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17 articles
Article
Hope in time of war: George Clausen’s ‘Renaissance’ rediscovered
11/2018 | 1388 | 160
Pages: 938-945
related names
Author:
McConkey, Kenneth (McConkey, Kenneth)
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Illustrations
Attributed works:
1. Renaissance, by George Clausen. 1915. Canvas, 152.4 by 177.8 cm. (Belgian Ministry of Foreign Affairs, on deposit in the Belgian ambassador’s residence, London).
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10. Detail of Fig.1.
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11. Figure study, by George Clausen. 1914–15. Graphite on paper, 24 by 39 cm. (Victoria and Albert Museum, London).
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12. Youth mourning, by George Clausen. 1916. Canvas, 91.4 by 91.4 cm. (Imperial War Museum, London).
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2. Primavera, by George Clausen. 1914. Canvas, 91.4 by 71.7 cm. (Private collection; photo Christie’s, London).
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3. Wounded, London Hospital, by John Lavery. 1915. Canvas, 176 by 201 cm. (Dundee Art Galleries and Museums Collection).
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4. Study for ‘Renaissance’, by George Clausen. 1915. Graphite on paper, 25.7 by 18.4 cm. (Royal Academy of Arts, London).
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5. Study for ‘Renaissance’, by George Clausen. 1915. Graphite on paper, 38.1 by 32.3 cm. (Royal Academy of Arts, London).
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6. L’Esperance, by Pierre Puvis de Chavannes. 1872. Canvas, 70.5 by 82 cm. (Musée d’Orsay, Paris).
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7. Sowing new seed (for the Board of Agriculture and Technical Instruction for Ireland), by William Orpen. 1913. Canvas, 137 by 137 cm. (Mildura Arts Centre, Australia).
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8. St Francis at prayer, by Frederick Cayley Robinson and Winifred Dalley, from H.E. Manning: The Little Flowers of St Francis of Asissi, London 1915.
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9. Detail of Victor Rousseau, by George Clausen, c.1915. Graphite on paper, 39.2 by 28.8 cm. (Royal Academy of Arts, London).
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
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Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
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Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
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2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
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3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
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4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
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5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
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6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
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7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Article
Unpublished letters from John Singer Sargent to Jacques-Emile Blanche
10/2017 | 1375 | 159
Pages: 800-806
related names
Author:
Viraben, Hadrien (Viraben, Hadrien)
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Illustrations
Attributed works:
36. Jacques-Emile Blanche, by John Singer Sargnt. Here dated 1889-90 (musée des beaux-arts de Rouen).
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37. Self-portrait with cap, by Jacques-Emile Blanche. 1890 (Petit Palais, Paris; © Petit Palais and Roger-Viollet).
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38. Young girl with hydrangeas, by Jacques-Emile Blanche. 1887 (Private collection; image courtesy Jane Roberts).
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39. Carnation, lily, lily, rose, by John Singer Sargent. 1885-86 (Tate, London).
Book Review
A Fragile Modernism. Whistler and his Impressionist Followers
05/2008 | 1262 | 150
Pages: 336-337
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Reviewer:
Hopkinson, Martin (Hopkinson, Martin; Hopkinson, Martin)
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Reviewed Items
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A Fragile Modernism. Whistler and his Impressionist Followers | author: Gruetzner Robins, Anna
Exhibition Review
The New English Art Club. London, Christie's
10/1986 | 1003 | 128
Pages: 763-764
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Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
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Illustrations
Attributed works:
50. The Selecting Jury of the New England Art Club, by William Orpen. 1909. 69.2 by 90.2 cm. (National Portrait Gallery; Exh. Christie's, London).
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51. Satellitium, by Edward Wadsworth. 1942. Tempera on Panel, 64.8 by 88.9 cm. (Nottingham Castle Museum; Exh. Christie's, London).
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52. The Hat Stand, by Stanley Spencer. One of Five Connected Canvases. 1929. (Private Collection; Exh. Christie's, London).
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53. The Lion Comique, by W. R. Sickert. Signed, 1887. 50.8 by 29.3 cm. (Private Collection; Exh. Christie's, London).
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54. On the Terrace, Tangier, by John Lavery. Signed. 76.2 by 63.5 cm. (J. G. Cluff Collection; Exh. Christie's, London).
Short Notice
New English Art Club
08/1938 | 425 | 73
Pages: 88
Editorial
The New English Art Club
02/1925 | 263 | 46
Pages: 56-59
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Author:
Constable, W. G. (Constable, W. G.; C., W. G.; Zwollo, An)
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Illustrations
Attributed works:
Bathers, Dieppe, by Charles Conder. Canvas, 40.5 cm. by 53.3 cm. Dated 1895. (Mr. A. B. Clifton)
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Plate II. B-Poole Harbour, by P. Wilson Steer. Canvas, 76.2 cm. by 101.6 cm. (Mr. W. W. Pemberton). New English Art Club
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Plate II. C-Swanage, by Charles Conder. Canvas, 22.9 cm. by 30.5 cm. (Mrs. Jessop). New English Art Club
Short Notice
The New English Art Club
02/1923 | 239 | 42
Pages: 102+105
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Author:
Tatlock, R. R. (Tatlock, R. R.; Tatlock, Robert Rattray; T., R. R.)
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Short Notice
The New English Art Club
02/1921 | 215 | 38
Pages: 99-100
related names
Author:
Constable, W. G. (Constable, W. G.; C., W. G.; Zwollo, An)
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Short Notice
Goupil Gallery Salon
01/1921 | 214 | 38
Pages: 49
related names
Author:
Constable, W. G. (Constable, W. G.; C., W. G.; Zwollo, An)
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