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529 articles
Article
A ‘crucifixion complex’: two newly discovered sketches attributed to Francis Bacon
03/2024 | 1452 | 166
Pages: 225–235
related names
Author:
Daniels, Rebecca (Daniels, Rebecca)
Subjects
collectors and dealers:
dates:
subjects:
Illustrations
Attributed works:
1. Sketch, by Francis Bacon. c.1930. Pencil on tracing paper mounted on paper, 25.2 by 16.6 cm. (irregular). (Collection & Image © Hugh Lane Gallery; The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Hugh Lane Gallery, Dublin;).
Attributed works:
10. Studio Interior, by Francis Bacon. c.1936. Pastel and pencil on paper, 23.5 by 35 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
11. Sketch for triptych, here attributed to Francis Bacon. c.1933. Pencil. (Art Gallery of New South Wales, Sydney; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
12. Three Studies for Figures at the Base of a Crucifixion, by Francis Bacon. 1944. Oil and pastel on fibreboard, each panel approx. 94 by 74 cm. (irregular). (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Tate).
Attributed works:
2. Two pencil sketches, here attributed to Francis Bacon. c.1933. Pencil on paper, 26 by 18.5 cm. (On the half-title page of A. Level: Picasso, Paris 1928; Art Gallery of New South Wales, Sydney; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
3. Sketch of a Biomorph, by Francis Bacon. c.1936. Black, blue and darkbrown ink on lined paper, 16.7 by 12.1 cm. (irregular). (Collection & Image © Hugh Lane Gallery; The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Hugh Lane Gallery, Dublin).
Attributed works:
4. Abstraction from the Human Form, by Francis Bacon, c.1936. Medium and dimensions unknown. Destroyed by the artist. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024).
Attributed works:
5. Sketch for Portrait of M.E. Sadler [skull], here attributed to Francis Bacon. c.1933. Pencil and possibly wash. (Art Gallery of New South Wales; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of, Sydney; Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
6. Crucifixion [skeleton], by Francis Bacon. 1933. Oil on canvas, 62 by 48.5 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
7. ‘A candidate for Baptism’, detail of Baptism of Christ, by Piero della Francesca. (From R. Longhi: Piero della Francesca, Milan 1930).
Attributed works:
8. The Crucifixion [skull], by Francis Bacon. 1933. Oil on canvas, 111.5 by 86.5 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
9. Replica of Portrait of Michael Sadler, by Loris Rey. Bronze. (University College, University of Oxford).
Exhibition Review
Picasso in Fontainebleau
02/2024 | 1451 | 166
Pages: 199–201
related names
Reviewer:
Cowling, Elizabeth (Cowling, Elizabeth)
Subjects
artists:
dates:
places:
Reviewed Items
subjects:
Picasso in Fontainebleau Museum of Modern Art, New York 8th October 2023–17th February 2024 | :
Illustrations
Attributed works:
23. Three musicians, by Pablo Picasso. 1921. Oil on canvas, 200.7 by 222.9 cm. (© Estate of Pablo Picasso and Artists Rights Society, New York; Museum of Modern Art, New York).
Attributed works:
24. Three women at the spring, by Pablo Picasso. 1921. Oil on canvas, 203.9 by 174 cm. (© Estate of Pablo Picasso and Artists Rights Society, New York; Museum of Modern Art, New York).
Attributed works:
25. Three women at the spring, by Pablo Picasso. 1921. Red chalk on canvas, 200 by 161 cm. (© Estate of Pablo Picasso and Artists Rights Society, New York; Musée national Picasso, Paris; exh. Museum of Modern Art, New York).
Attributed works:
26. Three musicians, by Pablo Picasso. 1921. Oil on canvas, 204.5 by 188.3 cm. (© Estate of Pablo Picasso and Artists Rights Society, New York; Philadelphia Museum of Art; exh. Museum of Modern Art, New York).
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Advertisements (front)
01/2024 | 1450 | 166
Pages: i-xx
Subjects
Illustrations
Attributed works:
A farmyard scene, by Adriaen van Utrecht (1599–1652). 1647. Oil on canvas, 115 by 161 cm. [ARS ANTIQUA, MILAN/BRAFA]
Attributed works:
A sculpture of the Virgin of the Assumption Attributed to Alejo de Vahía, active in Palencia around 1473-1515 Gilt and polychromed wood, around 1509 Gift of Sir Michael Craig-Martin R.A. [Spanish Gallery, The Auckland Project]
Attributed works:
A young man wearing a studio cap, by Lorenzo Baldissera Tiepolo (1736–76). Black and red chalk, 41.2 by 28.5 cm. [NICHOLAS HALL, NEW YORK/Master Drawings New York]
Attributed works:
Artemisia Gentileschi (1593–after 1654), The Penitent Magdalene, c. 1625/30 [Robilant & Voena]
Attributed works:
Carnival at the bistrot, Paris, by Pablo Picasso (1881–1973). c.1908. Watercolour on paper, 22.5 by 21 cm. [PATRICK BOURNE & CO., LONDON/Master Drawings New York]
Attributed works:
CIRCLE OF PAOLO VERONESE Possibly a portrait of Isabella Andreini (1562 - 1604) Oil on canvas 85.25 in. (H) x 56 in. (W) [Sloane Street Auctions]
Attributed works:
Crucifix. Spain, c.1550. Silver gilt and rock crystal with polychrome, height 41 cm. [GALERIE BERNARD DE LEYE, BRUSSELS/BRAFA]
Attributed works:
Embroidery Workshop of the Monastery of the Escorial (Spanish, 16th Century) The Pharaoh’s Judgment, ca. 1585 Pen and brown ink with brown washes, highlighted in white on blue paper Extensively pricked for transfer throughout, 304 x 193 mm [Christopher Bishop Fine Art/Master Drawings New York]
Attributed works:
Envy (Invidia) from the seven deadly sins, engraved by Pieter van der Heyden (1530–72), after Pieter Bruegel the Elder (c.1525–69), published by Hieronymus Cock (1518–70). c.1558. Ink on paper, 29.7 by 22.6 cm. [CHAMBRE PROFESSIONNELLE BELGE DE LA LIBRAIRIE ANCIENNE ET MODERN (CLAM), BRUSSELS/BRAFA]
Attributed works:
Figures in a wooded landscape with mountains behind, by Denijs van Alsloot (1570–1626) and the workshop of Jan Brueghel the Elder (1568–1625). Early 17th century. Oil on panel, 117 by 173 cm. [DE JONCKHEERE, GENEVA AND PARIS/BRAFA]
Attributed works:
From ‘The smoking mother’, by Laure Prouvost. 2023. (Commissioned for Burlington Contemporary Journal 9).
Attributed works:
GIAMBOLOGNA (1529–1608) Mars cast before 1577, probably in the 1560s by Zanobi Portignani Estimate on request [Christie's]
Attributed works:
Horizon, by Max Ernst (1891–1976). 1926. Oil on panel, 24.2 by 18.5 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/BRAFA]
Attributed works:
La fin du voyage, by Paul Delvaux (1897–1994). 1968. Oil on canvas, 165.1 by 145 cm. [OPERA GALLERY, GENEVA/BRAFA]
Attributed works:
LIPPO VANNI. Sienese, active 1344-1376 A predella panel: the Marriage of the Virgin Siena, c.1345 Tempera on wood panel 24.6 x 28.5 cm Provenance:Collection of Walter Savage Landor (1775-1864), Villa Gherardesca, Fiesole. [Brimo de Laroussilhe]
Attributed works:
Piazza d’Italia con Arianna, by Giorgio de Chirico (1898–1978). 1950s. Oil on canvas, 70 by 100 cm.[REPETTO GALLERY, LUGANO/BRAFA]
Attributed works:
Prometheus, by Giovanni Battista Langetti (1625–76). c.1660. Oil on canvas, 88 by 114 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/BRAFA]
Attributed works:
Red Blue Chair, designed by Gerrit Thomas Rietveld (1888–1964). Designed 1919–23, made in 1970. Beechwood and plywood with stain and paint, height 86 cm [GALERIE VAN DEN BRUINHORST, KAMPEN, OVERIJSSEL/BRAFA]
Attributed works:
Sir Edward Burne-Jones (1833-1898) Study for ‘The Nativity’ for St John’s, Torquay. Watercolour, gouache and gold paint. 1887. 14x21.5 inches. [Abbott and Holder]
Attributed works:
Study for the Sala di Apollo (Pitti Palace), by Ciro Ferri (1634–89). c.1659–61. Black chalk, heightened with white, on prepared blue-grey paper, 26.5 by 39 cm. CHRISTOPHER BISHOP FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
The Grey Castle; a view on the Mosel or the Rhine, by J.M.W. Turner (1775–1851). c.1841. Pencil and watercolour, 15.9 by 23.5 cm. [ABBOTT & HOLDER, LONDON/Master Drawings New York]
Attributed works:
Two female nudes, by Gustav Klimt (1862–1918). c.1902. Black chalk on buff paper, 44.3 by 30.9 cm. [STEPHEN ONGPIN, LONDON/Master Drawings New York]
Attributed works:
Virgin and Child in oak, Brabant, Brussels, attributed to Jan Borman I and his workshop (active from 1479 to 1520), circa 1480/90H. 142.5 cm [Giquello]
Attributed works:
Winter landscape, by Väinö Blomstedt (1871–1947). 1904. Oil on board, 39 by 49.5 cm. [AMBROSE NAUMANN, NEW YORK/Master Drawings New York]
Non-western art unattributed:
A Fine and Rare Ancient Kushan Northern India Uttar Pradesh Monumental Red Sandstone Torso Fragment of the Buddha Wearing his Monastic Robe ‘Sanghati’ with Traces of a Lotus Halo the Body Well Defined with a Deeply Carved Navel 1st – 2nd Century AD [Finch & Co]
Non-western art unattributed:
Female figure, by Baule people. Ivory Coast, 19th century. Wood, height 60 cm.[ MONTAGUT GALLERY, BARCELONA/BRAFA]
Western art unattributed:
A pierced flamboyant Gothic canopy. Northern France, 15th century. Limestone, height 30 cm.[DEI BARDI ART, BRUSSELS/BRAFA]
Western art unattributed:
Pseudo-corinthian Capitals North Adriatic Late 11th – early 12th Century White marble, 47x40x40 cm [Mearini Fine Art/BRAFA]
Exhibition Review
Gertrude Stein and Pablo Picasso: The Invention of Language
01/2024 | 1450 | 166
Pages: 84–87
related names
Reviewer:
Loreti, Silvia (Loreti, Silvia)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Gertrude Stein and Pablo Picasso: The Invention of Language Musée du Luxembourg, Paris 13th September 2023– 28th January 2024 | :
Illustrations
Attributed works:
26. Gertrude Stein, by Andy Warhol. 1980. Acrylic and screen print on canvas, 101.9 by 101.9 cm. (Andy Warhol Foundation for the Visual Arts, New York, and ADAGP, Paris; Whitney Museum of American Art, New York; exh. Musée du Luxembourg, Paris).
Attributed works:
27. Gertrude Stein, by Nam June Paik. 1990. Antique television monitors, mixed media and video, 248.9 by 195.9 by 94 cm. (Nam June Paik Estate; courtesy James Cohan Gallery, New York; exh. Musée du Luxembourg, Paris).
Attributed works:
28. “Untitled” (Alice B. Toklas’ and Gertrude Stein’s Grave, Paris), by Felix Gonzalez- Torres. 1992. Chromogenic print pasted on cardboard, 12 by 17.8 cm. (Estate of Felix Gonzalez- Torres; private collection; photograph Suzanne Nagy).
Article
Biting satire: notes on Salvador Dalí’s ‘Debris of an automobile’
12/2023 | 1449 | 165
Pages: 1305–1319
related names
Author:
Lomas, David (Lomas, David)
Subjects
dates:
styles:
Illustrations
Attributed works:
1. Detail of Fig.2, showing a painter at an easel with the Ampurdan plain stretching beyond.
Attributed works:
10. The dream and lie of Franco, by Pablo Picasso. 1937. Aquatint and etching, image 31.7 by 42.1 cm. (Plate I, 8th January 1937, printed by Roger Lacourière; © Succession Picasso and DACS, London; Scala, Florence).
Attributed works:
11. Plate from Les Chants de Maldoror (Comte de Lautréamont), by Salvador Dalí. 1933–34. Photogravure and drypoint after celluloid engraving, 33 by 25 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Florence/bpk, Bildagentur fuer Kunst, Kultur und Geschichte, Berlin; Sprengel Museum, Hannover).
Attributed works:
12. The knight of death, by Salvador Dalí. c.1934. Oil on canvas, 65 by 54 cm. (Private collection; Bridgeman Images).
Attributed works:
13. Plate from Les Chants de Maldoror (Comte de Lautréamont), by Salvador Dalí. 1934. Photogravure and drypoint after celluloid engraving, 33.2 by 25.2 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
14. Expressions of fury in horses, a lion and a man, by Leonardo da Vinci. c.1503–04. Pen and ink with wash, and red chalk on paper, 19.6 by 30.8 cm. (© 2023 His Majesty King Charles III; Royal Collection Trust).
Attributed works:
15. Study for Suburbs of a paranoiac-critical town, by Salvador Dalí. 1935. Pencil and ink on paper, 32 by 22.8 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Sammlung Scharf-Gerstenberg, Berlin).
Attributed works:
16. Paranoiac woman-horse (invisible sleeping woman, lion, horse), by Salvador Dalí. 1930. Oil on canvas, 50 by 65 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; NPL – DeA Picture Library; Bridgeman Images; Musée National d’Art Moderne, Centre Pompidou, Paris).
Attributed works:
17. Conversion of St Paul, by Caravaggio. 1601. Oil on canvas, 230 by 175 cm. (S. Maria del Popolo, Rome; Bridgeman Images).
Attributed works:
18. St George slaying the dragon or Roger and Angelica or Perseus and Andromeda, by Giorgio de Chirico. 1940. Oil on canvas, 91 by 116 cm. (Private collection).
Attributed works:
19. Battle for the Standard (re-touched copy after Leonardo da Vinci’s Battle of Anghiari), by Peter Paul Rubens. 1603. Black chalk, pen and paint on paper, 45.3 by 63.6 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
2. Debris of an automobile giving birth to a blind horse biting a telephone, by Salvador Dalí. 1938. Oil on canvas, 54.5 by 65.1 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
20. Paranonïa, by Salvador Dalí. c.1935–36. Oil on canvas, 38.1 by 46 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Dalí Museum, St Petersburg).
Attributed works:
21. Duncan’s horses, by Salvador Dalí. 1946. Pen and India ink on card, 25.3 by 19.4 cm. (Private collection).
Attributed works:
22. The city rises, by Umberto Boccioni. 1911. Tempera on card, 36 by 60 cm. (Jesi Collection, Milan; Bridgeman Images).
Attributed works:
3. The enigma of Hitler, by Salvador Dalí. 1938. Oil on canvas, 95 by 141 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Bridgeman Images; Museo Reina Sofía, Madrid).
Attributed works:
4. Street lamp, study of light, by Giacomo Balla. 1909. Oil on canvas, 174.7 by 114.7 cm. (© Peter Willi; Bridgeman Images; Museum of Modern Art, New York).
Attributed works:
5. Detail of Fig.2, showing Gala as a winged Victory and a father and child with a Leonardesque rock formation at Cadaqués.
Attributed works:
6. Detail of Guernica, by Pablo Picasso. 1937. Oil on canvas. (© Succession Picasso and DACS, London; Bridgeman Images; Museo Reina Sofía, Madrid).
Attributed works:
7. Detail of Fig.2, showing the horse and the light bulb hanging above it, which echoes the position of the electric light in Guernica.
Attributed works:
8. William Tell, by Salvador Dalí. 1930. Oil and collage on canvas, 113 by 87 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Bridgeman Images; Musée National d’Art Moderne, Centre Georges Pompidou, Paris).
Attributed works:
9. Horse head: study for ‘Guernica’, May 2, 1937, by Pablo Picasso. Oil on canvas, 65 by 92 cm. (© Succession Picasso and DACS, London; Scala, Florence; Museo Nacional Centro de Arte, Reina Sofia, Madrid).
Editorial
The Picasso anniversary
12/2023 | 1449 | 165
Pages: 1271
Book Review
Radical Picasso: The Use Value of Genius
07/2023 | 1444 | 165
Pages: 809–810
related names
Reviewer:
Ribner, Jonathan (Ribner, Jonathan)
Subjects
artists:
Reviewed Items
subjects:
Radical Picasso: The Use Value of Genius By C.F.B. Miller. 320 pp. incl. 42 col. + 30 b. & w. ills. (University of California Press, Oakland, 2022), £50. ISBN 978–0–520–29014–3. | :
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Advertisements (front)
03/2023 | 1440 | 165
Pages: i-xxviii
Subjects
artists:
Illustrations
Attributed works:
A capriccio with a gothic church and ancient ruins, by Marco Ricci (1676–1730). Gouache on vellum, 31.3 by 44.2 cm. [GALERIE ERIC COATALEM, PARIS/Salon du Dessin]
Attributed works:
A demilune commode (with royal Italian provenance), by Carlo Randoni (1755–1831). c.1820–21. Wood, gilt, lacquer and broccatello marble, 90 by 124 by 57 cm. [Burzio, London/Tefaf]
Attributed works:
A very important pair of late-Baroque Italian polychrome majolica two-light wall sconces, tin-glazed earthenware co-called 'a gran fuocco'. Faenza. Possibly decorated by Nicolas Letourneau or Nicola Raccagna.[ Burzio/Tefaf]
Attributed works:
Albrecht Dürer. Das Schweißtuch von zwei Engeln gehalten. Around 1513. Copper engraving.[Venator & Hanstein]
Attributed works:
Alessandro Rondoni Busts of six Roman emperors [Brun Fine Art/Tefaf]
Attributed works:
BARTOLOMÉ ESTEBAN MURILLO (Seville, 1617–1682) Portrait of Archbishop Ambrosio Spinola Circa 1670/75 Oil on canvas, 90.2 x 65.4 cm. [Caylus]
Attributed works:
Composition with portrait, fish and moonlight, by Louis Marcoussis (1878– 1941). c.1926. Gouache and pencil on paper, 20 by 14.3 cm. GALERIE BERÈS, PARIS [Salon du Dessin]
Attributed works:
Curly blue tail, by Alexander Calder (1898–1976). 1967. Painted metal and wire, 51.4 by 97.2 by 48.3 cm. [Galerie von Vertes, Zurich/Tefaf]
Attributed works:
Delft tile panel depicting a winter scene, based on an 18th-century engraving by Pierre-Jean Mariette. The ceramic panel was made by Jan Aalmis in the Dutch city of Rotterdam, c.1770. Approx 91 by 65 cm.[Regts Delft Tiles]
Attributed works:
Ecce Homo, by Sebastiano del Piombo (c.1485– 1547) and studio. 1520s. Oil on poplar, 34.7 by 26 cm. [Caylus, Madrid/Tefaf]
Attributed works:
Fabulous animal: Fabel- Tier, by Marc Chagall (1887–1927). c.1926–27. Watercolour, gouache and pastel on paper glued to card, 66 by 51.5 cm. [BAILLY GALLERY, GENEVA/Salon du Dessin]
Attributed works:
FRANÇOIS DE NOMÉ called Monsù Desiderio (c. 1593–after 1644) A pair of paintings showing the Martyrdoms of Saints Peter and Stephen, surrounded by fantastical architecture, c. 1617 Oil on slate, in original frames. Each: 31 x 31 cm [Robilant and Voena]
Attributed works:
Head of a man looking upwards, by Giovanni Bonazza (1654–1736). Late 17th century. Carrara marble, 54.5 by 45 cm. [Alessandro Cesati, Milan/Tefaf]
Attributed works:
Hiroshi Suzuki silver at Adrian Sassoon gallery. Photography by Sylvain Deleu. [Tefaf New York]
Attributed works:
Jacopo Robusti, called Tintoretto Portrait of a Scholar (detail) Oil on canvas, 112 x 90 cm [Trinity Fine Art/Tefaf]
Attributed works:
Jan Davidsz de HEEM (Leide, 1631 - 1695, Anvers) Peaches, grapes and a partly-peeled lemon in a Wanli “kraak” porselein bowl, with a ham on a pewter platter, a silver-gilt cup and cover, a pewter flagon, and a roemer with a knife on a plate, on a partly-draped table Oil on panel. Signed and dated lower left J.D. de Heem.f. 26 3/16 x 39 3/4 in. [Aguttes]
Attributed works:
Jupiter and Callisto, by Jacob de Wit (1695–1754). 1733. Black chalk, pen and ink, wash, watercolour and gouache with white highlights on paper, 44.5 by 30.8 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM/Salon du Dessin]
Attributed works:
LELIO ORSI (1508?–Novellara–1587) Portrait of Camilla Ruggeri Pen and brown ink, 17.3 x 11.8 cm. [Ratton and Ladriere]
Attributed works:
Nicolas Robert (1614-1685), Papaver somniferum (Linné). Muséum national d’Histoire naturelle, Collection des vélins, portefeuille 41, folio 49. Cliché Tony Querrec (RMN) ©. Design : Olivier Andreotti (Toluca Studio) [Salon du Dessin]
Attributed works:
Parrot and exotic birds on a branch, by Gustave Doré (1832–83). c.1856. Watercolour and black pencil on paper, 45 by 30 cm. [GALERIE FABIENNE FIACRE, PARIS/Salon du Dessin]
Attributed works:
PETER PAUL RUBENS (SIEGEN 1577-1640 ANTWERP) Study of a kneeling man seen in profile black chalk, heightened with white, on buff paper 40.6 x 29.1 cm €250,000-350,000 £230,000-310,000 [Christie's]
Attributed works:
Philoctetes on the island of Lemnos, by Gerard van Kuijl (1604–73). Oil on canvas, 137.7 by 110.8 cm. Haboldt & Co., New York, Amsterdam and Paris/Tefaf]
Attributed works:
Plants and insects (III), by Pablo Picasso (1881–1973). 1956. Ink on paper, 66 by 50 cm. WADDINGTON CUSTOT, LONDON/Salon du Dessin]
Attributed works:
POPE PAUL V BORGHESE ENTHRONED PAOLO SANQUIRICO (1565–1630) Bronze, deep reddish-black patina Bronze, 38.5 (15¹⁄4 in.) high Datable to c. 1616–1619 [Tomasso]
Attributed works:
Prince Hoare, Portrait of Sir Horace Mann (detail). Terracotta, height 51.5 cm [Walter Padovani/Tefaf].
Attributed works:
The feast in the house of Simon with Mary Magdalene, by Luca Giordano (1634–1705). Pen and brown ink and wash over black chalk, 43.1 by 43.1 cm. [GALERIE TARANTINO, PARIS/Salon du Dessin]
Attributed works:
The Holy Family, by Giovanni Battista Tiepolo (1696–1770). Pen and brown ink and wash on paper, 22.5 by 19.3 cm. GRÄSSLE, HÄRB & NUTI, MUNICH AND LONDON/Salon du Dessin]
Attributed works:
The narrow path, by Maurice Denis (1870– 1943). c.1889–90. Watercolour on paper, 23 by 17 cm. [GALERIE TERRADES, PARIS/Salon du Dessin]
Attributed works:
The popular improviser in the Campo Vaccino, by Bartolomeo Pinelli (1781–1835). 1820. Oil on canvas, 97 by 137 cm. [Walter Padovani, Milan/Tefaf]
Attributed works:
The triumph of Neptune and Amphitrite, by Frans Francken the Younger (1581–1642). Oil on panel, 53.6 by 75.2 cm. [Galerie De Jonckheere, Geneva/Tefaf]
Attributed works:
Titian (1488–1576) and workshop The Tribute Money Oil on canvas, 108.3 x 103.5 cm Expertise: Mauro Lucco and Peter Humfrey Published: Titian Themes and Variations edited by Peter Humfrey [New Raritet Gallery]
Attributed works:
Tritons and Nereids, by Amico Aspertini (1473/75–1552). 1520. Brush and brown ink heightened with white on prepared paper, 28 by 43.5 cm. [Day & Faber, London/Tefaf]
Attributed works:
Two affectionate doves, by Giacomo Raffaelli (1753–1836). Micro mosaic with a gold border, 3.5 by 1.8 cm. [Alessandra Di Castro, Rome/Tefaf]
Attributed works:
Two lovers, by Parmigianino (1503–40). Pen and brown ink on paper, 13.1 by 15.2 cm. [JEAN-LUC BARONI AND MARTY DE CAMBIAIRE, PARIS/Salon du Dessin]
Attributed works:
Untitled (bricolage), by Jean Tinguely (1925–91). c.1975. Metal and rubber with an electric sander, 75 by 49 by 49 cm. [Galerie Georges- Philippe & Nathalie Vallois, Paris/Tefaf]
Attributed works:
Untitled, by Wassily Kandinsky (1866–1944). 1941. Ink, watercolour and gouache, 47.5 by 31 cm. [Galerie Utermann, Dortmund/Tefaf]
Attributed works:
Whale hunting from the Royal Grotesques series, by the Brussels workshop of Cornelis and Jan Mattens. Design attributed to Giulio Romano. Late 16th century. Wool and silk, 415 by 550 cm. [De Wit Fine Tapestries, Mechelen/Tefaf]
Attributed works:
Young girl sitting, by Carl Olof Larsson (1853–1919). Watercolour over pencil with gouache on paper, 35.5 by 25.4 cm. [GALERIE GRAND-RUE MARIE-LAURE RONDEAU, GENEVA/Salon du Dessin]
Non-western art unattributed:
Camel and rider. China, Tang dynasty (618–906 AD). Terracotta with polychrome, 98.5 by 33 by 75 cm. [Vanderven Oriental Art, ’s-Hertogenbosch/Tefaf]
Non-western art unattributed:
CASKET Ceylon, probably Kandy;  2nd-half 16th century Ivory and silver Dim.:  8.0  ×   19.0  ×   11.0  cm Prov: descendants of Afonso de Albuquerque (1453–1515  ),  2nd Viceroy of Portuguese India. [Sao Roque/Tefaf]
Non-western art unattributed:
Female reliquary figure. Fang peoples, Okak group, Equatorial Guinea or Rio Muni / Northern Gabon, 1718–1886. Wood, nails and copper alloy, height 38.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Iznik jug. Ottoman, Turkey, late 16th century. Ceramic, 19 by 15 cm. [Amir Mohtashemi, London/Tefaf]
Non-western art unattributed:
NAMBAN TABLE Japan, Momoyama (   1573  –  1603   ) Dim.:  36. 2 ×   56.5  ×  43.5  cm Former T. P. collection, Lisbon. Exhibited at Smithsonian M., Washington; McMullen M., Boston; Orient M., Lisbon, 2010. [Sao Roque/Tefaf]    
Western art unattributed:
Attic black-figure amphora depicting the fourth labour of Hercules and two female fi gures in a chariot with winged horses (verso). Athens, 530–29 BC. Ceramic, height 45 cm. [David Aaron, London/Tefaf]
Book Review
A Life of Picasso IV: The Minotaur Years, 1933–1943. By John Richardson
12/2022 | 1437 | 164
Pages: 1301-1302
related names
Reviewer:
Green, Christopher (Green, Christopher)
Subjects
art literature:
artists:
dates:
Reviewed Items
subjects:
A Life of Picasso IV: The Minotaur Years, 1933–1943 By John Richardson. 310 pp. incl. numerous col. + b. & w. ills. (Alfred A. Knopf, New York, 2021), £35. ISBN 978–0–307–26666–8. | :
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10/2022 | 1435 | 164
Pages: i-xx
Subjects
Illustrations
Attributed works:
A document box (bunko), by Koda Katei (1886–1961). Showa period, 1930s–1950s. Gold makie and coloured lacquers, 41 by 33 by 14 cm. [SIMON PILLING, 8 DUKE STREET, SW1. Asian Art London]
Attributed works:
A white-eared Bulbul, by Reza Abbasi. Safavid Isfahan, Iran, c.1630. Pigments highlighted with gold on paper, 35.2 by 23 cm. CHRISTIE’S, 8 KING STREET SW1[Asian Art LOndon]
Attributed works:
Adventure in technos dystopium – dystopium infi nite triptych, by Orshi Drozdik (b.1946). 1984–95. Gelatin silver photographic print, 250 by 123 cm. [EINSPACH FINE ART AND PHOTOGRAPHY, BUDAPEST. Frieze Masters]
Attributed works:
An exceptionally fi ne saddle. Eastern Tibet or China, 15th–17th century. Iron, silver, gilding, wood and leather, 30 by 56 cm. PETER FINER, 38–39 DUKE STREET, SW1. [Asian Art London]
Attributed works:
Bartolomeo Schedoni The Beheading of St John the Baptist (detail) Oil on panel, 58 x 35 cm, 227/8 x 13¾ in. [TRINITY FINE ART]
Attributed works:
Black jug and lemon sole, by Georges Braque (1882–1963). 1942. Oil on canvas, 50 by 61 cm. [BERNARD JACOBSON GALLERY, LONDON. Frieze Masters]
Attributed works:
Buddha Amoghasiddhi. Tibet, 13th century. Distemper on cloth, 94.9 by 71.6 cm. [CARLTON ROCHELL ASIAN ART, NEW YORK. Frieze Masters]
Attributed works:
CHRISTO (AMERICAN/BULGARIAN 1935-2020) PACKAGE Est. £30,000-50,000 (+ fees). [Dreweatts]
Attributed works:
Denijs van Alsloot (before 1570 – before 1628) and Hendrick de Clerck (c. 1570–1629/30) The Judgement of Midas (detail), oil on canvas, 158.3 x 238.6 cm, Auction: 9 November 2022 [Dorotheum]
Attributed works:
Evaristo Baschenis. Still Life with Musical Instruments. [Galerie Canesso]
Attributed works:
Filippo Pedrini San Pelegrino Laziosi 70*48,5 cm. [Arte-Fact]
Attributed works:
Jean-Siméon CHARDIN Copper pot, cauliflower and mortar with its pestle on an entablature Oil on canvas, signed lower right, 13 × 15,9 in. Provenance: Private collection, Paris Literature: Pierre Rosenberg, L’opera completa di Chardin, Milan, 1983, n. p., n° 77, repr. Estimate: €600 000 - 800 000 [Artcurial]
Attributed works:
John Bull taking a luncheon or British cooks cramming Old Grumble-Gizzard with Bonne-Chère, by James Gillray (1756–1815). 1798. Hand-coloured etching, 25.5 by 36.2 cm. [ANDREW EDMUNDS, LONDON. Frieze Masters]
Attributed works:
Lucio Fontana Madonna and Child, 1954–57 Inscribed ‘fontana’ (lower centre-right) Registered at the Fondazione Lucio Fontana, Milan, no. 73/1 Glazed ceramic 42 x 29 x 10 cm (16 1/2 x 11 3/8 x 4 in.) [Robilant and Voena]
Attributed works:
Mitsumata Wakarenofuchi, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), by Utagawa Hiroshige (1797–1858). 1857. Woodblock print, 36.5 by 24.6 cm. [ANASTASIA VON SEIBOLD JAPANESE ART, 4 CROMWELL PLACE, SW7. Asian Art London]
Attributed works:
Mr William Shakespeares Comedies, Histories, and Tragedies. Published according to the true Originall Copies. 1632. Paper and calf leather, 32.4 by 21.9 cm. [PETER HARRINGTON RARE BOOKS, LONDON. Frieze Masters]
Attributed works:
Partition, guitare, compotier, by Pablo Picasso (1881–1973). 1924. Oil on canvas, 97.1 by 130.1 cm. [HELLY NAHMAD GALLERY, LONDON. Frieze Masters]
Attributed works:
Portrait of a Zulu, by Frans David Oerder (1867–1944). 1897. Oil on canvas, 53 by 42.9 cm. ELLIOTT FINE ART, LONDON. Frieze Masters]
Attributed works:
Sphynx, by Nikki de Saint Phalle (1930–2002). 1975. Painted polyester, 30 by 28 by 48 cm. [GALERIE MITTERAND, PARIS. Frieze Masters]
Attributed works:
Spring: peasants making merry outside a tavern; Summer: Peasants dance; and Winter: view of a village in the snow, by Pieter Brueghel the Younger (1564–1638). After 1616. Oil on wood, diameter 24.5 cm. [GALERIE DE JONCKHEERE, GENEVA. Frieze Masters]
Attributed works:
Study of the hands of the Virgin, by Jean-Auguste- Dominique Ingres (1780– 1867). c.1836. Pencil on paper, 23.3 by 14.4 cm. [STEPHEN ONGPIN, LONDON. Frieze Masters]
Attributed works:
Untitled (P.C. III), by Nicola Durvasula. 2021. Watercolour, gouache and pencil on paper. 20.5 by 30.5 cm.[ JOOST VAN DEN BERGH, 1 PRINCES PLACE, SW1. Asian Art London]
Non-western art unattributed:
A lion-shaped incense burner. Khorasan, Eastern Iran, 12th century. Cast and open-work bronze, copper alloy, 22.5 by 22.1 by 6 cm. [CHISWICK AUCTIONS, BARLEY MOW CENTRE, W4. Asian Art London]
Non-western art unattributed:
Cintimani tile. Ottoman, 16th century. Ceramic, height 29 cm. ROSEBERY’S, 12 HAY HILL, W1 (BY APPOINTMENT) [Asian Art London]
Non-western art unattributed:
Head of a man. South Arabia, 3rd century BC–1st century AD. Alabaster, height 13 cm. [ARIADNE GALLERIES, LONDON. Frieze Masters]
Non-western art unattributed:
Hexalobed box and cover. China, 18th century. Cinnabar lacquer, 17.5 by 7 cm. [J.A.N. FINE ART, 132–134 KENSINGTON CHURCH STREET, W8. Asian Art London]
Non-western art unattributed:
Phoenix head ewer (fengshouhu). China, Tang Dynasty, Gongxian kilns, Henan Province, 7th–8th century. Ceramic, height 33 cm. [MARCHANT, 120 KENSINGTON CHURCH STREET, W8. Asian Art London]
Non-western art unattributed:
Snuff bottle. China, Jingdezhen kilns, 1820–50. Porcelain, height 5.3 cm. [SUSAN PAGE, 15 STRATTON STREET, W1. Asian Art London]
Non-western art unattributed:
Tapir-form vessels (Xizun). Song/Ming Dynasty and 17th/18th century. Archaistic gold and silver-inlaid bronze, largest length 35.5 cm. [BONHAMS, 101 NEW BOND ST, W1. Asian Art London]
Western art unattributed:
Head of an African King, Southern France, c.1120-1150. [Sam Fogg]
Western art unattributed:
Lot 565 A fine miniature lantern clock by Fromanteel of London, 17th cent. Lot 623 A museumquality chalice, Augsburg, Johann David Saler, circa 1705. Lot 3244 A significant Franconian sword with inscription, circa 900 A.D.Lot 47 A lateantique silver casket with Christogram, incised decoration and gilding, 4th century A.D.Lot 372 A Gothic Madonna with apple, Salzburg, circa 1420. [Hermann Historica]
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