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03/2023 | 1440 | 165
Pages: i-xxviii
Subjects
artists:
Illustrations
Attributed works:
A capriccio with a gothic church and ancient ruins, by Marco Ricci (1676–1730). Gouache on vellum, 31.3 by 44.2 cm. [GALERIE ERIC COATALEM, PARIS/Salon du Dessin]
Attributed works:
A demilune commode (with royal Italian provenance), by Carlo Randoni (1755–1831). c.1820–21. Wood, gilt, lacquer and broccatello marble, 90 by 124 by 57 cm. [Burzio, London/Tefaf]
Attributed works:
A very important pair of late-Baroque Italian polychrome majolica two-light wall sconces, tin-glazed earthenware co-called 'a gran fuocco'. Faenza. Possibly decorated by Nicolas Letourneau or Nicola Raccagna.[ Burzio/Tefaf]
Attributed works:
Albrecht Dürer. Das Schweißtuch von zwei Engeln gehalten. Around 1513. Copper engraving.[Venator & Hanstein]
Attributed works:
Alessandro Rondoni Busts of six Roman emperors [Brun Fine Art/Tefaf]
Attributed works:
BARTOLOMÉ ESTEBAN MURILLO (Seville, 1617–1682) Portrait of Archbishop Ambrosio Spinola Circa 1670/75 Oil on canvas, 90.2 x 65.4 cm. [Caylus]
Attributed works:
Composition with portrait, fish and moonlight, by Louis Marcoussis (1878– 1941). c.1926. Gouache and pencil on paper, 20 by 14.3 cm. GALERIE BERÈS, PARIS [Salon du Dessin]
Attributed works:
Curly blue tail, by Alexander Calder (1898–1976). 1967. Painted metal and wire, 51.4 by 97.2 by 48.3 cm. [Galerie von Vertes, Zurich/Tefaf]
Attributed works:
Delft tile panel depicting a winter scene, based on an 18th-century engraving by Pierre-Jean Mariette. The ceramic panel was made by Jan Aalmis in the Dutch city of Rotterdam, c.1770. Approx 91 by 65 cm.[Regts Delft Tiles]
Attributed works:
Ecce Homo, by Sebastiano del Piombo (c.1485– 1547) and studio. 1520s. Oil on poplar, 34.7 by 26 cm. [Caylus, Madrid/Tefaf]
Attributed works:
Fabulous animal: Fabel- Tier, by Marc Chagall (1887–1927). c.1926–27. Watercolour, gouache and pastel on paper glued to card, 66 by 51.5 cm. [BAILLY GALLERY, GENEVA/Salon du Dessin]
Attributed works:
FRANÇOIS DE NOMÉ called Monsù Desiderio (c. 1593–after 1644) A pair of paintings showing the Martyrdoms of Saints Peter and Stephen, surrounded by fantastical architecture, c. 1617 Oil on slate, in original frames. Each: 31 x 31 cm [Robilant and Voena]
Attributed works:
Head of a man looking upwards, by Giovanni Bonazza (1654–1736). Late 17th century. Carrara marble, 54.5 by 45 cm. [Alessandro Cesati, Milan/Tefaf]
Attributed works:
Hiroshi Suzuki silver at Adrian Sassoon gallery. Photography by Sylvain Deleu. [Tefaf New York]
Attributed works:
Jacopo Robusti, called Tintoretto Portrait of a Scholar (detail) Oil on canvas, 112 x 90 cm [Trinity Fine Art/Tefaf]
Attributed works:
Jan Davidsz de HEEM (Leide, 1631 - 1695, Anvers) Peaches, grapes and a partly-peeled lemon in a Wanli “kraak” porselein bowl, with a ham on a pewter platter, a silver-gilt cup and cover, a pewter flagon, and a roemer with a knife on a plate, on a partly-draped table Oil on panel. Signed and dated lower left J.D. de Heem.f. 26 3/16 x 39 3/4 in. [Aguttes]
Attributed works:
Jupiter and Callisto, by Jacob de Wit (1695–1754). 1733. Black chalk, pen and ink, wash, watercolour and gouache with white highlights on paper, 44.5 by 30.8 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM/Salon du Dessin]
Attributed works:
LELIO ORSI (1508?–Novellara–1587) Portrait of Camilla Ruggeri Pen and brown ink, 17.3 x 11.8 cm. [Ratton and Ladriere]
Attributed works:
Nicolas Robert (1614-1685), Papaver somniferum (Linné). Muséum national d’Histoire naturelle, Collection des vélins, portefeuille 41, folio 49. Cliché Tony Querrec (RMN) ©. Design : Olivier Andreotti (Toluca Studio) [Salon du Dessin]
Attributed works:
Parrot and exotic birds on a branch, by Gustave Doré (1832–83). c.1856. Watercolour and black pencil on paper, 45 by 30 cm. [GALERIE FABIENNE FIACRE, PARIS/Salon du Dessin]
Attributed works:
PETER PAUL RUBENS (SIEGEN 1577-1640 ANTWERP) Study of a kneeling man seen in profile black chalk, heightened with white, on buff paper 40.6 x 29.1 cm €250,000-350,000 £230,000-310,000 [Christie's]
Attributed works:
Philoctetes on the island of Lemnos, by Gerard van Kuijl (1604–73). Oil on canvas, 137.7 by 110.8 cm. Haboldt & Co., New York, Amsterdam and Paris/Tefaf]
Attributed works:
Plants and insects (III), by Pablo Picasso (1881–1973). 1956. Ink on paper, 66 by 50 cm. WADDINGTON CUSTOT, LONDON/Salon du Dessin]
Attributed works:
POPE PAUL V BORGHESE ENTHRONED PAOLO SANQUIRICO (1565–1630) Bronze, deep reddish-black patina Bronze, 38.5 (15¹⁄4 in.) high Datable to c. 1616–1619 [Tomasso]
Attributed works:
Prince Hoare, Portrait of Sir Horace Mann (detail). Terracotta, height 51.5 cm [Walter Padovani/Tefaf].
Attributed works:
The feast in the house of Simon with Mary Magdalene, by Luca Giordano (1634–1705). Pen and brown ink and wash over black chalk, 43.1 by 43.1 cm. [GALERIE TARANTINO, PARIS/Salon du Dessin]
Attributed works:
The Holy Family, by Giovanni Battista Tiepolo (1696–1770). Pen and brown ink and wash on paper, 22.5 by 19.3 cm. GRÄSSLE, HÄRB & NUTI, MUNICH AND LONDON/Salon du Dessin]
Attributed works:
The narrow path, by Maurice Denis (1870– 1943). c.1889–90. Watercolour on paper, 23 by 17 cm. [GALERIE TERRADES, PARIS/Salon du Dessin]
Attributed works:
The popular improviser in the Campo Vaccino, by Bartolomeo Pinelli (1781–1835). 1820. Oil on canvas, 97 by 137 cm. [Walter Padovani, Milan/Tefaf]
Attributed works:
The triumph of Neptune and Amphitrite, by Frans Francken the Younger (1581–1642). Oil on panel, 53.6 by 75.2 cm. [Galerie De Jonckheere, Geneva/Tefaf]
Attributed works:
Titian (1488–1576) and workshop The Tribute Money Oil on canvas, 108.3 x 103.5 cm Expertise: Mauro Lucco and Peter Humfrey Published: Titian Themes and Variations edited by Peter Humfrey [New Raritet Gallery]
Attributed works:
Tritons and Nereids, by Amico Aspertini (1473/75–1552). 1520. Brush and brown ink heightened with white on prepared paper, 28 by 43.5 cm. [Day & Faber, London/Tefaf]
Attributed works:
Two affectionate doves, by Giacomo Raffaelli (1753–1836). Micro mosaic with a gold border, 3.5 by 1.8 cm. [Alessandra Di Castro, Rome/Tefaf]
Attributed works:
Two lovers, by Parmigianino (1503–40). Pen and brown ink on paper, 13.1 by 15.2 cm. [JEAN-LUC BARONI AND MARTY DE CAMBIAIRE, PARIS/Salon du Dessin]
Attributed works:
Untitled (bricolage), by Jean Tinguely (1925–91). c.1975. Metal and rubber with an electric sander, 75 by 49 by 49 cm. [Galerie Georges- Philippe & Nathalie Vallois, Paris/Tefaf]
Attributed works:
Untitled, by Wassily Kandinsky (1866–1944). 1941. Ink, watercolour and gouache, 47.5 by 31 cm. [Galerie Utermann, Dortmund/Tefaf]
Attributed works:
Whale hunting from the Royal Grotesques series, by the Brussels workshop of Cornelis and Jan Mattens. Design attributed to Giulio Romano. Late 16th century. Wool and silk, 415 by 550 cm. [De Wit Fine Tapestries, Mechelen/Tefaf]
Attributed works:
Young girl sitting, by Carl Olof Larsson (1853–1919). Watercolour over pencil with gouache on paper, 35.5 by 25.4 cm. [GALERIE GRAND-RUE MARIE-LAURE RONDEAU, GENEVA/Salon du Dessin]
Non-western art unattributed:
Camel and rider. China, Tang dynasty (618–906 AD). Terracotta with polychrome, 98.5 by 33 by 75 cm. [Vanderven Oriental Art, ’s-Hertogenbosch/Tefaf]
Non-western art unattributed:
CASKET Ceylon, probably Kandy;  2nd-half 16th century Ivory and silver Dim.:  8.0  ×   19.0  ×   11.0  cm Prov: descendants of Afonso de Albuquerque (1453–1515  ),  2nd Viceroy of Portuguese India. [Sao Roque/Tefaf]
Non-western art unattributed:
Female reliquary figure. Fang peoples, Okak group, Equatorial Guinea or Rio Muni / Northern Gabon, 1718–1886. Wood, nails and copper alloy, height 38.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Iznik jug. Ottoman, Turkey, late 16th century. Ceramic, 19 by 15 cm. [Amir Mohtashemi, London/Tefaf]
Non-western art unattributed:
NAMBAN TABLE Japan, Momoyama (   1573  –  1603   ) Dim.:  36. 2 ×   56.5  ×  43.5  cm Former T. P. collection, Lisbon. Exhibited at Smithsonian M., Washington; McMullen M., Boston; Orient M., Lisbon, 2010. [Sao Roque/Tefaf]    
Western art unattributed:
Attic black-figure amphora depicting the fourth labour of Hercules and two female fi gures in a chariot with winged horses (verso). Athens, 530–29 BC. Ceramic, height 45 cm. [David Aaron, London/Tefaf]
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12/2018 | 1389 | 160
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subjects:
Illustrations
Attributed works:
[Tomasso Brothers Fine Art, London] Giovanni Bonazza (1654–1736) Allegory of Winter, circa 1710. Terracotta. 33.5 cm (13¼ in.) high. 20 cm (7¾ in.) wide. Provenance. Private collection, Rome. Private collection, Padua.
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11/2018 | 1388 | 160
Pages: i–xxiv
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Daniel Katz Ltd (dealers), London, Great Britain / Robilant and Voena, London, Great Britain / London Art Week / Galerie Neuse, Bremen, Germany / Stephen Ongpin Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Burzio, London, Great Britain / Brun Fine Art, London / Didier Aaron Ltd, London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Christie's, London / Rijksmuseum, Amsterdam, Netherlands / British Museum, London, Great Britain / Holburne Museum, Bath, Great Britain / Château de Fontainebleau, Fontainebleau, France / Harvey Miller Publishers, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Brimo de Laroussilhe, Paris, France / Fine Arts Paris / F. Baulme Fine Arts, Paris, France / Galerie Berès, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Talabardon & Gautier, Paris, France / Galerie de la Présidence, Paris, France / Galerie Canesso, Paris, France / Irish Art Review / Burlington Magazine / John Sandoe Books, London, Great Britain / Sotheby's, London, Great Britain / Guildhall Art Gallery, London, Great Britain / Cambi Aste, Genova, Italy / Peter Finer (antique arms), London, Great Britain / The Art Newspaper, London, Great Britain / Minerva Magazine / Sculpture Journal, Liverpool, Great Britain / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Adam Bray, London, Great Britain / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Timothy Newbery (frames), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / The-saleroom.com / Chiswick Auctions, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm
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Exhibition Review
Encounters in Venice: Foreigners and Venetians in Late Seventeenth-Century Art. Palais Fesch-musée des Beaux-Arts, Ajaccio
09/2018 | 1386 | 160
Pages: 778-781
related names
Reviewer:
Barcham, William L. (Barcham, William L.)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
10. Finding of Moses, by Johann Liss. 1626–27. Canvas, 155 by 106 cm. (Palais des Beaux-Arts, Lille; exh. Palais Fesch-musée des Beaux-Arts, Ajaccio).
Attributed works:
11. Death of Lucretia, by Antonio Zanchi. c.1670. Canvas, 210 by 270 cm. (Musée Antoine Lécuyer, Saint-Quentin; exh. Palais Feschmusée des Beaux-Arts, Ajaccio).
Attributed works:
12. Mythological scene, by Pietro Liberi. 1655–60. Canvas, 181 by 230 cm. (Private collection; exh. Palais Feschmusée des Beaux-Arts, Ajaccio).
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artists:
subjects:
Illustrations
Attributed works:
[Anthony Grant, New York. Some flowers for Suzanne, by Cy Twombly (1928–2011). 1982. Oil, wax crayon and pencil on paper, 113.3 by 76.8 cm.]
Attributed works:
[Bernard de Leye, Brussels. Box in gold and coloured mother-of-pearl, Paris, 1743. Under the lid a portrait miniature of André Haudry de Soucy (1688-1769), by Claude Lefèvre d’Orgeval]
Attributed works:
[Bernard de Leye, Brussels. Exceptional golden and enamelled rectangular snuff box, Paris, 1727. The lid shows ‘The Virtue seducing Pomone’ from workshop Mussard of Geneva. Under the lid, a miniature attributed to Carl-Gustav Klingstedt]
Attributed works:
[Boon Gallery, Knokke. The Oracle, by René Magritte (1898–1967). c.1931. Canvas, 60 by 92 cm.]
Attributed works:
[Christopher Bishop Fine Art, Milford. Pontormo, Astrological allegories for Villa Castello]
Attributed works:
[Christopher Bishop Fine Art, Milford. Saturn and Ceres (detail) from the Astrological allegories for Villa Castello, by Jacopo Pontormo. c.1537. Pen and brown ink and black chalk on paper, 16.1 by 24.7 cm.]
Attributed works:
[Costermans, Brussels. Interior of Antwerp Cathedral, by Pieter Neeffs II (1620–75) and Frans Francken III (1607–67). Panel, 39 by 43 cm.]
Attributed works:
[David Tunick, New York. The eight hundred year old Cypress in the garden of the Franciscan monastery at Salerno, by John Robert Cozens (1752–97). Watercolour and pencil on paper, 45.5 by 30.5 cm.]
Attributed works:
[De Backker Medieval Art, Hoogstraten. Madonna Enthroned with Child, by the Master of the Aufkirchen Saint Peter Enthroned (active around South Tyrol, Tyrol and Salzburg, c.1320-30). Swiss pine, polychrome and gilding, 77 by 33.5 by 29 cm.]
Attributed works:
[Découvert Fine Art, Rockport. Two men and various creatures, by Aureliano Milani (1675–1749). Pen and brown ink on paper, 26.7 by 35.7 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Communion, by François Marius Granet (1775–1849). 1836. Pen, brush, ink and ink wash on paper, 25 by 38 cm.]
Attributed works:
[Freeman’s, Philadelphia. Byam Shaw, ‘When alone she sits with her music and books’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Ghirlandaio Workshop. 16th century. Madonna and Child. Oil on panel]
Attributed works:
[Freeman’s, Philadelphia. Henry Moret, ‘Lorient’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Pieter Nason, Portrait of a Commanding Officer. Oil on canvas]
Attributed works:
[Galerie Bernat, Barcelona and Madrid. Mary Magdalene, by Joan Reixach (1431–82). Panel, 97 by 59 cm.]
Attributed works:
[Galerie de la Présidence, Paris. Colour rythms n. 1444, by Sonia Delaunay (1885–1979). 1966. Gouache on paper, 75 by 56 cm.]
Attributed works:
[Galerie Philippe David, Zurich. The Church at Montigny, autumn, by Francis Picabia (1879–1953). 1908. Canvas, 65 by 81 cm.]
Attributed works:
[Galerie Schifferli, Geneva. Santa Conversazione, by Max Ernst (1891–1976). 1921. Photograph of a collage, 22.5 by 13.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Peter Lanyon, Inshore fishing. 1952. Oil on board]
Attributed works:
[Jill Newhouse Gallery, New York. Study for the second plate of ‘La Fée des Alpes’ (Manfred), by Henri Fantin-Latour (1836–1904). c.1885. Charcoal on paper, 62.5 by 46.5 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Diana and nymphs hunting deer, by Peter Paul Rubens (1577–1640), Paul de Vos (c.1571–1678) and Jan Wildens (1585–1653). Canvas, 155 by 199 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Peter Paul Rubens, Diana and nymphs hunting deer (detail). Oil on canvas, 155 by 199 cm.]
Attributed works:
[Kraushaar Galleries, New York. Balloon ascension #3: dithyrambe played by the ashraf, by Dorothy Dehner (1901–94). 1947, ink on paper, 44.5 by 66 cm.]
Attributed works:
[Lampronti Gallery, London. Canaletto, A Capriccio of the Prisons of San Marco. Oil on canvas, 105.5 by 127.5cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Frans Pourbus I, Portrait of Lamoraal, Count of Egmont, wearing a linen ruff and a white and green silk sleeved doublet. Signed and dated 1579. Oil on panel, 48 by 34cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Landscape with Madonna and Child, Joseph with Mary Pregnant and Rest on the Flight into Egypt, by Adriaen Isenbrant (c.1485–1551) and Workshop. c.1520. Central panel with frame: 24 by 19 cm.]
Attributed works:
[Robert Simon Fine Art, New York. Domenico di Bartolomeo Ubaldini called Domenico Puligo (Florence, 1492–1527). Portrait of a Gentleman in a Gray Hat and Cloak. Oil on panel, 95.9 by 73.3 cm.]
Attributed works:
[Rubenshuis, Antwerp. Titian, Portrait of a lady and her daughter]
Attributed works:
[Sotheby’s New York. Giovanni Bilivert, Venus, Cupid and Pan]
Attributed works:
[Sotheby’s, New York. A wooded river landscape with a landing stage, boats, various figures and a village beyond, by Jan Brueghel the Elder (1568–1625). 1614. Oil on copper, 25.9 by 37 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Godfried Maes, The Head of Medusa]
Attributed works:
[Stephen Ongpin Fine Art, London. The presentation of the Virgin in the temple, by Niccolò Martinelli, called Il Trometta (c.1540–1611). Pen and brown ink and wash over black chalk, heightened with white, 31.1 by 22.8 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Ubaldo Gandolfi (1728-81), Three men playing dice in a landscape. Pen and brown ink and brown wash over an underdrawing in black chalk, with framing lines in brown ink, 21.1 by 29 cm.]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, Allegory of winter, by Giovanni Bonazza (1654–1736). c.1710. Terracotta, 33.5 cm. high]
Attributed works:
[Wienerroither & Kohlbacher, New York. Nude woman, by Egon Schiele, 1911]
Attributed works:
[Wienerroither & Kohlbacher, New York. Seated woman, by Egon Schiele (1890–1918). 1916. Pencil on paper, 45.2 by 28.8 cm.]
Non-western art unattributed:
[Galerie Bertrand de Lavergne, Paris. Smiling boy. Chinese, Kangxi period (1662–1722). c.1700. Famille verte porcelain, height: 23 cm.]
Western art unattributed:
[Axel Vervoordt, Wijnegem, Antwerp. Ibis sarcophagus. Egypt, late Ptolemaic period. Wood and bronze with traces of painted gesso, width: 37 cm.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Christ at rest. Burgundy or Upper Rhine, second half of the 15th century. Walnut, height: 69 cm.]
Western art unattributed:
[Peter Finer, London. A crossbowman’s quiver, Italian or German, c.1540-50. Wood, leather, boarskin, iron]
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12/2012 | 1317 | 154
Pages: s.p.
Subjects
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artists:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Sir David Wilkie (Scottish, 1785-1841). The Artist's Parents: Double Portrait of the Reverend and Mrs David Wilkie. 1807. Oil on panel, 12 x 8 3/4 inches (30.7 x 22 cm)]
Attributed works:
[Chanel Fine Jewellery. 173 New Bond Street. London. "1932" collection 80th anniversary]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. William Blake (1757-1827). Enoch (Binyon 136; Bindman 413; Essick XV). Lithograph printed in relief, 1806/07, on wove paper, one of only four known impressions of the artist's only lithograph, inscribed with a description of Blake's unique lithographic method by George Cumberland in brown ink verso. L. 21.6 x 30.9 cm. S. 23.8 x 33.1 cm]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Annibale Carracci (Bologna 1560 - 1609 Rome). The Annunciation (detail). Oil on canvas. 53 x 38 3/4 in. (134.6 x 98.4 cm.)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Cairo. Milan, 1607-1665. Saint Sebastian. Oil on canvas, 71.5 x 57 (28 1/8 x 22 7/16 in)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Frans Hals (c.1580 - 26 August 1666). The Merry Lute Player, c.1624-8. Oil on panel, 90.4x75 cm (35 1/2 x 29 1/2 in)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giuseppe Bernardino Bison. Palmanova 1762 - 1844 Milan. View of the Arsenale in Venice. Gouache on paper laid down on board, 144 x 193 mm]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Gerrit Dou (1613 - Leiden - 1675). An Allegory of the Art of Painting. On panel - 26 7/8 x 21 ins (68.2 x 53.5 cm). Signed and dated 1649]
Attributed works:
[Sperone Westwater. Via Nassa 42. Lugano. Damien Hirst, Hig Window (Happy Life), 2006, 243.8 cm diameter.]
Attributed works:
[Sperone Westwater. Via Nassa 42. Lugano. Nicolas Régnier (1588-1667), Suonatore di flauto, 49.5 cm diameter.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Giovanni Bonazza (Venice 1654 - Padua 1736). Fides and Decorum. Marble high relief. 115 cm high]