8}$ Inches; 424 × 520 mm. Signed by the Artist at the Lower Right: Restout Fecit/1734: And in Brown Ink: 109: Lower Left in Brown Ink: A. R. No. IX.
Attributed works:
[Front Cover] Portrait of a Man, Workshop of Hans Holbein the Younger. Panel, 30.5 cm Diameter. (Metropolitan Museum of Art, New York).
Attributed works:
[Galerie 27, 27 rue de Seine, Paris] Picasso. Femme debout. Sculpture en tôle découpée. Hauteur: 42.5 cm.
Attributed works:
[Galerie D'Arenberg, 14 rue aux Laines, Brussells] François-Joseph Navez (1787-1869), Anacreon and Orpheus, Signed and Dated "F. J. Navez 1822". Canvas, 66,5 × 82 cm.
Attributed works:
[Galerie de Bayser S.A., 69 rue Sainte-Anne, Paris] Jacob Jordaens (1593-1678). Le Christ et les pélerins d'Emmaüs Pierre noire, plume et encre brune, rehauts de gouache bleu, vert et blanc, sur papier beige en plusieurs feuilles assemblées. 24,2 × 30,5 cm.
Attributed works:
[Galerie de la Scala, 68 rue La Boetie, Paris] François Bonvin (1817-1887). "Femme assise". 25 × 16 cm. Signed and Dedicated "A Son vieil ami Ducasse"
Attributed works:
[Galerie Sabrina Forster, Poststrasse 3, Dusseldorf] Giovanni Francesco Barbieri Called Il Guercino (1591-1666). Castle with Boccia Players. Pen and Brown Ink. 27.2 × 42.9 mm.
Attributed works:
[Galerie Siegfried Billesberger, Billesberger Hof, D8059 Moosinning, Munich] Belisario Corenzio (Achaia 1560-1643 Naples). Harbour Scene with Slave Market. Pen and Brown Ink over Red Chalk. 195 × 263 mm. Provenance: Prof. J. Isaacs and Kurt Meissner.
Attributed works:
[Glennie's, Wensum Hall, Wensum Street, Norwich] Edouard Vuillard 'La Chemise Blanche'
Attributed works:
[Glennie's, Wensum Hall, Wensum Street, Norwich] Henri Fantin-Latour 'Nature Morte au pot blanc'
Attributed works:
[Glennie's, Wensum Hall, Wensum Street, Norwich]Claude Monet 'The Seine at Vétheuil'
Attributed works:
[Guy Loudmer, 18 rue de Provence, Paris] Maurice de Vlaminck - "Les pêcheurs à Nanterre" (1906). Oil on canvas, signed at lower left titled and countersigned on reverse. 81 × 100 cm. Exhibitions:- "Plaisirs de France" Galerie Charpentier, Paris, 1951, n° 191 (titled "Pêcheurs à la ligne") - "Plaisirs de la Campagne" Galerie Charpentier, Paris, 1954, n° 178 - "L'Œuvre de Vlaminck du fauvisme à nos jours", Galerie Charpentier,, Paris 1956. - "Les Fauves", Galerie Charpentier, Paris, 1962, n° 148.....
Attributed works:
[Jean Lupu, 43 rue de Faubourg Saint Honore, Paris] Jan Sanders van Hemessen (Hemiksen Circa 1500-1565 Haarlem). "The Virgin with the Child", Circa 1534, Panel 113 × 83 cm
Attributed works:
[Jean Willems, Rue Ernest Allard 5, Brussels] Sebastien Leclerc Metz 1637-1714 Paris. The Siege of a Town in the Lower Netherlands. Pen and Grey Ink and Wash 228 × 261 mm
Attributed works:
[Kate de Rothschildt] Baron Dominique Vivant-Denon (1747-1825). Study of a Young Girl Playing with a Giant Poodle 'tondu en lion'
Attributed works:
[Katrin Bellinger, Rauchstrasse 2 Munich/ 12 Duke Street, London] Giulio Campi Cremona 1502-1572 Cremona 'Diana with Putti, Carrying a Vase'. Pen and Brown Ink, Brown Wash, Heightened with White; Squared. 160 × 290 mm.
Attributed works:
[Marcello Aldega Margot Gordon] Battista Franco Udine 1510? - Venezia 1580. Red Chalk, Beige Paper
Attributed works:
[Marlborough, 6 Albemarle Street, London] Reflection on the Drawings, 1989. Oil on Canvas, $57frac{1}{2}times 44frac{3}{4}text{in}$./146×114cm.
Attributed works:
[Moatti, 77 rue des Saints - Peres, Paris] Giovanni-Domenico Tiepolo (1727-1804). Christ Received into Heaven. Signed. Black Chalk, Pen and Grey Ink, Brown Wash on Paper. 265 mm × 175 mm
Attributed works:
[Pace, 32 East 57 Street, New York] Giovanni Battista Tiepolo 1696-1770. A Caricature of a Portly Man Wearing a Frock Coat. Pen and Black Ink with Grey Wash. 211 × 145mm. From the Album Tomo Terzo di Caricature
Attributed works:
[Peter Nahum, 5 Ryder Street, London] Sir Edward Coley Burne-Jones Bt Ara 1833-1898. William Morris Climbing a Mountain in Iceland. Pencil on Paper 6½ × 4 Inches, 16.5 × 10 Centimetres.
Attributed works:
[Phillips, 101 New Bond Street, London] Edgar Degas, La Sortie du Bain; Charcoal and Pastel, Circa 1895-98, 90cm × 80cm.
Attributed works:
[Phillips, 101 New Bond Street, London] Ivan Vasilievich Kliun (1873-1942), Composition; Oil on Canvas, 47cm x 35cm. Executed in 1920.
Attributed works:
[Phillips, 101 New Bond Street, London] Paul-Theodor van Brussel (Zind-Polsbroek 1754-1795 Amsterdam). A Still-Life of Assorted Flowers and Fruit Including Poppies, Tulips, Grapes and Peaches upon a Stone Ledge before a Landscape. Signed and Dated 1794, Oil on Panel, 79cm × 62.5cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 113 East 79th Street New York] Adam Pijnacker, Landscape with Cattle. Oil on Canvas, 39¼ by 52 Inches (99.7 by 132.1 cm). Signed, Bottom, Left of Centre [On the Rock]: "A Pynacker"
Attributed works:
[Sotheby's 34-35 New Bond Street, London] Joachim Wtewael (Utrecht 1566-1638), The Wedding of Peleus and Thetis, Dated l.r. 1612, Oil on Copper, 36.5 by 42 cm (14¼ by 16½ in). Estimate: £600,000-800,000
Attributed works:
[Spencer A. Samuels, 39 East 72nd Street, New York] William Hogarth (1697-1764). Hudibras Visiting Sidrophel. Pen and Brown Ink over Pencil $4frac{3}{8}times 3frac{3}{8}$ Inches (123 × 75 mm). Before 1725.
Attributed works:
[The 70th Chelsea Antiques Fair, London] A Late 18th-Century English Bracket Clock. The Case of Fine Mahogany. The Dial Finely Engraved and Silvered. Signed: Wright, Chelmsford. Circa 1790.
Attributed works:
[The 70th Chelsea Antiques Fair, London] George III Silver Gilt Cup and Cover. London 1781. By John Denziloe. The Arms Are of Archibald Acheson, at That Time Baron Gosford of Market Hill, Co. Armagh, Ireland. Height: $10frac{3}{8}$ Inches.
Attributed works:
[The European Fine Art Fair] A Very Fine Cased Set of Presentation Pistols Made by Gastinne Renette, c. 1854. Paris Exhibition 1854
Attributed works:
[The European Fine Art Fair] Albrecht Dürer 1471-1528. The Small Horse. Engraving, 1505, 164 by 109 mm.
Attributed works:
[The European Fine Art Fair] Emanuel de Witte. The Interior of the Oude Kerk, Amsterdam - Signed and Dated 1679. Oil on Canvas, 20.5 by 70 cms.
Attributed works:
[The European Fine Art Fair] Jan van Goyen, 1596 Leiden-The Hague 1656. A Beach Scene. Panel: $15frac{3}{8} text{by} 22frac{5}{8}$ Inches (39 by 57.5 cm.). Signed with Monogram and Dated 1652
Attributed works:
[The European Fine Art Fair] Jean-Baptiste François Pater (Valenciennes 1695-1736 Paris). Le Sultan au Jardin. Oil on Canvas, 60 × 73 cm. Signed: Pater
Attributed works:
[The European Fine Art Fair] Paulus Bor, Still Life with Chest, Saddlebag, Open Book and Other Objects on a Table Before a Window, 1630. Oil on Panel, 22 by 30 Inches (56 by 76 cm.). Signed (On Open Book): "P Bor 1630"
Attributed works:
[The European Fine Art Fair] Quiringh Gerritsz. Van Brekelenkam Zwammerdam, c. 1620-1668 Leiden. An Interior with a Family. Panel: $23frac{3}{8} text{by} 32frac{3}{4}$ Inches (59.5 by 83.2 cm.)
Attributed works:
[The Fine Art Society, 148 New bond Street, London] Frances McNair 1874-1921. L'Esprit de la Rose, 1903. Pencil & Watercolour, 12½″ × 12½″ (32 × 32 cm.)
Attributed works:
[Thomas Le Claire, Elbchaussee 156, Hamburg] Hans Sebald Beham (1500 Nürnberg-Frankfurt 1550). A Standing Female Nude Seen from behind. Pen and Black Ink; Monogrammed and Dated. "HSB 1537". 145 × 94 mm.
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Karl-Ernest-Rodolphe-Heinrich-Salem, Called Henri Lehmann (Kiel 1814-1882 Paris). Portrait of Edmond de Pertuis de Laillevault (1822-1904). Signed with the Initials and Dated, Lower Right, 23 Mars/1842/HL. Black Chalk on Cream Paper, 8½ × 6¼ Inches (215 × 160 mm)
Non-western art unattributed:
[Michael B. Weisbrod INC, 987 Madison Avenue, New York] Cloisonne Box and Cover. Qing Dynasty, Qianlong Period. Height: 12¼ in. (31.1 cm.). Width: $9frac{1}{8}text{in}$. (23.1 cm.). Depth: $7frac{5}{8}text{in}$. (19.3 cm.)
Non-western art unattributed:
[The European Fine Art Fair] Chinese Bracket Clock with Rosewood Cabinet, with Brass Mounts and Carrying Handle, Enamel Dial Decorated with Scrolling Flowers. Chinese, 19th Century
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Marigan and 11 quai Voltaire, Paris] Keystone with Hercules and Amiral Bonnivet's Coat of Arms. Stone. Diam.: 20 cm. France, First Quarter of the XVIth Century. From the Castle of Bonnivet (Vienne), Built around 1520, Destroyed in 1788. Other Fragments of This Castle Can Be Seen in the Louvre and the Museum of Sainte-Croix in Poitiers.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] A Cipollino marble seated Togatus figure, adapted as St. Peter in the second half of the 16th century, with gilt bronze head, hands and feet, formerly in the Ludovisi Collection, 38.7cm (15¼in) high. Estimate: £250,000-350,000. The statue is documented in three inventories of the Villa Ludovisi in Rome, dated 1623, 1633 and 1665. In the early 1620s Cardinal Ludovico Ludovisi was forming one of the greatest collections of statuary and paintings of the period, including many antiquities.
