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3 articles
Article
Gerbrand van den Eeckhout's illustrations for Adriaen van Haemstede's books of martyrs of 1657 and 1659
03/2006 | 1236 | 148
Pages: 180–186
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Author:
Plomp, Michiel C. (Plomp, Michiel C.)
Subjects
art literature:
dates:
places:
Illustrations
Attributed works:
21. View of a Roman city with figures, by Jacob van der Ulft. Pen and black ink with grey wash, 15.9 by 19.5 cm. (Kupferstichkabinett, Berlin).
Attributed works:
22. A foreign delegation before the town hall of Gorinchem, by Jacob van der Ulft. Watercolour and gouache on parchment, 27.1 by 37.1 cm. (Frits Lugt Collection, Institut Néerlandais, Paris).
Attributed works:
23. Sheet of studies, by Gerbrand van den Eeckhout. 1657. Black chalk, 30.9 by 20 cm. (Teylers Museum, Haarlem).
Attributed works:
24. Faninus van Faventia preaching in jail, 1550, by Jacobus Savery after a composition here attributed to Gerbrand van den Eeckhout. 1657. Engraving, 10.7 by 14.5 cm. (Koninklijke Bibliotheek, The Hague).
Attributed works:
25. Christoffel Fabritius being burnt in Antwerp, 1564, here attributed to Gerbrand van den Eeckhout. c.1655. Watercolour, 10.4 by 14.4 cm. (National Gallery of Ireland, Dublin).
Attributed works:
26. Jan Brugier in Issoer in France at the gallows, 1547, here attributed to Gerbrand van den Eeckhout. c.1655. Pen and brown ink, watercolour, 10.4 by 14.4 cm. (Musée du Louvre, Paris).
Attributed works:
27. The strangulation of Jan Laute, 1569, here attributed to Gerbrand van den Eeckhout. c.1655. Black chalk with grey wash, 10.2 by 14.2 cm. (Frits Lugt Collection, Institut Néerlandais, Paris).
Attributed works:
28. Frontispiece design for Polybus' Histories, by Gerbrand van den Eeckhout. 1660s. Pen and brown ink with brown wash, 15 by 9.8 cm. (Frits Lugt Collection, Institut Néerlandais, Paris).
Attributed works:
29. Delft after the expolosion of the gunpowder arsenal in 1654, by Gerbrand van den Eeckhout. Probably late 1654. Graphite, pen, brown ink with grey wash, 10.9 by 13.6 cm. (Kupferstichkabinett, Berlin).
Attributed works:
30. Jacques van Lo about to be burnt at Lille, 1561, here attributed to Gerbrand van den Eeckhout. c.1655. Watercolour, 9.5 by 13.9 cm. (Royal Collection, Windsor).
Attributed works:
31. Petrus Arondeon, hawker at La Rochelle, addressed by two monks, 1559, by Jacobus Savery after a composition here attributed to Gerbrand van den Eeckhout. 1657. Engraving, 10.7 by 14.5 cm. (Koninklijke Bibliotheek, The Hague).
Attributed works:
32. Ambush on an open-air field preaching near Marcksem, 1561, by Jacobus Savery after a composition by Gerbrand van den Eeckhout. 1659. Engraving, 10.7 by 14.5 cm. (Universiteitsbibliotheek, Utrecht).
Attributed works:
33. Ambush on an open-air field preaching near Marcksem, 1561, by Gerbrand van den Eeckhout, c.1655. Pen and brown ink with grey wash, 10.2 by 14.3 cm. (Private collection).
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Advertisements March 2006 (Front)
03/2006 | 1236 | 148
Pages: i-xxxvi
Subjects
advertisements:
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advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. Jean-Honore Fragonard (1732-1806). Melissa consoles Bradamante. Black chalk on brown wash, 15 1/2 x 10 1/2 in (391 x 270 mm)]
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. The lion and his dog, by Nicolas Marechal (1753-1803). Black lead, pen and brown ink, brown wash, on a late 18th-century French mount, 9.4 by 14 cm]
Attributed works:
[Agnews, LTD, 43 Old Bond Street, London, W.1. Pause de midi au bord de la mare, by Henry-Joseph Harpignies (1819-1916). Canvas, 57 by 77.5 cm. Signed and dated 1886 lower left.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Naum Gabo. Monoprints.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Urania, by Joe Tilson. From 'The Nine Museus', 2005.]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Paul Cézanne (1839-1906). Nu aussi. Pencil and watercolour on paper (with extensive watermark), 44 x 31 cm]
Attributed works:
[Arturo Cuellar, Zurich. A nude study (for a stained glass window: St. Geneviève standing and holding a distaff, by Jean-Auguste Dominique Ingres (1780-1867). Pencil, 37.2 by 16.6 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: A fine George III satinwood crossbanded and sycamore marquetry serpentine Commode, in the manner of John Cobb.]
Attributed works:
[Brame & Lorenceau, Paris. Flachen (der Maler) II, by Willi Baumeister. (1889-1955). Oil on paper laid on canvas, 55.5 by 38.6 cm. Signed lower left.]
Attributed works:
[Buccellati, Moscow. A selection of elegant goblets in silver, entirely hand-made, finely hand-embossed and chiselled.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Faust in his study, by Rembrandt van Rijn. c. 1652. Etching, drypoint and burin, 20.9 by 16.2 cm]
Attributed works:
[Carlo Teardo, Milan. Jesus in the garden of Gethsemane, icon, Central Russia. Egg tempera on wood, 100 by 70 cm]
Attributed works:
[Charles Beddington Ltd. 16 Saville Row, London, W1S 3PL. A cockerel and two hens hanging from nails, by Jacob Biltius (1633-81). Oil on canvas, 99.5 by 77.8 cm. Signed: Je biltius fecit. (lower right: Jc in monogram).]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Johann-Ernst Heinsius (Hildburghaussen 1740-Orléans 1812). Little girl with a dog. Signed top right "Henrihette [sic] age de 3 ans" and initialled "J.H.Fecit".]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Fede Galizia (Milan 1578-1630). Peaches in a glass bowl with apples and a grasshopper (detail). Oil on panel. 12x16 3/4 in. (30.5 x 42.5cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Jean-Baptiste Siméon Chardin (Paris 1699-1779). A young Scholar Drawing (detail). Oil on panel. 7x6 in (18.5x16.5 cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Joseph Mallord William Turner (London 1775-1851) Giudecca, La Donna della Salute and San Giorgio (detail). Oil on canvas. 24 x 36 in. (61 x 91.5cm).]
Attributed works:
[Connaught Brown, London. Mother playing with child on floor I, by Henry Moore (1898-1986). Ballpoint pen, charcoal, crayon and gouache, 21 by 29.5 cm. Signed.]
Attributed works:
[David Jones, 19 Kestrel Avenue, Herne Hill, London. Jacopo PALMA, called Palma il Giovane. Venice c. 1548-1628 Venice. Recto: St. John the Baptist kneeling on the ground. Verso: Keeling Christ. Black chalk. 175 x 110 mm]
Attributed works:
[David Jones, London. Frederick IV, Commander of Nuremburg delivering Frederick the Handsome to Louis of Bavaria, by Christian Bernhard Rode (1725-97). Red chalk on cream colored paper. Two sheets joined together, intended for transfer, 41.1 by 63.4 cm]
Attributed works:
[Dickinson, London & New York. Femme à la toilette, by Edgar Degas (1834-1917). Black chalk hightened with white on paper, 62 by 47 cm. With the stamped signature lower left: Degas.]
Attributed works:
[Didier Aaron & cie, Paris, New York & London. The paternal malediction: the punished son, by Jean-Baptiste Greuze (1725-1803). Pencil, grey and sepia ink and grey wash on black chalk, 24.5 by 36.5 cm. Signed lower left: JB Greuze]
Attributed works:
[Emmanuel von Baeyer, London. La Rascienne Honteuse, by Johann Rudolph [Hans Rudolf] Fussli (1737-1806). Etching, size of plate: 22 by 20.8 cm: size of sheet: 22.2 by 21 cm.]
Attributed works:
[Flavia Ormond Fine Arts. London. The genius of music in Italy, by Paul Baudry (1828-86). Black chalk heightened with white chalk on pinkish-brown paper, 34.1 by 25 cm. Signed with monogram: PB. Inscribed with black chalk: Opera.]
Attributed works:
[Gagosian Gallery. Silver Liz, by Andy Warhol. 1963. Synthetic polymer paint and silkscreen ink on canvas, 101.6 by 101.6 cm.]
Attributed works:
[Galerie Arnoldi-Livie, Munich. St. Michael the Archangel slaying Satan, by Michael Willmann (1630-1709). Pen and brown ink and grey wash over black chalk. Verso: St. Michael the Arcangel slaying Satan. Pen and brown ink and grey wash over black chalk, heightened with white 22.3 by 16.2 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Fete by a Riverbank, by Giovanni Andrea Donducci, called Il Mastelletta (1575-1655). Oil on canvas, 99 by 120.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Cairo. Milan, 1607-1665. The Martyrdom of Saint Euphemia. Oil on canvas, 192,5x223 cm (75x87 13/16in)]
Attributed works:
[Galerie de Bayser, 69, rue Ste Anne. Paris. Louis Léopold Boilly (171-1845) - Studies for the chess game, ca. 1815 - Black chalk with stamp - 22 x 35cm.]
Attributed works:
[Galerie de Bayser, Paris. Study for head of a horse, by Théodore Chasseriau (1819-56). Three crayons, 32.5 by 44.5 cm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Punchinello's wedding procession, by Giovanni Domenico Tiepolo (1727-1804). Ink and wash ink, 35.4 by 47.2 cm. Signed: Dom. Tiepolo f. Annotated:2]
Attributed works:
[Galleria Bosconi, Milan. Caprice, by Johann Antonn Eismann (c. 1613-94/98). Oil on canvas, 102 by 148 cm]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Antonio Gai (Venice, 1686-1769). Portrait of Doge Alvise Mocenigo II. Gilt carved wood, height 78 cm.]
Attributed works:
[Giovanni Sarti, Paris. Madonna and Child, by Giovanni Bellini (1433-35?-1516). Tempera on panel, 63.2 by 49 cm]
Attributed works:
[H. Blairman & Sons, London. A pair of fire dogs designed by Ernest Gimson (1864-1919). English, c. 1909. Manufactured by Alfred Bucknell. Polished wrought iron, each 67 by 30.5 by 53.5 cm.]
Attributed works:
[H.W. Fichter. Arndstrasse 49. 60325 Frankfurt/Main. Carl Philipp Fohr (1795 Heidelberg-1818 Rome). Ruins of the castle Tiefburg at Handschuhshein. Watercolour over ink on paper, 195 x 258 mm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Marco Ricci (1676-1729). Landscape with smoke rising from a Citadel. Pen and brown ink, 19.1 x 42 cm (7 1/2 x 6 1/2 in)]
Attributed works:
[Hill-Stone, Inc., New York. Sanson and Delilah, by Luca Cambiaso (1527-85). Pen and brown ink, 23.8 by 34.5 cm. Annotated at lower right: lucas Cangiogi fecit, and at the centre left edge: Cambiaso.]
Attributed works:
[Ilaria Quadrani. 305 East 61st Street, New York. Abraham van Strij (Dordrecht 1753.1826 Dordrecht). A young Boy seated on a Trunk, in profile to the right. Signed 'A van Strij'. Black chalk, pen and brown ink, brown wash. 10 7/8 x 9 inches (276 x 227 mm)]
Attributed works:
[Jean-Luc Baroni. London Punchinello riding a camel at the head of a caravan, by Giovanni Domenico Tiepolo (1727-1804). Pen and brown ink and wash over an underdrawing in black chalk, 35.6 by 47.4 cm. Signed at the lower centre: Dom. Tiepolo. f.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. JAN VAN ROSSUM (Born circa 1630, Holland). A bouquet of flowers on a stage ledge with a curtain to the left. On canvas. 28 3/4 x 23 1/4 in. x 73 x 59 cm. Signed and dated 1671, lower centre.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Mars and Venus surpraised by Apollo, by Hendrick de Clerck (1570-1629). Panel, 45.5 by 35.5 cm. Signed and indistinctly dated: 161....]
Attributed works:
[Karl & Faber. Amirplatz 3. 8033 Munchen. Germany. Rembrandt Harmensz van Rijn. Self portrait with raised sabre. Etching. (1634)]
Attributed works:
[La Stanzina, Milan. Under the Pergola, by Ludovico Tommasi. c. 1910. Oil on canvas, 27 by 36.5 cm.]
Attributed works:
[Lawrence Steigrad Fine Arts, New York. A still life of drinking vessels, a pineapple cup, a lemon, bread and two small books, by Sebastian Stoskopff (1597-1657). Oil on canvas, 49.3 by 55 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Elizabeth Siddal seated at an easel, by Dante Gabriel Rossetti. c. 1861. Sepia ink wash with pen and brush, 16.5 by 20 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Thomas Frye. 1710-1762. An old man leaning on a staff. Black and white chalks on paper. 16 5/16 x 12 1/2 inches; 400 x 324 mm. Inscribed verso: MR TATE TO MR BATES. Executed circa 1760.]
Attributed works:
[Maison d’Art, Monte-Carlo. Construction of the bridge for the Festival of the Madonna della Salute, by Johann Richter (165-1745). Oil on canvas, 57 by 95 cm.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Jesus returns to the temple with his parents, by Cosimo Rosselli (1440-1507). Panel, 96 cm. diameter.]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. At the gates, by Derek Mawudoku. 2005. Drypoint, edition of 6; plate: 34.5 by 49.8 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. An equestrian portrait of he Cardinal-Infante Ferdinand (1609-1641), with an extensive river landscape beyond, by Pauwels van Hillegaert (1506-1640). Oil on canvas, 162.3 by 157.8 cm.]
Attributed works:
[Robilant and Voena. London and Milan. The Lock at Dolo, by Giovanni Antonio Canal, il Canaletto (1697-1768). Oil on canvas, 31 by 45 cm]
Attributed works:
[Salander-O'Reilly. 20 East 79 Street, New York. Ana Maria Pacheco, Sculpture.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Sir William Nicholson. The Glass Bowl, 1920. Oil on canvas, 22 3/4 x 21 3/4 inches (58x55 cms). Signed and dated.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The mysterious garden, by Margaret Macdonald Mackintosh RSW (1864-1933). 1911. Watercolour and ink over pencil on vellum laid on original board, 45.1 by 47.7 cm. Signed and dated lower right.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The Skylark, by Samuel Palmer (1805-1881). Etching, printed in black ink on chine appliqué, 120 by 98 mm]
Attributed works:
[The London Original PrintsFair & Master Drawings. Royal Academy of Arts. Burlington Gardens. London. Bridget Riley, detail from Light Between 82-04 2004.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. FEDERICO ZUCCARO (c. 1541-1609). David Accepting Tribute from the Conquered Nations. Pen and brown ink, brown wash, heightened with white. Executed c. 1566. 325 x 264 mm. The drawing is preparatory for the ceiling of the chapel at the Villa Farnese, Caprarola.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Five peasants in an interior, by Cornelis Dusart (1660-1704). Watercolour, gouache and black and red chalk on parchment, 25.8 by 31 cm. Signed and dated, lower right, in black ink: Corn: dusart fe. 1690]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Portrait of Thérèse Degas, Duchess Morbilli, by Edgar Degas (1834-1917). Charcoal and pencil, 27.7 by 21.7 cm. Verso: A study in pencil of St, George and the dragon. Studio stamp on recto and verso: (Lugt 657)]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Allée de peupliers, Vichy, by Jean-François Millet (1814-75). Pen and brown ink with watercolour, 13 by 19 cm. Marked with the artist's studio stamp, lower left: J.F.M (Lugt 1460).]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Jacob van der Ulft. Gorinchem 1621-1689 Noordwijk. The Ruins of a Church near Zandvoort, Inscribed, upper left, Ryuen tot Santvoort op zee. Brown wash with pen and brown ink over traces of black chalk, with brown ink, framing lines. 7 7/8 x 12 1/4 inches (202 x 310 mm)]
Attributed works:
[Whitfield Fine Art, London. Figures dancing the tarantella outside an inn in a hilly landscape, by Johannes Lingelbach (1622-74). Oil on canvas, 90 by 109 cm. Signed lower left: J. Lingelbach.]
Non-western art unattributed:
[Giacomo Manoukian Noseda, Milan. Buddha. Chinese, 16th century. Wooden sculpture with traces of coloured paint.]
Western art unattributed:
[Kunstkammer Georg Laue, Munich. Amber figure of a Madonna with Child (detail). North German, probably Luebeck, c. 1550. Amber, 21.6 cm high.]
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Advertisements June 1978 (Front)
06/1978 | 903 | 120
Pages: i-cvi
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Agnew, 43 Old Bond Street, London ] Sebastian Stosskopf. Still Life. Panel: 30½ × 43½ in.
Attributed works:
[ Alexander Gallery, 13 Duke Street, London ] Ambrosius Bosschaert the younger, Tulips and Other Flowers in a Glass Vase Oval Panel: 11 × 7½ in. Monogrammed
Attributed works:
[ Artemis, David Carritt Limited, 15 Duke Street St James's, London ] Vigée-Lebrun: Portrait of the Comtesse de Sabran et Pontèves 52 × 39 cms
Attributed works:
[ Chaucer & Van Dam Galleries, 45 Pimlico Road, London ] Nicola Grassi (1682 - 1748). Daniel Absolves Susanna from the Accusations of the Two Elders. 97 by 112 cm.
Attributed works:
[ Christie's, 8 King Street, St James's, London ] George Stubbs, A. R. A.: Portrait of Warren Hastings, Signed and Dated 1791, Enamel on Wedgwood Biscuit Earthenware, 36¼ in. by 28 in. (92.1 cm. by 71.1 cm.).
Attributed works:
[ Christie's, 8 King Street, St James's, London ]Pompeo Girolamo Batoni: Portrait of Princess Benedetto Giustiniani, née Cecilia Mahony, Signed and Dated Rom 1785, 29 in. by 24 in. (73.5 cm. by 61 cm.)
Attributed works:
[ Christopher Gibbs Ltd, 118 New Bond Street, London ] James Mallord William Turner, R. A. (1775-1851). Venus and Adonis. Oil on Canvas, 60½″ by 48½″ (153.5 by 123cms). Painted 1806-10.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London ] Benvenuto Tisi, Called Garofalo The Annunciation Panel, 47.5 by 31 cm. (About 1481-1559)
Attributed works:
[ Galerie Delestre, 6 Rue de Varenne, Paris ] August ANASTASI (1820-1889). Une fontaine près de l'Ariccia; environs de Rome, le matin. Oil on Canvas, Signed and Dated 1870 Bottom Left. 80 by 130 cm. Exhibited in the Salon of 1870 (No.31).
Attributed works:
[ Galerie La Cave, 7 rue de Miromesnil, Paris ] Charles Laval 1888
Attributed works:
[ Galerie Miromesnil, 15 rue de Miromesnil, Paris ] Francesco Guardi. Vue de la Lagune. Toile 48,5 × 54,6
Attributed works:
[ Gallery Kaare Berntsen, Univesitelsgt 12, Oslo ] Edvard Munch "Liberation" Schiefler 68a, 1896. Lithograph Printed in Black by Clot. Rare. (410 × 625).
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St James's, London ] François Bonvin 1817-1887. Paysanne mangeant la soupe. Black Chalk and Watercolour 25.3 × 19.8 cm
Attributed works:
[ Heim Gallery, 59 Jermyn Street, St James's, London ] St. Constantia's Vision before the Tomb of St. Agnes by Pietro da Cortona (1596-1669). Oil on Canvas: 97 × 132 cms
Attributed works:
[ Henk J. Stokking C. V. Nieuwe Spiegelstraat 40, Amsterdam ] Jan van der Vinne 1663-1721. Hunting Party. Brush and Brown Wash, 29.5 × 29.5 cm.
Attributed works:
[ Italo Fiumicelli Antichita, 8 Via Edison, Reggio Emilia ] Aureliano Milani (1675-1749)
Attributed works:
[ Neumeister KG, Briennerstrasse 14, Munich ] Peter III Casteels (1684 Antwerpen? - 1749 Richmond) Flower Still Life. Signed Lower Middle. Oil on Canvas, 83.5 by 68.5cm.
Attributed works:
[ Richard L. Feigen & Company, 900 Park Avenue, New York ] Bartholomeus Breenbergh, "Hagar and the Angel" Oil on Copper, 38 × 32 cm.
Attributed works:
[ Sabin Galleries, 4 Cork Street, London ] Joseph Wright of Derby A. R. A. 1734-1797. Monsall Dale, Derbyshire. Canvas, 17½ by 22½ Inches
Attributed works:
[ Schaeffer Galleries inc., 983 Park Avenue, New York ] Juan de Arellano, 1614 Santorcaz- 1676 Madrid. Signed Arellano, Lower Right. Canvas, 19 by 15 Inches.
Attributed works:
[ Schmit, 396 Rue St. Honoré, Paris ] Boudin Eugène. "Scène de plage à Trouville". 1869. Panel 34,5 × 57 cm. Boudin Cat. Vol. I, no 497.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Marquetry Coiffeuse Made by Abraham Roentgen for Friedrich Augustus III, Elector of Saxony, Dated 1769, 82 cm. High, 100 cm. Wide, 61 cm. Deep
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Bernhard Strigel, The Annunciation to Saint Anne and Saint Joachim, on Panel, 58 by 30 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Camille Pissarro, Portrait de Paul Cézanne, Oil on Canvas, Painted in 1874, 73 by 59.7 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Pintoricchio, Head of a Youth Looking Upwards, Metal Point, Heightened with White on Pinkish-Grey Prepared Paper, 25.5 by 19.4 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Vincent Van Gogh, Arles, vue des Champs de Blé, Reed Pen and Sepia Ink, Signed, Drawn in August 1888, 31.2 by 24.2 cm.
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St James's, London ] Matteo Rosselli. (Florence 1578-1650). The Holy Family with St Anne and the Young St John the Baptist. Canvas, 137 by 102 cm.
Attributed works:
[ Winifred Williams, 3 Bury Street, St James's, London ] Chantilly Green ground Circa 1735
Non-western art unattributed:
[ Bernheimer's of Munich, Lenbachplatz 3, Munich ] A Famille Rose Hunting Punch-Bowl, Finely Painted with Panels of Hunters and Hounds Setting out from a Country House and Pursuing a Fox, on an Iron-Red and Gilt Ground and Rocaille in the European Manner. ⌀ 29 cm (11½ in.) China, Ch'ien-Lung (1736-1795) Cf. M. Beurdeley, Plate XIII.
Non-western art unattributed:
[ Eskenazi, Foxglove House, 166 Piccadilly, London ] Limestone Buddha Maitreya. Northern Wei Dynasty, Circa 520-25 Height: 60.8cm
Non-western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A Maori Wood Food Store Front (Pataka), 126.2 by 148 cm.
Non-western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A Rarotonga Wood Figure, 56.5 cm.
Western art unattributed:
[ Charles van der Heyden, 21 Westersingel, Rotterdam ] Hercules and Cacus. A Finely Chiselled Kunstkammer-Sculpture in White Marble. Length 51 cm., Height 33 cm. Netherlands(?) First Half XVI th Century.
Western art unattributed:
[ Heim-Gairac, 13 Rue de Seine, Paris ] Anthropomorphous Landscape. Italian XVIIe Century. Canvas. H. 0,96 L. 0,78. Included in the Annual June Exhibition
Western art unattributed:
[ Mayorcas Ltd, 38 Jermyn Street, St James's, London ] Rare English Sheldon Miniature Tapestry Panel of Jesus and the Woman of Samaria, Woven in Extremely Fine Silks and Silver-Metal Threads, Mainly in Soft Greens, Blues and Reds; Last Quarter of the Sixteenth Century, c.1590. In Superb State of Preservation, Measuring 21 cm. × 30 cm. (8½ in. × 12 in.), and Mounted in Moulded Walnut Frame. Vide: "Elizabethan Sheldon Tapestries" (Oxford University Press 1929) Plate XIII.
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A Limoges Enamel Eucharistic Dove from the Marienstift of Erfurt (Thuringia), c.1200, 19 cm. High, 22.9 cm. Wide [Actual Size]
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] An English Gilt Altar Candlestick Base, Early Twelfth Century, 10 cm. High, 20.5 cm. Wide
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] The Behaim Marriage Beakers, Venetian, c. 1495, 11.7 cm. and 11.5 cm.