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Article
Holbein in exhibitions in Frankfurt and London
02/2024 | 1451 | 166
Pages: 166–170
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Reviewer:
Goldring, Elizabeth (Goldring, Elizabeth)
Subjects
artists:
Holbein, Hans the Younger, ca. 1497-1543 / Holbein, Hans the Elder, ca.1465-1524 / Burgkmair, Hans, the elder
artists:
Holbein, Ambrosius / Hilliard, Nicholas / Eyck, Jan van
dates:
1500-1549
museums and institutions:
Städel Museum, Frankfurt am Main, Germany / Queen's Gallery, Buckingham Palace, London, Great Britain
subjects:
German painting / British painting / Tudor / Courts (social groups) / Portraits / Attributions / Sitters
Reviewed Items
subjects:
Holbein and the Renaissance in the North, Städel Museum, Frankfurt,(2nd November 2023–18th February 2024) | :
subjects:
Holbein at the Tudor Court, Queen's Gallery, London, (10th November 2023–14th April 2024) | :
Illustrations
Attributed works:
1. Portrait of a man with the surname Fischer, by Hans Holbein the Elder. c.1512. Silverpoint on prepared paper, reworked with brush and ink, 13.5 by 9.5 cm. (Staatliche Museen zu Berlin, Kupferstichkabinett; exh. Städel Museum, Frankfurt).
Attributed works:
2. Portrait of a man with the surname Fischer, by Hans Holbein the Younger (?). 1512. Oil on panel, 35 by 26.5 cm. (Private collection; exh. Städel Museum, Frankfurt).
Attributed works:
3. The wife of a man with the surname Fischer, by Ambrosius Holbein (?). 1512. Oil on panel, 35 by 26.6 cm. (Kunstmuseum Basel; Bridgeman Images; exh. Städel Museum, Frankfurt).
Attributed works:
4. Thomas More, by Hans Holbein the Younger. c.1527. Black and coloured chalks, pricked for transfer to a wooden panel, 39.8 by 29.9 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust; exh. Queen’s Gallery, London).
Attributed works:
5. Unidentified man, perhaps George Cornwall, by Hans Holbein the Younger. c.1535–40. Oil and tempera on panel, diameter 32.4 cm. (Städel Museum, Frankfurt).
Attributed works:
6. Anne Boleyn, by Hans Holbein the Younger. c.1532–36. Black and coloured chalks on pink prepared paper, 28.2 by 19.3 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust; exh. Queen’s Gallery, London).
Attributed works:
7. Unidentified man, perhaps George Cornwall, by Hans Holbein the Younger. c.1543? Black and coloured chalks with black and brown inks on pink prepared paper, 27.9 by 19.1 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust; exh. Queen’s Gallery, London).
Book Review
Albrecht Dürer: Documentary Biography. By Jeffrey Ashcroft
02/2019 | 1391 | 161
Pages: 169-170
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Reviewer:
Kunz, Armin (Kunz, Armin)
Subjects
artists:
Dürer, Albrecht
dates:
1450-1499 / 1500-1549
media:
Documents / Inscriptions / Paintings / Woodcuts / Prints
places:
Germany / Nuremberg
subjects:
German painting / Artists' writings / Art theory / Biographies / Poetry / Correspondence / Translations / Language / Historical context
Exhibition Review
Aftermath: Art in the Wake of World War One. Tate Britain, London
09/2018 | 1386 | 160
Pages: 788-790
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related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
Nevinson, C. R. W. / Picasso, Pablo / Moore, Henry Spencer, 1898-1986 / Beckmann, Max / Braque, Georges / Epstein, Jacob, 1880-1959 / Lehmbruck, Wilhelm / Ernst, Max / Barlach, Ernst / Nash, Paul / Orpen, William / Spencer, Stanley / Mare, André / Grosz, George / Tonks, Henry
artists:
Lenk, Franz / Jouve, Paul / Birkle, Albert / Branson, Clive
dates:
2010-2019
media:
Paintings / Sculpture / Photographs / Videos / Documents / Pastels / Drawings
museums and institutions:
Tate Britain, London, Great Britain
places:
Great Britain / London
subjects:
World War (1914-1918) / World War (1939-1945) / Politics / War Artists / Collections, Public / Archives / Diaries / Correspondence / Soldiers / Nazism / Fascism / Class / Futurism / Abstract art / Figurative art / Neo-classicism / Military art and science / Destruction / Dada / Surrealism / Ruins / War memorials / British painting / French painting / German painting
Illustrations
Attributed works:
22. The floating one, by Ernst Barlach. 1927, cast 1987. Bronze, 213 by 74 by 68 cm. (SchleswigHolsteinische Landesmuseen Schloss Gottorf, Schleswig; exh. Tate Britain, London).
Attributed works:
23. Grey day, by George Grosz. 1921. Canvas, 115 by 80 cm. (Nationalgalerie, Berlin; exh. Tate Britain, London).
Attributed works:
24. Wire, by Paul Nash. 1918–19. Watercolour, chalk and ink on paper, 48.6 by 63.5 cm. (Imperial War Museums, London; exh. Tate Britain, London).
Exhibition Review
Georg Baselitz at eighty
09/2018 | 1386 | 160
Pages: 766-771
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Reviewer:
Weikop, Christian (Weikop, Christian)
Subjects
artists:
Baselitz, Georg / Schönebeck, Eugen / Friedrich, Caspar David / Richter, Ludwig / Pforr, Franz / Kiefer, Anselm / Nolde, Emil / Kirchner, Ernst Ludwig / De Kooning, Willem
dates:
2010-2019
media:
Paintings / Sculpture
museums and institutions:
Fondation Beyeler, Riehen, Basel, Switzerland / Hirshhorn Museum and Sculpture Garden, Washington, United States / Galerie Werner & Katz, Berlin, Germany
places:
Switzerland / Basel / United States / Washington DC / Germany
subjects:
German painting / Beauty / Romanticism / Portraits / Landscapes (visual works) / Figure paintings / Nudes / World War (1939-1945) / Nazism / Politics / Brücke / Expressionism / Neo-Expressionist / Carving (processes) / Colour / Polychromy / Brushwork / Style / Influence
Illustrations
Attributed works:
1. Man in the moon – Franz Pforr, by Georg Baselitz. 1965. Canvas, 161.9 by 129.9 cm. (National Gallery of Art, Washington; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
2. Opposite The naked man, by Georg Baselitz. 1962. Canvas, 114 by 146 cm. (Private collection, Seattle; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
3. Meissen woodsmen, by Georg Baselitz. 1969. Canvas, 250 by 200 cm. (Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
4. Orange eater IX, by Georg Baselitz. 1981. Oil and tempera on canvas, 146 by 114 cm. (Skarstedt, New York; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
5. Below The Brücke chorus, by Georg Baselitz. 1983. Canvas, 280 by 450 cm. (Private collection; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
6. My new hat, by Georg Baselitz. 2003. Cedarwood and oil paint, 310.5 by 83.5 by 107 cm. (Pinault Collection, Venice; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
8. Dystopian couple, by Georg Baselitz. 2015. Canvas, 400 by 600 cm. (Courtesy the artist and White Cube; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Western art unattributed:
7. Georg Baselitz’s studio, Ammersee. (Photograph courtesy Georg Baselitz Archive, Munich).
Exhibition Review
Emil Nolde: Colour is Life. Scottish National Gallery of Modern Art, Edinburgh
08/2018 | 1385 | 160
Pages: 684-686
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related names
Reviewer:
Lloyd, Jill (J. L.) (Lloyd, Jill (J. L.); L., J.)
Subjects
artists:
Nolde, Emil
dates:
2010-2019
media:
Paintings / Prints / Watercolours
museums and institutions:
Scottish National Gallery of Modern Art, Edinburgh, Great Britain / National Gallery of Ireland, Dublin, Ireland
museums and institutions:
Nolde Foundation Seebüll, Neukirchen, Germany
places:
Great Britain / Edinburgh / Ireland / Dublin
subjects:
German painting / Expressionism / Figurative art / Brücke / Portraits / Colour / Nazism / Politics / Entartete Kunst / Nationalism / Race / Primitivism (Cultural anthropology related concept) / Class / Ethnology / Anthropology / Iconography / Christian iconography
Illustrations
Attributed works:
25. Slowenians, by Emil Nolde. 1911. Canvas, 80 by 69.5 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
26. Frisians, man and woman, by Emil Nolde. 1910. Canvas, 69.5 by 89.5 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
27. Skater, by Emil Nolde. Watercolour on paper, 25.8 by 18 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Article
Art as diplomacy: John Closterman’s portraits of Carlos II of Spain and his wife Queen Maria Anna of Neuburg
05/2018 | 1382 | 160
Pages: 380-386
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Author:
Martínez Leiva, Gloria (Martínez Leiva, Gloria)
Subjects
artists:
Closterman, John, 1660-1711 / Troy, François de, 1645/6-1730 / Riley, John / Velázquez, Diego
collectors and dealers:
Philip William of Neuberg, Elector Palatine, 1615–1690
dates:
1650-1699
media:
Paintings
patrons:
Charles II, King of Spain, 1661-1700 / Maria Anna of Neuberg, 1667–1740 / Stanhope, James, 1st Earl of Standhope, c.1673–1721
places:
Spain / Madrid
subjects:
German painting / Portraits / Diplomacy / Dress / Grand tours / Collections, Private / Identification / Style / Correspondence
Illustrations
Attributed works:
1. Detail of Fig.2.
Attributed works:
2. Carlos II, by John Closterman. 1698–99. Canvas, 207 by 107 cm. (Private collection).
Attributed works:
3. Maria Anna of Neuburg, by John Closterman. 1698–99. Canvas, 207 by 107 cm. (Private collection).
Attributed works:
4. Queen Mary II, by John Closterman. c.1691. Canvas, 224 by 139 cm. (The Vintners’ Company, London; courtesy Stephen Freeth).
Attributed works:
5. Alexander Stanhope, by John Closterman. 1698–99. Canvas, 231 by 140 cm. (The Administrative Trustees of the Chevening Estate, Kent).
Attributed works:
6. Philip IV as hunter, by Diego Velázquez. c.1632–34. Canvas, 189 by 124 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
7. Portrait of a dwarf, by John Closterman. 1698. Canvas, 166 by 110 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
8. Fille de qualité en habit de chasse (Society woman in hunting dress), by Robert Boonart. c.1693. Engraving, 36 by 25.5 cm. (Bibliothèque Nationale de France, Paris).
Book Review
Adolph Menzel: The Quest for Reality. By Werner Busch
04/2018 | 1381 | 160
Pages: 351-352
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Reviewer:
Duffy, Stephen (Duffy, Stephen)
Subjects
artists:
Menzel, Adolph
dates:
1850-1899
media:
Paintings / Drawings
places:
Germany
subjects:
German painting / Realism / Monographs / Translations
Exhibition Review
Charles I: King and Collector
04/2018 | 1381 | 160
Pages: 277-282
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Reviewer:
Penny, Nicholas (Penny, Nicholas)
Subjects
art literature:
Doort, Abraham van der / Haskell, Francis
artists:
Raphael / Cleyn, Francis / Fanelli, Francesco, sculptor, act. ca. 1608-1661 / Oliver, Peter / Correggio / Veronese, Paolo / Titian / Dyck, Anthony van / Steenwyck, Hendrick II van / Gentileschi, Orazio / Bassano, Jacopo, il vecchio, 1510-1592 / Tintoretto, Jacopo / Tintoretto, Domenico / Palma, Jacopo, il giovane, ca. 1548 - 1628 / Caravaggio, Michelangelo Merisi da / Reni, Guido / Vianen, Paulus van / Rubens, Peter Paul / Mantegna, Andrea / Cordier, Nicolas / Stone, Nicholas, the Elder / Bernini, Gian Lorenzo
dates:
2010-2019
media:
Paintings / Sculpture / Drawings / Engravings / Miniatures (paintings) / Tapestries / Medals
museums and institutions:
Royal Academy of Arts, London, Great Britain
patrons:
Charles I, King of England, 1600-1649 / Philip IV, King of Spain, 1605-1665 / Henrietta Maria, Queen, Consort of Charles I, King of England, 1609-1669 / Christina, Queen of Sweden / Francis I, King of France, 1494-1547 / House of Gonzaga
places:
Great Britain / London
subjects:
Exhibition reviews / Italian painting / Netherlandish painting / German painting / British painting / Collecting / Patronage / Inventories / Provenance / Lighting / Galleries (display spaces) / Allegory / Mythology / Copies / Posthumous casts (sculpture) / Natural disasters
Illustrations
Attributed works:
1. Charles I in the hunting field, by Anthony van Dyck. c.1636. Canvas, 266 by 207 cm. (Musée du Louvre, Paris).
Attributed works:
3. The miraculous draft of fi shes, Mortlake tapestry after Raphael, with borders designed by Francis Cleyn. c.1639–40. Wool, silk and gilt thread, 530 by 580 cm. (Mobilier national, Paris).
Attributed works:
4. Detail of Fig.3.
Attributed works:
5. The conversion of St Paul, by Palma Giovane. c.1590–95. Canvas, 207 by 337 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
6. St George and the Dragon, by Peter Oliver (after Raphael). 1628. Bodycolour and gold paint on vellum, 22 by 16.5 cm. (Royal Collection / © HM Queen Elizabeth II).
Attributed works:
7. The toilet of Venus, by Guido Reni. c.1620–25. Canvas, 281.9 by 205.7 cm. (National Gallery, London).
Attributed works:
9. Installation view of Charles I: King and Collector at the Royal Academy of Arts, London, showing Charles I, by François Dieussart (1636; Arundel Castle) and Charles I in three positions, by Anthony van Dyck (1635–36; The Royal Collection; photograph Royal Academy of Arts, London).
Western art unattributed:
2. Claudius, Roman, AD43–45. Sardonyx cameo, 20.5 by 16 cm. (Royal Collection / © HM Queen Elizabeth II).
Western art unattributed:
8. Aphrodite (‘The crouching Venus’). Roman, second century AD. Marble, height 119 cm. (The Royal Collection / © HM Queen Elizabeth II.)
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