Revoir Van Eyck: La Vierge
du chancelier Rolin
Musée du Louvre, Paris
20th March–17th June |
:
Illustrations
Attributed works:
7. Virgin of
Chancellor Rolin,
by Jan Van Eyck,
c.1430-35. Oil on
panel, 71 by 65
cm. (Musée du
Louvre, Paris).
Attributed works:
8. Reverse of
the Virgin of
Chancellor Rolin,
by Jan Van Eyck,
c.1430–35. Oil on
panel, 71 by 65
cm. (Musée du
Louvre, Paris).
Attributed works:
9. Epitaph of
Jacques Isaac
and Isabeau
d’Anvaing. After
1401, c.1420–30?.
Tournai stone,
59 by 86 by 12
cm. (Cathedral
of Notre-Dame,
Tournai; exh.
Musée du
Louvre, Paris)
Holbein and the Renaissance in the North, Städel Museum,
Frankfurt,(2nd November 2023–18th February 2024) |
:
subjects:
Holbein at the Tudor Court, Queen's Gallery, London, (10th November
2023–14th April 2024) |
:
Illustrations
Attributed works:
1. Portrait of a man with the surname Fischer, by Hans Holbein the
Elder. c.1512. Silverpoint on prepared paper, reworked with brush and
ink, 13.5 by 9.5 cm. (Staatliche Museen zu Berlin, Kupferstichkabinett;
exh. Städel Museum, Frankfurt).
Attributed works:
2. Portrait of a man with the surname Fischer, by Hans Holbein the
Younger (?). 1512. Oil on panel, 35 by 26.5 cm. (Private collection; exh.
Städel Museum, Frankfurt).
Attributed works:
3. The wife of a man with the surname Fischer, by Ambrosius Holbein
(?). 1512. Oil on panel, 35 by 26.6 cm. (Kunstmuseum Basel; Bridgeman
Images; exh. Städel Museum, Frankfurt).
5. Unidentified man, perhaps George Cornwall, by Hans Holbein
the Younger. c.1535–40. Oil and tempera on panel, diameter 32.4 cm.
(Städel Museum, Frankfurt).
The Ghent Altarpiece. Research
and Conservation of the Interior:
The Lower Register
By Griet Steyaert, Marie Postec, Jana
Sanyova and Hélène Dubois. 210 pp. incl.
420 col. ills. (Brepols, Turnhout, 2021),
€54.72. ISBN 978–2–930054–41–4. |
:
Illustrations
Attributed works:
3. Changes to the dove in the central
panel of the Ghent Altarpiece in (a) 1951
during overpaint removal; (b) 2017 after
varnish removal; and (c) after overpaint
removal and restoration.
Book Review
Jan van Eyck’s ‘Crucifixion’ and ‘Last Judgment’: Solving a Conundrum
3. Crucifixion and Last Judgement, by Jan van
Eyck. c.1440–41. Oil on canvas, transferred
from wood, each panel 56.5 by 19.7 cm.
(Metropolitan Museum of Art, New York).
Book Review
Woodland Imagery in Northern Art, c.1500–1800: Poetry and Ecology
Woodland Imagery in Northern
Art, c.1500–1800: Poetry and Ecology
By Leopoldine van Hogendorp Prosperetti. 160
pp. incl. 68 col. ills. (Lund Humphries, London,
2022), £39.95. ISBN 978–1–84822–494–0. |
:
Article
Margaret van Eyck, a house called ‘The Wild Sea’ and Jan van Eyck’s posthumous workshop
1. The Virgin and Child with St Barbara, St Elizabeth and Jan Vos,
by Jan van Eyck, possibly with workshop. c.1441–43. Oil on masonite,
transferred from panel, 47.3 by 61.3 cm. (Frick Collection, New York).
3. Virgin and Child with a kneeling cleric. South Netherlandish, 15th
century. Silverpoint on prepared paper with areas of light yellow
wash, 13.4 by 10.2 cm. (Germanisches Nationalmuseum, Nuremberg).
Attributed works:
4. Virgin and Child with a kneeling cleric. South Netherlandish,
15th century. Silverpoint on prepared paper with areas of light yellow
wash, 27.8 by 18 cm. (Graphische Sammlung Albertina, Vienna).
Attributed works:
5. Detail of Panoramic map of Bruges, by Marcus Gerards, showing the
city centre. ‘A’ marks the location of the Sint Gillisnieuwstraat (now
called the Gouden-Handstraat) and ‘B’ the location of the Oostmeers.
North is towards the lower left. 1562. Modern coloured offset of a
copper engraving assembled from ten sheets, 177 by 100 cm. (www.
kaartenhuisbrugge.be/Kaart).
Attributed works:
6. Detail of the map in Fig.5, showing Van Eyck’s house on the Sint
Gillisnieuwstraat, now called the Gouden-Handstraat.
8. Detail of the map in Fig.5, showing the Oostmeers. ‘A’ marks the row
of houses between the Zonnekemeers; ‘B’ marks the Cowgate; ‘C’ marks
the Wijngaard.
Article
The reopening of the Dresden Gemäldegalerie Alte Meister
1. Hall of antiquities, Gemäldegalerie Alte Meister und
Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen
Dresden; photograph H.C. Krass).
Attributed works:
2. Christ flagellated, by Balthasar Permoser. 1728. Coloured
marble, 81 by 27 by 25 cm. (Skulpturensammlung bis 1800,
Staatliche Kunstsammlungen Dresden; photograph David Brandt).
Attributed works:
3. Plan of the first storey of the Gemäldegalerie, with the south-side
at the top. c.1845. Lithograph, 23 by 41.5 cm. (Kupferstich-Kabinett,
Staatliche Kunstsammlungen Dresden).
Attributed works:
4. Installation view of the Italian galleries, looking towards
Raphael’s Sistine Madonna, Gemäldegalerie Alte Meister (Staatliche
Kunstsammlungen, Dresden; photograph H.C. Krass).
Attributed works:
5. Frederick III of Saxony, called the Wise, by Adriano Fiorentino. 1498.
Bronze, 62.8 by 51 by 30.6 cm. (Skulpturensammlung bis 1800, Staatliche
Kunstsammlungen Dresden).
Attributed works:
6. Madonna of the Cuccina family, by Paolo Veronese. c.1571. Oil on
canvas, 167 by 416 cm. (Gemäldegalerie Alte Meister, Staatliche
Kunstsammlungen Dresden).
Attributed works:
8. Installation view of the ‘Rubens and Van Dyck’ gallery, Gemäldegalerie
Alte Meister und Skulpturensammlung bis 1800 (Staatliche
Kunstsammlungen, Dresden; photograph Alexandra Gajewski).
Book Review
The Charterhouse of Bruges: Jan van Eyck, Petrus Christus, and Jan Vos
The Charterhouse of Bruges: Jan van
Eyck, Petrus Christus, and Jan Vos
Edited by Emma Capron. 160 pp. incl. 85 col. ills.
(Giles, London, and the Frick Collection, New
York, 2018), £34.95. ISBN 978–191–128219–8. |
:
Illustrations
Attributed works:
3.The Virgin and Child with St Barbara, St
Elizabeth and Jan Vos, by Jan van Eyck and
his workshop. c.1441–43. Oil on masonite,
transferred from panel, 47.3 by 61.3 cm.
(Frick Collection, New York).
Exhibition Review
Van Eyck: An Optical Revolution. Museum voor Schone Kunsten, Ghent
Van Eyck: An Optical Revolution
Museum voor Schone Kunsten,
Ghent
1st February–30th April |
:
Illustrations
Attributed works:
1. Adam, from
the Ghent
Altarpiece. 1432.
Oil on panel,
212.9 by 37.1
cm. (St Bavo’s
Cathedral,
Ghent; exh.
Museum voor
Schone Kunsten,
Ghent;
Lukasweb.be-Art
in Flanders vzw;
photograph
Dominique
Provost).
Attributed works:
2. Portrait of
a man (‘Leal
Souvenir’), by
Jan van Eyck
(after cleaning).
1432. Oil on
panel, 33.3
by 18.9 cm.
(National Gallery,
London; exh.
Museum voor
Schone Kunsten,
Ghent).
Attributed works:
3. Cumaean Sibyl,
detail from one
of the exterior
panels of the
Ghent Altarpiece,
by Hubert and Jan
van Eyck. 1432. Oil
on panel, 213.5 by
36.1 cm. (St Bavo’s
Cathedral, Ghent;
exh. Museum
voor Schone
Kunsten, Ghent;
Lukasweb.be-
Art in Flanders
vzw; photograph
Dominique
Provost).
Western art unattributed:
4. Isabella
of Portugal,
copy after Jan
van Eyck. 17th
century. Pen and
brush, ink and
wash on paper,
34.5 by 30.4
cm. (Arquivo
Nacional da
Torre do Tombo,
Lisbon; exh.
Museum voor
Schone Kunsten,
Ghent).