By using this website you agree to our Cookie policy

Search

6 articles
Advertisements
Advertisements August 2016 (front)
08/2016 | 1361 | 158
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Carlo Maratti (Camerano 1625-1713 Rome) and Jan Frans van Bloemen, called Orizzonte (Antwerp 1662 - 1749 Rome). Diana and Actaeon. Oil on canvas, 76 3/4 x 57 7/8 in. (195 x 147 cm)]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Joseph Chinard (1756 - Lyon - 1813). Officer of the republican army. Terracotta, diameter 22,3 cm. Signed on the shoulder "Chinard Lyon"]
Attributed works:
[De Jonckheere, 100 rue du Faubourg Saint Honoré. Paris. 7 rue de l’Hôtel-de-Ville. Geneva. Attributed to Jan Mandijn. Haarlem circa 1500 - Antwerp circa 1560. The Temptation of St. Anthony. Panel: 22,8 x 29,6 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Ludovico Mazzanti. Rome, 1686 - Orvieto, 1775. Saint Jerome. Oil on canvas, 136 x 97 cm (53 1/2 x 38 1/4 in)]
Attributed works:
[Galerie Eric Coatalem. 136, Fbg St. Honoré. Paris. Hubert Robert (1733-1808). Figure's walking up a monumental stair case (detail). Oil on canvas. Height: 68 1/4 in. (173,4 cm); Width: 63 1/2 in. (161,3cm)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Luca Cambiaso (Moneglia 1527-1585 Madrid) Relmusto Lercari, as a Warrior, Seated on a Plinth, within a Niche (detail). Pen and brown ink and wash: 259 x 142 mm]
Attributed works:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. A pair of relieps with the angel Gabriel and Virgin of the Annunciation. Pisan Master, emplyee of Lupo di Francesco (Bonaiuto di Michele ?). Antique Carrara marble, 1st - 2nd century A.D. Italy. Pisa, c.1320-1325. Angel Gabriel: H47 x W. 30.5 x D. 20 cm. Virgin: H. 47 x W. 30 x D. 18 cm]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A German flintlock breechloading break-action sporting gun for ball and shot by George grebe, Kassel, circa 1690]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Noël Hallé. The Child of a Saroyard being Entertained by a Pinwheel (detail)]
Attributed works:
[Talabardon & Gautier. 134, rue du Faubourg Saint-Honorè. Paris. Jean-Baptiste Oudry (Paris 1686-Beauvais 1755), Âne chargé de légumes. Oil on canvas, 48 x 61 cm. Signed et dated bottom right JB. Oudry/1741.]
Advertisements
Advertisements July 2016 (front)
07/2016 | 1360 | 158
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Alessandro Varotari, called Padovanino. Padua, 1588 - Venice, 1648. Hecuba and Priam. Oil on canvas, 102 x 126 cm (40 1/8 x 49 5/8 in)]
Attributed works:
[Johnny van Haeften. Balthaser van der Ast. (Middelburg 1593/94 - 1657 Delft). A Still Life of Tulips and other Flowers in a Ceramic Vase. Signed and dated, lower right: . B . VandeR . ast. 1625. On panel, 16 x 10 7/8 ins. (40.8 x 27.6 cm)]
Attributed works:
[Johnny van Haeften. Song Yu (Beijing, CHina 1973 - ). Still Life of Plant with Pink Flowers on Chair. Signed and dated, lower right. Oil on canvas, 39 3/8 x 31 1/2 in. (100 x 80 cm).]
Attributed works:
[London Art Week 2016. George Chinnery (1774-1852). Chinese figure by a waterfall in the hills. Courtesy of Martyn Gregory, London.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Jan Molenaer II. The Sense of Taste (detail)]
Attributed works:
[The National Gallery. Exhibition: Painters' Paintings from Freud to Van Dyck. Jean-Baptiste-Camille Corot, Italian Woman (detail), about 1870. © The National Gallery, London]
Attributed works:
[The National Gallery. Exhibition: Painters' Paintings from Freud to Van Dyck. Lucian Freud, Self-Portrait: Reflection (detail), 2002. Private collection © The Lucian Freud Archive / Bridgeman Images. Photo courtesy of the owner.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Abraham Louis Rodolphe Ducros (moudon, 1748 - Lausanne, 1810). Arethusa's Fountain in Sicily (detail). The Baths of Caracalla. A Pair. Oil on canvas, 75 x 61 cm. Signed and dated DuCros / 1781]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Willem Tholen (1860-1931). Little Bridge in Giethoorn. Signed and dated 1884. Oil on canvas on panel. 49 x 38 cm]
Advertisements
Advertisements June 2016 (front)
06/2016 | 1359 | 158
Pages: s.p
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Ana Chiclana. Ruiz de Alarcon, 27. Madrid. Agustin Esteve y Marques. 1753 - Valencia - 1830. Portrait of Maria de la Concepcion Belvis de Moncada y Pizarro, VIII Marquesa de Ariza. Oil on canvas: 200 x 113,5. Signed and dated 1796]
Attributed works:
[Arcadia Carri Fine Art. Exhibiting at: 6 Hill Street, W1. St Sebastian, from the circle of Michel Erhart (fl. 1469-1522) c. 1490. Limewood. Height: 97 cm. Width: 22 cm. Depth: 19 cm]
Attributed works:
[Bazaart. Justin Raccanello & Camille Leprince. 7-10 Chandos Street, London. Rare maiolica charger decorated with a capriccio landscape in monocromia turchina. Workshop of Maestro Jacomo de Pesaro, Venice, c.1545. D.45 cm]
Attributed works:
[Benjamin Proust Fine Art Ltd, 43-44 New Bond Street, W1. The Holy Family by Bnedetto Briosco (1460-1517). c.1500. Marble. Height: 31.3 cm. Width: 26.3 cm. Depth: 8.5 cm]
Attributed works:
[Bonham's, 101 New Bond Street, W1. Self-portrait, by William Dobson (1610-46). Oil on canvas, 59.9 by 47.2 cm]
Attributed works:
[Brun Fine Art, 38 Old Bond Street, W1. Bust of Paolo Emilio Campi, by Sebastiano Pantanelli (d.1792). Terracotta. Height: 63 cm]
Attributed works:
[Brun Fine Art. 38 Old Bond Street. London. Francesco Maria Schiaffino (1688-1763). Genoa. Ecstasy of Saint Teresa. White Marble. H:66, W: 58, D: 35 cm]
Attributed works:
[Chanel. L'instant. Watch]
Attributed works:
[Charles Beddington Ltd, 16 Saville Row, W1. Night and day: Mediterranean coasts with fishermen (one of a pair) by Francesco Fidenza (1747-1819). Oil on panel, 37.3 by 43.7 cm]
Attributed works:
[Crispian Riley Smith, Exhibiting at: 22 Bury Street, SW1. Studies of four legs in profile, one an ecorché study seen from behind, by Bartolomeo Passarotti (1529-92). Black chalk and pen and brown ink on paper. 28.2 by 20.8 cm]
Attributed works:
[Daniel Katz Gallery, 6 Hill Street, W1. Bust of Giuseppe Bossi, by Antonio Canova (1757-1822). 1816. Plaster. Height: 92 cm]
Attributed works:
[Florian Härb and Martin Grässle, 5 Dalmeny Court, 8 Duke Street, SW1. A rearing horse, by Lazzaro Tavorone (1556-1641). Black and white chalk on red prepared paper, 33.8 by 23.4 cm]
Attributed works:
[Florian Härb. 5 Dalmeny Court, 8 Duke Street, St. James’s. London. Claude Gillot. Langres 1673-1722 Paris. Four Actresses. Pen and black ink, sanguine wash with traces of pencil. 146 x 200 mm]
Attributed works:
[Fondation Custodia. 121 rue de Lille. Paris. Exhibition: G. W. Eckersberg. 1783-1853. Artiste danois à Paris, Rome et Copenhague]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Alessandro Magnasco. Genova, 1667-1749. The Raising of Lazarus. Oil on canvas, 35.5 x 45 cm (14 x 17 3/4 cm)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Grape Picker "Büttenmann", dated 1547 belonging to the patrician family of Lōffelholz in Nuremberg. Silver, parcel-gilt. Christoff Ritter I (master 1547-1565/75). Inscription: "Hanssen Lōffelholz von Kolbergs auf Herolzpach". Height: 20.5 cm, weight: 703 g.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Howard Hodgkin. Born 1932. The Meeting, 1963-65. Oil on canvas. 40 x 44 inches]
Attributed works:
[James Mackinnon exhibiting at: Saffronart, London, 73 New Bond Street, FIrst Floor, London. Achille Benouville (1815-1891). The Roman Campagna. Watercolour and gouache over black chalk on blue paper 12 1/2 x 16 5/8 in. (31.7 x 42.3 cm) Bears atelier stamp on verso numbered 119]
Attributed works:
[Johnny van Haeften Ltd, 13 Duke Street, SW1. Still-life, by Jacob van Hulsdonck (1582-1647). On panel, the reverse prepared with gesso, 71.5 by 104 cm]
Attributed works:
[Kunstkammer Georg Laue, Munich. Court wedding casket. Cabinetmaker: Heinrich Eichler. Augsburg, ca. 1685. Tortoiseshell, ivory, silver, oil on panel, wood. Height 40 cm, Width 40 cm, Depth 27 cm]
Attributed works:
[London Art Week 2016. George Chinnery (1774-1852). Chinese figure by a waterfall in the hills. Courtesy of Martyn Gregory, London]
Attributed works:
[Martyn Gregory, 34 Bury Street, Sw1. A Chinese figure by a waterfall in the hills, by George Chinnery (1774-1852). Watercolour, 19 by 11.2 cm]
Attributed works:
[Maurizio Nobile, Exhibiting at: 37 Bury Street, SW1. The veil of St. Veronica, by Giovanni Battista Foggini. (1652-1725). Black chalk, pen and brown ink with brown wash, 11.5 by 9 cm]
Attributed works:
[Maurizio Nobile. Via Santo Stefano, 19/a. Bologna. 45, rue de Penthièvre. Paris. Giuseppe Antonio Petrini (Carona, 1677-1755/59). Saint Joseph, (detail) oil on canvas, unlined, cm 114x87]
Attributed works:
[Museo Nacional del Prado, Madrid. Bosch Adoration of the Magi (detail), c.1494. Madrid, Museo Nacional del Prado]
Attributed works:
[Sotheby's. 76 Rue du Faubourg Saint-Honoré. Paris. Louyse Moillon. Still life with basket of plums.]
Attributed works:
[Sphinx Fine Art, Exhibiting at: 50 Maddox Street, W1. An allegory of summer, by Abel Grimmer (1570-1618). Oil on canvas, 28.7 by 39.3 cm.]
Attributed works:
[Stephen Ongpin Fine Art, 6 Manson's Yards, SW1. A standing Moroccan Man, by Eugène Delacroix (1798-1863). Watercolour and pencil, 32.3 by 24.2 cm]
Attributed works:
[Tomasso Brothers Fine Art, 12 Duke Street, SW1. The Albani Faun (After the Antique), by Luigi Valadier (1726-85). Bronze on a turned Breccia Africano socle. Height: 55.5 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Master of the Unruly Children (active Florence and Tuscany, first half of the sixteenth century). River God. Terracotta, 26 x 33 x 21 cm]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. P.C. Skovgaard (1817-1875). Twig with berries 1853. Oil on canvas, 27 x 31 cm]
Attributed works:
[Whitford Fine Art. 6 Duke Street, St, James’s. London. Joseph Lacasse, Dominante Bleue, 1955-56 (detail)]
Western art unattributed:
[Ben Elwes Fine Art, 45 Maddox Street, W1. Three-quarter length portrait of Sir Peter Saltonstall, in the pose of Melancholia, English school, c.1600-10. Oil on oak panel, 88,9 by 71.1 cm]
Western art unattributed:
[Benjamin Proust. 5th Floor. 43-44 New Bond Street. London. Faenza, circa 1550. Drug Jar. Diameter: 35.5 cm. Height: 30 cm. Provenance: Paolo Sprovieri Collection, Rome]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A composite South German Stechzeuc Armour, circa 1490-5.]
Western art unattributed:
[Piasa. 118 rue du Faubourg Saint Honoré. Paris. Exceptional gold cross with five rock crystal intaglios representing Christ in majesty and the Tetramorph. Ottonian Art, IX/Xe century without excluding the re-employment of Carolingian gems. 11,7 cm x 11,7 cm]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. Gilded Light. 16th-century stained glass rounded from the collection of Sir Thomas Neave and other private collection]
Western art unattributed:
[Ted Few. 14 Tankerville Road, London Two bronze figures, Greco-Italic, 7th-6th century BC; and Umbrian, 3rd-2nd century BC: from a collection of 47 ancient statuettes from Sigmaringen]
Advertisements
Advertisements May 2016 (front)
05/2016 | 1358 | 158
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s. 6 St. James Place. London. Paolo Uccello (Florence, 1397-1475). The Crucifixion, tempera and gold on panel, 23 5/8 x 13 3/8 inches (60 x 34 cm). Painted circa 1423]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Marco Antonio Franceschini (1648-1729). Mary Magdalene Receiving the Crown of Thorns from an Angal. Oil on canvas, 58.9 x 51. 6 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovanni Francesco Barbieri, called Guercino. Cento, 1591 - Bologna, 1666. L'Amore Virtuoso or Allegory of the Arts. Oil on canvas, 105.3 x 152 cm (41 7/16 x 59 7/8 in)]
Attributed works:
[Museo Nacional del Prado. Madrid. Spain. Bosch. Adoration of the Magi (detail). c. 1494. Madrid. Museo Nacional del Prado]
Attributed works:
[Robert Simon. 22 East 80th Street. Fourth Floor. New York. Michele Rocca (Parma 1666 - Venice, after 1751). The Expulsion from Paradise, One of a pair with The Temptation. Oil on canvas, 18 3/8 x 13 1/2 inches (46.7 x 34.3 cm)]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Michael Craig-Martin, Fragments, 2015 a series of six screenprints. © Michael Craig-Martin and Alan Cristea Gallery, London]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. P.C. Skovgaard (1817-1875). Twig with berries, 1853. Oil on canvas, 27 x 31 cm]
Attributed works:
[Whitford Fine Art. 6 Duke Street, St, James’s. London. Clive Barker. Coke and Fallen Straw (Ivor), 1968]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An Austrian Archer's Pavise, Klausen, mid 18th century]
Advertisements
Advertisements April 2016 (front)
04/2016 | 1357 | 158
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Andrew Edmunds, London. A pair of polished gentleman, by James Gillray (1756-1815). 1801. Etching, soft-ground etching and engraving with watercolour and gum Arabic. 35.5 by 25.5 cm]
Attributed works:
[August Laube, Zurich. Veduta di Piazza Navona sopra le rovine del Circo Agonale, by Giovanni Battista Piranesi (1720-78). 1751. Etching, 46.3 by 69.7 cm]
Attributed works:
[Bernard Jacobson Graphics, London. Black for Mozart, by Robert Motherwell (1915-91). 1991. Lithograph and collage, 162.6 by 104.1 cm]
Attributed works:
[C.G. Boerner, New York and Düsseldorf. A beggar seated on a bank (self portrait), by Rembrandt Harmensz van Rijn (1606-69). 1630. Etching, 11.7 by 7 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Claudio Ridolfi (Verona 1570 - Corinaldo 1644). The flagellation of Christ. Oil on paper, pen and brown ink, mounted on canvas, mounted on panel, 57 x 27 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Guido Reni (1575-1642), Christ carrying the cross (detail), oil on carpet, 49.5 x 36.5 cm]
Attributed works:
[Fine Art Society, London. The marriage at Cana, by Stanley Spencer (1891-1959). 1953. Lithograph, 64.5 by 52 cm]
Attributed works:
[Galerie Alexis Bordes. 4,rue de la Paix. Paris. François Boucher (Paris, 1703-1770). Study of a Male Head wearing a Turkish Turban. c.1745. Sanguine. 21.8 x 16.7 cm (8 9/16 x 6 9/16 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Massimo Stanzione (Orta di Atella, c.1585 - Naples, c. 1658. Bathsheba at the her Bath. Oil on canvas, 193 x 146 cm (76 x 57 1/2 in)]
Attributed works:
[Gallery Jin, Tokyo. Jam-packed sushi, by Kurumi Wakaki, 2011. Water-based woodcut on Japanese paper, 50 by 80 cm]
Attributed works:
[Grisebach. Villa Grisebach Auktionen. Fasanenstasse 25. Berlin. Théodule Ribot. THE FULL BOTTLE. Oil on canvas on wood. 58.7 x 40.5 cm (23 1/8 x 16 in). Signed.]
Attributed works:
[Himmelbau Printmaking Finland, Tampere. Stage 1, by Janne Laine, 2015. Etching and photogravure, 59 by 106 cm]
Attributed works:
[Karl & Faber. Amirplatz 3. Munich. Jean-François Raffaëlli, Printemps de Paris.]
Attributed works:
[Karsten Schubert, London. Bagatelle 3, by Bridget Riley. 2015. Screenprint on paper, 67 by 58.5 cm (sheet)]
Attributed works:
[Museo del Prado, Madrid. Georges de La Tour, The Cheat with the Ace of Diamonds, Paris, Musée du Louvre, Dèpartement des Peintures.]
Attributed works:
[Nagel Auktionen Gmbh & Co. KG. Neckarstraße 189-191. Stuttgart. Hans Schäufelin (c. 1480785 - c.1540). Bearing of the Cross, c. 1516/17. Oil/panel, 52 x 43 cm]
Attributed works:
[Osborne Samuel, London. The windmill, by Sybill Andrews (1898-1992). 1933. Linocut, 33 by 23.2 cm]
Attributed works:
[Paragon | Contemporary Editions, London. Untitled 01 from Six snapshots of Julie, by Grayson Perry. 2015. Woodcut with lithographic underlays, 72.5 by 48.5 cm]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A cased pair of flintlock duelling pistols by Joseph Manton, from 1815]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Noël Hallé. The Child of a Savoyard being Entertained by a Pinwheel (detail)]
Attributed works:
[The London Original Print Fair. Royal Academy. Michael Craig-Martin, Fragments, 2015 a series of six screenprints © Michael Craig-Martin and Alan Cristea Gallery, London]
Advertisements
Advertisements March 2016 (front)
03/2016 | 1356 | 158
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Antoine Laurentin Gallery, Paris. Standing woman, by Auguste Rodin (1840-1917). Graphite with stumping watercolour heightened with pen and brown ink on vellum, 31,5 by 24.5 cm]
Attributed works:
[Art Cuéllar Nathan, Zurich. Backyards with two figures, by Vincent van Gogh (1853-90). 1882. Charcoal on paper, 23.9 by 35.2 cm]
Attributed works:
[Art Cuéllar Nathan. Arturo Cuéllar and Salomon Cuéllar. Zäheingerplatz 11. Zurich. Pierre Bonnard, La Baignoire, Gouache, pastel and colored crayon on paper, 50.2 x 65.4 cm]
Attributed works:
[Charles Beddington, London. The Piazzetta, looking south, by Bernardo Canal (1673-1744). Oil on canvas, 55.8 by 74.3 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Claudio Ridolfi (Verona 1570 - Corinaldo 1644). The flagellation of Christ. Oil on paper, pen and brown ink, mounted on canvas, mounted on panel, 57 x 27 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Alessandro Algardi (Bologna 1598 - 1654 Rome). Design for a Reliquary with the Papal Arms of Pope Innocent X. Pen and Brown ink with grey washes. 375 x 275 mm. Laid down]
Attributed works:
[Day & Faber, London. A half-length study of a male nude, by Giovanni Battista Tiepolo (1696-1770). 1747. Red chalk, heightened with white, on blue paper, 13.2 by 17.8 cm]
Attributed works:
[Didiar Aaron & Cie, Paris. Two Putti, by François Boucher (1703-70). 1747.Three crayon, 22.5 by 28 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jacopo del Sellaio (1441-1493). The Holy Family with the Infant Saint John the Baptist, tempera on panel, diameter 68 cm.]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Workshop of Hans Memling, Nativity (detail), oil on panel, 99.2 x 72.5 cm.]
Attributed works:
[Galerie Arnldi-Livie, Munich. A scene from the life of St. Mark, by Domenico Tintoretto (1560-1615). Preparatory study to a composition in the Scuola di San Marco, Venice. Brush in dark brown, grey and white on brown prepared paper, 22.6 by 30.5 cm]
Attributed works:
[Galerie Arnoldi-Livie. Galeriestrasse 2b. D-80539. Munich. Théodore Géricault (1791 - 1824). Chevaux de ferme (detail). Pen and ink in grey and brown wash, 20 x 27.2 cm. Germain Bazain. Catalogue raisonné, no. 2496]
Attributed works:
[Galerie Berès, Paris. An imaginary old town, by Victor Hugo (1802-87). Pen and wash, 11 by 14 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Vittore Ghislandi, dit Fra' Galgario. Bergame, 1655-1743. Boy with a Turban. Oil on canvas, 67 x 53 cm (26 3/8 x 20 7/8 in). Signed centrally, under the fictive octagonal frame: "FF.Vet. Ghisland"]
Attributed works:
[Galerie Johannes Faber, Vienna. Hanna Schygulla, by Alfred Eisenstardt (1898-1995). Silverprint, 24.1 by 16.4 cm]
Attributed works:
[Galerie Michel Descours. 44 rue Auguste Comte. Lyon. Joseph Guichard, Autoportrait, 1829, huile sur toile, 68 x 48 cm]
Attributed works:
[Galerie Nathalie Motte Masselink.13 Rue Jacob. Paris. Jacques-Louis David. Académie d'homme en Hercule, sanguigne. 670 x 357 mm. signé: L. David f]
Attributed works:
[Galerie Odermatt-Vedovi, Brussels. Concerto Spaziali, Attesa, by Lucio Fontana (1899-1968). 1963. Water-based paint on canvas, 60 by 46 cm]
Attributed works:
[Galerie Patricia Trigano, Paris. Le lavoir de billancourt, by Alfred Sisley (1839-99). Oil on canvas, 50.3 by 65.6 cm]
Attributed works:
[Galerie Tanakaya, Paris. Asangami (The Moment of Awakening), by Torii Kotondo (1900-1976). Woodblock print, 40.8 by 25.6 cm]
Attributed works:
[Gallerie Canesso, Paris. Still life with a basket of fruit, a bottle, figs and mashrooms, by Simone del Tintore (1630-1708). Oil on canvas 72 by 93 cm]
Attributed works:
[Gana Art Gallery, Seoul. L'image en soi, by René Magritte (1898-1967). Oil on canvas. 56 by 60 cm]
Attributed works:
[Gian Enzo Sperone. Chasa dal Guvernatur. Sent. Switzerland. Domenico Fiasella (Sarzana 1589 - Genova 1669). Alexander the Great and Diogenes, oil on canvas - 175 x 122 cm]
Attributed works:
[H. Blairman & Sons Ltd, London. Armchair, by Thomas Hope (1769-1831). c.1802. Mahogany, the upholstery of later date. Height: 94.5 cm. Width: 61.5 cm. Depth: 59.6 cm]
Attributed works:
[Irish Arts. 15 Harcourt Terrace. Dublin. Ireland. Sir John Lavery. A Bacchante, 1910.]
Attributed works:
[Jean-Luc Baroni, London. The game of cards, by Adriaen van der Werff (1659-1722). Oil on panel. 27.5 by 28.2 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Battista Piranesi (Mogliano 1720 - 1778 Rome). A Sheet of Studies: Three Figures. Pen and brown ink and wash. Bears inscription in a different ink: Goya. 273 x 163 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattia Preti (Taverna, Calabria 1613 - 1699 Valletta, Malta). St. Jerome. Oil on canvas, 135,3 x 102,3 cm]
Attributed works:
[Martin Graessale Kunsthandel, Munich. Four actresses in theatrical costume, by Claude Gillot (1673-1722). Pen and black ink, sanguigne wash and traces of pencil. 14.6 by 20 cm]
Attributed works:
[Museo del Prado. Madrid. Exhibition. Georges de La Tour. The Cheat with the Ace of Diamonds. Paris, Musée du Louvre. Départment des Peintures. Aquis en 1972.]
Attributed works:
[Pandora Old Master, New York. Allergy of Time, by Salvatore Rosa (1615- 74). Pen and brown ink, 210 by 17.5 cm]
Attributed works:
[Pushkin State Museum of Fine Arts, Moscow (Loan Exhibition). Composition, by Wassily Kandinsky (1866-1944). Watercolour, pencil and pen and ink on paper, 30.6 by20.8 cm]
Attributed works:
[Robert Funk Fine Art. 1581 Brickwell Avenue, Suite 2303. Miami. Florida. USA. Portrait of Mrs. Johnstone. A painting by Sir Henry Raeburn. Painted circa 1790-1810. h: 35.5 x w: 27 in]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Adrian Thomasz Key. Portrait of a Bearded Gentleman, Bust-Length, in a black doublet with a White lace Ruff (detail)]
Attributed works:
[Stair Sainty. 38 Dover Street. London. Francisco de Goya y Lucientes. (Fuendetodos, Spain 1746 - 1828 Bordeaux, France). Portrait of Don Pedro Gil de Tejada, c. 1795. Oil on canvas, 112 x 84 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Study of a man asleep against a table, by Gustave Courbet (1819-1877). Black chalk heightened with white on blue-grey paper. 24.4 by 22.6 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London. Herman Saftleven (1609-1685). A Sticky Nightshade or Litchi Tomato Plant. Watercolour, gouache and gun arabic. Signed and dated HS. f. 1683 den 31 octob: at the lower centre. 354 x 256 mm. (13 7/8 x 10 1/8 in.)]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Michael Craig-Martin. Fragments. 2015. A series of six screenprints.]
Attributed works:
[The Royal Academy. Exhibition In the Age of Giorgione. Giorgione (1478-1510). Portrait of a Young Man.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. The Hohenzollern Man, by Giambologna (1529-1608). c. 1580. Bronze. Height: 39.4 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Giovanni Battista Foggini (1652-1725). Bacchus and a Younger Satyr. After Michelangelo Buonarroti (1475-1564). Bronze, with a warm known patina and traces of a red lacquer. 46 cm (18 in.) high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Massimiliano Soldati-Benzi (1656-1740). Charity, c.1695. After a model by Alessandro Algardi (1598-1654). Bronze with a gold and red patina. 47 cm (181/2 in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Laurits Andersen Ring (1854-1933). Evening. Oil on canvas, 81 x 123 cm. Signed and dated 1892.]
Attributed works:
[Zlotowski Gallery, Paris. Bull, by Le Corbusier (1887-1965). 1963. Collage of coloured paper and newspaper, white gouache and Indian ink on paper, 55.9 by 70.2 cm]
Western art unattributed:
[Peter Finer, London. A northern Italian armour for the tilt. Milan, c.1580. Steel. Height: 180 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An etched state glaive (Gardekeuse) for the guard of the imperor Maximilian II (R. 1564-1576), South German, dated 1564]
Western art unattributed:
[Rupert Wace Ancient Art Ltd, London. An Egyptian painted wood stele. Third intermediate period, 22nd Dynasty. 945-730 BC. Painted wood. Height: 25 cm]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Ars moriendi. Cologne. N. Goetz. 1475. With 11 woodcuts.]