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1318 articles
Book Review
Kay Sage and Yves Tanguy: Ring of Iron, Ring of Wool
05/2024 | 1454 | 166
Pages: 521–523
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related names
Reviewer:
McAra, Catriona (McAra, Catriona)
Subjects
art literature:
Exhibition catalogues
artists:
Sage (Tanguy), Kay / Tanguy, Yves
dates:
1920-1929 / 1930-1939 / 1940-1949 / 1940-1959 / 1950-1959
museums and institutions:
Helly Nahmad Gallery (New York)
styles:
Surrealism
Reviewed Items
styles:
Kay Sage and Yves Tanguy: Ring of Iron, Ring of Wool Edited by Victoria Noel-Johnson and Marzina Marzetti. 176 pp. incl. 120 col + b. & w. ills. (Skira, New York, 2023), £48. ISBN 978–88–572–5061–8. | :
Illustrations
Attributed works:
15. Unicorns came down to the sea, by Kay Sage. 1948. Oil on canvas, 92.1 by 71.8. cm. (Philadelphia Museum of Art).
Attributed works:
16. Aux aguets le jour, by Yves Tanguy. 1939. Oil on canvas, 40.6 by 30.5 cm. (Private collection).
Attributed works:
17. Ring of iron, ring of wool, by Kay Sage. 1947. Oil on canvas, 137.2 by 97.2 cm. (Mint Museum, Charlotte).
Article
A ‘crucifixion complex’: two newly discovered sketches attributed to Francis Bacon
03/2024 | 1452 | 166
Pages: 225–235
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related names
Author:
Daniels, Rebecca (Daniels, Rebecca)
Subjects
artists:
Bacon, Francis, 1909-1992 / Maistre, Roy de / Picasso, Pablo
collectors and dealers:
Sadler, Michael Ernest , Sir
dates:
1930-1939
museums and institutions:
Art Gallery of New South Wales, Sydney, Australia
subjects:
British art / British drawing / Sketches / Jesus Christ: Crucifixion
subjects:
Portraits / Triptychs
Illustrations
Attributed works:
1. Sketch, by Francis Bacon. c.1930. Pencil on tracing paper mounted on paper, 25.2 by 16.6 cm. (irregular). (Collection & Image © Hugh Lane Gallery; The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Hugh Lane Gallery, Dublin;).
Attributed works:
10. Studio Interior, by Francis Bacon. c.1936. Pastel and pencil on paper, 23.5 by 35 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
11. Sketch for triptych, here attributed to Francis Bacon. c.1933. Pencil. (Art Gallery of New South Wales, Sydney; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
12. Three Studies for Figures at the Base of a Crucifixion, by Francis Bacon. 1944. Oil and pastel on fibreboard, each panel approx. 94 by 74 cm. (irregular). (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Tate).
Attributed works:
2. Two pencil sketches, here attributed to Francis Bacon. c.1933. Pencil on paper, 26 by 18.5 cm. (On the half-title page of A. Level: Picasso, Paris 1928; Art Gallery of New South Wales, Sydney; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
3. Sketch of a Biomorph, by Francis Bacon. c.1936. Black, blue and darkbrown ink on lined paper, 16.7 by 12.1 cm. (irregular). (Collection & Image © Hugh Lane Gallery; The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Hugh Lane Gallery, Dublin).
Attributed works:
4. Abstraction from the Human Form, by Francis Bacon, c.1936. Medium and dimensions unknown. Destroyed by the artist. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024).
Attributed works:
5. Sketch for Portrait of M.E. Sadler [skull], here attributed to Francis Bacon. c.1933. Pencil and possibly wash. (Art Gallery of New South Wales; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of, Sydney; Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
6. Crucifixion [skeleton], by Francis Bacon. 1933. Oil on canvas, 62 by 48.5 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
7. ‘A candidate for Baptism’, detail of Baptism of Christ, by Piero della Francesca. (From R. Longhi: Piero della Francesca, Milan 1930).
Attributed works:
8. The Crucifixion [skull], by Francis Bacon. 1933. Oil on canvas, 111.5 by 86.5 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
9. Replica of Portrait of Michael Sadler, by Loris Rey. Bronze. (University College, University of Oxford).
Article
Edith Hoffmann’s early years in England, 1934–38
12/2023 | 1449 | 165
Pages: 1320–1329
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Author:
Yapou-Kromholz, Yonna (Yapou-Kromholz, Yonna)
Subjects
dates:
1930-1939
museums and institutions:
New Burlington Galleries (art gallery), London, Great Britain
places:
London
sources:
Archives
subjects:
Hoffmann, Edith (E. H.) / Art historians / The Burlington Magazine / German art / Expressionism / Austrian art / Read, Herbert (H. R.) / Exhibitions / art history publishing
Illustrations
Attributed works:
1. Edith Hoffmann, photograph by Franz Pfemfert, Photo Dorit, Paris. c.1937–38. (Edith Hoffmann family collection, Jerusalem).
Attributed works:
2. Elizabeth Senior. Photograph, c.1935. (Courtesy of Sally Senior Mellersh).
Attributed works:
3. Eliezer Yapou. Photograph, 1938. (Edith Hoffmann family collection, Jerusalem).
Attributed works:
4. Herbert Read, by Howard Coster. Photograph, 1934. (National Portrait Gallery, London).
Attributed works:
5. The Exhibition of 20th Century German Art, New Burlington Galleries, London, by Ewan Phillips. 1938. Gelatin silver print, 16.4 by 23.2 cm. (© The Estate of Ewan Phillips; Tate Archive; M03751).
Attributed works:
6. The Exhibition of 20th Century German Art, New Burlington Galleries, London, by Ewan Phillips. 1938. Gelatin silver print, 16.4 by 23.2 cm. (© The Estate of Ewan Phillips; Tate Archive; M03754).
Attributed works:
7 and 8. Details of Figs.5 and 6, showing Edith in the New Burlington Galleries.
Attributed works:
9. Edith Hoffmann and Eliezer Yapou in Paris. Photograph, 1935. (Edith Hoffmann family collection, Jerusalem).
Article
Biting satire: notes on Salvador Dalí’s ‘Debris of an automobile’
12/2023 | 1449 | 165
Pages: 1305–1319
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Author:
Lomas, David (Lomas, David)
Subjects
artists:
Dalí, Salvador / Picasso, Pablo / Leonardo da Vinci
dates:
1930-1939
museums and institutions:
Museum of Modern Art, New York, United States
styles:
Surrealism / Futurism
subjects:
Spanish art / Freud, Sigmund / Horses (animals) / Psychoanalysis / Civil War (Spain:1936-1939)
Illustrations
Attributed works:
1. Detail of Fig.2, showing a painter at an easel with the Ampurdan plain stretching beyond.
Attributed works:
10. The dream and lie of Franco, by Pablo Picasso. 1937. Aquatint and etching, image 31.7 by 42.1 cm. (Plate I, 8th January 1937, printed by Roger Lacourière; © Succession Picasso and DACS, London; Scala, Florence).
Attributed works:
11. Plate from Les Chants de Maldoror (Comte de Lautréamont), by Salvador Dalí. 1933–34. Photogravure and drypoint after celluloid engraving, 33 by 25 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Florence/bpk, Bildagentur fuer Kunst, Kultur und Geschichte, Berlin; Sprengel Museum, Hannover).
Attributed works:
12. The knight of death, by Salvador Dalí. c.1934. Oil on canvas, 65 by 54 cm. (Private collection; Bridgeman Images).
Attributed works:
13. Plate from Les Chants de Maldoror (Comte de Lautréamont), by Salvador Dalí. 1934. Photogravure and drypoint after celluloid engraving, 33.2 by 25.2 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
14. Expressions of fury in horses, a lion and a man, by Leonardo da Vinci. c.1503–04. Pen and ink with wash, and red chalk on paper, 19.6 by 30.8 cm. (© 2023 His Majesty King Charles III; Royal Collection Trust).
Attributed works:
15. Study for Suburbs of a paranoiac-critical town, by Salvador Dalí. 1935. Pencil and ink on paper, 32 by 22.8 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Sammlung Scharf-Gerstenberg, Berlin).
Attributed works:
16. Paranoiac woman-horse (invisible sleeping woman, lion, horse), by Salvador Dalí. 1930. Oil on canvas, 50 by 65 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; NPL – DeA Picture Library; Bridgeman Images; Musée National d’Art Moderne, Centre Pompidou, Paris).
Attributed works:
17. Conversion of St Paul, by Caravaggio. 1601. Oil on canvas, 230 by 175 cm. (S. Maria del Popolo, Rome; Bridgeman Images).
Attributed works:
18. St George slaying the dragon or Roger and Angelica or Perseus and Andromeda, by Giorgio de Chirico. 1940. Oil on canvas, 91 by 116 cm. (Private collection).
Attributed works:
19. Battle for the Standard (re-touched copy after Leonardo da Vinci’s Battle of Anghiari), by Peter Paul Rubens. 1603. Black chalk, pen and paint on paper, 45.3 by 63.6 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
2. Debris of an automobile giving birth to a blind horse biting a telephone, by Salvador Dalí. 1938. Oil on canvas, 54.5 by 65.1 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
20. Paranonïa, by Salvador Dalí. c.1935–36. Oil on canvas, 38.1 by 46 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Dalí Museum, St Petersburg).
Attributed works:
21. Duncan’s horses, by Salvador Dalí. 1946. Pen and India ink on card, 25.3 by 19.4 cm. (Private collection).
Attributed works:
22. The city rises, by Umberto Boccioni. 1911. Tempera on card, 36 by 60 cm. (Jesi Collection, Milan; Bridgeman Images).
Attributed works:
3. The enigma of Hitler, by Salvador Dalí. 1938. Oil on canvas, 95 by 141 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Bridgeman Images; Museo Reina Sofía, Madrid).
Attributed works:
4. Street lamp, study of light, by Giacomo Balla. 1909. Oil on canvas, 174.7 by 114.7 cm. (© Peter Willi; Bridgeman Images; Museum of Modern Art, New York).
Attributed works:
5. Detail of Fig.2, showing Gala as a winged Victory and a father and child with a Leonardesque rock formation at Cadaqués.
Attributed works:
6. Detail of Guernica, by Pablo Picasso. 1937. Oil on canvas. (© Succession Picasso and DACS, London; Bridgeman Images; Museo Reina Sofía, Madrid).
Attributed works:
7. Detail of Fig.2, showing the horse and the light bulb hanging above it, which echoes the position of the electric light in Guernica.
Attributed works:
8. William Tell, by Salvador Dalí. 1930. Oil and collage on canvas, 113 by 87 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Bridgeman Images; Musée National d’Art Moderne, Centre Georges Pompidou, Paris).
Attributed works:
9. Horse head: study for ‘Guernica’, May 2, 1937, by Pablo Picasso. Oil on canvas, 65 by 92 cm. (© Succession Picasso and DACS, London; Scala, Florence; Museo Nacional Centro de Arte, Reina Sofia, Madrid).
Article
Stanley Spencer, postcards, small books and old masters
09/2023 | 1446 | 165
Pages: 952–67
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related names
Author:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
artists:
Spencer, Stanley / Fry, Roger (R. F.; R. E. F.) / Raverat, Gwen / Raverat, Jacques
artists:
Lamb, Henry / Tonks, Henry
dates:
1910-1919 / 1920-1929 / 1930-1939
museums and institutions:
Slade School of Fine Art, London, Great Britain
subjects:
British art / Reproductions / Postcards / Books / Early Italian art / Italian art / Renaissance art / Flemish art / Northern European / Techniques / Art literature / Literature
Illustrations
Attributed works:
1. Sir Stanley Spencer; Sydney Spencer; Gilbert Spencer; William ‘Pa’ Spencer, by Philip Edward Morrell. 1914. Vintage snapshot print, 6.1 by 10.3 cm. (National Portrait Gallery, London).
Attributed works:
10. Postcard of a corbel in Exeter Cathedral sent by Desmond Chute to Stanley Spencer, 21st June 1916. (John Spencer collection; JS 32).
Attributed works:
11. Roger Fry’s glass slide of Masaccio’s St Peter healing with his shadow. (Archive Centre, King’s College, Cambridge; REF 2, box 32).
Attributed works:
12. St George, by Donatello. (Frontispiece of H. Rea: Donatello: Il maestro di chi sanno, London 1900).
Attributed works:
13. Postcard of Gentile Bellini’s Finding of the True Cross sent by Henry Lamb to Stanley Spencer. (John Spencer collection; JS 50).
Attributed works:
14. Postcard of Giotto’s Joachim and the shepherds sent by Jas Wood to Stanley Spencer, 17th October 1927. (UCL Art Museum, University College London; UCL 82).
Attributed works:
15. Reverse of Fig.14.
Attributed works:
16. Postcard of Pieter Bruegel’s Autumn sent by Gilbert Spencer to Stanley Spencer, 1934. (John Spencer collection; JS 82).
Attributed works:
2. Stanley Spencer’s postcard album open to showing a Virgin or saint holding a book, Tonnerre stone, c.1390–1400, Musée national du Moyen Age, Thermes de Cluny, Paris (inv. Cl.18931), and the Court of Pan, by Luca Signorelli, formerly in the collection of the Staatlichen Museen zu Berlin. (UCL Art Museum, University College London; UCL 4 and 5).
Attributed works:
3. Letter from Stanley Spencer to the Raverats illustrating the shape of the reliefs on the campanile of Florence Cathedral. 12th April 1913. (Tate Archive, TGA 8116/21).
Attributed works:
4. Roger Fry’s glass slide of Andrea Pisano’s Creation of Eve from the campanile of Florence Cathedral. (Archive Centre, King’s College, Cambridge; REF 2, box 13).
Attributed works:
5. Postcard of the Entombment of Christ, by Donatello, sent from Gwen Darwin to Stanley Spencer, 11th March 1914. (John Spencer collection; JS 6).
Attributed works:
6. Reverse of UCL 51.
Attributed works:
7. Three postcards superimposed to illustrate the west wall of the apse of S. Francesco, Arezzo, by Piero della Francesca, sent by Gwen Raverat to Stanley and Gilbert Spencer, 25th March 1914. (UCL Art Museum, University College London; UCL 53, 50 and 51).
Attributed works:
8. Roger Fry’s glass slides of Piero della Francesca’s Death of Adam. (Archive Centre, King’s College, Cambridge; REF 2, boxes 19 and 32).
Attributed works:
9. Reproduction of the Lion of St Mark, by Vittore Carpaccio, from The Masterpieces of Carpaccio and Giorgione published by Gowans & Gray, 1911.
Article
Alfred Wallis and Christopher Wood: a meeting on canvas
09/2023 | 1446 | 165
Pages: 946–51
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Author:
Featherstone, Rupert (Featherstone, Rupert)
Subjects
artists:
Wallis, Alfred / Wood, Christopher
dates:
1930-1939
patrons:
Wertheim, Lucy
places:
St Ives
subjects:
British painting / Technical analysis / Attributions / Scientific analysis
Illustrations
Attributed works:
1.Reverse of Fig.2, showing signature and inscription. (© Hamilton Kerr Institute, Cambridge; photograph Chris Titmus).
Attributed works:
2. Boats at quayside, by Alfred Wallis and Christopher Wood. 1929–30. Oil, house paint and pencil on canvas, 45.8 by 53.5 cm. (Private collection; © Hamilton Kerr Institute, Cambridge; photograph Chris Titmus).
Attributed works:
3. Map of Fig.2, showing Alfred Wallis’s involvement assesed by optical examination. (© Hamilton Kerr Institute, Cambridge).
Attributed works:
4. Detail of Fig.2, showing Wallis’s seagulls and his changes to the buildings’ windows.
Attributed works:
5. X-radiograph of Fig.2, showing distribution of barium (house paint) and lead white. (© Hamilton Kerr Institute, Cambridge).
Attributed works:
7. La Ville-Close, Concarneau, Brittany, by Christopher Wood. 1929–30. Oil on millboard, 36.8 by 81.6 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
8. Detail of Fig.2, showing the new building inserted by Wallis.
Western art unattributed:
6. Concarneau. – Sortie de la Ville Close et le Quai Pénéroff. Postcard. (Private collection).
Article
Tanguy's titles
09/2023 | 1446 | 165
Pages: 932–45
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related names
Author:
Mack, Stephen (Mack, Stephen)
Subjects
artists:
Tanguy, Yves / Sage (Tanguy), Kay / Dalí, Salvador
dates:
1920-1929 / 1930-1939 / 1940-1949
sources:
Nostradamus
subjects:
French art / Dada / Surrealism / Titles of works of art / Poetry / Literature / Breton, André / Translations
Illustrations
Attributed works:
1. Maman, Papa est blessé, by Yves Tanguy. 1927. Oil on canvas, 92.1 by 73 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
2. Dame à l’absence, by Yves Tanguy. 1942. Oil on canvas, 115 by 89.5 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; photograph by Walter Klein; Kunstsammlung Nordrhein- Westfalen, Dusseldorf).
Attributed works:
3. Inventions of the monsters, by Salvador Dalí. 1937. Oil on canvas, 51.4 by 78.4 cm. (© Salvador Dali, Fundació Gala-Salvador Dalí; DACS, London; Art Institute of Chicago).
Attributed works:
4. Poem-object, by André Breton. 1941. Carved wood bust of man, oil lantern, framed photograph, toy boxing gloves and paper mounted on drawing board, 45.8 by 53.2 by 10.9 cm. (© ADAGP, Paris and DACS, London; Museum of Modern Art, New York).
Attributed works:
5. Le Diaposin de satin, by Yves Tanguy. 1940. Oil on canvas, 99.1 by 81.3 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; Metropolitan Museum of Art, New York).
Attributed works:
6. La Grue des sables, by Yves Tanguy. 1945. Gouache on paper, 46.1 by 31 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; Art Institute of Chicago).
Attributed works:
7. Terre d’ombre, by Yves Tanguy. 1927. Oil on canvas, 99.1 by 80.3 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; |Detroit Institute of Art).
Book Review
A Life of Picasso IV: The Minotaur Years, 1933–1943. By John Richardson
12/2022 | 1437 | 164
Pages: 1301-1302
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related names
Reviewer:
Green, Christopher (Green, Christopher)
Subjects
art literature:
Biographies
artists:
Picasso, Pablo
dates:
1930-1939 / 1940-1949
subjects:
French art / Spanish artists
Reviewed Items
subjects:
A Life of Picasso IV: The Minotaur Years, 1933–1943 By John Richardson. 310 pp. incl. numerous col. + b. & w. ills. (Alfred A. Knopf, New York, 2021), £35. ISBN 978–0–307–26666–8. | :
Exhibition Review
Surrealism Beyond Borders
06/2022 | 1431 | 164
Pages: 592-594
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related names
Reviewer:
Richardson, Michael (Richardson, Michael)
Subjects
artists:
Dalí, Salvador / Magritte, René / Ernst, Max / Duchamp, Marcel / Chirico, Giorgio de / Joans, Ted / El Janaby, Abdul Kader / Yayoi Kusama, b. 1929 / Rosenstein, Erna
dates:
1920-1929 / 1930-1939 / 1940-1949 / 1940-1959 / 1950-1959 / 1960-1969 / 1970-1979
dates:
2020-2030
museums and institutions:
Tate Modern, London, Great Britain / Metropolitan Museum of Art, New York, United States
subjects:
Surrealism / Globalism / Politics / Postcolonialism
Reviewed Items
subjects:
Surrealism Beyond Borders Tate Modern, London 24th February–29th August | :
Illustrations
Attributed works:
1. A circus rider’s dream, by Yayoi Kusama. 1955. Gouache on paper, 74.9 by 64.5 cm. (Private collection; © Yayoi Kusama; courtesy David Zwirner, New York; Ota Fine Arts, Tokyo, Singapore and Shanghai; Victoria Miro, London and Venice; photograph Elisabeth Bernstein; exh. Tate Modern, London).
Attributed works:
2. The seven sons of Lautréamont (and his dutiful beautiful daughter), by Ted Joans, Heriberto Cogollo, Agustin Cárdenas, Jorge Camacho, Wifredo Lam, Roberto Matta, Hervé Télémaque and Joyce Mansour. 1970–79. Ink on paper with poem, 76.2 by 21.6 cm. (Private collection; © Ted Joans Estate; courtesy Laura Corsiglia; photograph Buddy Ratner; exh. Tate Modern, London).
Attributed works:
3. Ekrany (screens), by Erna Rosenstein. 1951. Oil on canvas, 48 by 64 cm. (© Muzeum Sztuki, Łódź; exh. Tate Modern, London).
Exhibition Review
Julie Manet: An Impressionist Heritage
03/2022 | 1428 | 164
Pages: 305-307
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related names
Reviewer:
Thomson, Belinda (Thomson, Belinda)
Subjects
artists:
Manet, Julie / Morisot, Berthe / Renoir, Pierre-Auguste / Daumier, Honoré / Corot, Jean-Baptiste-Camille / Delacroix, Eugène / Degas, Edgar
artists:
Rouart, Ernest
dates:
2020-2030 / 1880-1919 / 1930-1939 / 1940-1959 / 1950-1959 / 1960-1969
museums and institutions:
Musée Marmottan Monet, Paris, France
subjects:
French art / Impressionism
Reviewed Items
subjects:
Julie Manet: An Impressionist Heritage Musée Marmottan Monet, Paris 19th October 2021–20th March 2022 | :
Illustrations
Attributed works:
27. Julie Manet or Child with cat, by Pierre- Auguste Renoir. 1887. Oil on canvas, 65.5 by 53.5 cm. (Musée d’Orsay, Paris; exh. Musée Marmottan Monet, Paris).
Attributed works:
28. Julie Manet writing, by Ernest Rouart. Undated. Oil on canvas, 116.7 by 89.2 cm. (Private collection; exh. Musée Marmottan Monet, Paris).
Attributed works:
29. Portraits of Jeannie at the piano and Paule listening to her, by Julie Manet. 1899. Oil on canvas, 90 by 90 cm. (Private collection; exh. Musée Marmottan Monet, Paris).
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