By using this website you agree to our Cookie policy

Search

4 articles
Supplement
Recent Acquisitions in the Department of Decorative Arts, The J. Paul Getty Museum: Supplement
06/1986 | 999 | 128
Pages: 459-464
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
59. Portière aux armes de France. Gobelins, 1730-43. Wool and silk, 355 by 262.5 cm. It was woven at the Gobelins Manufactory after the design of Pierre-Josse Perrot (active at the manufactory 1724-35). Twenty-eight of these portières were woven between 1730 and 1743 for use in the royal residences. This tapestry bears the woven initials G and L, preceded by a fleur-de-lys, for the director of the atelier Etienne-Claude Le Blond (active at the Gobelins Manufactory 1727-51). It was formerly in the collection of the fourth Marquess of Hertford, Paris.
Attributed works:
60. Tapestry Le mois de décembre/Le château de Monceaux. French (Gobelins), before 1712. Wool and silk, 316 by 328 cm. This tapestry is from the series of the twelve months of the year, known as Les maisons royales, woven for Louis XIV. The design for the series, with each month representing one of the royal châteaux and displaying objects from the royal collections, was conceived by Charles Le Brun (1619-1690) as a companion series to the famous Histoire du roi. Seven complete sets, woven with gold thread, were produced for the Crown between 1668 and 1711. This example portraying the château of Monceaux (demolished by 1799) with the king on horseback in the middle ground, was woven separately and without gold thread as a private commission. It bears the woven signature for Jean de la Croix (active at the Gobelins Manufactory 1662-1712). Two other tapestries with the same borders, one of which bears the woven initials for de la Croix, exist and may have been part of the original private commission. They are Le mois de Juillet/Le château de Vincennes in the Victoria and Albert Museum, London, and Le mois de Septembre/Le château de Chambord in the National Museum for Western Art, Tokyo.
Attributed works:
61. Carpet. French (Savonnerie), before 3rd May 1680. Wool, 315 by 908.6 cm. This carpet, one of ninety-two, was part of a grand scheme to decorate the Long Gallery of the Louvre. Under the command of Louis XIV, the Savonnerie Manufactory produced the carpets, almost certainly after designs by Charles Le Brun and Louis Le Vau. The project lasted from 1670 to 1679, occupying the carpet looms of both the Dupont and the Lourdet families at the Savonnerie workshops. All of the carpets for the Long Gallery were united by their similar compositions: a wide, bold border; the black background; a panel at either end, of either polychrome landscapes or monochrome 'bas reliefs,' centring a reserve of trophies, instruments and attributes of the Sun King; and large scrolling acanthus leaves. This carpet is recorded in an inventory of Louis XIV, with the notation that it was delivered to the Garde-Meuble on 3rd May 1680. In 1775, it was lent by Louis XVI to the marquis d'Ossun, the Spanish Ambassador. Probably during the nineteenth century, the carpet was given to the Spanish cathedral of Santiago del Compostella. Forty-eight complete carpets of the original commission survive, together with numerous fragments.
Attributed works:
62. Carved relief. French (Paris), 1789. Lindenwood, 69.4 by 47.9 by 6.2 cm. This panel is carved from one piece of wood and is an example of the virtuoso craftmanship of its maker, Aubert-Henri-Joseph Parent (1753-1835). During the late 1770s and throughout the 1780s, Parent was well-known among the court circles at Versailles. His work was prized by Louis XVI, and often incorporated symbols of monarchical good government within his naturalistic reliefs depicting vases of flowers, birds, and insects. He travelled to Italy from 1784 to 1788 where he studied antique architecture and sketched ancient artefacts. This relief is one of two conserved at the J. Paul Getty Museum and is incised under the base AUBERT PARENT FECIT AN. 1789.
Attributed works:
64. Secrétaire. German (Berlin), c. 1790. Pine and oak veneered with mahogany, satinwood, bloodwood, and kingwood; white marble; gilt bronze mounts, 242.8 by 111.8 by 60.9 cm. Clock face signed 'Mollinger, à Berlin'. The secrétaire has a fall-front which lets down to reveal small drawers and pigeon holes. A writing slide pulls out from above, releasing drawers immediately above. This piece is attributed to the German cabinetmaker David Hacker (active c.1770-1810). Hacker was a journeyman to David Roentgen (1743-1807) at Neuwied from 1779. At the dissolution of Roentgen's workshops in 1791 he set up in Berlin. The medallion bearing the profile of Plato on the fall front can be found on several Roentgen pieces. The attribution to Hacker is based primarily on a description of a mechanical desk exhibited at the Berlin Academy in 1794.
Attributed works:
65. Secrétaire. Perhaps Swedish (Stockholm), c.1780. Oak and poplar veneered with satinwood, tulipwood, fruit woods and ebony, with incised mastics, 152.0 by 90 by 54.5 cm. The secrétaire bears a number of red wax seals on its back, all bearing the date 1830, and the word 'CHARTE'. They are official seals, referring to the Charter of 1830, which was followed by the constitutional monarchy of Louis-Philippe (1830-1848). The secrétaire is tentatively attributed to the royal Swedish cabinet maker Georg Haupt (1741-84) or to a member of his immediate circle. Haupt trained in Germany prior to 1763, in Amsterdam by 1763, in Paris (probably with Simon Oeben) and in London, 1768-69, where he worked for Sir William Chambers. Haupt returned to Stockholm as royal cabinetmaker in 1769 and was made master in 1770. This piece may be compared with slightly simpler pieces made for the king and court, surviving at the Royal Palace, Stockholm, and at Drottningholm and Tullgarn.
Attributed works:
66. Longcase clock. German (Neuwied), c.1784-1786. Oak veneered with mahogany, gilt bronze mounts, bronze, and enamelled metal, 187 by 64 by 53 cm. The metopes above the clock are mounted with heads of Diana, while the pediment is set with a gilt-bronze relief of the lyre of Apollo, supported by two winged putti. A figure of Chronos, in partial relief, carries the weight of time, the face of the clock, upon his stooped back. The movement of the clock is inscribed Roentgen & Kinzing à Neuwied, for David Roentgen (1743-1807) and Peter Kinzing (1745-1816), who was appointed clock maker to Marie Antoinette in 1785. In addition, the clock is equipped with an elaborate mechanical musical movement consisting of a bellow organ, twenty valves and forty pipes. Five other examples of this clock exist in German and Russian collections and it is known that a clock of this model was delivered to Catherine II of Russia in 1784.
Attributed works:
67. Reading and writing stand. German (Neuwied), c.1760. Pine and walnut veneered with rosewood, walnut, ivory, ebony and mother-of-pearl, 76.8 by 71.7 by 48.8 cm. The top of this reading and writing stand is inlaid in ivory and mother-of-pearl with the coat-of-arms and the cypher of Johan Philipp, Kurfürst von Walderdorff (1701-68), Prince archbishop and elector of Trier. Like many other products of the Roentgen workshop, the stand is of a complicated, yet functional design. It is elaborately fitted with a concealed, notched extension that allows the stand to be raised higher and the reading shelf itself is adjustable to a variety of angles. The stand also contains many hidden small drawers. Count von Walderdorff was the most important patron of Abraham Roentgen (1711-1793) during the 1750s and 1760s, commissioning at least twenty pieces of furniture from the Roentgen workshop, among them this reading and writing stand.
Attributed works:
68. A pair of lidded bowls. Japanese (Arita) late seventeenth-century underglaze blue porcelain; English, late seventeenth century mounts; 35 by 38 by 25.5 cm. The gilt-metal mounts on the lidded bowls are attributed to Wolfgang Howzer (master 1664), a Zürich goldsmith working in London. On the handles crouch greyhounds, their tails wrapped around their bodies. Silver-gilt dogs of the same form appear on the handles of a mounted Chinese vase in the Victoria and Albert Museum. They bear the mark WH about a cherub, which is usually given to Howzer. It is not certain that Howzer worked with base metals, and it has been suggested that the mounts on the Getty Museum's lidded bowls were copied by some other metalworker. It is known that Howzer was joined by his nephew Hans Heinrich in 1681 and that he is last mentioned in 1688. Although the taste for mounted oriental porcelain later throve in Paris, it was not taken up in fashionable circles of post-Restoration London. It is possible that these rare objects were made for an aristocrat in the court of Charles II who, having been in exile with him perhaps, picked up the taste for such luxuries on the continent.
Attributed works:
69. Wine pot. German (Meissen), c.1725. Hard-paste porcelain, painted with polychrome enamels and gilded; 14 by 17 by 8.9 cm. The wine pot, in the form of a peach, is modelled after a Chinese prototype which was probably in the collection of Augustus the Strong. In the early decades of the Meissen manufactory, it was common practice to model forms based on Chinese originals. This is a 'trick' pot, as the wine is poured in from below, yet does not emerge when righted. The interior is fitted with a long funnel. Greek kylixes fitted with similar 'trick' devices have been recorded as early as 450 B. C. The painted chinoiserie decoration is attributed to the studio of J. G. Horoldt (1696-1775). Indeed, it is possible that these scenes are by the hand of the master himself. Only four other wine pots of this model are known to exist: two are in the Metropolitan Museum of Art, New York, one painted in gold and the other painted with chinoiserie scenes similar to the Museum's (sold from the Von Pannwitz collection in 1905); one in the George R. Gardiner Museum of Ceramic Art, Ontario, painted with chinoiserie scenes; and one in the Porzellansammlung, Dresden, with gilding at the foot, handle and spout, with the body left white.
Attributed works:
70. Box. French (Paris), c.1675-80. Oak veneered with ebony and marquetry of various woods, with pewter stringing, 31.9 by 66.1. by 43.2 cm. Objects veneered with wood marquetry of this quality are rare; such workmanship is usually found in association with marquetry of tortoiseshell, brass, and pewter. It is apparent that these elaborate designs, as on the box and on pieces of the later type, incorporating flowers, scrolls, and birds, are all from the same workshop. Many of the motifs of these designs are repeated from object to object. Such panels appear on furniture for which drawings exist that are attributed to André-Charles Boulle (1642-1732) and are frequently given to his hand. It is also possible that objects of such high quality were made at the royal workshops at the Gobelins. This box appears to be of unique form but may have been based on Japanese lacquer boxes imported into Europe at the end of the seventeenth century. Its function is unclear, but it was probably used to store papers and documents. Filled holes on the front of the lid mark the original position of handles.
Attributed works:
71. Ewer and basin. German (Meissen), c.1740, painted with the crossed swords of the Meissen Manufactory and impressed with the number '27'. Hard-paste porcelain, painted with coloured enamels and gilded; ewer 21.1 by 20.6 by 10.5 cm, basin 7.3 by 31.8 by 25.5 cm. The body of the ewer is painted with polychrome panels of people in landscapes. The inner lip and the foot are painted with similar miniature scenes in carmine. The stem is decorated with multicolored flowers in the kakiemon style. The rim of the basin is decorated with four polychrome harbour scenes and four miniature, peopled landscapes in carmine. The painted scenes are attributed to C. F. Herold (1700-79), one of the major painters at the Meissen Manufactory, who may have been the cousin of the more notorious painter J. G. Horoldt (1696-1775). The rare helmet-shaped ewer is based on a metal form, which reflects the change at Meissen in this decade from oriental shapes to those more European.
Attributed works:
72. Pot pourri vase. French (Sceaux), c. 1755. Faience with petit feu enamel painting, 33 by 24.1 by 15.2 cm. The artist responsible for this piece is not known. It is attributed to the hand of Jacques Chapelle (b. 1721, active at Sceaux 1750-63), who entered the factory around 1748 as manager and chemist and became sole proprietor in 1759. The pot pourri has petit feu enamel painting, a technique which allows for a wider and brighter colour palette, apparent on this piece in bright blue, green, deep purple and pourpre de Cassius (named after the seventeenth-century Dutch chemist who discovered this pinkish-purple). A pair of coupes of very similar form and decoration exists in the Musée de la Renaissance, Château d'Ecouen. Another comparable piece is the vasque in the Musée de l'Ile de France, Sceaux, embellished with a fantastic bird, similar in its strange character to the creature on the Getty Museum's pot pourri vase.
Western art unattributed:
63. Console table. German (Berlin?), c. 1735-45. Gilded limewood with brèche d'Alep top, 91.4 by 108.6 by 53.3 cm. The single leg of this console table is a tree which turns into a dragon's head at the base. Flames and thunder bolts issue from the dragon's mouth and to the left of the base, there is a quiver of arrows among hunting elements. A climbing grapevine bearing fruit entwines the tree trunk. The tree branches at the top into pierced foliate scrolls on which perches an exotic bird with extended wings, eating grapes. To the left is a nest of young birds attended by their mother. Although of unique design, this table may be compared to the console tables of Johann August Nahl (1719-85) made for the Golden Gallery at Schloss Charlottenburg, Berlin.
Advertisements
Advertisements May 1968 (Front)
05/1968 | 782 | 110
Pages: i-lxx
Subjects
advertisements:
advertisements:
advertisements:
Illustrations
Attributed works:
[Brian Koetser Gallery, 38 Duke Street, London] Jan Miense Molenaer, Circa 1605-Haarlem-1668, The Musicians. Panel 18⅝ by 24⅞ Inches
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] Nicolaes Berchem. Pen and Brown Wash. 245: 350 mm
Attributed works:
[Central Picture Gallery, 5 East 57th Street, New York] Jean Baptiste Carpentier, Signed and Dated 1783, Canvas, 28 by 23 Inchesjavascript:openWindow('popup.php?targetField=0&type=1','popUpWin',%20'toolbar=yes,status=yes,scrollbars=yes,resizable=yes,width=480,height=600')
Attributed works:
[Colnaghi's, 14 Old Bond Street, London] Giuseppe Maria Crespi (1665-1747), Canvas. 37¼ by 29½ Inches
Attributed works:
[Cramer, 38 Javastraat, The Hague] Salomon van Ruysdael (Naarden c. 1600- Haarlem 1670). Winter Landscape with Skaters and Tent. Signed with Monogram and Dated: S. V. R. 1653. On canvas, 75 by 100 cm (29½ by 39 in.)
Attributed works:
[Crane Kalman Gallery, 178 Brompton Road, London] Rollerskating Champion, 1967, Oil o/b, 16 by 12 Inches
Attributed works:
[Crane Kalman Gallery, 178 Brompton Road, London] The Fish Shop, 1968, Oil on Canvas, 20 by 32 Inches
Attributed works:
[David Peel & Co.Ltd. 2 Carlos Place, London] Reclining Child. Terracotta. Height 9¾ Inches. By the Master of the Unruly Children. Italian, 15th Century.
Attributed works:
[Galerie Contrast, Lange Kruisstraat 5, Gent] Honoré Daumier, 1808-1879, Conventicle, Oil on Canvas, 50 by 40 cms.
Attributed works:
[Galerie Hoogsteder, 26 Surinamestraat, The Hague] Frans Francken, the Elder, Fully Signed. Panel. 21¼ by 29⅞ Inches.
Attributed works:
[Galerie Meissner, Florastrasse 1, Zurich] Cristoforo Monari, 47 by 72 cm.
Attributed works:
[H. Shickman Gallery, 929 Park Avenue, New York] Giovanni Francesco, Barbieri, (Called il Guercino) Cento 1591-1666 Bologna, Boy Picking a Woman's Purse, Pen and Ink and Wash, 11⅝ × 8⅞ Inches (295 × 225 mm) Prov: Unknown 18th Cent. Coll. (Inscribed "Del Guercino da Cento" 1740)
Attributed works:
[Hal O'Nians, 6 Ryder Street, London] Bernard Vaillant (1632-1698), Portrait of a Boy, Signed B. V., Canvas, 22 by 28½ Inches
Attributed works:
[Herbert E. Feist, 1125 Madison Avenue, New York] Abraham between Sarah and Hagar by Nicolaes Moyaert (1592-1655)
Attributed works:
[How (of Edinburgh) 2-3 Pickering Place, London] Kettle, Stand and Lamp By Anthony Nelme, London 1715. Weight 94 oz. (Gross) Arms of Payler
Attributed works:
[John Baskett, 173 New Bond Street, London] Giovanni Battista Tiepolo (1696-1770) Pen and Sepia Wash over Black Chalk (237 by 264 mm.)
Attributed works:
[Kennedy Galleries, Inc., 20 East 56th Street, New York] Thomas Eakins (1844-1916) William Woolsey Johnson Oil on Canvas, 24 by 20 Inches
Attributed works:
[Kunsthaus Am Museum, Drususgasse 1-5, Cologne] Grandfather Clock with the Monogram of the Princes of Hesse. J. P. C. Walderdorff. The Case by Abraham and David Roentgen, Monogram 'R' in Intarsia. Working Parts by F. N. Schröder, Lüneburg.
Attributed works:
[Maitre Philippe Engelmann, 24 rue de l'Arcade, Paris] Faes Pieter 1750-1814. Signed and Dated 1782, Panel, 76.5 by 62 cm
Attributed works:
[Mes Ader & Picard, 12 rue Favart, Paris] Berthe Morisot-"Le Port de Fécamp", 1874, Signed Canvas, Height: 46 cm, Length: 55 cm.
Attributed works:
[Mes Ader & Picard, 12 rue Favart, Paris] Coffret à rideau with Many Drawers. Stamped by Boudin and Denizot. Louis XVth Period. Height: 100 cm. Length: 45 cm
Attributed works:
[Mes Ader & Picard, 12 rue Favart, Paris] Pan by Massimiliano Soldani. Florence. 1658-1740. Bronze. Height: 36 cm (Making a Pair with a Statuette of Syrinx)
Attributed works:
[Mes Rheims & Laurin, 1 rue de Lille, Paris] Maurice de Vlaminck, 'Village in the Fields', Watercolour (1907) Dedicated to Guillaume Apollinaire.
Attributed works:
[Mes Rheims & Laurin, 1 rue de Lille, Paris] Pablo Picasso, 'Composition à la Guitare, Montrouge, 1918'. G. Apollinaire Collection.
Attributed works:
[Mes Rheims & Laurin, 1 rue de Lille, Paris] Rembrandt (?), 'Head of an Old Man'. Panel, 25.5 cm by 20.5 cm.
Attributed works:
[Michael Hall Fine Arts, 6 East 79th Street, New York] Meleager at the Shrine of Diana, By Giuseppe Piamontini (1664-1742) Bronze. Height: 13½ Inches
Attributed works:
[Newhouse Galleries Inc., 15 East 57th Street, New York] Agustin Esteve (1753-1820) on Canvas, 38 by 26 Inches
Attributed works:
[Old Masters Gallery, 62 South Audley Street, London] Jean-Baptiste Pillement (1728-1808) Panel, 10½ × 12 Inches (26.7 × 30.5 cms.)
Attributed works:
[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] A 1913 Mercer Raceabout, Model 35-J.
Attributed works:
[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] A Chantilly White Pot-Pourri Jar with Crowned 'C' Mounts.
Attributed works:
[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] A Jaguar/Piranha by Bertone, Special Body by Italian Designer Bertone on a Jaguar 2+2 Chassis.
Attributed works:
[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] A Magnificent Diamond Ring from the Estate of the Late Vera Krupp von Bohlen und Halbach with a Platinum Mount Set with an Emerald-Cut Diamond Weighing Approximately 33.19 Carats Flanked by 2 Baguette Diamonds; By Harry Winston.
Attributed works:
[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] An important ruby and diamond necklace, platinum mount set with 29 oval rubies weighing approximately 47.50 carats, 48 marquise-cut diamonds weighing approximately 13.04 carats, and 608 round diamonds weighing approximately 50.38 carats; together with a matching ring; a portion of the necklace detaches to become a pair of earrings; by Van Cleef & Arpels.
Attributed works:
[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] Diego M. Rivera. Portrait De M. Best. Signed and Dated 1913. 89 by 63½ Inches.
Attributed works:
[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] One of Six Early Louis XVI Carved Giltwood Fauteuils, Signed P. Remy.
Attributed works:
[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] Paul Klee. Mit Der Rotierenden Schwarzen Sonne Und Dem Pfeil. Signed and Dated 1919. 9½ by 12½ Inches.
Attributed works:
[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] S. P. A. D. VII, France, 1918
Attributed works:
[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] Sopwith Camel, England, 1918.
Attributed works:
[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] Thursday, 23rd May. A Meissen Group of the 'Indiscreet Harlequin'.
Attributed works:
[Sladmore Gallery, 32 Bruton Place, Berkley Square, London] An Important Work in Bronze by Barye (1795-1875) Signed and Stamped. Length 21¼ ins.
Attributed works:
[Sotheby's, 34-5 New Bond Street, London] Wednesday, 22nd May. A Still Life by Meiffren Conte, 27½ bv 35 Inches.
Attributed works:
[Sotheby's] A Baccarat Dark Blue Overlay Weight, 3¼ Inches.
Attributed works:
[Sotheby's] A Baccarat Magnum Scattered Millefiori Weight, Dated 1848, 4 Inches.
Attributed works:
[Sotheby's] A Battersea Enamel Plaque of Venus and Triton, 4⅛ Inches.
Attributed works:
[Sotheby's] A Battersea Transfer-Printed Plaque, 3¾ Inches.
Attributed works:
[Sotheby's] A Bilston Enamel etui, 4 Inches.
Attributed works:
[Sotheby's] A Capodimonte Peasant Group by Giuseppe Gricci, 8 Inches.
Attributed works:
[Sotheby's] A Capodimonte White Group of Alchemists, 7¼ Inches.
Attributed works:
[Sotheby's] A Coloured Terracotta Group of the Spaghetti Eaters, 5⅝ Inches. One of Seven Coloured Terracottas All Modelled for Capodimonte Groups.
Attributed works:
[Sotheby's] A Du Paquier Inkstand, 7½ Inches.
Attributed works:
[Sotheby's] A Florentine Terracotta Bust Portrait of Grandduke Cosimo II of Tuscany by Pietro Tacca, 1590-1621, 17 Inches.
Attributed works:
[Sotheby's] A Highly Important Enamelled Terracotta Relief of the Virgin and Child by Giovanni della Robbia, Dated 1523, 6 Feet 10½ Inches by 4 Feet 10½ Inches.
Attributed works:
[Sotheby's] A Louis XV Gold and Lacquer Snuff Box, Paris, 1750, Maker Jean Ducrollay.
Attributed works:
[Sotheby's] A Ludwigsburg Stall from a Series of Miniature Fair-Ground Groups, 4½ Inches.
Attributed works:
[Sotheby's] A Miniature of a Gentleman by Samuel Cooper, Signed and Dated, 1650, 2⅝ Inches.
Attributed works:
[Sotheby's] A Miniature of a Gentleman by Thomas Flatman, 2⅝ Inches.
Attributed works:
[Sotheby's] A Miniature of a Girl by P. A. Hall, Inset in the Lid of a Louis XVI Gold Mounted Blonde Tortoiseshell Box. Signed, 2¼ Inches.
Attributed works:
[Sotheby's] A Miniature of a Lady by Mary Green, 5⅞ Inches.
Attributed works:
[Sotheby's] A Miniature of an Officer by John Bogle, Signed and Dated 1792, 2¼ Inches.
Attributed works:
[Sotheby's] A Miniature of Anne of Denmark by Isaac Oliver, 2¾ Inches.
Attributed works:
[Sotheby's] A Pair of Doccia 'Caccine' Groups, 5½ and 5 Inches.
Attributed works:
[Sotheby's] A Pair of Flintlock Holster Pistols, Signed Collumbell, c.1740, 15 Inches.
Attributed works:
[Sotheby's] A Pair of French Flintlock Rifled Turn-Off Holster Pistols, Signed Missilieu à Paris, Silver Discharge Mark for 1746, 13½ Inches.
Attributed works:
[Sotheby's] A Rare Battersea Enamel Portrait Plaque of the Duke of Cumberland, 3½ Inches.
Attributed works:
[Sotheby's] A Sceaux Faience Tureen, Cover and Stand, 18¼ Inches.
Attributed works:
[Sotheby's] A Small Louis XV Red Lacquer Commode, Signed J. Dubois, JME., 2 Feet 11 Inches High by 3 Feet 2 Inches Wide.
Attributed works:
[Sotheby's] A St. Louis Garland Weight, 2¾ Inches.
Attributed works:
[Sotheby's] A St. Louis Signed Mushroom Weight, Dated 1848, 3⅛ Inches.
Attributed works:
[Sotheby's] An Early Meissen Turtle Box and Cover, 6¼ Inches.
Attributed works:
[Sotheby's] Eugenio Zampighi. Children Feeding Their Cat. Signed, 22 by 30½ Inches.
Attributed works:
[Sotheby's] Frederick II (King of Prussia) Autograph Manuscript of His Celebrated Poem Containing a Derogatory Reference to Voltaire.
Attributed works:
[Sotheby's] Hubertus van Hove. A Scene in a Dutch House. Signed and Dated 1855, 19¾ by 15¾ Inches.
Attributed works:
[Sotheby's] Jacob Jordaens. The Temptation of the Magdalen. 50 by 38¾ Inches.
Attributed works:
[Sotheby's] Jan Asselyn. A River Landscape. Signed, 25¼ by 20½ Inches.
Attributed works:
[Sotheby's] Montague Dawson. Shadowy Sails - The Matilda Wattenbach under Full Sail. Signed, 27½ by 42 Inches.
Attributed works:
[Sotheby's] One of a Pair of Meissen Tureens, Covers and Stands, 14½ Inches.
Attributed works:
[Sotheby's] Pieter de Hooch. A Musical Party. Signed, 25¼ by 29 Inches.
Attributed works:
[Sotheby's] Salomon van Ruysdael. A Winter Scene. Signed and Dated, 1650, 29½ by 39¾ Inches.
Attributed works:
[Sotheby's] The Newly-Discovered Bronze Figure of Juno, Cast from the Original Wax Modello Sculpted by Benvenuto Cellini, 1540-1545, 10 Inches.
Attributed works:
[Sotheby's] Thomas de Keyser. Portrait of a Gentleman and His Son. Dated 1631, 25 by 19¼ Inches.
Attributed works:
[Sotheby's] Voltaire (F. D. Arouet). One of a Series of 65 Autograph Letters to the Marquis d'Argenson.
Attributed works:
[Sotheby's] Willem Koekkoek. An Auction Sale in a Street in Amsterdam. Signed, 29¾ by 41¾ Inches.
Attributed works:
[The Icon Gallery, PO Box 4385, Beirut] 'Our Mother of Vladimir' Attributed to Andrei Rublev, c. 1408? Size 31.5 cms × 25.5 cms
Attributed works:
[Thos. Agnew & Sons Ltd, 43 Old Bond Street, 3 Albemarle Street, London] Harold Gilman, The Nurse, Canvas, 24 by 20 Inches
Attributed works:
[Yvonne French at the Alpine Gallery, 74 South Audley Street, London] Francesco Guardi (1712-1793) A Woman Taming a Lion
Non-western art unattributed:
[Sotheby's, 34-5 New Bond Street, London] Monday, 20th May, A Karatsu Bottle Painted in Underglaze Copper Red, 17th Century.
Non-western art unattributed:
[Sotheby's] A Circular Bronze Wine Vessel (Chia), Shang Or Early Chou Dynasty, 17¾ Inches High by 11½ Inches Wide.
Non-western art unattributed:
[Sotheby's] A Pair of Figures of Cranes, 18th Century, 20½ Inches High, and a Pair of Famille Rose Hawks, Ch'ien Lung, 15 Inches High.
Non-western art unattributed:
[Sotheby's] A Small Antique Oushak Medallion Carpet, Late 16th/early 17th Century, 9 Feet 10 Inches by 6 Feet 7 Inches.
Non-western art unattributed:
[Sotheby's] An Early Ming Blue and White Bowl, Six Character Mark of Hsüan Tê, Interregnum Type, 11⅞ Inches.
Non-western art unattributed:
[Sotheby's] An Early Ming Blue and White Conical Bowl, First Half of the 15th Century, 7⅞ Inches.
Non-western art unattributed:
[Sotheby's] An Early Ming Sacrificial Red Saucer Dish, 15th Century, 6⅝ Inches.
Non-western art unattributed:
[Sotheby's] One of a Pair of Famille-Rose Jars and Covers, Ch'ien Lung, 35 Inches High.
Western art unattributed:
[Arcade Gallery, 28 Old Bond Street, London] Italian 17th Century, St. Mark, 25½ Inches High
Western art unattributed:
[Fine Art & General Insurance Co. Ltd, 24 Cornhill, London] Victoria and Albert Museum, Crown Copyright
Western art unattributed:
[H. Herzer & Co., St. Anna Strasse 12, Munich] Roman Candelabrum. Augustan Period. Bronze, h. 148 cm.
Western art unattributed:
[Mes Rheims & Laurin, 1 rue de Lille, Paris] 'The Book of the Three Virtues', 15th Century Manuscript.
Western art unattributed:
[Mes Rheims & Laurin, 1 rue de Lille, Paris] Flanders Tapestry of the 16th Century.
Western art unattributed:
[Mes Rheims & Laurin, 1 rue de Lille, Paris] Important Necklace of Rubies and Diamonds.
Western art unattributed:
[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] A Rare Scandinavian Tapestry Depicting Scenes from the Life of John the Baptist, c.1600. 9 Feet by 6 Feet 10 Inches.
Western art unattributed:
[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] A Régence Carved Giltwood Settee, 6 Feet 8 Inches Long.
Western art unattributed:
[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] An Important Ruby and Diamond Lavallière with an Oval-Shaped Ruby Weighing Approximately 19.65 Carats Together with a Round Diamond Weighing Approximately 13.47 Carats Set with a Pear-Shaped and Heart-Shaped Diamond Having a Total Approximate Weight of 7.75 Carats Suspended from a Gold and Platinum Chain Set with 276 Diamonds Weighing Approximately 7.50 Carats.
Western art unattributed:
[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] Wednesday, 22nd May. A Rare Massachusetts Pine Tree Shilling, Dated 1652.
Western art unattributed:
[Sotheby & Co. (Canada) Limited, at the Robert Simpson Co. Ltd, 176 Yonge Street, Toronto] Meet of the Quebec Driving Club. Watercolour Drawing. 18½ by 23 Inches.
Western art unattributed:
[Sotheby & Co. (Canada) Limited, at the Robert Simpson Co. Ltd, 176 Yonge Street, Toronto] View of Montreal from the End of the New Wharf. Pen and Ink Drawing. 9¼ by 26¼ Inches.
Western art unattributed:
[Sotheby's, 34-5 New Bond Street, London] Thursday, 16th May at 2.30 pm. A South German Renaissance Enamelled Gold Necklace, Third Quarter of the 16th Century, 20 Inches.
Western art unattributed:
[Sotheby's, 34-5 New Bond Street, London] Thursday, 16th May, at 2.30 pm. Fine Limoges Crucifix, Early 13th Century. 11¼ Inches.
Western art unattributed:
[Sotheby's, 34-5 New Bond Street, London] Tuesday, 14th May, at 10.30 am and 2.30 pm. A Scottish Gold Ryal of Mary, Dated 1555.
Western art unattributed:
[Sotheby's] A Clichy Convolvulus Weight, 2⅞ Inches.
Western art unattributed:
[Sotheby's] A Clichy Three-Colour Swirl Weight, 3⅛ Inches.
Western art unattributed:
[Sotheby's] A French Gothic Ivory Mirror Back Carved with a Scene from the Siege of the Château d'Amour, Second Quarter of the 14th Century, 6½ Inches.
Western art unattributed:
[Sotheby's] A Louis XV Gold and Jewelled Snuff Box, Paris, 1761, 3 Inches.
Western art unattributed:
[Sotheby's] A Magman Liver-Red Salamander Weight, 4¼ Inches.
Western art unattributed:
[Sotheby's] A Miniature of a Flower Girl by Johns, Signed, 4⅛ Inches.
Western art unattributed:
[Sotheby's] A Rare English Romanesque Bronze Figure of the Virgin, Eleventh Century, 4 5/16 Inches.
Western art unattributed:
[Sotheby's] A Rare Swiss Gold and Enamel Automaton Box, Early Nineteenth Century, 3¾ Inches.
Western art unattributed:
[Sotheby's] A Set of Four Square Mosan Champlevé Enamel Plaques, c.1160, 1½ Inches Square.
Western art unattributed:
[Sotheby's] A Swiss Gold and Enamel Musical Box, Early Nineteenth Century, 4 Inches.
Western art unattributed:
[Sotheby's] A Swiss Gold and Enamel Snuff Box, Early Nineteenth Century, 3½ Inches.
Western art unattributed:
[Sotheby's] A Swiss Gold and Enamel Snuff Box, Early Nineteenth Century, 3½ Inches.
Western art unattributed:
[Sotheby's] One from a Large Suite of Louis XVI Giltwood Seat Furniture, Comprising 12 Fauteuils, 2 Canapés and One Écran.
Advertisements
Advertisements June 1964 (Front)
06/1964 | 735 | 106
Pages: i-lxxxviii
Subjects
advertisements:
Illustrations
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] A. van Ostade. Drawing with Brown Wash. 127 by 216 mm.
Attributed works:
[Christie's] Canal View in a Dutch City - Signed, on Panel. 16 by 20 Inches - Dominicus Gottfried Waerdigh
Attributed works:
[Christie's] Charles II Silvergilt Toilet Service, 1683. Maker's Mark W. F. The Large Caskets 9½ Inches Wide. Candlesticks 7¼ Inches High
Attributed works:
[Christie's] Collection of Flowers Drawn after Nature - 1783-93 - John Edwards
Attributed works:
[Christie's] Dutch Barges at Anchor in a Calm - Signed. 14½ by 22 Inches - Charles Brooking
Attributed works:
[Christie's] Elizabeth Throckmorton - 31¾ by 25½ Inches - Nicolas de Largillière
Attributed works:
[Christie's] Eve - 50 by 37½ Inches - Roger de la Fresnaye
Attributed works:
[Christie's] Figures et Plante - Inscribed Boisgeloup and Dated 4 Avril XXXII. On Panel. 7 by 9 Inches - Pablo Picasso
Attributed works:
[Christie's] Important Louis XV Marquetry Secretaire à abattant - 59 Inches High. 44 Inches Wide - Stamped C. Wollf, JME
Attributed works:
[Christie's] La Fileuse Bretonne - Signed, 18¼ by 25 Inches - Gustave Courbet
Attributed works:
[Christie's] Les Enfants Roussel, Rue de Calais - Stamped, Paper Laid down on Canvas, 18¾ by 23½ Inches - Edouard Vuillard
Attributed works:
[Christie's] Louis XVI Ormolu Cartel Clock by Adre Hessen.
Attributed works:
[Christie's] Meissen Figure of Avoccato - 6¼ Inches High - Modelled by J. J. Kaendler
Attributed works:
[Christie's] One of a Pair of Important Early Louis XV Rosewood Armoires - 102 Inches High, 57 Inches Wide - by Pierre Migeon
Attributed works:
[Christie's] One of an Important Set of six Louis XV Beechwood Fauteuils by I. Gourdin
Attributed works:
[Christie's] Pair of Louis XVI Painted Fauteuils and a Pair of Chairs by J. B. Lelarge
Attributed works:
[Christie's] Pointe de la Heve, Honfleur - Signed and Dated '64, 15½ by 28½ Inches - Claude Monet
Attributed works:
[Christie's] Portrait of a Gentleman - Signed and Dated 1766 23½ by 16 Inches - Arthur Devis
Attributed works:
[Christie's] Portrait of a Lady - on Panel. 29½ by 17½ Inches - Hans Mielich
Attributed works:
[Christie's] Portrait of a Young Man - on Panel. 11 by 8 Inches - Marco Basaiti
Attributed works:
[Christie's] Portrait of Hyacinthe Gabrielle Roland, Countess of Mornington afterward The Marchioness of Wellesley - Signed and dated, Rome 1791. 38½ by 29 Inches - Madame Vigée Lebrun
Attributed works:
[Christie's] Portrait of James Adam - 67 by 47 Inches - Pompeo Batoni. Incorrectly Inscribed 'Robert Adam' by a Later Hand
Attributed works:
[Christie's] Portrait of Sir Robert Throckmorton, 4th Baronet - 53¾ by 41¼ Inches - Nicolas de Largillière
Attributed works:
[Christie's] Recumbent Lion - Pen, Brush and Wash in Bistre. 5½ by 9¾ Inches - Rembrandt Harmensz van Rijn
Attributed works:
[Christie's] Set of Four George I Candlesticks - 7¼ Inches High - by John Farnell, 1719
Attributed works:
[Christie's] Still Life with Red Flowers, a Bottle and a Coffee Pot - Signed. 31½ by 27½ Inches - Ernst Ludwig Kirchner
Attributed works:
[Christie's] The Birth of the Virgin - on Panel. 12½ by 18 Inches - Sano di Pietro. Initial Panel from the Predella of Sano's Altar-Piece Painted between 1449 and 1451 for the Palazzo Pubblico, Siena. The Other Four Panels are Divided between Altenburg and the Vatican
Attributed works:
[Christie's] The Race Horse 'Eleanor' with Jockey Up - 24 by 29½ Inches - Ben Marshall Eleanor was the Winner of the Derby and the Oaks in 1801, and the First Horse to Win Both Races.
Attributed works:
[Christie's] The Virgin Mary and St John the Evangelist Lamenting over the Dead Christ - 16 by 24½ Inches Overall - The Master of the Ursula Legend
Attributed works:
[Christie's] Two Studies of Lady Hamilton (a Sketch for The Spinning Wheel) - 23½ by 28¾ Inches - George Romney
Attributed works:
[Christie's] Very Rare and Fine Hochst Faience Figure of a Parrot - 15 Inches High - Probably Decorated by Johannes Zeschinger, c. 1750
Attributed works:
[Christie's] View of Rome from the Lungotevere - Signed and Dated 1750. 40½ by 73 Inches - Charles Francois de Lacroix
Attributed works:
[Colnaghi's, 14 Old Bond Street, London] Piero di Cosimo (1462-1521) Metal Point Heightened with White on Blue Ground, 165 by 133 mm. Exhibited: Royal Academy, Drawings by Old Masters, 1953, No, 34.
Attributed works:
[E. & A. Silberman Galleries, 1014 Madison Avenue, New York] Edvard Munch. Colonel Georg Stang. Oil on Canvas. 35 by 23⅝ Inches
Attributed works:
[Hal O'Nians, in conjunction with Rupert Preston Ltd, off Mason's Yard, London] Jan Porcellis
Attributed works:
[Hal O'Nians, in conjunction with Rupert Preston Ltd, off Mason's Yard, London] Ludolf Backhuyzen
Attributed works:
[Hal O'Nians, in conjunction with Rupert Preston Ltd, off Mason's Yard, London] Simon de Vlieger
Attributed works:
[Hal O'Nians, in conjunction with Rupert Preston Ltd, off Mason's Yard, London] Willem van de Velde
Attributed works:
[Leicester Galleries, 4 Audley Square, South Audley Street, London] Gathering Flowers, by Charles Conder (1868-1909)
Attributed works:
[Marlborough Fine Art Ltd, 39 Old Bond Street, London] Edgar Degas (1834-1917) Femme s'essuyant 1905-7 Pastel: 37 x 28¾ Inches (94×73 cm.)
Attributed works:
[Maurice Rheims & Philippe Rheims, 7 rue Drouot, at the Palais Galleria, Paris] Alfred Sisley. L'Etang du Chevreuil, près de Moret, 1888. Signed. Canvas, 49 by 66 cm.
Attributed works:
[Maurice Rheims & Philippe Rheims, 7 rue Drouot, at the Palais Galleria, Paris] Carpet of La Manufacture Royale de la Savonnerie, Early Louis XIV, with Floral Decor on Black Ground.
Attributed works:
[Newhouse Galleries Inc., 15 East 57th Street, New York] Jans Frans van Bloemen (Called Orizonte) 1662-1749
Attributed works:
[Pardo, 160 Boulevard Haussmann, Paris] Jean Bellegambe Douai, about 1470 - 1534 Exhibited: Primitifs Français, Paris 1904. Panel, 33½ by 41⅜ Inches
Attributed works:
[R.M. Light & Co. - Helene C. Seiferheld Gallery Inc., 158 East 64th Street, New York] Jan Bruegel the Elder, Brussels, 1568 - Antwerp, 1625 Romantic Landscape Ex Coll.: Jonathan Richardson, Sr. 6¾ by 9½ Inches (171 by 241 mm.) Pen, Brown Ink, Grey and Blue Washes
Attributed works:
[Sotheby's] A Deruta Gold Lustre Dish, c.1520, 16½ Inches.
Attributed works:
[Sotheby's] A Deruta Lustre Portrait Dish, c.1520, 16 Inches.
Attributed works:
[Sotheby's] A Louis XV Aubusson Pastoral Tapestry, from the 'Country Sports' Series, 10 Feet 2 Inches by 8 Feet 2 Inches.
Attributed works:
[Sotheby's] A Louis XV Ormolu-Mounted Meissen Fountain, 8¾ Inches.
Attributed works:
[Sotheby's] A Louis XV Parquetry Guéridon, Signed R. V. L. C. and R. Lacroix, J. M. E., 1 Foot 8 Inches Wide by 2 Feet 6 Inches High.
Attributed works:
[Sotheby's] A Louis XV Soup Tureen, Cover and Stand, by Jacques Nicolas Roettiers, Paris, 1770, 19½ Inches Wide Overall. Made for Catherine II of Russia.
Attributed works:
[Sotheby's] A Louis XVI Mahogany Table Ambulante, Signed J. H. Riesener, 2 Feet 6 Inches High by 2 Feet 2 Inches Wide.
Attributed works:
[Sotheby's] A Louis XVI Ormolu Snake-and-Ring Mantel Clock by Millot, Hger du Roy, Paris, 1 Foot 9 Inches High.
Attributed works:
[Sotheby's] A Louis XVI Terra-Cotta Bust by Phillipe-Laurent Roland, 18 Inches.
Attributed works:
[Sotheby's] A Marble Portrait Bust of Leonardo Rinaldi, by Alessandro Vittoria. Signed and Dated 1546, Height 24¼ Inches.
Attributed works:
[Sotheby's] A Pair of George I Waiters, by Edward Cornock, London, 1723, 6½ Inches Square.
Attributed works:
[Sotheby's] A Pair of George II Salvers, by John White, London, 1730, 6¼ Inches Square.
Attributed works:
[Sotheby's] A Queen Anne Chocolate Pot, by Nathaniel Locke, London, 1710, 9½ Inches High.
Attributed works:
[Sotheby's] A Queen Anne Covered Bowl, by Timbrell and Bentley, London, 1712, 5½ Inches High.
Attributed works:
[Sotheby's] A Queen Anne Salver on Foot, Possibly by Philip Rollos, London, 1702, 7 Inches Wide.
Attributed works:
[Sotheby's] A Ravenscroft Engraved Decanter Jug, 9⅛ Inches.
Attributed works:
[Sotheby's] A Sceaux Coloured Faience Equestrian Figure of Louis XV, 11¼ Inches.
Attributed works:
[Sotheby's] A Sceaux Faience Duck Tureen, 12 Inches High and 15½ Inches Long.
Attributed works:
[Sotheby's] A Small Louis XV Beechwood Bergère, Signed C. F. Normand.
Attributed works:
[Sotheby's] A Staffordshire Opaque-White Vase, 6¼ Inches.
Attributed works:
[Sotheby's] A Stippled Wine Glass by David Wolff, 5⅞ Inches.
Attributed works:
[Sotheby's] A Superb Louis XVI Parquetry Commode by J. H. Riesener, 4 Feet 10 Inches Wide by 3 Feet 4 Inches High.
Attributed works:
[Sotheby's] A Swabian Polychrome Limewood Relief of Saint Ursula, in the Manner of the Meister von Ottobeuren, Circa 1540, 39 by 23½ Inches.
Attributed works:
[Sotheby's] Adriaen Ysenbrandt. The Adoration of the Kings. On Panel, 18 by 14 Inches.
Attributed works:
[Sotheby's] Albert Marquet. Paysage au Bord de la Mer - Algérie. Signed, 25 by 31 Inches.
Attributed works:
[Sotheby's] Ambrosius Bosschaert. Flowers in a Glass. 8 by 6½ Inches. Signed in Monogram and Dated 1606, on Metal.
Attributed works:
[Sotheby's] An Urbino Tazza in the Manner of Pellipario, c.1540, 8¾ Inches.
Attributed works:
[Sotheby's] Arrow (Die Pfeilform), No.258 55¼ by 47⅜ Inches. Oil on Canvas, Signed with Initials and Dated, '23.
Attributed works:
[Sotheby's] Auguste Rodin. Eve. Height 30½ Inches. 1899-1900, Signed, Marble Sculpture.
Attributed works:
[Sotheby's] Berthe Morisot. Miss Reynolds et Julie Manet. 1884, Signed, 27¼ by 18¾ Inches.
Attributed works:
[Sotheby's] Camille Pissarro. Bords de l'Oise, Pontoise. Signed and Dated 1876, 14½ by 21 Inches.
Attributed works:
[Sotheby's] Claude Monet. La Vallée de la Scie. 1882, 23½ by 31 Inches
Attributed works:
[Sotheby's] Edgar Degas. 'Unhappy Nelly.' Pastel, 24½ by 18¾ Inches.
Attributed works:
[Sotheby's] Edgar Degas. Trois Danseuses. c.1896, Pastel, 21 by 19 Inches.
Attributed works:
[Sotheby's] Edouard Vuillard. Misia et Thadée Natanson. c.1896, Signed and Inscribed, 18½ by 20¾ Inches.
Attributed works:
[Sotheby's] Eugène Boudin. L'Inauguration du Grand Salon du Casino de Trouville, 9½ by 16⅜ Inches. 1865, Signed with Initials.
Attributed works:
[Sotheby's] Fernand Léger. Le Compotier. Signed and Dated '48, 23¼ by 35¾ Inches.
Attributed works:
[Sotheby's] Fragonard. La Sultane.17¾ by 14½ Inches.
Attributed works:
[Sotheby's] Francisco Goya. The Giant. Aquatint, One of Six Known Impressions, 11⅝ by 8¾ Inches.
Attributed works:
[Sotheby's] François Boucher. A Study of a Water-Nymph. 12⅝ by 16⅞ Inches. Black, White and Red Chalks on Buff Paper.
Attributed works:
[Sotheby's] Georges Braque. La Cuvette Bleue. 1942, Signed, 23½ by 31½ Inches.
Attributed works:
[Sotheby's] Georges Braque. Marguerites sur une Caisse. 1946, Signed. 31¼ by 23 Inches.
Attributed works:
[Sotheby's] Georges Rouault. Tête de Pierrot. c.1937-8, Signed, 23¾ by 17½ Inches.
Attributed works:
[Sotheby's] Giovanni Battista Tiepolo. The Adoration of the Magi. Etching, 16⅞ by 11⅜ Inches.
Attributed works:
[Sotheby's] Guillaume Deguileville. Le Pélerinage de Vie Humaine, with the Arms of Louis XI and His Consort Charlotte of Savoy, Illuminated by a Follower of the Master of King René, France (Anjou?), circa 1470-80.
Attributed works:
[Sotheby's] Gustave Courbet. Les Demoiselles des Bords de la Seine. 1856, 37 by 49½ Inches.
Attributed works:
[Sotheby's] Henri de Toulouse-Lautrec. Au Bal du Moulin de la Galette. 33½ by 37½ Inches. Ink and Blue Crayon on Buff Paper, 1889, Signed.
Attributed works:
[Sotheby's] Henri Fantin-Latour. Pensées dans un panier. Signed and Dated 1875, 14¼ by 20¾ Inches.
Attributed works:
[Sotheby's] Hieronymus Bosch. On Panel, 10¼ by 7⅝ Inches. The Temptation of St Anthony.
Attributed works:
[Sotheby's] Improvisation. Oil on Canvas, Dated 1914. 43¾ by 43½ Inches.
Attributed works:
[Sotheby's] Jacques Bellange. The Virgin and Child. Etching, 8¾ by 5⅝ Inches.
Attributed works:
[Sotheby's] Johan Barthold Jongkind. Le Chemin de Hallage. Signed and Dated 1864, 13¼ by 18 Inches.
Attributed works:
[Sotheby's] Juan Gris. Les Deux Pierrots. 39¼ by 25 Inches. Signed and Dated 1922,
Attributed works:
[Sotheby's] Kees van Dongen. L'Acrobate. c.1906-8, Signed, 28 by 19 Inches.
Attributed works:
[Sotheby's] Large Study. 39¼ by 31 Inches. Oil on Canvas, Signed with Initials and Dated '14.
Attributed works:
[Sotheby's] Luca Signorelli. 8½ by 15 Inches. A Young Man Standing, and a Study of a Young Lady. Black and White Chalks on Buff Paper.
Attributed works:
[Sotheby's] Marc Chagall. La Belle Rousse. Signed and Dated 1949, 44½ by 35¾ Inches.
Attributed works:
[Sotheby's] Marc Chagall. Paysanne Russe à l'Éventail. 1912, Signed, 26½ by 22 Inches.
Attributed works:
[Sotheby's] Maurice Utrillo. Vue de Montmartre. 1908, Signed, 19½ by 17¾ Inches.
Attributed works:
[Sotheby's] Max Ernst. Pendant que la Terre Dort. Signed and Dated 1956, 35½ by 45¾ Inches.
Attributed works:
[Sotheby's] Nicolas de Staël. Paysage. 1952, Signed, 19¼ by 23½ Inches.
Attributed works:
[Sotheby's] Odilon Redon. Les Pavots dans un vase bleu. c.1905-10, Signed, 15½ by 15¾ Inches.
Attributed works:
[Sotheby's] One of a Pair of Louis XVI Mahogany Commodes, Signed G. Dester, 4 Feet 4 Inches Wide and 3 Feet 1 Inch High.
Attributed works:
[Sotheby's] One of a Pair of Vincennes Pot-Pourri Vases, 14 Inches.
Attributed works:
[Sotheby's] One of a Set of Four Louis XV Lille Verdure Tapestries, 6 Feet 7 Inches by 10 Feet 1 Inch.
Attributed works:
[Sotheby's] Paul Signac. Portrait de Félix Fénéon. Signed and Dated '90, 28¾ by 36¼ Inches.
Attributed works:
[Sotheby's] Pierre Bonnard. Corbeille de Pêches. 1939-45, Signed, 12¼ by 15½ Inches.
Attributed works:
[Sotheby's] Pierre Bonnard. Les boules de neige.15¾ by 12½ Inches. 1891, Signed with Monogram.
Attributed works:
[Sotheby's] Pierre Bonnard. Nu Blond. 1913, Signed, 24 by 18 Inches.
Attributed works:
[Sotheby's] Pierre-Auguste Renoir. Deux Jeunes Filles en Promenade. c.1883-5, Three Coloured Chalks, Signed with Monogram. 23½ by 15¾ Inches.
Attributed works:
[Sotheby's] Pietro Longhi. The Artist Sketching an Elegant Company. 23¾ by 19 Inches.
Attributed works:
[Sotheby's] Pointed Accents (Spitze Akzente), No.342. Oil on Canvas, Signed with Initials and Dated '26. 30⅞ by 49¼ Inches.
Attributed works:
[Sotheby's] Raoul Dufy. La Plage du Havre. 25 by 31¼ Inches. Signed and Dated '06.
Attributed works:
[Sotheby's] Rembrandt. An Apostle Reading. Signed and Dated 1661, 34 by 28 Inches.
Attributed works:
[Sotheby's] Rembrandt. Still Life. Signed, on Panel, 28 by 22 Inches.
Attributed works:
[Sotheby's] Rigid and Bent (Rigide et Courbé), No.625. Oil and Sand on Canvas, Signed with Initials and Dated '35. 45 by 63¾ Inches. Illustrated Catalogue (50 plates in colour), 12s 6d.
Attributed works:
[Sotheby's] Salomon van Ruysdael. A River Landscape. Signed in Monogram and Dated 1644, on Panel, 24½ by 36 Inches.
Attributed works:
[Sotheby's] School of Mantegna. Christ descending into Hell. Engraving, 16 by 13⅛ Inches.
Attributed works:
[Sotheby's] Serenity (Heiteres), No.265 25¾ by 28½ Inches. Oil on Canvas, Signed with Initials and Dated '24.
Attributed works:
[Sotheby's] The Good Contact (Der Gute Kontakt), No.649. 35 by 45¾ Inches. Oil on Canvas, Signed with Initials and Dated '38.
Attributed works:
[Sotheby's] Vasily Kandinsky. Ludwigskirche in München. Signed and Dated 1908, Oil on Cardboard. 26½ by 37¾ Inches
Attributed works:
[Sotheby's] Vincent van Gogh. Auvers - Vue de Village Painted in June 1890, 17 by 20 Inches.
Attributed works:
[Spink, 5, 6, 7 King Street, London] A Chinese Blacksmith by George Chinnery, R. H. A., 1774-1852 Oils, canvas.9¾ by 8 Inches. Coll: The Hon. Mrs. Nellie Ionides
Attributed works:
[The Contemporaries, 992 Madison Avenue, New York] Edward Giobbi.
Attributed works:
[The Pulitzer Gallery, 5 Kensington High Street, London] Abraham Bloemaert, 1564-1651. 8½ by 10½ Inches, (21) by 27.2 cms. Pen and Washed Ink, Heightened with White Chalk
Attributed works:
[Thos. Agnew & Sons Ltd, 43 Old Bond Street, 3 Albemarle Street, London] C. Despiau. 9¼ by 14 Inches
Attributed works:
[Thos. Agnew & Sons Ltd, 43 Old Bond Street, 3 Albemarle Street, London] H. Matisse. 21 by 16 Inches
Attributed works:
[Thos. Agnew & Sons Ltd, 43 Old Bond Street, 3 Albemarle Street, London] J. Pascin. 8½ by 6¾ Inches
Attributed works:
[Thos. Agnew & Sons Ltd, 43 Old Bond Street, 3 Albemarle Street, London] P. Nash. Watercolour, 13 by 20⅛ Inches
Attributed works:
[Thos. Agnew & Sons Ltd, 43 Old Bond Street, 3 Albemarle Street, London] W. R. Sickert. Crayon, 9¼ by 14¾ Inches
Non-western art unattributed:
[Carrington of Regent Street, 130 Regent Street, London] A fine Russian pattern brilliant diamond set tiara, alternatively forming a necklace.
Non-western art unattributed:
[Christie's] Pair of Arita Figures of Cockerels - 11 Inches High - Late Seventeenth Century
Non-western art unattributed:
[Christie's] Tang Glazed Pottery Figure of a Seated Lady - 8 Inches High
Non-western art unattributed:
[Christie's] Two Famille-Rose Eggshell Plates. Yung Cheng or Early Ch'iên Lung
Non-western art unattributed:
[Christie's] Two Famille-Rose Ruby Back Saucer Dishes. Yung Chêng
Non-western art unattributed:
[Christie's] White Jade Cylindrical Brush pot - 4¾ Inches High - Ch'ien Lung
Non-western art unattributed:
[Sotheby's] A Ch'ing Pai Vase with Carved Decoration Yüan Period, 11½ Inches.
Non-western art unattributed:
[Sotheby's] A Jade Incense Burner and Cover, Ch'ien Lung, 5 Inches.
Non-western art unattributed:
[Sotheby's] A Ming Blue and White Indo-Portuguese Vase, Chia Ching Period, 6 Inches.
Non-western art unattributed:
[Sotheby's] A Tureen and Cover, Part of a Famille-Verte Service, Ch'ien Lung.
Non-western art unattributed:
[Sotheby's] Sample Pieces from a Famille-Rose Armorial Service, Ch'ien Lung.
Western art unattributed:
[Christie's] Fine Zurich Group of a Lying Horse with a Youth, a Girl and Two Putti - 7½ Inches Long
Western art unattributed:
[Christie's] Louis XIV Boulle Marquetry Commode. 56 ins. Wide.
Western art unattributed:
[Christie's] Prayer Book, 1676, with an Attractive and Unusual English Binding
Western art unattributed:
[Christie's] Vinovo Group of Three Children - 6¼ Inches High
Western art unattributed:
[Maurice Rheims & Philippe Rheims, 7 rue Drouot, at the Palais Galleria, Paris] Louis XV Lacquer Commode from the Château de Sceaux
Western art unattributed:
[Sotheby's] A Black Delft Figure of a Monk, 12 Inches.
Western art unattributed:
[Sotheby's] A Faenza Drug Jar, 8 Inches.
Western art unattributed:
[Sotheby's] A Florentine Terra-Cotta Bust, Early Seventeenth Century, 14 Inches.
Western art unattributed:
[Sotheby's] A German Etched, All-Steel, Belt Pistol, Nuremberg, Circa 1570.
Western art unattributed:
[Sotheby's] A Pair of Dutch Wheel-Lock Holster Pistols, Circa 1650.
Western art unattributed:
[Sotheby's] A Polychrome Delft Group of the Virgin and Child, Dated 1752, 17¾ Inches.
Western art unattributed:
[Sotheby's] A Rouen Faience Armorial Dish in Iron-Red and Blue, with the Arms of Thyrel de Bois Normand and Legras de Bardouville, 18¾ Inches.
Western art unattributed:
[Sotheby's] A Rouen Faience Blue and Iron-Red Ewer, 11½ Inches.
Western art unattributed:
[Sotheby's] A Rouen Faience Blue and White Armorial Dish, 19¼ Inches.
Western art unattributed:
[Sotheby's] A Rouen Faience Blue and White Ewer, 11 Inches.
Western art unattributed:
[Sotheby's] A South German Double-Barrelled Wheel-Lock Pistol, Circa 1580.
Western art unattributed:
[Sotheby's] An Armlet, a Fibula Terminal and a Twisted Waist Torque, all Late Bronze Age.
Western art unattributed:
[Sotheby's] An Important Spanish Parcel Gilt Silver Pax, Segovia, Circa 1480, 9½ Inches.
Western art unattributed:
[Sotheby's] One of a Large Pair of Rouen Faience Blue and White Vases, 31 Inches.
Western art unattributed:
[Sotheby's] One of a Pair of Black Delft Landscape Dishes, 13¾ Inches.
Western art unattributed:
[Sotheby's] One of a Pair of Delft doré Candlesticks, 9 Inches. One of a Pair of Delft Japanese Cocks, 6¼ Inches. One of a Pair of Delft Candlesticks. 8½ Inches.
Western art unattributed:
[Sotheby's] One of a Pair of Faenza drug Jars, c.1515, 8¼ Inches.
Western art unattributed:
[Sotheby's] One of a Pair of Louis XVI Ormolu Chênets, 1 Foot 2 Inches High.
Western art unattributed:
[Sotheby's] One of a Pair of Rouen Faience Chinoiserie Jars, 6½ Inches, and Two Rouen Faience Sugar Casters, All Decorated in Iron-Red and Blue, 9 Inches.
Western art unattributed:
[Sotheby's] Sale 11th. June at 10.30 am. Top: A Brooch in Sapphire and Diamonds. Bottom: A Diamond Star Brooch (Both Reduced).
Western art unattributed:
[Sotheby's] Sale 12th. June. A Solid Agate Saltglaze Figure of a Cat, 5¼ ins.
Western art unattributed:
[Sotheby's] St Catherine, from the Dartmouth Hours, North France, Mid-Fifteenth Century.
Western art unattributed:
[Sotheby's] St Cyprian, Opera, with the Arms of Matthias Corvinus, King of Hungary and Bohemia, Florence, Circa 1460-70.
Advertisements
Advertisements October 1963 (Front)
10/1963 | 727 | 105
Pages: i-lvi
Subjects
advertisements:
advertisements:
artists:
artists:
Illustrations
Attributed works:
[Alfred Brod Gallery, 36 Sackville Street, London] Gerard Terborch. Canvas, 25½ by 19 Inches
Attributed works:
[Alfred Brod Gallery, 36 Sackville Street, London] Joost de Momper. Panel, 23½ by 35¾ Inches
Attributed works:
[Brian Koetser Gallery, 38 Duke Street, London] A. Bloemaert (Pair). Signed and Dated. Panel 9 by 6¼ ins.
Attributed works:
[Brian Koetser Gallery, 38 Duke Street, London] Jan-Baptist Weenix (1621-1663). Copper, 13¾ by 11¼ ins.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] P. Bruegel the Elder. Engraving. v. Bast. 107 I
Attributed works:
[Christie's] A Roman Capriccio - 40½ by 27 Inches - Giovanni Paolo Pannini
Attributed works:
[Christie's] Fine Chelsea Dish - 15½ Inches Wide
Attributed works:
[Christie's] Fine Chelsea Tea and Coffee Service
Attributed works:
[Christie's] Fine Meissen Porcelain and Louis XVI Ormolu Pot Pourri Vase Flanked by Two Bluetits by J. J. Kaendler - 7 Inches Wide
Attributed works:
[Christie's] Fine Mennecy Figure of a Chinaman - 7¼ Inches High
Attributed works:
[Christie's] George III Jewish Sabbath-Lamp - 35½ Inches High - by Hester Bateman, 1781
Attributed works:
[Christie's] One of a Pair of Fine Chelsea Dishes - 17 Inches Wide - by J. H. O'Neale. From the Warren Hastings Service
Attributed works:
[Christie's] Pair of Fine Mennecy Figures of a Chinaman and a Companion - 6 Inches High
Attributed works:
[Christie's] Two Queen Anne and George I Wine-Jugs - 11¼ Inches High - One by Francis Singleton, 1702, the Other by Thomas Folkingham, 1715
Attributed works:
[Christie, Manson & Woods Ltd, 8 King Street, London] Swiss Gold and Enamel Box, Early Nineteenth Century, 3¾ Inches High, c.1840 Swiss Gold and Enamel Musical Box, Early Nineteenth Century, 3½ Inches Wide, c.1840
Attributed works:
[Colnaghi's, 14 Old Bond Street, London] Four Naked Women. Meder 69. Engraving by Albrecht Dürer (1497)
Attributed works:
[Florence Lewison Gallery, 50 East 76th Street, New York] Theodore Robinson 1852-1896. Cabbage Patch 16 by 12 Inches Painted at Giverny, Signed & Dated 1885
Attributed works:
[Helene C. Seiferheld Gallery Inc., 158 East 64th Street, New York / R.M. Light & Co. Inc., 421 Beacon Street, Boston, 80 W. 5th Avenue, Bldg, Scottsdale, Arizona] George Romney, 1734-1802. Double-Sided Sketch Page, Medea Contemplating the Murder of Her Children Numbered by the Artist on Verso: 171, Ex. Coll: Artist's Studio; Miss Romney; Sir Alfred and Otto Beit 12 by 17⅝ Inches (350 by 448 mm); Brown Ink, Pen and Wash Pencil
Attributed works:
[How (of Edinburgh) 2-3 Pickering Place, London] Porringer and Cover. London 1682. Weight 30 oz. 7 dwt. Height 7 Inches. Maker's Mark T. I
Attributed works:
[Kunsthaus Lempertz, Neumarket 3, Cologne] Secrétaire, Signed: G. Péridiez (Gérard Péridiez), 1730-After 1786) Paris 3rd Quarter 18th Century
Attributed works:
[Leonard Koetser Gallery, 13 Duke Street, London] Corneille de Lyon. 1533/4. The Hague - Lyon. 1574 Portrait of a Lady. Against a Pale Green Back-Ground and Attired in a Simple Black Velvet Dress, Open at the Neck Where it Is Edged with White, the Wide Sleeves of Shimmering White Silk, a Young Girl Is Looking Pensively from Expressive Eyes to the Front, Her Lips Delicately Formed. Partly Covering Her Wispish Centrally Parted Brown Hair Is a Black Lace Veil Edged with Gold. Her Right Hand Protrudes from a White Lace Cuff and, Extended to the Front, Is Holding a Glove. Panel, 7½ by 5¼ Inches (19 by 13.2 cm)
Attributed works:
[Leonard Koetser Gallery, 13 Duke Street, London] Jean Francois Gille Colson. 1733 - Dijon - 1803 Petite Fille. In a Simple Dress with Half-Sleeves of White Muslin, of a Delicate Lavender Colour, the Low Neck of Which Is Edged with White Muslin Worked with a Flowered Pattern, a Young Girl, with a Pale Grey Gathered Cap Tied in a Ribbon at the Back Resting on Her Short Golden Hair, Is Gazing Serenely Downwards. Her Eyes are Lowered, and Her Beautifully Formed Pale Rose Coloured Chin Is Gently Resting on the Soft White Skin of Her Lower Neck. A Shaft of Sunlight Has Caught the Folds of Her Cap and the Delicately Moulded Left Ear. Canvas, 17 by 14¼ Inches (43.2 by 36.2 cm). Collection: Baron de St. Blanca. Exhibition: Versailles, Bibliothèque: Enfants. d'Autrefois, 1931.
Attributed works:
[Newhouse Galleries Inc., 15 East 57th Street, New York] Landscape by Jan Frans van Bloemen. Called Orizonte 1662-1749 20 by 29¼ Inches
Attributed works:
[Oxford University Press] From Volume VII Nicholas Hilliard: Queen Elizabeth. (Victoria and Albert Museum. Crown Copyright)
Attributed works:
[Pardo, 160 Boulevard Haussmann, Paris] Francesco Guardi. A Pair, Each 9¼ by 7¼ Inches.
Attributed works:
[Peel & Humphris Ltd, 37 New Bond Street, London] Hugo Grotius. Portrait Bust Terra-Cotta. Height 22 Inches. By Michael Rysbrack
Attributed works:
[Sotheby's, 34-5 New Bond Street, London] Sale 17/18th October. A Marble Bust of the Marquis de Miromesnil by Jean-Antoine Hudon, Signed and Dated 1775.
Attributed works:
[Sotheby's] A 'Grande Sonnerie' Ebonised Bracket Clock, by Thomas Tompion, 1 Foot 2½ Inches High.
Attributed works:
[Sotheby's] A Brilliantly-Coloured Meissen Figure of Mezzetin, by J. J. Kaendler, 7⅜ Inches.
Attributed works:
[Sotheby's] A Crystal and Enamel-Cased Stackfreed Watch by Christof Streibel of Augsberg, c.1620.
Attributed works:
[Sotheby's] A Gold and Enamel Duplex Watch by Steadman and Vardon, Hallmark London 1791.
Attributed works:
[Sotheby's] A Gold and Enamel Pair-Cased Verge Watch by John Ellicott, 1741.
Attributed works:
[Sotheby's] A Gold and Enamel Pair-Cased Watch for the Turkish Market by Breguet, No.3008.
Attributed works:
[Sotheby's] A Gold-Cased Miniature Breguet Subscription Watch, No.4500.
Attributed works:
[Sotheby's] A Jewelled Gold and Enamel Montre à Tact by Breguet, No.887.
Attributed works:
[Sotheby's] A Louis XV Lacquer and Gold tabatière, by Jean Ducrollay, Paris 1770, 3¼ Inches.
Attributed works:
[Sotheby's] A Louis XV Ormolu Candelabrum with a Meissen Pagoda Figure by J. J. Kaendler, 13½ Inches High Overall.
Attributed works:
[Sotheby's] A Louis XVI Gold and Enamel tabatière by Joseph-Etienne Blerzy, Paris 1777, 3½ Inches.
Attributed works:
[Sotheby's] A Lund's Bristol Vase, 6½ Inches.
Attributed works:
[Sotheby's] A Meissen 'Crinoline' Group of Lovers at a Sewing Table, by J. J. Kaendler, Mounted on a Louis XV Ormolu Base, the Group 9¾ Inches Wide, 8½ Inches High.
Attributed works:
[Sotheby's] A Meissen Allegorical Group by J. J. Kaendler, Mounted on a Louis XV Ormolu Base, 9¼ Inches High Overall.
Attributed works:
[Sotheby's] A Meissen Figure of the Frightened Harlequin, by J. J. Kaendler, 6½ Inches.
Attributed works:
[Sotheby's] A Meissen Figure of the Greeting Harlequin, by J. J. Kaendler, 6⅛ Inches.
Attributed works:
[Sotheby's] A Meissen Group of Harlequin and Columbine Seated, by J. J. Kaendler, 6½ Inches.
Attributed works:
[Sotheby's] A Meissen Group of the Tyrolean or Dutch Dancers by J. F. Eberlin, on a Louis XV Ormolu Base, the Group 6½ Inches High.
Attributed works:
[Sotheby's] A Month Longcase Timepiece with 'Grass-hopper' Escapement, Signed Vulliamy, 6 Feet 11 Inches High.
Attributed works:
[Sotheby's] A Niderviller Soup Tureen, Cover and Stand, Beyerlé Period c.1755, 13½ Inches, Stand 21 Inches.
Attributed works:
[Sotheby's] A Pair of Imperial Chinese-Taste Celadon Vases with Poems Signed by T'ang Ying, the Director of the Imperial Porcelain Factor, 1736-1753, 7⅝ Inches.
Attributed works:
[Sotheby's] A Pair-Cased Repeating Verge by J. Newham of London, in an Agate and Gold Case, c.1770.
Attributed works:
[Sotheby's] A Parquetry Longcase Clock by William Clement, 6 Feet 10 Inches High.
Attributed works:
[Sotheby's] A Sceaux Soup Tureen, Cover and Stand, Fleur-de-Lys Marks in Puce, 13¾ Inches High, 14½ Inches diam.
Attributed works:
[Sotheby's] A Swiss Gold Snuff Box, c.1780, Maker's Mark D. M. C., 3¼ Inches.
Attributed works:
[Sotheby's] A Verge Watch by Theodore Girard of Blois in a Jewelled Gold and Enamel Case, c.1630.
Attributed works:
[Sotheby's] A Worcester 'Fable Decorated' Plate, by J. H. O'Neale, 8½ Inches, First Period.
Attributed works:
[Sotheby's] A Worcester Yellow-Ground Mug 5¾ Inches, First Period.
Attributed works:
[Sotheby's] Alfred Sisley. Lady's Cove, Langland Bay - Le Matin. Signed and Dated '97 31½ by 25½ Inches.
Attributed works:
[Sotheby's] Alfred Sisley. Les Bords du Loing vers Moret, 1883. Signed, 19¾ by 28¾ Inches.
Attributed works:
[Sotheby's] An Early Chelsea Plinth, Raised Red Anchor Mark, 4 Inches. A Chelsea Lobed Dish, Raised Anchor Mark, 7⅜ Inches. A Chelsea Fable Decorated Cream Jug, 2½ Inches.
Attributed works:
[Sotheby's] An Empire Equation Mantel Regulator by Mugnier and Lepinte, 1 Foot 11½ Inches High.
Attributed works:
[Sotheby's] André Derain. La Table Garnie, c.1921/2. Signed, 38¼ by 64¼ Inches.
Attributed works:
[Sotheby's] Antonio Pisano, Called Pisanello. The Head of a Bearded Monk, Pen and Ink on Buff Paper, 4½ by 5 Inches.
Attributed works:
[Sotheby's] Claude Geleé Called Le Lorrain. The Basilica of Constantine. Pen and Ink and Brown Wash on Buff Paper, 4⅞ by 7⅝ Inches.
Attributed works:
[Sotheby's] Edgar Degas. Marguerite Degas Brodant, Pencil Drawing, Heightened with White. 14 by 9¾ Inches.
Attributed works:
[Sotheby's] Edgar Degas. Portrait de jeune femme, c.1858. 25 by 17½ Inches.
Attributed works:
[Sotheby's] Edouard Manet. Scènes de tauromachie (à l'éventail). Water-Colour, Signed, 23¼ by 8 Inches.
Attributed works:
[Sotheby's] Eugene Delacroix. La chasse au tigre, 1833. Gouache and Water-Colour on Paper, 9½ by 12½ Inches.
Attributed works:
[Sotheby's] Francesco Guardi. A Venetian Courtyard. Pen and Ink and Brown Wash 6⅞ by 7⅞ Inches.
Attributed works:
[Sotheby's] Hubert Robert. The Gardens of the Villa d'Este, the Colonnade. Red Chalk, 13½ by 17¾ Inches.
Attributed works:
[Sotheby's] Juan Gris. Paysage, 1917. On Panel, Signed, 45¼ by 28½ Inches.
Attributed works:
[Sotheby's] Louis-Gabriel Moreau l'Ainé. Paysage d'Italie, La Fontaine. Gouache, 10¾ by 15⅜ Inches
Attributed works:
[Sotheby's] Max Ernst. Jardin Gobe-Avions. Signed and Dated, 1934, 23 by 28¼ Inches.
Attributed works:
[Sotheby's] Odilon Redon. Les Papillons, c.1912, Water-Colour, 10½ by 8 Inches.
Attributed works:
[Sotheby's] One of a Pair of Strasbourg Tureens, Covers and Stands, Period of Paul Hannong, Each 15 Inches.
Attributed works:
[Sotheby's] Paul Klee. Brutaler Pierrot, 1927. Water-Colour and Ink. 12½ by 12½ Inches.
Attributed works:
[Sotheby's] Pierre-Auguste Renoir. La femme au manchon. Pencil and Sepia Ink Drawing. 18¼ by 11 Inches.
Attributed works:
[Sotheby's] The 'William Callow' Lowestoft Jug, 5 Inches, Painter's Numeral 5.
Attributed works:
[Spink & Son Ltd, 5, 6, 7 King Street, London] A Traveller on the Road by Thomas Gainsborough, R. A., 1727 - 1788 Pencil and Grey Wash Drawing, 6¾ by 9 Inches. Coll: Lord Nathan of Churt
Attributed works:
[The Contemporaries, 992 Madison Avenue, New York] Edward Giobbi
Attributed works:
[Thos. Agnew's & Sons Ltd, 43 Old Bond Street & 3 Albemarle Street, London] Piazza Barberini
Attributed works:
[Thos. Agnew's & Sons Ltd, 43 Old Bond Street & 3 Albemarle Street, London] Piazza Mattei
Non-western art unattributed:
[Christie, Manson & Woods Ltd, 8 King Street, London] Early Chinese Bronze Quadrangular Lei - 13½ Inches High - Tenth/Eleventh Century B. C.
Non-western art unattributed:
[Christie, Manson & Woods Ltd, 8 King Street, London] Fine Horn Carving of Kuan Yin with a Lion - 6 Inches High
Non-western art unattributed:
[Christie, Manson & Woods Ltd, 8 King Street, London] Important Spinach-Green Jade Brush Pot - 6¼ Inches High - Ch'ien Lung
Non-western art unattributed:
[Christie, Manson & Woods Ltd, 8 King Street, London] Pair of Early Chinese Silver Red and Gilt Bronze Vases - 7 Inches High - F'ang Dynasty
Non-western art unattributed:
[Sotheby's] A Fifteenth Century Blue and White Conical Bowl, Six Character Mark and Period Hsüan Tê Within a Double Ring, 8⅞Inches.
Non-western art unattributed:
[Sotheby's] A Pair of 'Famille Rose' Figures of Hawks, Ch'ien Lung, 10½ Inches.
Non-western art unattributed:
[Sotheby's] A Superb 'Famille Rose' Goose Tureen and Cover of Large Size, 15¼ Inches High, 14 Inches Long, Ch'ien Lung.
Non-western art unattributed:
[Sotheby's] A Superb Early Ming White Bowl, Yung Lo Period, 8¼ Inches.
Non-western art unattributed:
[Sotheby's] An Important Yüan Blue and Brown-Glazed Stem Cup, Fourteenth Century, 4½ Inches High, 5½ Inches Diameter.
Western art unattributed:
[Christie's] Charles II Silver-Gilt Thistle-Shaped Mug - 4 Inches High - 1684
Western art unattributed:
[Christie's] George II Monteith - 13 Inches Diameter - 1730
Western art unattributed:
[Christie's] George III Gold Tumbler Cup - 3½ Inches High - 1791
Western art unattributed:
[Christie's] James II Hand-Candlestick - 5½ Inches Diameter - 1686
Western art unattributed:
[Christie, Manson & Woods Ltd, 8 King Street, London] Top: French Gold and Enamel Box, 3½ ins. Wide, 1810. Bottom: Swiss Gold and Enamel Box, 3¾ ins. Wide, 1800.
Western art unattributed:
[Oxford University Press] From Volume V Ivory Triptych, Once Belonging to John Grandisson, Bishop of Exeter. (British Museum)
Western art unattributed:
[Sotheby's, 34-5 New Bond Street, London] Sale 17/18th October. A Louis XVI Table à Ouvrage 1 ft 1 in. Diameter.
Western art unattributed:
[Sotheby's, 34-5 New Bond Street, London] Sale 24th October. A Sapphire and Diamond Oval Cluster Brooch.
Western art unattributed:
[Sotheby's, 34-5 New Bond Street, London] Sale 24th October. A Step-Cut Diamond Weighing 14.65 Carats, as a Ring.
Western art unattributed:
[Sotheby's, 34-5 New Bond Street, London] Sale 25th October. A Dated Salt-Glaze Bowl, 8½ in.
Western art unattributed:
[Sotheby's] A French Faience Tureen, Cover and Stand, 13 Inches High, 18 Inches Long.
Western art unattributed:
[Sotheby's] A George III Amethistine-Quartz Snuff Box, Eighteenth Century, 2¾ Inches.
Western art unattributed:
[Sotheby's] A George III Gold Cagework nécessaire, Inscribed 'Votre Amitie Fait Ma Seule Felicité', Eighteenth Century, 2⅛ Inches High.
Western art unattributed:
[Sotheby's] A Louis XVI Gold and Lacquer Snuff Box, the Lid with a Miniature after Vernet, c.1780, 3¼ Inches.
Western art unattributed:
[Sotheby's] French School, Circa 1480. A Donkey Attacked by a Lion, with a Lioness Behind, Pen and Ink and Brown Wash, 5 by 6⅞ Inches.
Western art unattributed:
[Sotheby's] Sienese School, Fifteenth Century. A Jaguar, Pen and Ink and Brown Wash, with Touches of Water-Colour, over Black Chalk, 7½ by 5 5/16 Inches.
Western art unattributed:
[Sotheby's] Venetian Master, Circa 1450. A Standing Figure of a Female Saint, Pen and Ink on Pink Tinted Paper, 5 11/16 by 2 13/16 Inches.