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11/2024 | 1460 | 166
Pages: ixx
Subjects
artists:
Illustrations
Attributed works:
An Italian pietre dure panel, representing the Harbour of Livorno, by the Grand Ducal workshops, Florence, after a design by Giuseppe Zocchi, Circa 1765-1770 (detail). [Sotheby's]
Attributed works:
And politically, by Monica Bonvicini (b.1965). 2020. Spray paint on paper mounted on aluminium, 153 by 103 cm. GALERIE KRINZINGER, VIENNA [Artissima]
Attributed works:
BERNARDO ZENALE (c. 1464–1526) Saint John the Baptist, standing full-length in a landscape, c. 1508–10 Recently acquired by the Castello Sforzesco, Milan [Robilant and Voena]
Attributed works:
Black beauty, by Koto Bolofo (b.1959). 2006. Photograph, 65 by 100 cm. IN CAMERA, PARIS [Paris Photo]
Attributed works:
Bust portrait of Elisabeth Alexandrovna Demidoff , née Countess Stroganoff (1779–1818), by Bertel Thorvaldsen (1770–1844). Probably sculpted in Rome, c.1810–12. White Carrara marble on black marble pedestal, 57 cm. with base. TREBOSC & VAN LELYVELD, PARIS [La Biennale]
Attributed works:
Dont I know you from somewhere, by Simnikiwe Buhlungu (b.1995). 2023. Handprinted silkscreen on doublesided satin, and stainless steel pole, 150 by 238 by 3 cm. ELLEN DE BRUIJNE PROJECTS, AMSTERDAM [Artissima]
Attributed works:
Europa sits on the back of the bull, by Andrea Appiani (1754–1817). 1784–86. Tempera on canvas, 190 by 135 cm. LAOCOON GALLERY, LONDON, AND W. APOLLONI, ROME [Amart]
Attributed works:
FRANCIS HARWOOD (c. 1726/1727-1783) Oliver Cromwell marble bust, signed and dated ‘F. Harwood Fecit 1759’ 24.3/4 in. (63 cm.) high, the bust Provenance: Sir Wyndham Knatchbull-Wyndham, 6th Baronet (1737-1763), Mersham-le-Hatch, Kent. [Christie's, Paris]
Attributed works:
French ‘lira oscillante’ model clock, by Mathieu le Jeune. Gilded bronze case with white marble base, 63 by 32 by 16 cm. TOP TIME MUSA, MILAN [Amart]
Attributed works:
Genealogical tree of the Ottoman dynasty with twenty-nine sultan portraits, attributed to Zenop Manas (active 19th century). Probably Vienna, reign of Sultan Mustafa IV, 1807–08. Oil on canvas, 99 by 68.5 cm. KENT ANTIQUES, LONDON [La Biennale]
Attributed works:
GIOVANNI BELLANDI (active 1608 – Milan – 1626) Allegory of Charity Terracotta. Height: 31.7 cm; Width: 37.7 cm; Depth: 4 cm [Ratton and Ladrière/La Biennale]
Attributed works:
Jacques-Edme Dumont (1761–1824) Love Showing Venus a Bee Sting Terracotta: h. 17 cm [Patricia Wengraf Ltd.]
Attributed works:
Lacquer secretary, by Adam Weisweiler (1746–1820). c.1790–95. Thuja wood, ebony, Japanese lacquer and chased-and-gilt bronze and griotte marble top, 126.5 by 70 by 34.5 cm. GALERIE LÉAGE, PARIS [La Biennale]
Attributed works:
LUIS DE MORALES Badajoz (1520–1586) PIETÀ Oil on panel, unframed: 31¾ x 22½ in. (80.8 x 57.2 cm.) Property from a Spanish Private Collection [Galeria Bernat]
Attributed works:
L’Origine des espèces, by Man Ray (1890–1976). 1935. Vintage gelatine silver print mounted on paper, 17.5 by 21.2 cm. SOPHIE SCHEIDECKER, PARIS [Paris Photo]
Attributed works:
m², by Andrea Francolino (b.1979). 2024. Earth dust and cement dust on paper on board, 115 by 115 cm. MAZZOLENI, TURIN AND LONDON [Artissima]
Attributed works:
Paysage acrobatique #5, by Claire Trotignon (b.1985). 2024. Vintage print collage and gouache on paper, 40 by 50 cm. GALERIE 8+4, PARIS [La Biennale]
Attributed works:
Penitent St Jerome, by Fiorenzo di Lorenzo (1440– c.1522). c.1490. Polychromed wood, 90 by 65 by 60 cm. MEARINI FINE ART, PERUGIA [Amart]
Attributed works:
Pierre Legros ii (Paris, 1666–1719, Rome) Danaë and the Eagle; Leda and the Swan [Daniel Katz Gallery] A pair of bronze statuettes Rome, circa 1700 26.5 and 28.5 cm high
Attributed works:
Pink curtains II, by Kourtney Roy (b.1981). 2024. Photograph, 60 by 90 cm. LES FILLES DU CALVAIRE, PARIS [Paris Photo]
Attributed works:
Portrait of a Florentine noblewoman, by Alessandro Allori (1535–1607). 16th century. Oil on panel, 59 by 45.5 cm. TORNABUONI ARTE-ARTE ANTICA, FLORENCE [Amart]
Attributed works:
Portrait of Comte Lancelot Turpin de Crissé, by Josef Anton Kuriger or Couriguer (1750–1834). c.1785. Multicoloured wax on cardboard-wood, presented in its original frame and protective case, 30.5 by 24.5 cm. DIDIER AARON, PARIS AND NEW YORK [La Biennale]
Attributed works:
Preparatory sketch for the funerary monument of the painter André-Corneille Lens, by Gilles-Lambert Godecharle (1750–1835). 1822. Cream-coloured patinated terracotta, 44 by 23 by 10 cm. JACQUES LEEGENHOEK, PARIS [La Biennale]
Attributed works:
Rhinocerus, by Albrecht Dürer (1471–1528). 1515. Woodcut, 21.1 by 29.7 cm. H. H. RUMBLER, FRANKFURT [La Biennale]
Attributed works:
Sin placa, by Jhonatan Pulido (b.1988). 2022. Oil on canvas, 51 by 41 cm. ALMA PEARL, LONDON [Artissima]
Attributed works:
Study for caryatid #001, by Mari Katayama (b.1987). 2023. Photograph, 180 by 120 cm. SUZANNE TARASIEVE, PARIS [Paris Photo]
Attributed works:
Untitled, from the Black Balloon Archive, by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm. (© Liz Johnson Artur; Victoria and Albert Museum, London). [Burlington Magazine]
Attributed works:
White Andronicos, by Carmen Dionyse (1921–2013). 2000. Stoneware, 65 by 36 by 22 cm. RICHARD SALTOUN, LONDON, ROME AND NEW YORK [Artissima]
Attributed works:
‘Mexique’ bookcase, by Charlotte Perriand (1903–99). 1952. Enamelled aluminium and wood, 160 by 181.6 by 32.3 cm. JOUSSE ENTREPRISE, PARIS [La Biennale]
Non-western art unattributed:
Huamanga stone lion. Peru, 17th century. Andean alabaster, 13 by 19 cm. DARIO GHIO, MONACO [Amart]
Western art unattributed:
Course de roller. Angleterre. Tirage argentique d’époque. 1930. Photograph, 15 by 21 cm. LUMIÈRE DES ROSES, MONTREUIL [Paris Photo]
Western art unattributed:
FRENCH, LIMOGES, CIRCA 1210 EUCHARISTIC DOVE Gilt and champlevé enamelled copper, set with glass and rock crystal cabochons 21.5 by 26 cm. [Erik Bizet]
Western art unattributed:
Hermes de Pio- Clementino. Italy, 17th century. Wood, 130 by 40 by 40 cm. DESMET FINE ART, BRUSSELS [La Biennale]
Western art unattributed:
Roman mosaic depicting a crane in a vegetal setting, probably discovered in El Djem, Tunisia, in 1913. 3rd–4th century CE. Coloured marble tesserae, 85 by 85 cm. GALERIE DAVID GHEZELBASH, PARIS [La Biennale]
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09/2016 | 1362 | 158
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Chanel Fine Jewellery. Signature Chanel. Necklace in white gold, sapphire and diamonds.]
Attributed works:
[Tomasso Brothers Fine Art. Gilles-Lambert Godecharle (1750-1836). Bust of Michel de Montaigne (1533-1592). French, Renaissance philosopher and essayist. Terracotta. 60 cm (23 3/4 in) high]
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Advertisements June 2013 (front)
06/2013 | 1323 | 155
Pages: s.p.
Subjects
advertisements:
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advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Bonhams. 101 New Bond Street. London. A pair of large 17th century Venetian white marble architectural putti caryatids attributed to Giusto de Corte (1627-1678)]
Attributed works:
[Cahn. Galleries in Basle and St. Moritz. An Outstanding Head of a Herm. H.25 cm. White, fine-grained marble.]
Attributed works:
[Coll & Cortés, 27 Albemarle Street, W.1. The expulsion of the moneychargers from the temple, by Giovanni Francesco Barbieri, called Guercino (1592-1666). Oil on canvas, 24.5 by 25.9 cm]
Attributed works:
[Daniel Katz Gallery: 13 Old Bond Street, W1. Female torso, by Alexander Archipenko (1887-1864). Plaster covered in silver. Height: 49.4 cm]
Attributed works:
[Daniel Katz, Ltd. 13 Old Bond Street. London. Jean-Pierre Dantan. Paris, 1800 - 1869, Baden Baden. Niccolò Paganini. Plaster statue, 1832. 31 cm high]
Attributed works:
[Day & Faber, 14 Old Bond Street, W1. Head of a man, by Edgar Degas (1834-1917). c 1856-58. Charcoal and graphite, 36.5 by 26.1 cm]
Attributed works:
[Didier Aaron Ltd, Clifford House, 15 Clifford Street, W1. Saint Cecilia, by Joseph Werner (1637-1710). Signed and dated lower right: 'We[...] fecit. 166[...]'. Gouache on vellum mounted on panel, 14.8 by 11.1 cm]
Attributed works:
[Emanuel Von Baeyer, 38 Albemarle Street, W1. A young boy standing on an waterfountain. Study of figures for 'Idle Fears', by Sir John Poynter. 1893. Signed with the monogram stamp (Lugt 874). Black and white chalk on red prepared paper, 37.2 by 27.8 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovanni Bonati, Ferrara, c. 1635 - Rome, 1681. Saint Augustine and the Miracle of the Child on the Seashore. Oil on canvas, 170.5 x 128.5 cm (67 1/8 x 50 5/8 in)]
Attributed works:
[Jean-Luc Baroni Ltd, 7-8 Mason's Yard, Duke Street, SW1. Study of a standing nude male pulling on a rope with separate studies for his arms and legs, by Carlo Maratta (1625-1713). Preparatory study for the altar-piece of the martyrdom of St. Blaise of Sebaste. Red chalk heightened with white chalk on buff paper, 41.9 by 27.3 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Friedrich Nerly. 1807 - Hamburg - 1878. Stonecutters transporting a block of Marble to Rome for the sculptor Thorvaldsen. Pen and black ink with grey and brown wash on paper, 286 x 367 mm. Signed and dated lower right in brown ink: F. Nerly. f. Rom 1833. The block of marble inscribed XXXIII/ Thorvaldsen/ a/ Rom]
Attributed works:
[Katrin Bellinger at Colnaghi and Florian Härb. 15 Old Bond Street. London. 5 Dalmeny Court, 8 Duke Street. St. James’s. London. Girolamo Macchietti (Florence 1535-1592 Florence). Head of a young Man in Profile to the left. Red and white chalk, over traces of black chalk, on red prepared, 203 x 162 mm]
Attributed works:
[Kunstkammer Georg Laue, Munich. Magnificent Nautilus Cup. Swedish court gold smith Hans Clerck. Stockholm, c.1670. Engravings signed by Cornelis Bellekin, Amsterdam, c.1660. Height 36 cm]
Attributed works:
[Lowell Libson, 3 Clifford Street, W1. A smelting works in an open landscape, by James Ward (1769-1859). Inscribed with initials on verso. Oil on panel, 15.2 by 9.5 cm]
Attributed works:
[Paolo Antonacci, Rome. Two girls on the beach, by André-Charles Voillemot (1823-93). Signed lower right: A. C. Voillemot. Oil on canvas, 87 by 137.5 cm]
Attributed works:
[Paolo Antonacci. Via del Babbuino 141/a. Rome. Two girls on the beach, by André-Charles Voillemot (1823-93). Signed lower right: 'AC. Voillemot'. Oil on canvas, 87 by 137.5 cm]
Attributed works:
[Peter Finer, London. A French model armour for man and horse in the late 16th century style by E. Granger, Paris. c. 1850]
Attributed works:
[Sam Fogg, London. Marble roundel showing Marcus Aurelius the Younger, by Agostino di Duccio (1418 - c.81). 1455-57. Italian, probably Rimini.]
Attributed works:
[Sam Fogg, Ltd. 15d Clifford Street, London. Agostino di Duccio (1418 - c.1481). A roundel showing Empress Faustina the Elder. Italy, probably Romini, 1455-1457 | Marble, diameter 28.7 cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Master of the Death of the Virgin of Amiens, French, circa 1320. The Ray Triptych. An ivory portable altar with scenes from the life of the virgin]
Attributed works:
[The Sladmore Gallery. 57 Jermyn Street. St. James’s. London. Edgar Degas (French 1834-1917). 'Cheval faisant une descente de main', 1865-81, bronze, cast by the Hébrard Foundry, Paris. Height: 7ins]
Attributed works:
[Tomasso Brothers Fine Art, 12 Duke Street, St. James's, SW1. Bust of Michel de Montaigne (1533-92), by Gilles Lambert Godecharle (1750 - 1835). Terracotta. Height: 60 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Francesco Carradori (Pistoia 1747-1825) (attributed to). Antinous Belvedere. Carrara Marble. 95 cm (37 1/2 in) high]
Attributed works:
[Trinity Fine Art and Carlo Orsi with the Participation of Walter Padovani, Milan, 29 Bruton Street, W1. Apollo and Marsyas, by Giovanni Baratta (1670-1747). Terracotta. Height: 36.3 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Giovanni Baratta (1670-1747). Apollo and Marsyas. Terracotta. Height: 36.3 cm]
Western art unattributed:
[De Backker Medieval Art, Grote Plaats 31. Hoogstraten, Belgium. Enthroned Virgin and Child, alabaster, by a Southern Netherlandish Master, XV]
Western art unattributed:
[De Bakker Medieval Art, Hoogstraten, Belgium. Detail of a tympanum 'Christ pantocrator'. Limestone. South of France, mid-12th century. Height: 65.5 cm. Width: 44.5 cm]
Western art unattributed:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Gothic Arm Reliquary. Bretagne 14th Century. Silver, parcel-gilt, gemstones, pearls, rock crystal, height: 43cm]
Western art unattributed:
[Jean-David Cahn, Basel. Red-figured amphora type B. Attributed to the Leningrad painter. Greek. Attic. c.470-60 BC. Clay. Height: 51.5 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. A Pair of Reliquaries Saints Thecla and Susanna. Walnut, with original polychrome. Spain, first half 16th century. Thecla H. 43.5 x W. 40 x D. 24 cm. Susanna H. 40 x W. 33 x D. 21 cm]
Western art unattributed:
[Mullany, London. Oil lamp. The Sacrifice to Priaous. Inscibed in the exergue: L.C.I. Inscribed on the base: C.I.C / I O M S. Caste incuse, with above and below, a leaf. Italian, Romano-Mantuan, before 1480. Bronze. Height: 2 cm. Width: 15 cm. Depth: 6 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A pair of balkan flintlock holster pistols with nielloed stock, circa 1820]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A Swiss knightly shield, circa 1400]
Western art unattributed:
[Sam Fogg, 15D Clifford Street, W1. Swooning virgin. Southern Nederlands, Brussels. c.1450. Walnut, 69.5 by 32.5 by 16 cm]
Western art unattributed:
[Schauer. 3500 Krems, Pfarrplatz 13, Austria. Pair of Hercules-Sculptures. Sandstone. Austria, 17th Century]
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Advertisements March 2013 (front)
03/2013 | 1320 | 155
Pages: s.p.
Subjects
advertisements:
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collectors and dealers:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Sussex. A fine small Charles II spring table clock by Johannes Knibb of Oxford. c.1685. Height: 30cm]
Attributed works:
[Arturo & Corinne Cuéllar, Zurich. View of the Sciora, Bregaglia valley, by Giovanni Giacometti (1868-1933). Watercolour and pencil, 33 by 42 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Jean François Millet (Gruchy 1814 - 1875 Barbizon). Le Vigneron, ca. 1851. Signed bottom right. Charcoal heightened with white, 36.5 x 28 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Jacques-Louis David (Paris 1748 - Brussels 1825). Portrait of a man with hat, in profile. Graphite on paper, signed 'L.David' lower right. Diameter: 7 cm (including frame)]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Charles Le Brun (1619-1690). The sacrifice of Polyxena, 1617 (detail), oil on canvas, 179 x 131 cm. (70 1/2 x 51 1/2 in). Monogrammed and dated lower left, on the edge: C.L.B.F./ 1647]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Paolo Farinati (Verona 1524-1606). Saint Anthony of Padua. Brown ink over traces of black chalk, highlighted with white feather work and white washes. 41.5 cm x 27 cm]
Attributed works:
[David Lévy & Associates, Brussels. Gouache Drwing, by Joan Mirò (1893-1983). 1914. Gouache and pencil, 69.9 by 104.8 cm]
Attributed works:
[Day & Faber, London. St. Augustin, St. Jerome (possibly St. Mark), St. Bartholomew and an unidentified saint, by Ciro Ferri (1634-89). Quill and brown wash on black chalk, 38 by 43.4 cm]
Attributed works:
[Dickinson, London and New York. Annette, Venice, by Alberto Giacometti (1901-66). c.1960. Signed and numbered: 'Alberto Giacometti 6/6', inscribed with the foundry mark: 'Susse Fondr Paris'. Bronze with brown patina, 47.5 by 26.5 by 12.7 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Study of a dog, by Jean-Baptiste Oudry (1686-1755). Black chalk with white chalk highlights on blue paper, 23.3 by 35.2 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jusepe de Ribera (1591-1652), The Mocking of Christ, oil on canvas (detail), 106 x 87 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Romantic village, by William Lee-Hankey. Signed. British. Oil on canvas, 51 by 61 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Sir Edward Burne-Jones. Study for the central head in the painting The Car of Love. Black chalk, 365 x 550 mm]
Attributed works:
[Francesca Antonacci Damiano Lapicella Fine Art, Rome and Florence. Head of Minos after Michelangelo, by Vincenzo Camuccini (1771-1844). Red chalk on ivory card, 47.8 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Ceresa. San Giovanni Bianco, 1609 - Bergamo, 1679. Portrait of a gentleman with a Wig. Oil on canvas, 196.5 x 115.3 cm (77 3/8 x 45 3/8 in)]
Attributed works:
[Galerie Cenesso, Paris. Allegory of Peace, by Francesco Furini (1603-46). Inscribed on the shield: 'optima rerum'. Oil on canvas, 84 by 70 cm]
Attributed works:
[Galerie Eric Coatelem, Paris. Studies of young oriental with sword for the 'Revolt of Cairo', by Anne Louis Girodet de Roucy-Trioson (1767-1824). Pencil, stump, white chalk highlights, 28.4 by 36.8 cm]
Attributed works:
[Galerie Paul Prouté, Paris. Landscape with herders (verso: study of a tree), by Giovanni Benedetto Castiglione, called Il Grechetto (1609-64). Pen and brown ink, over black chalk, 10.5 by 15.4 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Johann Georg Platzer. Adoration of the Shepherds & Deposition from the Cross (Pendants)]
Attributed works:
[Jean-Luc Baroni, London. The earthly paradise, by André Derain (1880-1954). Signed at bottom right: 'A. Derain'. Watercolour, 50 by 65 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Alonso Sanchez Coello. Valencia 1531-1588 Madrid. Portrait of a Young Noblewoman wearing Fine Jewels and a Black Dress with Gold Embroidery in the form of Wheatsheaves and a High White Ruff Collar. Oil on canvas: 35.2 x 25.3 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Attributed to Gaspare Diziani. Belluno 1689-1767 Venice. Venetian Acrobats forming a Pyramid known as the 'Forze d'Ercole'. Oil on canvas: 72.3 x 88 cm]
Attributed works:
[Katrin Beelnger, Munich. View of the Bay of Posillipo, by Claude-Joseph Vernet (1714-1789). Inscribed in pen and brown ink: 'vue de pousilipo'. Pen and grey ink and grey wash over black chalk on two joined sheets of paper, 45 by 70.7 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Luigi Sabatelli (Florence 1772 - 1850 Milan). Portrait of Luigi Ricasoli (b.1801), at the Age of Seven. Signed and dated, lower right: Luigi Sabatelli / fece 1808; inscribed, lower left: Luigi Ricasoli. Pen and brown ink, 298 x 208 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Eglon Hendrik Van der Neer. Noble lady at a table with a lute and sheet music. Around 1667. Oil on panel. 31.6 x 22.8 cm (detail)]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Willem van Aelst (1627 - after 1683). Still life with Fish, Bread and a Nautilus Cup. Oil on canvas, 67.8 x 54.6 cm. Signed and dated 1678]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. Attrib. to Anne-Louis Girodet de Roussy- Trioson. Montargis 1767-1824 Paris. Pyrrhus Before Glaucius, ca. 1790. Graphite underdrawing, brush & grey wash, white gouache heightening on brown prepared laid paper. 225 x 302 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. John Martin. Haydon Bridge 1789 - Douglas 1854. A stream flowing into a pool in a forest, June 1841. Signed and dated (with pen and brown ink lower left): 'J. Martin. June. //1841'. Watercolour, bodycolour heightenings, 9 3/4 x 13 1/2 in. (24. x 34.2 cm)]
Attributed works:
[Rafael Valls, Ltd, London. A view of Frankfort, by Christian Schutz I. Signed and dated 'SCHÜZ. F/1754'. Oil on canvas, 51 by 119.5 cm]
Attributed works:
[Rountree Fine Arts Ltd, London. The racehorse Belfonds with H. Semblat up, at Chantilly by Sir Alfred James Munnings KCVO, PRA (1878-1959). Signed 'A.J. Munnings' (lower right). Oil on canvas, 78.7 by 96.5 cm]
Attributed works:
[Sanda Lipton, London. A George II circular silver counter dish by Joseph Sanders. London 1733. The centre is engraved with a widow's lozenge surrounded by engraved decoration. The arms on the lozenge are those for a woman whose maiden name was probably Carey. Diameter: 12 cm]
Attributed works:
[Schlichte Bergen Old Master Painting & Drawings, Amsterdam. Landscape with figures with the Ponte Reale over the Volturno, by Luigi Fergola (1768-1834). Signed and dated 1801. Gouache on paper, 67 by 96 cm]
Attributed works:
[Sperone Westwater, New York. Rosso scuro, by Carla Accardi (born 1924). 1974. Enamel on sicofoil, 115 by 180 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Willem van Mieris. The Penitent Mary Magdalene]
Attributed works:
[Talabardon & Gautier, Paris. Portrait of the founder Ferdinard Barbedianne, by Thomas Couture (1815-70). Monogrammed at bottom right: 'TC'. Charcoal, pencil and white chalk, 53 by 40.5 cm]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1923. Linocut. Osborne Samuel Ltd]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, England. Michel de Montaigne, by Gilles-Lambert Godecharle (1750-1835). Terracotta. Height: 60 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartolomeo Cavaceppi (c. 1716-1799) (attributed to) Monumental Marble Bust of Alexander the Great. White marble, 80 cm high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giuseppe Piamontini (1664-1742). Milo of Croton. Bronze, 43.5 cm high]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Albrecht Durer, Das Wappen mit dem Totenkopf. 1503. Copper engraving. Meder 98. I a. Ex coll. H. A. Cornill d'Orville and Sir Henry Studdy Theobald.]
Western art unattributed:
[Cesati, Milan. St. John the Evangelist, by Silvestro dell'Aquila (c.1450 - 1504). Central Italy. Late 15th century.]
Western art unattributed:
[Lennox Cato Antiques, Edenbridge, Kent. An eighteenth-century mahogany bureau bookcase of the Chippendale period. c.1765-70. Height: 214 cm. Width: 106 cm. Depth: 58 cm.]
Western art unattributed:
[Mark Gallery, London. Birth of the Virgin, showing St. Anne attended by a midwife with St. Joachim and below the infant Virgin in the arms of a Nursemaid. Northern Russian icon, early seventeenth century. 62.5 by 53 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Angel with Tambourine. Walnut, with original polychrome and gilding. Italy, Lombardy, mid 15th century. H. 69.5 x W. 17 x D. 15 cm]
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Advertisements November 1996 (front)
11/1996 | 1124 | 138
Pages: i-xxiv
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Jacopo Palma, Called Palma Giovane (1554-1628). Venus and Adonis. Pen and Ink, with Brown Wash Heightened with White and Red 21.2 × 33.8 cm
Attributed works:
[ Bassenge, Erdener Str. 5A, Berlin ] Albrecht Dürer (1471 - 1528, Nuremberg). Saint Eustace. Engraving. C. 1501, Bartsch 57, Meder 60 (b of k). Watermark High Crown (M. 20)
Attributed works:
[ Christie's, 8 King Street, St. James, London ] Giuliano da Rimini (documented 1307-1323). An Altarpiece in three Sections with an extensive inscription on the reverse of the left panel: "Giott/...sono a lavorare/ed in quella chiesa di S./(che?) fu sopressa d..../1807/del/...Diotallevi". Tempera on gold ground panel, shaped tops. Picture surfaces: centre: 75 × $28frac{1}{8}$ in. (190.5 × 71.5 cm.). Left: $60frac{5}{8}times 26frac{3}{8}$ in. (154 × 67 cm.). Right: $61frac{1}{4}times 26frac{3}{8}$ (155.5 × 67 cm.)
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Angelica Kauffman, R. A. Coire 1741 - Rome 1807, William Henry Lampton. Oil on Canvas: 86 × 55½ ins (218.5 × 141 cms). Signed and Dated at Lower Right: Angelica Kauffman/PinX: Romae, 1797
Attributed works:
[ Cover ] Portrait of the Actor Willem Bartolsz. Ruyters, by Rembrandt Hermansz. van Rijn. c. 1639. Pen and Brown Iron-Gall Ink, Heightened with White on Paper, Prepared with Yellowish-Brown Wash, 13.9 by 17.4 cm. (Rijksmuseum, Amsterdam)
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Ubaldo Gandolfi (San Matteo 1728 - 1781 Ravenna). The Resurrection of Christ. Oil on Canvas, 77 × 52 cms. Modello for the Fresco of the Same Subject in the Church of San Luca, Bologna
Attributed works:
[ Galerie Eric Coatalem, 93 Faubourg, St. Honoré, Paris ] Gilles Lambert Godecharle (Bruxelles 1750 - 1835). Cupidon. Pierre de France. Height: 160 cm. Signed and Dated 1804
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] Simon de Vlieger (1601 - 1653). A Dutch Flagship Exchaning Salutes and a Galjoot in a Heavy Sea, Signed on Floating Plank Lower, Oil on Panel 44,5 × 60 cm.
Attributed works:
[ Galerie Lingenauber, Schwerinstr. 38, Düsseldorf ] Lorenzo Lotto, Sacra Conversazione - Virgin and Child, SS. Jerome, Peter, Care (?) and Francis Panel 81.5 by 108 cm (32 by 42½ in.), Signed on the Scroll: L. Lotus Fecit
Attributed works:
[ Hill-Stone, New York ] Hendrick Goltzius. Haarlem 1558 - 1617. The Circumcision (The Life of the Virgin). Engraving, in the Style of Dürer; 1594. Strauss 322, Hollstein 12: iii/v. A Berlin Duplicate (Before 1920), Lugt 1606 and Lugt 234.
Attributed works:
[ Neumeister, Barer Str. 37, Munich ] Artus Quellinus the Younger (Saint Trond 1625 - 1700 Antwerpen) Virgin and Child. Late 17th Century. Wood. H. 112 cm.
Attributed works:
[ Noortman, 40-41 Old Bond Street, London ] Jan van Goyen. Leiden 1596 - 1656 The Hague. 'A View of the Haarlemmermeer'. Panel 30.5 × 38.5 cm. Signed with Monogram and Dated 1647
Attributed works:
[ Phillips, 101 New Bond Street, London ] Pieter Brueghel, the Younger, (1564-1637/8) "Le Retour de la Kermesse", Signed, Oil on Panel, 58cm × 84.5cm. Estimate: £700,000-£1,000,000 ($1,092,000-$1,560,000)
Attributed works:
[ R. S. Johnson Fine Art, 645 North Michigan Ave., Chicago ] Circle of Andrea Mantegna (1431-1506): Bacchanal with a Wine Vat, Pen and black ink with brown wash, laid down on a contemporary sheet, 290 × 354 mm. An exceptional drawing which appears to be one of several preparatory studies for the engraving of the same title or related to such preparatory drawing. Originating from the Circle of Andrea Mantegna and apparently executed before the final form of the engraving, this drawing is particularly interesting as evidence of a hitherto unrecorded stage in the design process of the engraving Bacchanal with a Wine Vat.
Attributed works:
[ Richard Green, 33 New Bond Street, London ] Thomas Wyck (Circa 1616-1677). A Maid Peeling Vegetables at a Kitchen Door. Signed. Panel: $14frac{3}{8}times 13$ in / 36.5 × 33 cm
Attributed works:
[ Richard L. Feigen, 49 East 68th Street, New York ] Frans Floris. Arithmetic, Oil on Canvas, 151.4 by 224.16 cm. Signed with Monogram and Dated, Lower Centre: "FF. IV. ET. FA / 1557.".
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan ] The Master of San Martino a Mensola Active Florence End 14th Century. Saint Catherine, Saint George and Saint Jerome. Triptich, Tempera on Goldground, Shaped Tops. Center Panel 130,6×73,3 cm. Left Wing 124,5×56,5 cm. Right Wing 124,7×56 cm
Attributed works:
[ Tate Gallery, Millbank, London ( sponsor BP) ] Edgar Degas, Little Dancer Aged Fourteen, 1880-81
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St. James, London ] Jusepe (Or Gioseppe) de Ribera, The Martyrdom of St. Laurence. Oil on Canvas, 204 × 154 cm ($80times 60frac{3}{4}$ Inches).
Attributed works:
[ Villa Grisebach Auctions, Fasanenstr. 25, Berlin ] August Macke. Spaziergänger unter Bäumen (Strollers beneath Trees) 1913. Watercolour, Pastel on Paper. 35,5 × 45,5 cm ($14times 17 frac{7}{8}$ in.)
Attributed works:
[ Villa Grisebach Auctions, Fasanenstr. 25, Berlin ] Otto Dix. Selbstbildnis, grinsend, mit aufgestütztem Kopf (Self-Portrait, Grinning, with Propped Head). 1917 Crayon on Paper. 40,1 × 38,9 cm ($15 frac{3}{4}times 15 frac{3}{8}$ in.)
Non-western art unattributed:
[ Grace Wu Bruce, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] Six Post Canopy Bed, Huanghuali Wood, Chinese, Late 16th to Early 17th Century
Western art unattributed:
[ H. W. Keil Ltd, Tudor House, Broadway, Worcestershire ] An Excellent Mid 18th-Century Mahogany Gainsborough Armchair with Cabriole Legs and Paw Feet, and Having Good Carved Detail. Circa 1770. Height 3′2″ Width 2′4″ Depth 2′9″
Western art unattributed:
[ William H. Stokes, The Cloisters, 6/8 Dollar Street, Cirencester, Gloucestershire ] Late Elizabethan carved oak cupboard on separate stand with two drawers above the central cupboard and one drawer below. The supports consist of two pairs of carved melon bulbs and the potboard is supported by a lower frieze with bi-cuspidal decoration and original toes beneath. West Country, circa 1600.