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06/2023 | 1443 | 165
Pages: i-xxxvi
Subjects
Illustrations
Attributed works:
A group of Mars and History, by Wilhelm Christian Meyer (b.1726). 1766/67. Berlin porcelain, 44.2 cm. [E. & H. MANNERS LTD, LONDON/Treasure House London]
Attributed works:
A lady reading in an interior, by Carl Vilhelm Holsøe (1863–1935). Oil on canvas, 64.8 by 61 cm. MACCONNAL-MASON, LONDON/Treasure House Fair]
Attributed works:
Adolf Michael Böhm Othello Oil on canvas 53 x 42.5 cm, 207/8 x 16¾ in [Trinity Fine Art]
Attributed works:
An unknown noble boy, by Robert Peake (1551–1619). c.1605. Oil on panel, 113.2 by 88 cm. [THE WEISS GALLERY, SW1Y/London Art Week]
Attributed works:
Anne, Viscountess Pollington, later Countess of Mexborough, with her son John Charles, later 4th Earl of Mexborough, by Thomas Lawrence (1769–1830). c.1812. Oil on canvas, 236.2 by 144.8 cm. [MORETTI FINE ART, SW1Y/London Art Week]
Attributed works:
Anthony van Dyck (1599–1641), John Belasyse, First Baron Belasyse of Worlaby, 1636 [Robilant and Voena]
Attributed works:
Antoine-Jean GROS La Citoyenne Poussielgue Oil on canvas 28 7/8 x 23 1/2 inches Executed 1797 [Wildenstein]
Attributed works:
Artemisia Gentileschi Rome, 1593 – Naples, after 1654 Susanna and the Elders, about 1636–7 Oil on canvas, 265 x 210 cm [Moretti]
Attributed works:
Cake basket, by Paul de Lamerie (1688–1751). 1742. Silver, height 35.5 cm. [SHRUBSOLE GALLERY, NEW YORK/Treasure House Fair]
Attributed works:
Calle San Pedro, Cuenca, by David Bomberg (1890–1957). 1934. Oil on canvas, 67 by 52 cm. OSBORNE SAMUEL, LONDON/Treasure House Fair]
Attributed works:
CIRCLE OF PIERRE PUGET (1620–1694) Aeneas and Anchises, c.1680–90 Bronze, 23 in. (58.5 cm.) high Estimate: £150,000–250,000 [Christie's]
Attributed works:
Crucifixion with the Virgin, St John the Baptist and the Magdalen, by Fra Angelico (c.1395/1400–1455). c.1419–25. Tempera on gold-ground poplar panel, 59.7 by 34.2 cm. [CHRISTIE’S, SW1Y/London Art Week]
Attributed works:
David Roberts, R.A. (1796-1864), View of Tetouan from the Terrace of Cohen’s House, Morocco, inscribed and dated 10th April 1833, watercolour over pencil on two sheets of joined paper, 23 by 67.9 cm., 9 by 26¾ in. This is a rare double sketchbook sheet from Roberts’s first trip to Africa in the spring of 1833. [Guy Peppiatt Fine Art]
Attributed works:
Downshire Hill, Hampstead, by Algernon Newton (1880–1968). 1934. Oil on canvas, 45 by 75 cm. [ABBOTT & HOLDER, WC1/London Art Week]
Attributed works:
EDGAR DEGAS (1834-1917) Danseuse rajustant sa jupe, c. 1895 stamped with signature lower left charcoal heightened with white chalk on toned paper 12 x 10 in. (30.4 x 25.4 cm) [John MItchell Fine Paintings/London Art Week]
Attributed works:
Edward Wortley Montagu and his son Massoud Fortunatus, by Pietro Longhi (1701–85). Oil on canvas, 52 by 67 cm. [TRINITY FINE ART & WALTER PADOVANI, W1S/London Art Week]
Attributed works:
Etretat, le cap d’Antifer, by Claude Monet (1840–1926). c.1885. Pastel on paper, 27 by 35 cm. [JOHN MITCHELL FINE PAINTINGS, W1K/London Art Week]
Attributed works:
GA S PA R D D U G H E T Rome, 1615–1675 FIGURES BY A RIVER IN A CLASSICAL LANDSCAPE Black & white chalks on blue paper, with black ink framing lines 38 x 50 cm | 15 x 19  in [Nonesuch Gallery]
Attributed works:
GUSTAVE DORÉ (Strasbourg 1832 – Paris 1883) The fall of the Rebel Angels, circa 1871–72 Signed G Doré lower left. Oil on canvas, 125 x 148 cm (49¼ x 58¼ in) [Clase Fine Art]
Attributed works:
Head of a woman, by Erich Wolfsfeld (1884–1956). c.1920. Oil on paper, 36.5 by 26 cm. [AGNEWS, SW1A/London Art Week]
Attributed works:
Iron composition, by Lynn Chadwick (1914–2003). 1954. Iron and copper on a marble base, 53 by 33 by 25 cm. [PIANO NOBILE, LONDON/Treasure House Fair]
Attributed works:
JEAN-BAPTISTE WICAR Lille 1762–1834 Rome Portrait of Luigi Isingard, Ligure, c. 1800 Graphite 24.5 x 19.7 cm. (95/8 x 73/4 in.) [James Mackinnon]
Attributed works:
Kehinde Wiley (b. 1977), Triple Portrait of Charles II, 2008 [Robilant and Voena]
Attributed works:
MARLOW MOSS (1889-1958) Untitled, 1950 Black ink, pencil and tempera, 241 x 271 mm. (9½ x 10¾ in.) [Stephen Ongpin]
Attributed works:
Painting with orange and purple, by Adrian Heath (1920–92). 1956. Oil on canvas, 127 by 101.6 cm. [RICHARD GREEN, LONDON/Treasure House Fair]
Attributed works:
Pair of armchairs, attrib. Thomas Chippendale (1718–79). c.1780. Giltwood and upholstery, 44.5 by 65 by 66 cm. [RONALD PHILLIPS, LONDON/Treasure House Fair]
Attributed works:
Paul Cézanne (Aix-en-Provence 1839–1906) La Vie des Champs Oil on canvas, 10  x 13  in. (27.6 x 35.2 cm.) Painted c.1876-77 [Agnews]
Attributed works:
Portrait of Rudolph Nureyev, by David Hockney (b.1937). 1969. Pen and ink on paper, 43.3 by 35.3 cm. [CHRISTOPHER KINGZETT, LONDON/Treasure House Fair]
Attributed works:
Self-portrait of the artist with a bearded man, by Auguste- Barthélémy Glaize (1807–93). c.1830. Oil on card affixed to board, 44.5 by 59 cm. [ELLIOTT FINE ART, SW1/London Art Week]
Attributed works:
Stained glass panel, designed by A.W.N. Pugin (1812–52) and made by John Hardman & Son (founded 1845). English (Birmingham), 1846–52 and later. Stained glass and lead, 107 by 52 cm. [H. BLAIRMAN & SONS, SW1H/London Art Week]
Attributed works:
Striding Mars, by Giambologna (1529– 1609). c.1580. Bronze, height 39.4 cm. [STUART LOCHHEAD, SW1Y/London Art Week]
Attributed works:
Study after the monument to Sir Francis Vere, Westminster Abbey, by Richard Parkes Bonington (1802–28). c.1825. Wash over pencil, 14.6 by 19.6 cm. [JAMES MACKINNON, SW1Y/London Art Week]
Attributed works:
The Iberian Graham, no.722, by George Graham (1673–1751). c.1736. Walnut, silver, brass and steel, height 45.7 cm. [CARTER MARSH & CO., WINCHESTER/Treasure House Fair]
Attributed works:
The new home, by Walter Sickert (1860–1942). c.1912. Oil on canvas, 50.8 by 40.6 cm OFFER WATERMAN, LONDON/Treasure House Fair]
Attributed works:
The north front of Chalfont Lodge, Buckinghamshire, by Thomas Girtin (1775–1802). Commissioned c.1800. Watercolour over traces of pencil heightened with bodycolour, 42 by 54.9 cm. [GUY PEPPIATT FINE ART, SW1Y/London Art Week]
Attributed works:
The punishment of Cupid, by Luigi Pichler (1773–1854). c.1830. Brown sard and gold, height and width of gem 2.1 by 1.8 cm. WARTSKI, LONDON/Treasure House Fair]
Attributed works:
THOMAS LANDSEER (1795 - 1880), A Bengal Tiger, 46 in. (H) x 59 in. (W); Estimate: £50,000-£80,000 [Sloane Street Auctions].
Attributed works:
THOMAS SMITH OF DERBY (1720 - 1767), A View of Oxford, Christ Church Meadows, 27 in. (H) x 48 in. (W); Estimate: £25,000-£35,000 [Sloane Street Auctions].
Attributed works:
Torso (woman rubbing her back), by Edgar Degas (1834–1917). Early 20th century. Bronze, height 43 cm. [SLADMORE, LONDON/Treasure House Fair]
Attributed works:
Untitled, by Gillian Ayres (1930–2018). 1993. Acrylic on canvas, 40.2 by 56.5 cm. [STEPHEN ONGPIN FINE ART, W1K/London Art Week]
Attributed works:
Vase, Sèvres. 1843. Porcelain, height 63 cm. [MICHELE BEINY, NEW YORK/Treasure House Fair]
Attributed works:
VUE DU PONT DU VICOVARO SUR LE TEVERONE 27 MILLES DE ROME SÈVRES IMPERIAL MANUFACTORY OF PORCELAIN, CIRCA 1805 FROM THE SERVICE CAMBACÉRÈS DEPICTING ITALIAN VEDUTE Hard-paste porcelain. Diameter 23.3 cm Provenance: Twinight collection, New York, n°2106. [Raccanello & Leprince/London Art Week]
Attributed works:
William Adolphe Bouguereau (French, 1825-1905) Bergère (Shepherdess), 1888 Oil on canvas 45-1/2 x 32-1/2 inches (115.6 x 82.6 cm) Property from the Estate of Mrs. Amon G. Carter, Jr., Fort Worth, Texas Estimate: $500,000 - $700,000 [Heritage Auctions]
Attributed works:
‘But whose velvet violet lining with the lamplight gloating o’er, She shall press, ah nevermore!’, by Gustave Doré (1832–83). c.1882–83. Ink, wash and white heightening on paper, 51.5 by 35.8 cm. [CLASE FINE ART, SW1Y/London Art Week]
Non-western art unattributed:
A shabti for the controller vizier of the city (Thebes). Egypt, Ity New Kingdom, late 18th dynasty, c.1323– 1295 BC. Steatite, height 15.8 cm. [CHARLES EDE, LONDON/Treasure House Fair]
Non-western art unattributed:
Grasshopper. Central Mexico, Aztec Culture (1325–1521). Grey basalt, length 35.5 cm. [GALERIE MESTDAGH, BRUSSELS/Treasure House Fair]
Non-western art unattributed:
Serapi carpet. Persia, c.1880. Cotton and wool, 310 by 290 cm. KESHISHIAN, LONDON/Treasure House Fair]
Non-western art unattributed:
Study of a male Common Emerald Dove (Chalcophaps Indica). China, 19th century. Watercolour and gold leaf on paper, 38 by 25 cm. [AMIR MOHTASHEMI, W8/London Art Week]
Western art unattributed:
Archittetura dell’Africa. Pavia, c.1710. Tin-glazed earthenware, diameter 26 cm. RACCONELLO LEPRINCE, SW7/London Art Week]
Western art unattributed:
Corpus Christi. France, c.1400. Gilt and polychromed walnut, 73 by 65 cm. [DANIEL KATZ GALLERY, W1J/London Art Week]
Western art unattributed:
Roman oscillum fragment from a mask of Silenus. c.1st century AD. Marble, height 14.5 cm. [RUPERT WACE, AT SHAPERO RARE BOOKS, W1S/London Art Week]
Western art unattributed:
Somerset; a view from the garden of Montacute House with St Michael’s Hill in the foreground and Glastonbury Tor in the distance Oil on canvas, 18¾ x 24½ inches. c.1755, before the building of St Michael’s Hill Tower in 1760. [Abbott and Holder]
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08/2018 | 1385 | 160
Pages: i–xviii
Subjects
subjects:
Illustrations
Attributed works:
[Auktionshaus Hecikmann, Chemnitz. Caspar David Friedrich (1774–1840) Bohemian landscape. Watercolour. 126 x 208 mm. Dated by the artist "den 16ten May 1828" and entitled "Morgennebel" (Morning fog).]
Attributed works:
[Auktionshaus Heickmann, Chemnitz. Edvard Munch (1863–1944) "The Woman II, Sphinx/Woman in three Stages". 1895. Drypoint and line etching in black ink. Signed. Woll 22 VIII. 295 x 345 mm.]
Attributed works:
[Bonhams, London. Frederic, Lord Leighton, PRA (British, 1830-1896) Little Fatima oil on canvas 40.7 x 25.4cm (16 x 10in). £100,000-150,000*]
Attributed works:
[Bonhams, London. William Roberts R.A. (1895-1980) Demolition Squad pencil and watercolour Executed circa 1941 Sold in June 2018 for £125,000 *]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Ercole Setti (1530 –Modena –1618) A Procession Pen and brown ink, black chalk, 10.5 x 30 cm]
Attributed works:
[F. Baulme Fine Arts, Paris. Jan Van Bijlert, Paris and Oenone, oil on canvas, 123.5 x 91 cm, signed, lower left ‘J Bijlert fecit’ Provenance: Collection of the painter Jean-Baptiste Marie Pierre (1714- 1789); thence by descent]
Attributed works:
[Robilant + Voena, London. Alighiero Boetti (1940 - 1994) Mappa, 1983 Signed and dated ‘Kabul Afghanistan 1983’ on the overlap Embroidery 114 x 176 cm; (44 7/8 x 69 1/4 in.)]
Attributed works:
[Trinity Fine Arts, London. Anton Raphael Mengs (Aussig 1728–Rome 1779) Portrait of José Nicolás de Azara (1730–1804) Oil on canvas 82.6 x 63.5 cm / 32 1/2 x 35 in Provenance Probably Giuliana Falconieri, Principessa di Santacroce]
Western art unattributed:
[Bonhams, London. A French late 17th/early 18th century gilt and patinated bronze group of the Laocoon After the Antique £60,000–80,000 Provenance U.K. Private Collection]
Western art unattributed:
[Galerie Sismann, Paris. Apostle Limestone, traces of polychromy and gilt Lorraine 1330–1340 H.90 cm]
Western art unattributed:
[Peter Finer, London. A Pair of Spanish Bronze cannon barrels, circa 1600 Provenance: The Duke of Lerma (b.1552 – d.1625) Private Collection UK]
Book Review
Richard Parkes Bonington. The complete drawings
01/2013 | 1318 | 150
Pages: 39
related names
Reviewer:
Duffy, Stephen (Duffy, Stephen)
Subjects
subjects:
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03/2011 | 1296 | 153
Pages: s.p.
Subjects
advertisements:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Agnew's, London. Sisteron, by J.M.W. Turner (1775-1851). Watercolour, 13.3 by 19 cm]
Attributed works:
[Agnew's, London. The presentation of the Virgin, by Luca Giordano (1634-1705). Gouache on chamois skin, laid down on panel, 26 by 34.5 cm]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Louis Carrogis called Carmontelle (1717-1806). Portrait of Jean-Charles-Louis de Mesgrigny (1744-1822). Red chalk, each 8 x 6 1/4 in (20 x 15.8 cm)]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Louis Carrogis called Carmontelle (1717-1806). Portrait of Louis-Marie de Mesgrigny (1744-1822). Red chalk, each 8 x 6 1/4 in (20 x 15.8 cm)]
Attributed works:
[Arnoldi-Livie, Munich. Ruins of the Palace of the Caesars on the Palatine in Rome, by Franz Kaisermann (1765-1833). c-1792. Signed lower left: Keisermann fecit. Watercolour, 50.6 by 65.6 cm]
Attributed works:
[Artur Ramon Art, Barcelona. Head of an old man in profile, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). Red chalk on paper, 22.2 by 19.3 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Claude-Joseph Vernet (Avignon 1714-1789 Paris). An Inlet near Naples with a Castle and Fisherfolk. Oil on canvas, 24 7/8 x 38 7/8 in (63.3 x 98.8 cm)]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Elisabetta Sirani (Bologna 1638-1665). The Martyrdom of a Saint. Oil on canvas, 107 by 81.5 cm (42 by 32 cm)]
Attributed works:
[Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Ubaldo Gandolfi (1728-1782). Bust of a child with his head turned downwards, to the left (detail). Oil on paper glued to canvas, 230 x 300 cm]
Attributed works:
[Damiano Lapichirella, Florence. View of the Palazzo Ducale in Venice, by Giuseppe Bernardino Bison (1762-1844). c.1828. Gouache on paper, 33 by 44 cm]
Attributed works:
[David Tunick Inc, New York. Moonlight, by Edvard Munch (1863-1944). 1896, Colour woodcut, 40 by 47.1 cm]
Attributed works:
[Dickinson, London. Verve, by Henri Matisse (1869-1954). 1939. Signed lower right: Henri Matisse 31/8 39. Cut and pasted papers on a paper support. 36.5 by 55.5 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Anthony van Dyck (1599-1641), The Penitent Magdalena (detail), oil on canvas, 60 x 65 cm.]
Attributed works:
[Emanuel Von Baeyer, London. The Papal Crown, by Felix Buhot (1847-1898). 1888. Etching, drypoint and aquatint, 44 by 34.4 cm]
Attributed works:
[Galerie Antoine Laurentine, Paris. Man in blue, by Gaston Chaissac (1910-64). 1959. Oil on cardboard, 32.5 by 25 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pompeo Batoni. Lucca, 1718 - Rome, 1787. Vulcan in his forge. Oil on canvas, 94.2 x 73.7 cm (37 1/8 x 29 cm)]
Attributed works:
[Galerie Paul Prouté, Paris. Study for the Personification of 'The Iliad' in the Apotheosis of Homer, by Jean-Auguste-Dominique Ingres (1780-1867), graphite, 27.7 by 26.2 cm]
Attributed works:
[Galerie Tanakaya, Paris. Sagi (The heron maiden), by Kitano Tsunetomi (1880-1947). 1925. Signed: Tsunetomi hitsu. Shin-Hanga print, 54.3 by 36.4 cm]
Attributed works:
[Gros & Delettrez. 22, rue Drouot. Paris. Albert Cuyp: Woman Milking a Cow, oil on canvas, 94 x 120 cm, signed.]
Attributed works:
[Jean-Luc Baroni, London. Study of a Morrocan standing in profile, by Eugène Delacroix (1798-1863). Black chalk, with touches of red and blue chalk and watercolour, 33.2 by 21.5 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Baldassarre Franceschini, called Il Volterrano (Volterra 1611-1690 Florence). Portrait of Marchese Altoviti as Hylas. Oil on canvas: 96.3 by 76.8 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Fra Bartolomeo (1472 - Florence - 1517). Studied of the Heads of Two Dominican Friars. Red chalk: 132 by 169 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Ivan Konstantinovich Aivazovsky (detail)]
Attributed works:
[Kunstsalon Franke-schenk. Residenzstrasse 23. Munich. Arnold Bocklin (1827 Basle - 1901 San Domenico) Oil on canvas, 79,13 x 61,2 inch (201 x 155 cm), monogrammed and dated lower left: AB 1897.]
Attributed works:
[Lady Lever Art Gallery. (image detail) Style of Guido Reni, Head of a young man, drawn about 1600]
Attributed works:
[Le Claire Kunst, Hamburg. View of a valley with a bridge, in Franconia, by Adolph von Menzel (1815-1905). Monogrammed and dated: A.M. 93. Graphite, 31 by 22.7 cm]
Attributed works:
[Le Claire Kunst. Elbchausse 386. Hamburg. Adolph von Menzel. Franconian Landscape. Pencil. 310 x 227 mm]
Attributed works:
[Liliane Fredericks. Giulia Lama (Venice c.1681 - c.1753 Venice). Study of male nude, seated, left leg outstreched. 434 mm x 424 mm (17 1/8 x 12 1/2 in) Black and White chalk on grey paper]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. CLAUDINE BOUZONNET-STELLA (Lyon 1636-1697 Paris) 'Venus giving Arms to Aeneus'. Preparatory for an engraving after Poussin's painting which had been commissioned by Jacques Stella, uncle of Claudine, and which descended to Claudine upon his death. She is known for her engravings of his work and Poussin's]
Attributed works:
[Museo del Pardo, Madrid. Chardin. 1699-1779]
Attributed works:
[Noortman Master Painting, Amsterdam. Sleeping legionary, by Ubaldo Gandolfi (1728-81). Oil on paper laid onto canvas, 23.2 by 34.6 cm]
Attributed works:
[Pagliari Fine Arts at Galerie Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Giovanni Francesco Barbieri detto il Guercino (Cento, 1591 - Bologna, 1666). Vanitas. (Oil on paper laid down on canvas, 28 x 42 cm)]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Jean-Baptiste Marie PIERRE. Paris 1714-1789. Vulcan montrant à Venus les armes forgées pour Enér. Signed. Black chalk, pen and brown ink and wash, heightened with white, 216 x 252 mm]
Attributed works:
[Ralph R. Haugwitz. Kulmbacher Strasse 3. Berlin. Anton Graff, (1736-1813) Attr., Reflective Pause, Chalk, 349 x 224 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. A young woman asleep, by Richard Parkes Bonington (1802-28). Watercolour, over a pencil underdrawing, 13.3 by 11 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Study of a bather, by Pierre-Auguste Renoir (1841-1919). Signed at lower left: Renoir. Watercolour over an underdrawing in pencil, 32.4 by 30.9 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London. Guido Reni (1575-1642). The Head of a Young Woman Looking Upwards. Black and red chalk, with touches of white chalk, on pale brown paper, 377 x 270 mm (14 7/8 x 10 5/8 in)]
Attributed works:
[The Burlington Magazine. London. 'Thomas'. No. 15 from Twenty- eight caricatures, by Thomas Patch. 1769-70. Soft-ground etching. 15.2 by 10.8 cm]
Attributed works:
[The Burlington Magazine. London. Landscape at Iden, by Paul Nash. 1929. Canvas, 69.9 by 90.8 cm (Tate Britain, London)]
Attributed works:
[The Burlington Magazine. London. Samuel Pepys, by Sir Godfrey Kneller. 1689. Canvas, 76.0 by 63.5 cm (National Maritime Museum, Greenwich)]
Attributed works:
[The London Original Print Fair. The Royal Academy. Piccadilly. London. Grayson Perry, Map of Nowhere (detail), 2008 © The artist and Paragon Press, London.]
Attributed works:
[The Van Gogh Museum. Amsterdam. Vincent van Gogh1853-1890. Zonnerbloemen, Arles, Januari 1889. Van Gogh Museum Amsterdam.]
Attributed works:
[Trinity Fine Art, London and New York. Study of dolphin and a dolphin's skull, by Vincenzo Gemito (1852-1929). Signed and dated lower left in graphite: V. Gemito 1923. Pen, black/brown ink with some wash, 23 by 32 cm.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Luigi Valadier (Rome 1726-1785). A Trembleuse with a Beaker and CUp, and a detail of the stand with alternatives. Pen and dark brown ink and wash, 335 x 236 mm. Signed Luigi Valadierargentiere a S. Luigi de Francesi.]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Ludwig van Beethoven. Draft of the Goethe song "Neue Liebe, neues Leben" (WoO 127). Vienna, 1798/99]
Attributed works:
[W.M. Brady & Co., New York. Head of a young girl, Jean-Baptiste Greuze (1725-1805). Red chalk, 40.5 by 32.7 cm]
Attributed works:
[Wienerroither & Kohlbacher, Vienna. Reclining male with long hair, by Gustav Klimt (1862-1918). Blue crayon on paper, 36.8 by 55.8 cm]
Book Review
Richard Parkes Bonington. The Complete Paintings
12/2009 | 1281 | 151
Pages: 849-850
related names
Reviewer:
Duffy, Stephen (Duffy, Stephen)
Subjects
dates:
Reviewed Items
subjects:
Richard Parkes Bonington. The Complete Paintings | author: Noon, Patrick J.
Article
French artists and the Meyrick armoury
05/2009 | 1274 | 151
Pages: 284-292
related names
Author:
Duffy, Stephen (Duffy, Stephen)
Subjects
collectors and dealers:
museums and institutions:
subjects:
Illustrations
Attributed works:
10. A view of Westminster from St James’s Park, by Eugène Delacroix. 1825. Watercolour, 14.3 by 23.4 cm. (Musée du Louvre, Paris).
Attributed works:
3. Study of armour for man and horse, by Théodore Gericault. 1820. Graphite, 20.3 by 14.2 cm. (Kunsthalle, Bremen).
Attributed works:
4. Armour for man and horse, by Hans Ringler. c.1532–36. (Wallace Collection, London).
Attributed works:
5. The interior of the Oplotheca in Brook Street, by S. Mitan and T. Sutherland after W.M. Craig. 1816. Aquatint, 18.1 by 27 cm. (Library, Wallace Collection, London).
Attributed works:
6. Lara blessé, by Théodore Gericault. 1822. Lithograph, third state, 17.9 by 23 cm. (British Museum, London).
Attributed works:
7. Joan of Arc in prison, by Paul Delaroche. 1824. Canvas, 277 by 217.5 cm. (Musée des Beaux-Arts, Rouen).
Attributed works:
8. Studies of armour in the Meyrick collection, by Eugène Delacroix. 1825. Graphite, 19 by 27.8 cm. (Hertford House Historic Collection, Wallace Collection, London).
Attributed works:
9. Studies of armour in the Meyrick collection, by Alexandre-Marie Colin. 1825. Graphite, 22.4 by 18.6 cm. (Kunsthalle, Bremen).
Attributed works:
Samuel Rush Meyrick, by Henry Perronet Briggs. 1826. Canvas, 126.4 by 100.5 cm. (Torre Abbey Historic House and Gallery, Torquay).
Western art unattributed:
2. Page 1 of ‘Visitors to the Armoury of Llewelyn Meyrick Esqr. LL.B.’, 1820–30. (Hertford House Historic Collection, Wallace Collection, London).
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Advertisements May 2009 (front)
05/2009 | 1274 | 151
Pages: s.p.
Subjects
subjects:
Illustrations
Attributed works:
[A. Brejon. 1 rue Berbier du Mets. Paris. S. Vouet, Allégorie des bienfaits de la Paix, Cherbourg, Musée Thomas Henry.]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. C.F.H. Werner. Cathedral of Cefalù. 1836]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. H. Tunica. Drapery Study. Circa 1880]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. O. Greiner. Mephisto. 1896.]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Giuseppe Cammarano. Sciacca, 1766 - Naples, 1850. Mythological scene. Pen and brown ink with brown wash and highlights of white bodycolour over traces of black chalk, 32.5 x 43 cm]
Attributed works:
[Daphne Alazraki. New York. A day at the beach, by Jean-François Raffaelli (1850-1924). Oil on paper mounted on canvas, 70 by 91 cm]
Attributed works:
[David & Constance Yates. New York. Sleeping infant, by Jules Dalou (1838-1902). Inscribed under the shoulder: 'M. Cire perdue à Hébrard'. Cast bronze with dark brown patina, 25 by 18.5 by 14 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Luca Giordano. Naples, 1634-1705. Christ Consigning the Keys to Saint Peter. Oil on canvas, 103 x 75.5 cm (40 1/2 x 29 3/4 in)]
Attributed works:
[Galerie Didier Aaron & Cie. New York. A view of Agrigento, by Jean-Charles-Joseph Remond (1795-1875). Signed left: 'Remond71821'. Oil on canvas, 29.5 by 43 cm.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Barbara Hepworth. 1903-1975. Stringed Figure (Curlew), version I, 1956. Brass and cotton string on wood veneer base. 13 1/2 x 22 x 18 inches; 34 x 56 x 46 cm]
Attributed works:
[Hill-Stone. New York. A woman in a hat shop, by Jean-Emile Laboureur (1877-1943). 1912. Watercolour, heightened with gouache, ink and grey wash on green paper, 27.9 by 30.7 cm]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Master of Attel (Active in Munich 1470/1480). Crowing with Throns. Deposition. Ascension of Christ. Pentecost. Oil on panel, 125 x 116 cm (each)]
Attributed works:
[MacConnal-Mason. London. Monsieur and Madame Galin before the Jockey Club, by Jean Béraud (1849-1936). c. 1877. Signed. Oil on canvas, 35.7 by 27.2 cm]
Attributed works:
[Moretti, Florence, London, New York. The adoration of the Magi, by Battista Dossi (1475-1548). Oil on panel, 54.6 by 68.6 cm]
Attributed works:
[Rehs Galleries Inc. New York. The wailing wall, by Eugene Alexis Girardet (1853-1907). Oil on canvas, 74 by 48.3 cm]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NY 10021. Eugène Delacroix. Study of Armour, circa 1823. Oil on paper laid down on canvas, 7 by 11 1/2 inches. Vente Delacroix, 1864, lot 189. Robaut, no. 1919. Johnson, 2002, no. 26a.]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NY 10021. Richard Parkes Bonington. Study of a 16th Century Half Suit of Armour, circa 1825. Oil on canvas, 9 3/4 by 8 inches. Noon, 2008, no.392.]
Attributed works:
[Robilant + Voena. Milan and London. Saint Genesius playing a lute, by Nicolas Tournier (1590-1639). Inscribed upper left: S.GENESIVS. Oil on canvas, 132 by 98 cm.]
Attributed works:
[The Sladmore Gallery. London. Monumental torso, by Auguste Rodin (1840-1917). Bronze. Height: 104.1 cm.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Etienne le Hongre (1628-1690). (Attributed to). Equestrian Portrait of King Louis XIV]
Attributed works:
[Uppsala Auktions. Eddagatan 10. Uppsala. Sweden. Cassone pane by the Master of Anghiari, 15th century. Representing the Battle of Zama.]
Attributed works:
[Vincent Vallarino Fine Art Ltd. New York. Kakis III, by Alexander Calder. 1969. Gouache and ink on paper, 74.3 by 110 cm]
Attributed works:
[W.M. Brady. New York. Portrait of Donatien Roy, by Pierre Roy. 1906. Signed, dated and inscribed: St M 06 / PATREM SUUM / 'Pierre Roy'. Oil on canvas, 92 by 73 cm]
Attributed works:
[Wienerroither & Kohlbacher. Vienna. Mother and child I, by Egon Schiele (1890-1918). c. 1909/10. Oil on canvas, 57.7 by 50.7 cm]
Western art unattributed:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Primaticcio, circle of. Justicia. 16th century.]
Western art unattributed:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. A rare and fine Jardinière. Paris, circa 1780. Mahogany, chased and gilded bronze. Height: 91 cm (35 3/4 in). Width: 69 cm (27 1/4 in). Depth: 42 cm (16 1/2 in)]
Exhibition Review
Richard Parkes Bonington. Nottingham
03/2003 | 1200 | 145
Pages: 239-240
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
131. Fisherfolk on the Normandy coast, by Richard Parkes Bonington. 66 by 99 cm. (Castle Museum and Art Gallery, Nottingham).
Attributed works:
132. Studies of fisherfolk, by Richard Parkes Bonington. c. 1824. Chalk and wash on paper, 20 by 26 cm. (British Museum, London; exh. Castle Museum and Art Gallery, Nottingham).
Attributed works:
133. Landscape with mountains, by Richard Parkes Bonington. 1826. Millboard, 25.1 by 33.1 cm. (National Galleries of Scotland, Edinburgh; exh. Castle Museum and Art Gallery, Nottingham).
Attributed works:
134. Charles IX after François Clouet, and Henri II, by Richard Parkes Bonington. Pencil, 16.7 by 11.1 cm. (Castle Museum and Art Gallery, Nottingham).
Advertisements
Advertisements May 1997 (front)
05/1997 | 1130 | 139
Pages: i-xx
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ Bassenge, Erdener Str. 5 A, Berlin ] Albrecht Dürer (1471-1528, Nuremberg) Knight, Death and Devil. Engraving. 1513. Bartsch 98, Meder 74. A Very Fine Meder c Impression
Attributed works:
[ Bukowskis, Arsenalgatan 4, Stockholm ] Pierre Bonnard 1867-1947. "Fleurs devant un paysage du midi". Signed Bonnard. Executed 1919. Oil on Canvas 38 × 60 cm.
Attributed works:
[ Carlo Orsi, Via Baguta 14, Milan ] Paolo Porpora (Naples 1617 - Rome 1673). Still Life with Snake and Butterfly. Still Life with Shellfish. Oil on Canvas, Both 30 × 40 cm.
Attributed works:
[ Christie's, 8 King Street, St James, London ] John Roddam Spencer Stanhope (1829-1908). Love and the Maiden. Signed with Initials and Dated '1877'. Mixed Media on Canvas 54¼ × $79frac{3}{4}$ in. (138 × 202.5 cm.). Estimate: £800,000-1,200,000
Attributed works:
[ Christie's, 8 King Street, St James, London ] John Zoffany, R. A. (1733-1810), The Sumner Children, Oil on Canvas, 40¼ × 50 in. (102.2 × 127 cm.) Estimate: £500,000 - 700,000
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Giovanni Antonio Canal Called Canaletto 1697 - Venice - 1768. The Grand Canal, Looking West from Ca' Civran. Oil on Canvas: 58 × 93 cms
Attributed works:
[ Concorde Art Associates ] Raoul Dufy. Le Quai de Honfleur. Signed, 1928. Oil on Canvas, 18 × $21frac{3}{4}$ Inches (45.7 × 55.2 cm.)
Attributed works:
[ Cover ] Ideal Head, by Antonio Canova. 1817. Marble, 53 cm High (Ashmolean Museum, Oxford).
Attributed works:
[ F. Dorling, Neur Wall 40, Hamburg ] Fransesco Guardi. Capriccio. Around 1780. Oil on Canvas. 62 × 73.
Attributed works:
[ F. Dorling, Neur Wall 40, Hamburg ] George Dawe. Portrait of Johann Wolfgang von Goethe. Weimar 1819. Oil on Canvas. 74 × 64.
Attributed works:
[ Galerie Kornfeld, Laupenstrasse 41, Bern ] Pablo Picasso. Homme au Cigare, deux Femmes et Christ en Croix. Black Chalk and Blue Pencil. Málaga, 1901. 15.3 × 23.3 cm Sheet Size. Zervos Vol. XXI, No.186. Signed and Dated.
Attributed works:
[ Hill-Stone, New York ] Andrea Andreani. Mantua 1584 - 1610. Virtue. Chiaroscuro Woodcut, after Jacopo Ligozzi, Printed in an Unusual Combination of Brown, Brick Red and Ochre. Bartsch XII, 9, the Second of Two States.
Attributed works:
[ J. Morton Lee, Cedar House, Bacon Lane, Hayling Island, Hants ] Auguste Delacroix 1809-1868. A Royal Embarkation in a Mediterranean Harbour. Signed and Dated 2.1.66. 32 × 50 cms.
Attributed works:
[ John Mitchell & Son, 160 New Bond Street, London ] Julius Caesar Ibbetson (1759-1817). View of Harrow from Kilburn. Oil on Canvas, $19frac{3}{4}$ × 25½ in (50.3 × 64.8 cm). Signed, Inscribed and Dated: 'Julius Ibbetson Pinx/Kilburn 1787'
Attributed works:
[ Lempertz, Neumarkt 3, Cologne ] Amedeo Modigliani, Female Portrait (Lunia), 1919, Oil on Canvas, 46 × 36 cm, Signed
Attributed works:
[ Rafael Valls Limited, 6 Ryder Street, St. James and 11 Duke Street, St James, London ] Abraham Mignon (1640-1679) German School. Jacob Gillig (1636-1701) Dutch School. A Still-Life of Fish and Fishing Tackle. Oil on Canvas, $29frac{5}{8}$ × 24 Inches (74.5 × 61 cm). Signed.
Attributed works:
[ Rafael Valls Limited, 6 Ryder Street, St. James and 11 Duke Street, St James, London ] Circle of Andre Bouys (1656-1740) French School. A Still-Life of Peaches in a Dutch Silver Basket on a Wooden Table Beneath a Green Curtain. Oil on Canvas, 25 × 31¼ Inches (63.5 × 76.8 cm).
Attributed works:
[ Rafael Valls Limited, 6 Ryder Street, St. James and 11 Duke Street, St James, London ] Dirk Valkenburg (1675-1727) Dutch School. A Still-Life of a Flintlock Musket Resting by a Tree with a Hare, a Jay and a Partridge on the Ground. A Classical Landscape Is Seen in the Distance. Oil on Canvas, 39 × $30frac{3}{4}$ Inches (99 × 77.8 cm). Signed and Dated.
Attributed works:
[ Rafael Valls Limited, 6 Ryder Street, St. James and 11 Duke Street, St James, London ] Peter Casteels (1684-1749) Flemish School. A Still-Life of Flowers in a Basket Resting on a Stone Ledge. Oil on Canvas, $26frac{1}{8}times 37frac{7}{8}$ Inches (66.4 × 96.2 cm).
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Richard Parkes Bonington. Quentin Durwood and the Disguised Louis XI, 1825 or 1826 Watercolour, 14.6 by 10.8 cm.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Antonio Canale, Called Canaletto, Westminster Abbey, Interior of Henry VII's Chapel, Oil on Canvas, 76 by 66 cm.; 30 by 26 in. Estimate £400,000 - 600,000
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Jaques-Louis David, (1748-1825) Portrait of Suzanne le Peletier de Saint-Fargeau. Signed and Dated 1804, Oil on Canvas, 60.5 by 49.5 cm.; $23frac{3}{4}$ by 19½ in. Estimate £1,100,000-1,500,000
Attributed works:
[ The Grosvenor House Art & Antiques Fair ] The Kimbolton Cabinet, English: Circa 1775, Designed by Robert Adam. Kindly loaned by the Victoria & Albert Museum, London
Attributed works:
[ The Weiss Gallery, 1B Albemarle Street, London ] Wybrand de Geest 1592-1660. "Lucia van Walta (1609-1674)" Wife of Cornelius van Aersen, Lord of the Sommelsdyck and Governor of Surinam. Oil on Canvas: 102 × 80 cm. (40 × 31½ in.)
Non-western art unattributed:
[ British Museum, Great Russell Street, London (BP sponsor)] Felt Floor Cover (Ala Kiiz), Kyrgyzstan, 1980s.
Western art unattributed:
[ Galleria Nella Longari, Via Bigli 12, Milan ] From the Bible of Corradino to Jacopo della Quercia
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