Attributed works:
Mao, by Andy Warhol. 1972. Synthetic Polymer Paint Silkscreened on Canvas, 208.3 by 155 cm. (Courtesy: Thomas Ammann, Zürich: Exh. Museum of Modern Art, New York).
Attributed works:
[Agnew's, 43 Old Bond Street, London] Hans Sebald Beham (1500-1550) An Old Man and a Maid Chiaroscuro Woodcut. Pauli, Hollstein 1236; Strauss 'Chiaroscuro' no.48; Geisberg 901. Watermark: Gothic P Surmounted by Orb and Initials (cf Meder (Dürer) 325 and 327); Therefore Probably Printed at the End of the 16th or Beginning of the 17th Century. A Very Good Impression of the Third State of Four, before the Addition of Dürer's Monogram. 248 × 244 mm
Attributed works:
[Austin/Desmond Fine Art, Pied Bull Yard, 15a Bloomsbury Square, London, UK] Graham Bell. Trinity College, Dublin
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusserldorf, Germany] Alberto Giacometti. Etching. 1950. Lust 85. From the Collection of Douglas Cooper.
Attributed works:
[Christie's, 8 King Street, London, UK] Hendrik Goltzius: Hercules and Cacus (Bartsch 231), Chiaroscuro Woodcut Printed in Colours, 1588, Third State (Of Four), a Brilliant Impression.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK. Exh. TEFAF Maastrich] Philips Wouwermans, 1619-Haarlem-1668. 'Country Folk on the Outskirts of a Wood'. Panel: 41 by 35.5 cm. Monogrammed in Full at Lower Right. Panel Bears Label on Reverse: Wouwermans.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Bartholomeus Breenbergh, Deventer c. 1590 -Amsterdam c.1657. A Hermit Saint at Prayer in an Extensive Landscape with Ruins. Oil on Panel: 41 × 65 cm. Signed on Rock at Lower Right: B. Breenbergh F.1635
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Salomon van Ruysdael (1600-Haarlem-1670). The River Maas near Castle Loevestein Panel, 50 × 68 cm Signed and Dated 1643.
Attributed works:
[Douwes Fine Art Ltd., London. Exh. TEFAF Maastrich] Abraham van Beyeren, 1620-1690. 'Fruit Still-Life' On Panel: 72 by 58 cm. Signed with a Monogram.
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London, UK] J. J. Tissot. Le Veuf, Drypoint.
Attributed works:
[Elizabeth Royer, 6 rue de Commaille, Paris, France] Barye (Louis Antoine) "Portrait de la fille de l'artiste". Oil on Canvas 55 × 46 cm
Attributed works:
[Francis Briest, 24, avenue Matignon, Paris, France] Paul Cezanne - Portrait of Paul Cezanne's Son, Circa 1879 - 1882. Oil on Canvas 10,8 × 13 Inches - 28,5 × 33 cm
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York, New York] William Morris (1827-1905). An Angel Holding the Sun. Pencil, Pen, and Ink and Watercolour on Paper. 13 3/4 × 8 Inches (35 × 20.3 cm.)
Attributed works:
[Galerie Brame et Lorenceau, 68 boulevard Malesherbes, 75008, Paris, France] Yerres - Camille Daurelle au Pied d'un Chene Oil on Cardboard. 17" × 12" 5/8
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Painting by Voiriot and Dalou
Attributed works:
[Galerie Louise Leiris, 47 rue de Monceau, 75008, Paris, France] Joueur de flûte et femme nue. 1970. 114 × 146 cm
Attributed works:
[H.C.A.C.S.A.R.L., 7 rue Louvois, Paris, France] J. L. David. "Le Serment du Jeu de Paume". Drawing (Detail). Versailles, Musée National du château.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] Gouache on Paper, Signed and Dated 1788. 1745 - Jean Baptiste Huet - 1811. 7 × 10 3/4 ins. 17.8 × 27.3 cms. With Fine Carved and Gilded Frames
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK. Exh. TEFAF Maastrich] Thomas Wijck, Beverwijk 1616-1677 Haarlem. 'The Alchemist' Signed. On Panel 16½ by 14 3/4 (41.5 by 37 cm).
Attributed works:
[Leslie Smith, Hertelaan 15, 2243 EK Wassenaar, The Netherlands. Exh. TEFAF Maastrich] Frederik Marinus Kruseman, 1816-1882. 'Winter Landscape with Skaters' Canvas: 50 by 70 cm. Signed and Dated 1868.
Attributed works:
[Leslie Smith, Hertelaan 15, 2243 EK Wassenaar, The Netherlands] Canvas: 60×96 cm. Charles Leickert (1816-1907). Signed and Dated 1870
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] The Artist's Studio, 1988. John Davies. Photo by: James Austin
Attributed works:
[Newhouse Galleries, 19 East 66th Street, New York, New York. Exh. TEFAF Maastrich] Bartolommeo Passarotti, 1529-1592. 'Portrait of a Gentleman Wearing a Dark Costume with a Sword, Gloves and a Plumed Hat' Oil on Canvas, 41 by 35 5/8 (104.2 by 90.5 cm).
Attributed works:
[Noortman, London. Exh. TEFAF Maastrich] Henri Lebasque, Champigne 1865-1937 Cannet. 'Still-Life with Apples', Circa 1926. Canvas: 54 by 65 cm. Signed.
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Emile Bernard (Lille 1868 - Paris 1941) Crucifixion, Woodcut 41 × 29 cm., Rare Trial Proof on Japan Paper, before the Distortion and Cracking of the Wood. To the Left, a Trial Inscription in Gothic Lettering in Black Pencil. (See Catalogue: Paul Prouté Pout-Aven, les Nabis et les Symbolistes, March 1989)
Attributed works:
[Perrin Antiquites, 3 Quai Voltaire and 98 Rue Faubourg Saint-Honore, Paris, France] Claude-Louis Chatelet (1753-1794). French School Partial View of the Falls of the 'Fiume Grande' of Lava from Etna, near Aderno Vue Partielle des Cascades de Fiume Grande au milieu des Laves de L'Etna, Prés d'Aderno Gouache on Beige Tinted Paper. H. 22,8 cm; L. 32,7 cm
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Auguste Rodin, "L'Eternal Printemps," Signed, Inscribed with Foundry Mark "Thiebaut Freres, Fondeurs," Bronze, Brown Patina with Green Highlights, 64cm High.
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Anthony van Dyck. 'Rest on the Flight into Egypt', c. 1630 Oil on Panel, 15 1/8 by 12 5/8 (38.5 by 32 cm) 18094-D.
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Mattia Preti, David Playing the Harp Before Saul, 1668 Oil on Canvas, 82 by 119 Inches (208.5 × 301.8 cm)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Nikolai Astrup (Norwegian 1880-1928), Apple Trees in Bloom, Signed, Oil on Canvas, 56 by 90cm. Estimate: £250,000-400,000.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London, UK] Jules Dalou (1838-1902). Supplication 1884. Bronze. Signed 'Dalou', Inscribed Cire Perdue A. A. Hébrard and Numbered 1 Height: 32 cm
Attributed works:
[Thomas Ammann Fine Art Zurich, Restelbergstrasse 97, Zurich, Switzerland] Fernand Léger, ca. 1918. «Still Life». Ink on Paper, 47 × 31,7 cm
Attributed works:
[Voena, Via Dei Mille 36, 10123, Turin, Italy] Bernardino Mei, 1612 Siena - 1676 Rome. Faith. Oil on Canvas: 120 × 155 cm. Signed and Dated: B. Mei 1652
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London, UK] J. J. Tissot: How Happy I Could Be with Either. Etching. 1877. 9 7/8 × 14″.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Head of Holofernes, Marble Italian (?) XVI Century. Height 22 cm
Western art unattributed:
[De Havilland Ltd., 48 Sloane Street, London, UK. Exh. TEFAF Maastrich] A Rare Mid-18th-Century Ebony and Silver Mounted Miniature Bracket Clock Signed Charles Clay, London. 7½″ High. Circa: 1740.
Western art unattributed:
[Jan Roelofs, Spiegelgracht 5, 1017 JP Amsterdam, Netherlands] Oil Lamp in Bronze. Italy, 16th Century, Andrea Riccio Workshop. 5 × 4.5 Inches
Western art unattributed:
[Jean Pierre Osenat, Exh. Fontainbleau, Hotel Des Ventes, 5 rue Royal, Place du Chateau] Exceptionnelle suite de 4 grands fauteuils à dossier plat, début d'époque Louis XV, en bois naturel, à décor de rinceaux, grenades et feuilles d'acanthe, tapisserie d'Aubusson à décor floral
Western art unattributed:
[Jean Pierre Osenat, Exh. Fontainebleau, Hotel Des Ventes, 5 rue Royal, Place du Chateau] A Fine Set of Six George II Mahogany Carved Single Chairs on Cabriole Legs with Claw and Ball Feet, and Shaped Seat Rails. Circa 1740
Western art unattributed:
[M. Ekstein & I. J. Mazure, 90 Jermyn Street, Piccadilly, London, UK] Porcelain Painted Plate Bearing the Soviet Propaganda Slogan: "If Your Heart Yearns for Work Everything Will Be Reborn". Centre Painted with a Constructivist Design. 9.8 ins Diameter. Underglaze Green Cipher of Nicholas II 1898. Overglaze Soviet State Factory Mark 1921. After a Design by Rudolf Vil'de.
Western art unattributed:
[Maria Andipa Icon Gallery, 162 Walton Street, London, UK] The Absolute Mother of God with Beautiful Silver-Gilt Repoussé and Chased Riza and Kakoshnik Studded with Three Stars, Raised Halo with Leaf-Motif; Embellished with Semi-Precious Stones. Panel: c.1700 Caucasus Riza Essay K D P and Initials AS 1886 35 × 23.5 cm
Western art unattributed:
[Mark Gallery, 9 Porchester Place, London, UK] St. Theodore Stratilates, the Warrior Saint, Russian Icon, Late 17th Century (29½ × 23cm)
Western art unattributed:
[Nella Longari, Via Bigli, Milan, Italy] "Italian Master" (Valle Padana XIII Cent) Initial "S" San Silvestro Tempera Illuminated on Vellum 90 × 75 mm.
Western art unattributed:
[Pieter Hoogendijk, Holland. Exh. TEFAF Maastrich] Cabinet, French (Paris?); ca. 1660; Ebony, Resting on a Stand. The Stand Consists of Three Couples of Astragalon Columns and Two Figures in Armour, Athena on the Left, Mars on the Right. Height: 2.17 Metres Width: 1.96 Metres Depth: 0.625 Metres.
Western art unattributed:
[The Chelsea Antiques Fair, Chelsea Old Town Hall, King's Road, London, UK] This Fine Satinwood Commode, Sheraton, Circa 1790. Although unmarked, this decanter is typically Irish in its light moulded base, fluting and three feather-edged neck rings. The engraved ship is contemporary, as is the mushroom moulded stopper - c.1815. This very fine walnut 'lowboy' is from the Queen Anne period, about 1710. It is a good example of the most sought-after type of low-boy, having good golden colour, well proportioned cabriole legs, and a pretty 'apron'. A silver seal box engraved with the Royal Coat of Arms of George III Made in London, in 1790 by William Pitts.
