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Article

From Giotto to the Bushmen: Roger Fry at the Slade 1909–13

09/2018 | 1386 | 160

Pages: 727-733

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related names

Author:

Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)

Subjects

art literature:

Fry, Roger (R. F.; R. E. F.) / Brockwell, Maurice W. / Brown, Frederick / MacColl, D. S. / Tonks, Henry / Ruskin, John / Berenson, Bernard / Bell, Clive

artists:

Giotto / Cézanne, Paul / Gogh, Vincent van / Gauguin, Paul / Piero della Francesca / Nash, Paul / Bomberg, David / Spencer, Stanley / Gertler, Mark / Wadsworth, Edward / Nevinson, C. R. W. / Roberts, William, 1895-1980 / Carrington, Dora / Raverat, Gwen / Sickert, Walter / Steer, Philip Wilson / Chassériau, Théodore / Hunt, William Morris / Watts, George Frederic / Puvis de Chavannes, Pierre / John, Augustus Edwin / Gozzoli, Benozzo / Pinturicchio, Bernardino / Ghirlandaio, Domenico / Masaccio / Uccello, Paolo / Andrea del Castagno / Grant, Duncan / Etchells, Frederick / Holbein, Hans the Younger, ca. 1497-1543 / Bruegel, Pieter, the Elder / Lorrain, Claude / Blake, William / Chardin, Jean-Baptiste-Siméon / Goya y Lucientes, Francisco José de / Ingres, Jean-Auguste-Dominique / Currie, John / Bell, Vanessa

artists:

Donatello / Bate, Francis

dates:

1900-1919 / 1900-1909 / 1910-1919

media:

Paintings

museums and institutions:

Slade School of Fine Art, London, Great Britain / Metropolitan Museum of Art, New York, United States / Grafton Galleries, London, Great Britain / Omega Workshops / Academie Julian, Paris, France / New English Art Club (NEAC)

places:

Great Britain / London

subjects:

Italian painting / Old-master paintings / French painting / Post-Impressionism / Modernism / Study and teaching / Art schools / Art critics / Art historians / Curators / Burlington Magazine / Portraits / Life drawings / Lectures / Surveys / Formal analysis / Primitivism (Cultural anthropology related concept) / Cave paintings / Children's art / Influence

subjects:

British painting

Illustrations

Attributed works:

1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).

Attributed works:

2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).

Attributed works:

3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).

Attributed works:

4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).

Attributed works:

5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).

Attributed works:

6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).

Attributed works:

7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).

Article

Perugino, Sassoferrato and a ‘beautiful little work’ in the National Gallery, London

06/2010 | 1287 | 152

Pages: 376-384

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related names

Author:

Howard, Helen (Howard, Helen)

Author:

Nethersole, Scott (Nethersole, Scott)

Subjects

art literature:

Poynter, Edward John / Horne, Herbert P. / Fry, Roger (R. F.; R. E. F.) / Brockwell, Maurice W. / Holroyd, Charles

artists:

Perugino, Pietro / Sassoferrato

dates:

1620-1629 / 1630-1639 / 1640-1649 / 1890-1899

museums and institutions:

National Gallery, London, Great Britain

print:

Perugino, Pietro

print:

Sassoferrato

subjects:

Italian painting / Collections, Public / Forgeries / Copies / Acquisitions / Attribution / Attributions / Provenance / Jesus Christ: Baptism / Copying

subjects:

Scientific analysis / Composition (artistic arrangement) / Formal analysis

Illustrations

Attributed works:

16. Baptism of Christ, after Perugino, here attributed to Sassoferrato. Second quarter of the seventeenth century. Canvas laid onto panel, 32.5 by 59 cm. (National Gallery, London).

Attributed works:

17. Baptism of Christ, by Perugino. 1495–1500. Panel, 39 by 68 cm. (Musée des Beaux-Arts, Rouen).

Attributed works:

19. Virgin and Child with the Infant Baptist (The Garvagh Madonna), by Sassoferrato, after Raphael. 1625–50. Canvas, 47.8 by 38.5 cm. (Musée du Louvre, Paris).

Attributed works:

21. St Flavia, by Sassoferrato, after Perugino. 1625–50. Canvas, 63 by 50 cm. (Monastero di S. Pietro, Perugia).

Attributed works:

22. Judith, by Sassoferrato. 1625–50. Canvas, 160 by 85 cm. (Monastero di S. Pietro, Perugia).

Attributed works:

23. Entombment, by Sassoferrato, after Raphael. 1625–50. Canvas, 115 by 125 cm. (Monastero di S. Pietro, Perugia).

Attributed works:

24. Detail of trees in The Virgin and Child embracing, by Sassoferrato. 1660–85. Canvas, 97.2 by 74 cm. (National Gallery, London).

Attributed works:

25. Holy Family, by Sassoferrato. Canvas, 73 by 95 cm. (Sanssouci, Potsdam).

Attributed works:

26. St Placidus, by Sassoferrato, after Perugino. 1625–50. Canvas, 63 by 50 cm. (Monastero di S. Pietro, Perugia).

Attributed works:

27. St Placidus, by Perugino. 1495–1500. Panel, 33.5 by 30 cm. (Monastero di S. Pietro, Perugia).

Western art unattributed:

18. Baptism of Christ, after Perugino. Probably late sixteenth century. Canvas laid onto panel, 36 by 60.5 cm. (Canterbury City Council Museums and Galleries).

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